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Ewer Collection (#2)

The ewer, a versatile vessel with a rich history, has played many roles throughout the centuries

Background imageEwer Collection: Elegant guests at a Country House Fancy Dress Party, 19th century (watercolour)

Elegant guests at a Country House Fancy Dress Party, 19th century (watercolour)
8835619 Elegant guests at a Country House Fancy Dress Party, 19th century (watercolour) by Cox, David, the younger (1809-85); Bourne Gallery, Reigate, Surrey

Background imageEwer Collection: Odalisque, c.1830-35 (oil on panel)

Odalisque, c.1830-35 (oil on panel)
8775284 Odalisque, c.1830-35 (oil on panel) by Deveria, Achille (1800-57); Norton Simon Museum, Pasadena, CA, USA; (add.info.: By Achille-Jacques-Jean-Marie Deveria)

Background imageEwer Collection: Lomellini Ewer and Basin, 1619 (engraving)

Lomellini Ewer and Basin, 1619 (engraving)
2912199 Lomellini Ewer and Basin, 1619 (engraving); (add.info.: Lomellini Ewer and Basin, 1619 by a Flemish silversmith, active in Genoa. Silver, embossed and chased, with cast details)

Background imageEwer Collection: M: the doctor (Medicus) - The Alphabet of Death, c.1856 (engraving)

M: the doctor (Medicus) - The Alphabet of Death, c.1856 (engraving)
DUV4222013 M: the doctor (Medicus) - The Alphabet of Death, c.1856 (engraving); 8x23 cm; Private Collection; (add.info.: Drawing by H. Loedel after Hans Holbein (1497? -1543)); Photo © Duvallon

Background imageEwer Collection: T: a travelling musician (Homo Titubans) - The Alphabet of Death, c.1856 (engraving)

T: a travelling musician (Homo Titubans) - The Alphabet of Death, c.1856 (engraving)
DUV4221975 T: a travelling musician (Homo Titubans) - The Alphabet of Death, c.1856 (engraving); 8x23 cm; Private Collection; (add.info.: Drawing by H)

Background imageEwer Collection: The Industrial Arts during the Renaissance Period North of the Alps (engraving)

The Industrial Arts during the Renaissance Period North of the Alps (engraving)
8644858 The Industrial Arts during the Renaissance Period North of the Alps (engraving) by European School, (19th century); Private Collection; (add.info)

Background imageEwer Collection: Appearance of a fairy to the cookermaid of the sultan, c.1900-1910 (chromo)

Appearance of a fairy to the cookermaid of the sultan, c.1900-1910 (chromo)
1790238 Appearance of a fairy to the cookermaid of the sultan, c.1900-1910 (chromo); (add.info.: Appearance of a fairy to the cookermaid of the sultan, from 1001 Arabian nights)

Background imageEwer Collection: Still Life with Herring, Bread, and Cheese, 1858 (oil on canvas)

Still Life with Herring, Bread, and Cheese, 1858 (oil on canvas)
XOS5879735 Still Life with Herring, Bread, and Cheese, 1858 (oil on canvas) by Decamps, Alexandre Gabriel (1803-60); 63x38 cm; Cleveland Museum of Art, OH

Background imageEwer Collection: Polychrome bowl with red and white racquet pattern, circa 1900 BC -1850 BC (clay, pigment)

Polychrome bowl with red and white racquet pattern, circa 1900 BC -1850 BC (clay, pigment)
7310008 Polychrome bowl with red and white racquet pattern, circa 1900 BC -1850 BC (clay, pigment); 6.2(restored) cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Display: clay)

Background imageEwer Collection: Aioili merchant, c.1910 (print)

Aioili merchant, c.1910 (print)
7293344 Aioili merchant, c.1910 (print); (add.info.: Food and beverage. Aioli (garlic sauce) merchant in the Ancient Rome

Background imageEwer Collection: The Empty Mug, 1668 (oil on panel)

The Empty Mug, 1668 (oil on panel)
8712003 The Empty Mug, 1668 (oil on panel) by Teniers, David the Younger (1610-90); Nivaagaards Malerisamling, Niva, Denmark; (add.info.: By David Teniers)

Background imageEwer Collection: A Monk holding keys to the cellar

A Monk holding keys to the cellar
3478100 A Monk holding keys to the cellar; (add.info.: Woodcut print depicting a Monk holding keys to the cellar. He is tasting the liquor as he fills the jug from the barrel)

