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Expression Collection (page 4)

Expression is a powerful tool that transcends time and medium, allowing us to convey our deepest emotions and thoughts

Background imageExpression Collection: Happy Jump

Happy Jump
Catherine Wang

Background imageExpression Collection: The Bright Shawl, 1921 (oil on board)

The Bright Shawl, 1921 (oil on board)
823211 The Bright Shawl, 1921 (oil on board) by Shinn, Everett (1876-1953); 83x63.5 cm; Private Collection; (add.info.: The Bright Shawl. Everett Shinn (1876-1953). Oil on board

Background imageExpression Collection: After the Performance, 1934-35 (oil on canvas)

After the Performance, 1934-35 (oil on canvas)
823068 After the Performance, 1934-35 (oil on canvas) by Shinn, Everett (1876-1953); 45.7x30.5 cm; Private Collection; (add.info.: After the Performance. Everett Shinn (1876-1953)

Background imageExpression Collection: The New Gloves, 1909 (oil on canvas)

The New Gloves, 1909 (oil on canvas)
658191 The New Gloves, 1909 (oil on canvas) by Schuster, Karl Maria (1871-1953); 99.6x75.8 cm; Private Collection; (add.info.: The New Gloves. Karl Maria Schuster (1871-1953). Oil on canvas

Background imageExpression Collection: Happy Guy, 1944 (oil on canvas)

Happy Guy, 1944 (oil on canvas)
650489 Happy Guy, 1944 (oil on canvas) by Shinn, Everett (1876-1953); 61x51 cm; Private Collection; (add.info.: Happy Guy. Everett Shinn (1876-1953). Oil on canvas. Signed and dated 1944

Background imageExpression Collection: Indian with Drum, (oil on canvas)

Indian with Drum, (oil on canvas)
985105 Indian with Drum, (oil on canvas) by Sharp, Joseph Henry (1859-1953); 40.7x51 cm; Private Collection; (add.info.: Indian with Drum. Joseph Henry Sharp (1859-1953). Oil on canvas

Background imageExpression Collection: French expression meaning to clutch at straws. End of the 19th century (chromolithograph)

French expression meaning to clutch at straws. End of the 19th century (chromolithograph)
ELD4964994 French expression meaning to clutch at straws. End of the 19th century (chromolithograph); Private Collection; Photo © The Holbarn Archive

Background imageExpression Collection: Origin of the expression 'make strike', the people who have been united since the 12th century

Origin of the expression "make strike", the people who have been united since the 12th century on the Place
ELD4949839 Origin of the expression "make strike", the people who have been united since the 12th century on the Place de la Greve in Paris

Background imageExpression Collection: Representation of the expression wait in front of a door with a door knocker

Representation of the expression wait in front of a door with a door knocker
ELD4951687 Representation of the expression wait in front of a door with a door knocker. End of the 19th century (chromolithograph); Private Collection; (add.info)

Background imageExpression Collection: Cover of ' Les Corbeaux (Paris)', number 173, Satirique en Couleurs, 1908_7_19: July 14

Cover of " Les Corbeaux (Paris)", number 173, Satirique en Couleurs, 1908_7_19: July 14
ICA4875434 Cover of " Les Corbeaux (Paris)", number 173, Satirique en Couleurs, 1908_7_19: July 14! - Anticlericalism - Separation of Church and State

Background imageExpression Collection: Drunken farmer Jones buying the entire stock of wooden tools from old squinty-eyed Nan

Drunken farmer Jones buying the entire stock of wooden tools from old squinty-eyed Nan
FLO4718005 Drunken farmer Jones buying the entire stock of wooden tools from old squinty-eyed Nan. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786)

Background imageExpression Collection: Caricature of fashions of the late 18th century: women in tall wigs with garden of flowers in her

Caricature of fashions of the late 18th century: women in tall wigs with garden of flowers in her bosom
FLO4717979 Caricature of fashions of the late 18th century: women in tall wigs with garden of flowers in her bosom, and macaroni in a tall wig with extravagant mass of hair tied at the back

Background imageExpression Collection: Dentist laughing as he uses pincers to pull a bad tooth from the mouth of an old woman

Dentist laughing as he uses pincers to pull a bad tooth from the mouth of an old woman
FLO4718324 Dentist laughing as he uses pincers to pull a bad tooth from the mouth of an old woman. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786)

Background imageExpression Collection: Physician laughing as he pulls a patient's tooth with string

