Faed Collection

Harrods department store in Knightsbridge London UK
Ashley Cooper / SpecialistStock

The Wappenshaw: A Shooting Match, (oil on paper)
1199487 The Wappenshaw: A Shooting Match, (oil on paper) by Faed, John (1820-1902); 38.7x56.3 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

William Shakespeare 1564-1616. - Gemalde von J. Faed, 1934
William Shakespeare 1564-1616. 1934. William Shakespeare (1564-1616), English playwright..From Die Groszen der Weltgelchichte. [Ecktein-Halpaus, Dresden, 1934]

Portrait of George Washington taking the Salute at Trenton, (oil on canvas)
990423 Portrait of George Washington taking the Salute at Trenton, (oil on canvas) by Faed, John (1820-1902); 142x105.5 cm; Private Collection; (add.info)

A Family in an Interior, (oil on canvas)
989313 A Family in an Interior, (oil on canvas) by Faed, John (1820-1902); 91.5x120m cm; Private Collection; (add.info.: A Family in an Interior. John Faed (1820-1902). Oil on canvas

Thomas Faed, from The Magazine of Art, published 1878 (litho)
1772372 Thomas Faed, from The Magazine of Art, published 1878 (litho) by English School, (19th century); Private Collection; (add.info.: Thomas Faed, 1826 A- 1900. Scottish painter)

[Thomas Faed], 1860s. Creator: John & Charles Watkins
[Thomas Faed], 1860s

Self-Portrait, ca. 1850. Creator: John Faed
Self-Portrait, ca. 1850

Shakespeare and His Contemporaries (after John Faed), 1860. Private Collection

Demolition of old houses near Walbrook to make way for King William Street, City of London, 1834

Too young to be married, 1869. Artist: Thomas Faed
Too young to be married, 1869; showing a man placing his arm round a girl who gazes into the distance whilst a dog sits at her feet

The Mitherless Bairn, c1893, (1911). Artist: Thomas Faed
The Mitherless Bairn, c1893, (1911). Painting held at the Bankfield Museum, Yorkshire. From Bibbys Annual 1911, [J. Bibby & Sons, Liverpool, 1911]

Faults on Both Sides, 1861, (1911). Artist: Thomas Faed
Faults on Both Sides, 1861, (1911). Painting held at the Tate, London. From Bibbys Annual 1911. [J. Bibby & Sons, Liverpool, 1911]

Sunday in the Backwoods of Canada, 1886. Artist: F Lefrancq
Sunday in the Backwoods of Canada, 1886. After Thomas Faed (1826-1900). From Illustration of English and Scottish History, Volume I by Thomas Archer

A Lady in Fancy Dress, c1846-1900, (1937). Artist: Thomas Faed
A Lady in Fancy Dress. After a painting by Thomas Faed (1826-1900). From The Studio Vol. 114 [At the Offices of the Studio Ltd. London, 1937]

When the Children are Asleep, 1908-1909. From Penroses Pictorial Annual 1908-1909, An Illustrated Review of the Graphic Arts, volume 14, edited by William Gamble and published by AW Penrose (London)

His Only Pair, 1860, (1917). Artist: Thomas Faed
His Only Pair, 1860, (1917). From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

Thomas Faed, Royal Academician, 1880. Artist: Lock & Whitfield
Thomas Faed, Royal Academician, 1880. He studied at the Edinburgh School of Design, and in 1849 was elected as an associate of the Scottish Academy

Sir Walter Scott and his friends, c1849. Scottish novelist Sir Walter Scott (1771-1832) and his literary friends at Abbotsford: seated; Thomas Thomson, James Ballantyne, Archibald Constable

Portrait of Thomas Faed in his Studio, 19th century. Artist: John Ballantyne
Portrait of Thomas Faed in his Studio, 19th century. From a private collection

Thomas Faed, Artist
THOMAS FAED artist Date: 1826 - 1900

Drawings Prints, Print, Victory, Artist, Engraver, John Faed, Richard Principal Leitch
Drawings and Prints, Print, After the Victory, from the Illustrated London News, Artist, Engraver, After, John Faed, Richard Principal Leitch, British, Burley Mill, Scotland 1820-1902 Burley Mill

Source Size = 3956 x 2865
" patron and Patronesss Visit to the Village School" by T. Faed

THOMAS FAED (1826-1900). Scottish painter

Portrait of Thomas Faed in his Studio, oil on canvas. John Ballantye (1815-1897) British painter. Faed (1826-1900) Scottish painter of domestic genre scenes looking at a picture on an easel

WILLIAM SHAKESPEARE (1564-1616). English dramatist and poet. Engraving, late 19th century, after the painting, 1855, by John Faed

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"Exploring the Artistic Legacy of Faed: From Harrods to Shakespeare" Step into the world of art and immerse yourself in the captivating works associated with the name "Faed. " Starting at Harrods department store in Knightsbridge, London, UK, where luxury meets creativity, one can discover a diverse range of artistic masterpieces. One such masterpiece is "The Wappenshaw: A Shooting Match, " an oil on paper painting that transports you back to a time filled with excitement and camaraderie. This piece showcases Faed's ability to capture lively scenes with remarkable detail. Moving on, we encounter William Shakespeare himself in a portrait painted by J. Faed in 1934. The artist skillfully portrays this iconic figure who continues to inspire generations through his timeless plays. Another notable artwork attributed to Faed is "Portrait of George Washington taking the Salute at Trenton. " This oil on canvas painting captures a pivotal moment in history when Washington's leadership shone brightly during the American Revolution. In contrast, "A Family in an Interior" presents us with an intimate glimpse into everyday life. Through meticulous brushstrokes and vibrant colors, Thomas Faed brings warmth and familiarity to this oil on canvas composition. Delving deeper into their artistic contributions, we find John & Charles Watkins' lithograph featuring Thomas Faed from The Magazine of Art published in 1878. This print highlights his prominence within the art community during that era. John it also left his mark through his self-portrait created around 1850. It reveals not only his technical skills but also offers insight into his personality as an artist dedicated to capturing human emotions on canvas. Furthermore, we come across another fascinating piece titled "Shakespeare and His Contemporaries, " which pays homage to John Faed's earlier work. This reinterpretation showcases how artists influence each other throughout different periods while celebrating Shakespearean literature once again.