Background imageEwer Collection: John Flaxman's water vase decorated with a Triton grasping a sea monster's head

John Flaxman's water vase decorated with a Triton grasping a sea monster's head. Chromolithograph by W
FLO4689075 John Flaxman's water vase decorated with a Triton grasping a sea monster's head. Chromolithograph by W

Background imageEwer Collection: I don't mind the seven years but - !?!?! (colour litho)

I don't mind the seven years but - !?!?! (colour litho)
8656669 I don't mind the seven years but - !?!?! (colour litho) by English School, (20th century); Private Collection; (add.info.: "I don't mind the seven years but - !?!)

Background imageEwer Collection: Ancient Greek pottery (engraving)

Ancient Greek pottery (engraving)
8635145 Ancient Greek pottery (engraving) by German School, (19th century) (after); Private Collection; (add.info.: Ancient Greek pottery. Illustration from Hellas)

Background imageEwer Collection: The Loan Collection, South-Kensington: Chalice, cups, ewer, pyx, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Chalice, cups, ewer, pyx, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. A silver-gilt chalice, the work of Master Bartholomew, of Atri...supposed to have...[belonged] to Pope Boniface VIII...around the stem is...[an]

Background imageEwer Collection: The Loan Collection, South-Kensington: Mother-of-pearl cup; Cellini Ewer; vase, 1862

The Loan Collection, South-Kensington: Mother-of-pearl cup; Cellini Ewer; vase, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. Cup, in form of a partridge; the body formed of overlapping pieces of mother-of-pearl in imitation of feathers...Circa 1600. Baron L. de Rothschild

Background imageEwer Collection: The Loan Collection, South-Kensington: Silver-gilt ewer, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Silver-gilt ewer, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. Silver-gilt rose-water ewer. The ewer is oviform, with very high handle, in form of a hydra or monster with three heads, winged body, and forelegs

Background imageEwer Collection: Comment on donne aux jeunes gens le goût de la navigation, 1846. Creator: Honore Daumier

Comment on donne aux jeunes gens le goût de la navigation, 1846. Creator: Honore Daumier
Comment on donne aux jeunes gens le gout de la navigation, 1846. How to give young people a taste for sailing. (Father blows toy boat on basin of water as son watches). Series: Les Papas, no

Background imageEwer Collection: Ewer in the Form of a Parrot, between c.960 and c.1000. Creator: Unknown

Ewer in the Form of a Parrot, between c.960 and c.1000. Creator: Unknown
Ewer in the Form of a Parrot, between c.960 and c.1000

Background imageEwer Collection: Design for a jug with lid, c.1765-c.1775. Creator: Jean Charles Delafosse

Design for a jug with lid, c.1765-c.1775. Creator: Jean Charles Delafosse
Design for a jug with lid, c.1765-c.1775

Background imageEwer Collection: Susanna and the Elders, 1653. Creator: Jacob Jordaens

Susanna and the Elders, 1653. Creator: Jacob Jordaens
Susanna and the Elders, 1653

Background imageEwer Collection: Still life with ewer, 1643. Creator: Willem Claesz Heda

Still life with ewer, 1643. Creator: Willem Claesz Heda
Still life with ewer, 1643

Background imageEwer Collection: Sacramental Ewer, c. 1936. Creator: Aaron Fastovsky

Sacramental Ewer, c. 1936. Creator: Aaron Fastovsky
Sacramental Ewer, c. 1936

Background imageEwer Collection: Ewer - Fulton Steamboat, c. 1940. Creator: George Yanosko

Ewer - Fulton Steamboat, c. 1940. Creator: George Yanosko
Ewer - Fulton Steamboat, c. 1940

Background imageEwer Collection: Gourd-Shaped Ewer with Twisted Rope Handle, Lotus Leaves, and Floral Sprays... 12th century

Gourd-Shaped Ewer with Twisted Rope Handle, Lotus Leaves, and Floral Sprays... 12th century. Creator: Unknown
Gourd-Shaped Ewer with Twisted Rope Handle, Lotus Leaves, and Floral Sprays, Korea, Goryeo dynasty (918-1392), 12th century

Background imageEwer Collection: Ware of Henry II. of France - Candlestick, Ewer, Salt-Cellar, 1850. Creator: Unknown