Physician laughing as he pulls a patient's tooth with string. Copperplate engraving after a satirical illustration
FLO4718308 Physician laughing as he pulls a patient's tooth with string. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786)

Background imageExpression Collection: Bankrupt Toby and wife Doxy begging for cheese and ale in a tavern

Bankrupt Toby and wife Doxy begging for cheese and ale in a tavern. Copperplate engraving by Thomas Sanders after a
FLO4718140 Bankrupt Toby and wife Doxy begging for cheese and ale in a tavern. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786)

Background imageExpression Collection: A plump rich vicar with tobacco pipe and liquor ignores the entreaties of a poor old woman

A plump rich vicar with tobacco pipe and liquor ignores the entreaties of a poor old woman
FLO4718115 A plump rich vicar with tobacco pipe and liquor ignores the entreaties of a poor old woman. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin

Background imageExpression Collection: Hodge and Roaf accuse each other of leaving a pot of piss in place of a jug of ale

Hodge and Roaf accuse each other of leaving a pot of piss in place of a jug of ale
FLO4718072 Hodge and Roaf accuse each other of leaving a pot of piss in place of a jug of ale. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier)

Background imageExpression Collection: Old Darby with empty tankard and Joan with her tobacco pipe. Copperplate engraving after a

Old Darby with empty tankard and Joan with her tobacco pipe. Copperplate engraving after a satirical illustration by
FLO4718042 Old Darby with empty tankard and Joan with her tobacco pipe. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786)

Background imageExpression Collection: Two rustics Hal and Dick fighting over a rumour of infidelity about Hal's wife Doll

Two rustics Hal and Dick fighting over a rumour of infidelity about Hal's wife Doll
FLO4718022 Two rustics Hal and Dick fighting over a rumour of infidelity about Hal's wife Doll. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786)

Background imageExpression Collection: The comical figures of Cimon and Mopsus with the lovely Phillida

The comical figures of Cimon and Mopsus with the lovely Phillida. From Colley Cibber's comic opera Damon
FLO4717873 The comical figures of Cimon and Mopsus with the lovely Phillida. From Colley Cibber's comic opera Damon and Phillida, 1729

Background imageExpression Collection: Rubber wheels for bycicles, Cartoon from Punch 1911 (engraving)

Rubber wheels for bycicles, Cartoon from Punch 1911 (engraving)
5616660 Rubber wheels for bycicles, Cartoon from Punch 1911 (engraving); Universal History Archive/UIG

Background imageExpression Collection: Yeddart and Hodge in a jealous fight over a pot of ale. Copperplate engraving by Thomas Sanders

Yeddart and Hodge in a jealous fight over a pot of ale. Copperplate engraving by Thomas Sanders after a satirical
FLO4718061 Yeddart and Hodge in a jealous fight over a pot of ale. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786)

Background imageExpression Collection: Two drunks at a table, one raising a glass of wine to his inebriated, sleeping companion

Two drunks at a table, one raising a glass of wine to his inebriated, sleeping companion
FLO4717914 Two drunks at a table, one raising a glass of wine to his inebriated, sleeping companion. On the table a letter from Lord Bute

Background imageExpression Collection: Man in wig seated a table with two men whispering in his ear. Woman with spinning wheel

Man in wig seated a table with two men whispering in his ear. Woman with spinning wheel
FLO4718276 Man in wig seated a table with two men whispering in his ear. Woman with spinning wheel and knitting needles sitting dejected at a table

Background imageExpression Collection: The Disappointment: an old woman interrupts an amorous couple in a hotel room

The Disappointment: an old woman interrupts an amorous couple in a hotel room
FLO4718220 The Disappointment: an old woman interrupts an amorous couple in a hotel room. A peeping Tom watches from behind a folding screen

Background imageExpression Collection: Fratres in Malo: or Tim Bobbin's Rap at the Pyrates. Gallery of rogues

Fratres in Malo: or Tim Bobbin's Rap at the Pyrates. Gallery of rogues
FLO4718185 Fratres in Malo: or Tim Bobbin's Rap at the Pyrates. Gallery of rogues, thieves and cheats in the book trade of the north of England and Scotland

Background imageExpression Collection: Cavalry General ignoring an order to support the infantry in battle

Cavalry General ignoring an order to support the infantry in battle. Copperplate engraving by Thomas Sanders after a
FLO4718126 Cavalry General ignoring an order to support the infantry in battle. Copperplate engraving by Thomas Sanders after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786)

Background imageExpression Collection: Caricature of macaroni fashions of the late 18th century, man in high wig looking at a reflection

