English Architecture Collection (page 4)

Badminton House in the County of Gloucester, engraved by Johannes Kip (c
STC192764 Badminton House in the County of Gloucester, engraved by Johannes Kip (c.1652-1722) (engraving) (see also 192765) by Knyff

View of the Quadrangle at Hampton Court Palace from Pynes Royal Residences
STC102028 View of the Quadrangle at Hampton Court Palace from Pynes Royal Residences engraved by Thomas Sutherland (b.c.1785), published in 1819 (engraving) by Westall

Meanwood Towers, built 1867, 1950 (b / w photo)
LLS218013 Meanwood Towers, built 1867, 1950 (b/w photo) by English Photographer, (20th century); Leeds Library and Information Service, Leeds

The Garden Front, Beaufront Castle, 1845 (oil on canvas)
TW426837 The Garden Front, Beaufront Castle, 1845 (oil on canvas) by Carmichael, John Wilson (1800-68); 44.6x63.7 cm; Laing Art Gallery, Newcastle-upon-Tyne

The Entrance to Queens College from Logic Lane, 1903 (colour litho)
STC364735 The Entrance to Queens College from Logic Lane, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: Founded in 1341 by the chaplain Robert de Eglesfield)

Magdalen Tower and Bridge, 1903 (colour litho)
STC364725 Magdalen Tower and Bridge, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: A bell tower)

Interior of the Bodleian Library, 1903 (colour litho)
STC364723 Interior of the Bodleian Library, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: The Bodleian Library)

University College, private garden of the Master, 1903 (colour litho)
STC364720 University College, private garden of the Master, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info)

Broad Street, Looking West, 1903 (colour litho)
STC364741 Broad Street, Looking West, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; The Stapleton Collection; English, out of copyright

The Sheldonian Theatre and Old Clarendon Buildings, 1903 (colour litho)
STC364738 The Sheldonian Theatre and Old Clarendon Buildings, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info)

Corpus Christi College, 1903 (colour litho)
STC364727 Corpus Christi College, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: Founded in 1517 by Richard Foxe, the Bishop of Winchester (c.1448-1528)

All Souls College and the High Street, 1903 (colour litho)
STC364726 All Souls College and the High Street, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info)

The Cloisters, Magdalen College, 1903 (colour litho)
STC364724 The Cloisters, Magdalen College, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info)

Interior of St. Pauls Cathedral, c. 1792 (graphite, w / c and pen on paper)
XYC291000 Interior of St. Pauls Cathedral, c.1792 (graphite, w/c and pen on paper) by Malton Jnr. Thomas (1748-1804); 66.7x91.8 cm; Yale Center for British Art, Paul Mellon Collection

Kew Palace as seen from Brentford, engraved by Thomas Sutherland (b
STC201070 Kew Palace as seen from Brentford, engraved by Thomas Sutherland (b.1785) published in 1819 (colour litho) by Gendall

View of Leicester Square, 1753 (engraving)
GHL195989 View of Leicester Square, 1753 (engraving) by Bowles, Thomas (c.1712-53); London Metropolitan Archives, City of London; eLondon Metropolitan Archives; English, out of copyright

The South East Prospect of Westminster Bridge - Boats arriving at Parliament for
STC192770 The South East Prospect of Westminster Bridge - Boats arriving at Parliament for the Swearing in of Sir John Barnard (1685-1764) as Lord Mayor of the City of London, 1747, engraved by R

Durham Cathedral, 1795 (w / c with touches of gum arabic on wove paper)
474141 Durham Cathedral, 1795 (w/c with touches of gum arabic on wove paper) by Girtin, Thomas (1775-1802); 39.6x26.5 cm; Laing Art Gallery, Newcastle-upon-Tyne

Old Westminster, 1811 (pencil & w / c on wove paper)
474055 Old Westminster, 1811 (pencil & w/c on wove paper) by Cox, David (1783-1859); 45.5x32.5 cm; Laing Art Gallery, Newcastle-upon-Tyne

Interior of St. Peters Church, Newcastle upon Tyne (oil on paper)
TW426881 Interior of St. Peters Church, Newcastle upon Tyne (oil on paper) by Carmichael, John Wilson (1800-68); 72.2x59.2 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: St)

View of the Temple of Suryah and the Fountain of Mahah Doo with a distant view of
STC171664 View of the Temple of Suryah and the Fountain of Mahah Doo with a distant view of the north side of the Mansion House, Sezincote, engraved by Frederick Christian Lewis Snr

A View of Bristol High Cross and Cathedral, c. 1750 (oil on canvas)
BAG175693 A View of Bristol High Cross and Cathedral, c.1750 (oil on canvas) by Scott, Samuel (c.1702-72); 58.4x49.5 cm; Bristol Museum and Art Gallery, UK; eBristol Museums

Exeter College Chapel, from Ship Street, 1903 (colour litho)
STC364736 Exeter College Chapel, from Ship Street, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info)

All Saints Church, from Turn Street, 1903 (colour litho)
STC364732 All Saints Church, from Turn Street, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: Built in 1709 on a design by Henry Aldrich)

Tom Tower, Christ Church College, 1903 (colour litho)
STC364717 Tom Tower, Christ Church College, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: Tom Tower is bell tower named for its bell)

Oxford, from the Sheldonian Theatre, 1903 (colour litho)
STC364716 Oxford, from the Sheldonian Theatre, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; The Stapleton Collection; English, out of copyright

The Cloisters, New College, 1903 (colour litho)
STC364740 The Cloisters, New College, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: New College was founded in 1379 by William of Wykeham)

Jesus College, 1903 (colour litho)
STC364739 Jesus College, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: Founded in 1571 by Elizabeth I (1533-1603) for the education of clergy;