Ware of Henry II. of France - Candlestick, Ewer, Salt-Cellar, 1850. Creator: Unknown
Ware of Henry II. of France - Candlestick, Ewer, Salt-Cellar, 1850. Items from an Exhibition of Ancient and Mediaeval Art at the Society of Arts, in John-street, Adelphi, [London]

Background imageEwer Collection: Pattern for Ewer, n.d. Creator: Giuseppe Grisoni

Pattern for Ewer, n.d. Creator: Giuseppe Grisoni
Pattern for Ewer, n.d

Background imageEwer Collection: Stone Ewer with Ornate Handle, n.d. Creator: Giuseppe Grisoni

Stone Ewer with Ornate Handle, n.d. Creator: Giuseppe Grisoni
Stone Ewer with Ornate Handle, n.d

Background imageEwer Collection: The International Exhibition: Group of porcelain articles by Sir James Duke and Nephews, 1862

The International Exhibition: Group of porcelain articles by Sir James Duke and Nephews, 1862. Creator: Unknown
The International Exhibition: Group of porcelain articles by Sir James Duke and Nephews, 1862. Ceramics in antique style which have...as a centrepiece a large vase of an Etruscan character

Background imageEwer Collection: The International Exhibition: Bohemian glass, by Harrach and Hofmann, in the Austrian Court, 1862

The International Exhibition: Bohemian glass, by Harrach and Hofmann, in the Austrian Court, 1862. Creator: Unknown
The International Exhibition: Bohemian glass, by Harrach of Bohemia, and Hofmann of Prague, in the Austrian Court, 1862. The central object...has its dishes

Background imageEwer Collection: The International Exhibition: articles of glass, by Messrs. Dobson and Pearce, 1862

The International Exhibition: articles of glass, by Messrs. Dobson and Pearce, 1862. Creator: Unknown
The International Exhibition: articles of glass, by Messrs. Dobson and Pearce, 1862....the two side ewers are more successful than that in the centre, which is somewhat heavy in shape

Background imageEwer Collection: Still Life with Fruit, 1873 (oil on fabric)

Still Life with Fruit, 1873 (oil on fabric)
XOS5885364 Still Life with Fruit, 1873 (oil on fabric) by Preyer, Emilie (1849-1930); 35x46.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Emilie Preyer)

Background imageEwer Collection: Broken Pot, c.1895 (oil on canvas)

Broken Pot, c.1895 (oil on canvas)
8615150 Broken Pot, c.1895 (oil on canvas) by Suthers, Leghe (1856-1924); 81x102 cm; Gallery Oldham, UK; (add.info.: By John Lees Suthers/J)

Background imageEwer Collection: Male portrait with pouring pot, Egypt; Photo studio

Male portrait with pouring pot, Egypt; Photo studio Egypt. Date of Photograph:12-23/08//1931

Background imageEwer Collection: India vendiendo cuajada, 1820 (watercolour)

India vendiendo cuajada, 1820 (watercolour)
3671189 India vendiendo cuajada, 1820 (watercolour) by Ecuadorian School, (19th century); Newberry Library, Chicago, Illinois

Background imageEwer Collection: Tivoli, 1874 (oil on canvas)

Tivoli, 1874 (oil on canvas)
NGW405356 Tivoli, 1874 (oil on canvas) by Williams, Henry Penry (1798-1885); 33.2x25.7 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEwer Collection: In the Algerian Quarter, 1893 (lithograph)

In the Algerian Quarter, 1893 (lithograph)
3671676 In the Algerian Quarter, 1893 (lithograph) by Mielatz, Charles Frederick William (1864-1919); Newberry Library, Chicago, Illinois

Background imageEwer Collection: Pilate washing his hands (oil on panel)

Pilate washing his hands (oil on panel)
NGW405359 Pilate washing his hands (oil on panel) by Bijlert or Bylert, Jan van (1603-71); 107.8x82.7 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageEwer Collection: Ewer, 1520 (silver-gilt, with enamel additions)

Ewer, 1520 (silver-gilt, with enamel additions)
1217968 Ewer, 1520 (silver-gilt, with enamel additions) by Unknown Artist, (16th century); Ashmolean Museum, University of Oxford, UK; (add.info.: height: max 43.5 cm Lisbon)