Caricature of macaroni fashions of the late 18th century, man in high wig looking at a reflection in a mirror
FLO4717964 Caricature of macaroni fashions of the late 18th century, man in high wig looking at a reflection in a mirror, while a fawning barber trims a wig

Background imageExpression Collection: Cartoon of a lustful priest listening to a wench's confession while leering at her bosom

Cartoon of a lustful priest listening to a wench's confession while leering at her bosom
FLO4717789 Cartoon of a lustful priest listening to a wench's confession while leering at her bosom. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier)

Background imageExpression Collection: Metoposcopiae liber, The metoposcopy of 1658, by (Cardanus Hieronymus) (Jerome Cardane)

Metoposcopiae liber, The metoposcopy of 1658, by (Cardanus Hieronymus) (Jerome Cardane) Gerolamo Cardano (1501-1576)
XEE5028461 Metoposcopiae liber, The metoposcopy of 1658, by (Cardanus Hieronymus) (Jerome Cardane) Gerolamo Cardano (1501-1576) Italian doctor, mathematician

Background imageExpression Collection: Imaged or idiomatic expression: turn crimson - Chromolithograph of the late 19th century

Imaged or idiomatic expression: turn crimson - Chromolithograph of the late 19th century
ELD4966134 Imaged or idiomatic expression: turn crimson - Chromolithograph of the late 19th century; Private Collection; (add.info.: Imaged or idiomatic expression)

Background imageExpression Collection: head with curly hair, copperplate engraving, about 1700

head with curly hair, copperplate engraving, about 1700
UTD4921906 head with curly hair, copperplate engraving, about 1700; (add.info.: head with curly hair, copperplate engraving)

Background imageExpression Collection: Woman darns a sock by hand, 1850

Woman darns a sock by hand, 1850
3479023 Woman darns a sock by hand, 1850; (add.info.: Man watching with a sinister expression as a woman darns a sock by hand. 19th century illustration.); Universal History Archive/UIG

Background imageExpression Collection: The Bath, 1909 (oil on canvas)

The Bath, 1909 (oil on canvas)
823561 The Bath, 1909 (oil on canvas) by Noci, Arturo (1874-1953); 110x160 cm; Private Collection; (add.info.: The Bath. Arturo Noci (1874-1953). Oil on canvas. Signed and dated 1909

Background imageExpression Collection: The New Bonnet, (oil on canvas)

The New Bonnet, (oil on canvas)
659812 The New Bonnet, (oil on canvas) by Waite, James Clarke (fl.1863-85); 40.6x51.5 cm; Private Collection; (add.info.: The New Bonnet. James Clarke Waite (1832-1920). Oil on canvas

Background imageExpression Collection: Feroce wolf, angry, teeth out, showing the fangs - engraving by Meaulle in 'La chasse illustree' No

Feroce wolf, angry, teeth out, showing the fangs - engraving by Meaulle in "La chasse illustree" No
PCT4294541 Feroce wolf, angry, teeth out, showing the fangs - engraving by Meaulle in "La chasse illustree" No. 27, 5 February 1870 - by Meaulle

Background imageExpression Collection: The Russian Emigres, c. 1900 (oil on canvas)

The Russian Emigres, c. 1900 (oil on canvas)
1197487 The Russian Emigres, c. 1900 (oil on canvas) by Levy-Dhurmer, Lucien (1865-1953); 92.7x73.8 cm; Private Collection; Photo © Christie's Images

Background imageExpression Collection: Tea in the Arbor, (oil on canvas)

Tea in the Arbor, (oil on canvas)
823242 Tea in the Arbor, (oil on canvas) by MacRae, Elmer Livingston (1875-1953); 76.2x76.2 cm; Private Collection; (add.info.: Tea in the Arbor. Elmer Livingston MacRae (1875-1953). Oil on canvas

Background imageExpression Collection: Tales of the Hunt, (oil on canvas)

Tales of the Hunt, (oil on canvas)
658526 Tales of the Hunt, (oil on canvas); 69.9x88.9 cm; Private Collection; (add.info.: Tales of the Hunt. de Smet (mid 19th century). Oil on canvas. 69.9 x 88.9cm.); © Andrew Macara

Background imageExpression Collection: A Good Read, 1919 (oil on canvas)

A Good Read, 1919 (oil on canvas)
658349 A Good Read, 1919 (oil on canvas) by Schuster, Karl Maria (1871-1953); 74.7x60 cm; Private Collection; (add.info.: A Good Read. Karl Maria Schuster (1871-1953). Oil on canvas. Dated 1919