Trinity College, 1903 (colour litho)
STC364733 Trinity College, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: Trinity College was founded in 1555 by Sir Thomas Pope (c)

St. Peter s-In-The-East, 1903 (colour litho)
STC364719 St. Peter s-In-The-East, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info.: St)

The Clarendon Building, Broad Street, 1903 (colour litho)
STC364715 The Clarendon Building, Broad Street, 1903 (colour litho) by Fulleylove, John (1847-1908); Private Collection; (add.info)

Hanover Square, 1922 (oil on canvas)
TW427187 Hanover Square, 1922 (oil on canvas) by Straker, Henry (1860-1943); 91.7 x 71.4 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; British, out of copyright

Wells Cathedral, 1889 (oil on board)
TW427045 Wells Cathedral, 1889 (oil on board) by Goodwin, Albert (1845-1932); 26.7x34.7 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: Wells Cathedral is in Somerset)

Lindisfarne Priory, c. 1837 (oil on canvas)
TW426836 Lindisfarne Priory, c.1837 (oil on canvas) by Richardson, Thomas Miles (1784-1848); 72.8x107.3 cm; Laing Art Gallery, Newcastle-upon-Tyne

Tynemouth Priory (w / c on paper)
1213739 Tynemouth Priory (w/c on paper) by Beverley, William Roxby (1811-89); 24.4 x38.5 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; British, out of copyright

Design for Argyll Concert Rooms, Regent Street, London, c
XYC213882 Design for Argyll Concert Rooms, Regent Street, London, c.1819-20 (w/c over graphite on paper) by Nash, John (1752-1835) & Repton

St. Pauls Cathedral and the City, early 19th century (aquatint)
GHL6206 St. Pauls Cathedral and the City, early 19th century (aquatint) by Daniell, William (1769-1837); London Metropolitan Archives

Newstead Abbey, from R. Ackermanns (1764-1834) Repository of Arts
STC119582 Newstead Abbey, from R. Ackermanns (1764-1834) Repository of Arts, 1827 (colour engraving) by English School, (19th century); Private Collection; (add.info)

Garden front of Chiswick House (colour engraving)
STC119571 Garden front of Chiswick House (colour engraving) by Gendall, John (1790-1865) (after); Private Collection; (add.info)

Long Leate engraved by Johannes Kip (c. 1652-1722) (engraving)
STC152229 Long Leate engraved by Johannes Kip (c.1652-1722) (engraving) by Knyff, Leonard (1650-1721) (after); Private Collection; (add.info.: seat of the Rt. Hon)

Hutton Hall in the county of Cumberland engraved by Johannes Kip (c
STC152225 Hutton Hall in the county of Cumberland engraved by Johannes Kip (c.1652-1722) (engraving) by Knyff, Leonard (1650-1721) (after); Private Collection; (add.info.: seat of the Rt. Hon)

Tower of London (w / c on paper)
NWP153586 Tower of London (w/c on paper) by Roberts, David (1796-1864); 22x29.5 cm; Newport Museum and Art Gallery, South Wales; eNewport Museum and Art Gallery; Scottish, out of copyright

The Cloister, Kirkstall Abbey, 1893 (engraving)
LMG148388 The Cloister, Kirkstall Abbey, 1893 (engraving) by Haig, Axel (1835-1921); 26.7x40.5 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; Swedish

Headfort House. Staricase, side section, 1775 (pen & ink and w / c wash on paper)
XYC156351 Headfort House. Staricase, side section, 1775 (pen & ink and w/c wash on paper) by Adam, Robert (1728-92); 53.8x37 cm; Yale Center for British Art, Paul Mellon Collection

The Royal Palace of St. James, from Survey of London
STC137602 The Royal Palace of St. James, from Survey of London engraved by Johannes Kip (c.1652-1722), 1730 (colour engraving) by Knyff

London Bridge (hand-coloured photo)
908058 London Bridge (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Tower Bridge, London (hand-coloured photo)
908057 Tower Bridge, London (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

High Street, Dorchester (hand-coloured photo)
908042 High Street, Dorchester (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

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English architecture is a captivating blend of history, elegance, and innovation. From the grandeur of Keble College in Oxford to the charming Pierrepont House in Nottingham, each structure tells a unique story. In the heart of London, Kings College Chapel stands as a testament to England's rich cultural heritage. Its intricate design and majestic presence are truly awe-inspiring. Meanwhile, Limehouse's Regents Canal entrance offers a glimpse into the city's industrial past, showcasing how architecture can reflect societal changes. The Long Room in the Custom-House showcases not only architectural brilliance but also gives us insight into the costumes worn during that era. It serves as a reminder that buildings are not just structures; they encapsulate entire periods of time. Moving on to Kew Gardens' New Palace, we witness nature blending seamlessly with architecture. The drawings depict an enchanting harmony between man-made beauty and natural splendor. Hampton Court presents another facet with its stunning view from the North-west. This historical gem transports us back to royal times when opulence was at its peak. Modern-day marvels like citizenM Hotel Spiral Staircase demonstrate how contemporary architects continue to push boundaries while paying homage to traditional elements. Tower Bridge stands tall as an iconic symbol of London's skyline while Westminster Central Hall exudes grandeur and importance. 30 St Mary Axe or "The Gherkin" showcases London's ability to embrace bold and innovative designs without compromising on functionality or aesthetic appeal. Lastly, Richmond Theatre adds charm and character to Richmond with its elegant façade and timeless allure. It reminds us that even amidst modernization, historic theaters still hold their place in society. English architecture is more than just bricks and mortar; it embodies centuries-old stories woven together by skilled craftsmen who have left their mark for generations to come.