Background imageEwer Collection: One of a pair of Louis XV ewers, porcelain 1662-1722, mounts c

One of a pair of Louis XV ewers, porcelain 1662-1722, mounts c
5902626 One of a pair of Louis XV ewers, porcelain 1662-1722, mounts c.1745-49 (ormolu-mounted porcelain) by Chinese School

Background imageEwer Collection: Detail of an enamel cartouche from a magnificent Imperial gold

Detail of an enamel cartouche from a magnificent Imperial gold
1764849 Detail of an enamel cartouche from a magnificent Imperial gold, cloisonne and Beijing enamel ewer, Duomuhu, engraved Qianlong four-character mark and of the period, Palace Workshops

Background imageEwer Collection: Then took he him up in his arms, and blessed God, 19th century. Creator: J Jenkins

Then took he him up in his arms, and blessed God, 19th century. Creator: J Jenkins
Then took he him up in his arms, and blessed God, 19th century. Biblical scene, from Luke 2: 28: Then took he him up in his arms, and blessed God, and said, Lord

Background imageEwer Collection: The Loan Collection, South-Kensington: Stag's horn ewer, 1862. Creator: Unknown

The Loan Collection, South-Kensington: Stag's horn ewer, 1862. Creator: Unknown
The Loan Collection, South-Kensington, 1862. Ewer, in stag's horn, mounted and inlaid with ivory, most elaborately and minutely carved in many compartments with hunting-subjects; apparently

Background imageEwer Collection: Paris Demolitions - prisoner's chamber, 1864. Creator: Unknown

Paris Demolitions - prisoner's chamber, 1864. Creator: Unknown
Paris Demolitions - the Hotel des Haricots, or prison of the National Guard of Paris: prisoner's chamber, 1864. Interior of...the Hotel des Haricots

Background imageEwer Collection: An elegant wash-stand from the Italian Renaissance, with its washbowl

An elegant wash-stand from the Italian Renaissance, with its washbowl, ewer with tap to provide water, towel to dry your hands, and a candle to see what you are doing Date: circa 16th century

Background imageEwer Collection: Peasant couple on the market, 1519 (engraving)

Peasant couple on the market, 1519 (engraving)
7414918 Peasant couple on the market, 1519 (engraving) by Durer or Duerer, Albrecht (1471-1528); 11.6--7.3 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by Albrecht Durer)

Background imageEwer Collection: Quito carrying vegetables, 1865 (watercolour)

Quito carrying vegetables, 1865 (watercolour)
3673123 Quito carrying vegetables, 1865 (watercolour) by Salas, Ramon (1815-80); Newberry Library, Chicago, Illinois, USA; (add.info.: Quito costumes Drawing No. 18)



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The ewer, a versatile vessel with a rich history, has played many roles throughout the centuries. In Thessaloniki, it was once associated with the bustling trade of salep merchants, who used it to serve their aromatic beverages. In the late 19th century, an exquisite artwork titled "Woman Bathing" depicted a scene where an elegant ewer and basin were essential tools for personal hygiene. The vibrant colors of the drypoint and aquatint print brought this moment to life. During the Italian Renaissance, an elegant wash-stand showcased not only its decorative beauty but also its practicality. With a tap attached to the ewer providing water and a towel nearby for drying hands, this piece exemplified functionality in style. Even in simpler times, like in 16th-century markets or when peasants carried vegetables in Quito during 1865, humble ewers served as vessels for daily tasks. They symbolized resourcefulness and simplicity amidst busy lives. Ewers have also been immortalized through various art forms. Engravings such as "The Lovers" from around 1490 captured intimate moments while showcasing these vessels' timeless charm. Intricate porcelain designs from c. 1781-93 displayed elegance and craftsmanship through delicate ewers paired with matching basins—a testament to refined taste during that era. Artists like Waldeck documented Mesoamerica's cultural heritage through prints depicting ancient artifacts such as ornate pitchers—an homage to indigenous civilizations that valued both function and aesthetics. Moving forward in time, oil paintings like "Pitcher and Glass on a Table" portrayed still-life scenes where everyday objects took center stage—reminding us of how even simple items can hold significance within our lives. Capo di Monte coffee pots adorned with intricate decorations became coveted pieces during c. 1750—a blend of utility and artistic expression that elevated mundane routines into moments of luxury.