Background imageExpression Collection: The Chant (oil on canvas)

The Chant (oil on canvas)
1767646 The Chant (oil on canvas) by Sharp, Joseph Henry (1859-1953); 50.8x40.6 cm; Private Collection; (add.info.: The Chant. Joseph Henry Sharp (1859-1953). Oil on canvas

Background imageExpression Collection: A Vintage Story

A Vintage Story
Cicek Kiral

Background imageExpression Collection: French imagee or idiomatic expression: rack one's brains - Chromolithograph of the end of the 19th

French imagee or idiomatic expression: rack one's brains - Chromolithograph of the end of the 19th century
ELD4966137 French imagee or idiomatic expression: rack one's brains - Chromolithograph of the end of the 19th century; Private Collection; (add.info.: French imagee or idiomatic expression)

Background imageExpression Collection: Imaged or idiomatic expression: have the blues - Chromolithograph of the end of the 19th century

Imaged or idiomatic expression: have the blues - Chromolithograph of the end of the 19th century
ELD4966155 Imaged or idiomatic expression: have the blues - Chromolithograph of the end of the 19th century; Private Collection; (add.info.: Imaged or idiomatic expression)

Background imageExpression Collection: French language: to have a hobby as Ingres had for violin, chromolithograph, early 20th century

French language: to have a hobby as Ingres had for violin, chromolithograph, early 20th century
ELD4949800 French language: to have a hobby as Ingres had for violin, chromolithograph, early 20th century; Private Collection; (add.info.: French language)

Background imageExpression Collection: The Laughter Drawing by Louis-Amable Crapelet (1822-1867) Diameter 8.5 cm MUSEE DES BEAUTS ARTS

The Laughter Drawing by Louis-Amable Crapelet (1822-1867) Diameter 8.5 cm MUSEE DES BEAUTS ARTS - PALAIS LONGCHAMP
JEB4868618 The Laughter Drawing by Louis-Amable Crapelet (1822-1867) Diameter 8.5 cm MUSEE DES BEAUTS ARTS - PALAIS LONGCHAMP; Palais de Longchamp, Marseille

Background imageExpression Collection: Toby stealing a jug of ale from Hodge and Roaf and leaving a pot of piss in its place

Toby stealing a jug of ale from Hodge and Roaf and leaving a pot of piss in its place
FLO4718094 Toby stealing a jug of ale from Hodge and Roaf and leaving a pot of piss in its place. Copperplate engraving after a satirical illustration by Timothy Bobbin (John Collier) (1708-1786)

Background imageExpression Collection: A sailor cheated out of his share of the prize money by his navy. Unable to pay six guineas

A sailor cheated out of his share of the prize money by his navy. Unable to pay six guineas
FLO4717990 A sailor cheated out of his share of the prize money by his navy. Unable to pay six guineas, Jack Tar dies of grievance in the lobspound (prison)



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Expression is a powerful tool that transcends time and medium, allowing us to convey our deepest emotions and thoughts. From the captivating gaze of the Venus of Urbino by Titian in 1538 to the intricate etchings of Giovanni Battista Piranesi's Prisoners on a Projecting Platform, art has always been an outlet for expression. In Picture No. 11067358, we witness the raw emotion captured within each stroke, as if the artist's soul was poured onto canvas. Similarly, Picture No. 11768923 portrays a Dogue de Bordeaux with eyes full of love and loyalty, expressing their unwavering devotion to their human companion. But expression goes beyond traditional forms of art; it extends into modern realms as well. Take Picture No. 12020198 featuring a Lego humanoid robot named Elektra - through its mechanical design and movements, it conveys innovation and technological advancement. Even animals possess their own unique ways of expressing themselves. In Picture No. 11768893, we see a French Mastiff exuding strength and confidence with every stride while Picture No. 11768912 captures another canine companion showcasing pure joy through playful antics and are be found in unexpected places like Picture No. 11771805 where vibrant street art adorns city walls or in the serene beauty depicted in nature as seen in Picture No. 11092907. No matter the form or subject matter, expression allows us to connect on a deeper level with ourselves and others around us – bridging gaps between cultures, languages, and even species, and is through these various expressions that we find solace or inspiration; they remind us that despite our differences there are universal emotions that unite us all. So let your voice be heard through brushstrokes or digital pixels; let your body move freely like prisoners on Piranesi's platform; let your heart beat fiercely like the Dogue de Bordeaux.