Faun Collection (page 7)

Carved walking cane, late 19th century (ivory & wood)
6346972 Carved walking cane, late 19th century (ivory & wood) by English School, (19th century); length: 89 cm; Private Collection; (add.info.: The grip modelled as a satyr)

Eastern eggar and small eggar moths
5893427 Eastern eggar and small eggar moths. by Klinger, Johann Georg (1764-1806); (add.info.: Eastern eggar, Eriogaster catax, and small eggar, Eriogaster lanestris)

Eastern eggar, Eriogaster catax
5893426 Eastern eggar, Eriogaster catax. by Klinger, Johann Georg (1764-1806); (add.info.: Eastern eggar, Eriogaster catax, male, female, larva, pupa, chrysalis. Phalaena catax, Phalaena lentipes)

Grass eggar, Lasiocampa trifolii
5893425 Grass eggar, Lasiocampa trifolii. by Klinger, Johann Georg (1764-1806); (add.info.: Grass eggar, Lasiocampa trifolii, male, female, larva, pupa, chrysalis)

Oak eggar and grass eggar moths
5893424 Oak eggar and grass eggar moths. by Klinger, Johann Georg (1764-1806); (add.info.: Oak eggar variety, Lasiocampa quercus 1, 2, and grass eggar, Lasiocampa trifolii 3, 4)

Fox moth, Macrothylacia rubi
5893419 Fox moth, Macrothylacia rubi. by Klinger, Johann Georg (1764-1806); (add.info.: Fox moth, Macrothylacia rubi, male, female, larva, pupa, chrysalis)

Small lappet and autumn silkworm moth
5893418 Small lappet and autumn silkworm moth. by Klinger, Johann Georg (1764-1806); (add.info.: Small lappet, Phyllodesma ilicifolia, and autumn silkworm moth, Lemonia taraxaci)

Poplar lappet and small lappet moths
5893417 Poplar lappet and small lappet moths. by Klinger, Johann Georg (1764-1806); (add.info.: Poplar lappet, Gastropacha populifolia, and small lappet, Phyllodesma ilicifolia, larva, pupa)

Muslin footman and oak eggar moths
5893415 Muslin footman and oak eggar moths. by Klinger, Johann Georg (1764-1806); (add.info.: Muslin footman, Nudaria mundana, male 1, female 2, and oak eggar moth, Lasiocampa quercifolia, female 3)

Emperor moth, Saturnia pavonia
5893410 Emperor moth, Saturnia pavonia. by Klinger, Johann Georg (1764-1806); (add.info.: Emperor moth, Saturnia pavonia, male and female. Pavonia major)

"Venus Frigida"Peinture de Pieter Paul Rubens (1577-1640)
FIA5400807 " Venus Frigida" Peinture de Pieter Paul Rubens (1577-1640), 1614 - Oil on canvas Dim 145x185, 6 cm Royal Museum of Fine Arts, Anvers by Rubens

A Satyr, c. 1630-35 (oil on canvas)
FIA5397565 A Satyr, c.1630-35 (oil on canvas) by Jordaens, Jacob (1593-1678); 33.4 A-- 173.8 cm; Rijksmuseum, Amsterdam, The Netherlands; Flemish, out of copyright

The Triumph of Bacchus par Vasari, Giorgio (1511-1574). Oil on wood, End 1560s, State A
FIA5404216 The Triumph of Bacchus par Vasari, Giorgio (1511-1574). Oil on wood, End 1560s, State A. Radishchev Art Museum, Saratov by Vasari, Giorgio (1511-74); Radishchev State Art Museum, Saratov

Pan poursuivant Syrinx - Pan pursuing Syrinx - Brueghel, Jan
FIA5394989 Pan poursuivant Syrinx - Pan pursuing Syrinx - Brueghel, Jan, the Elder (1568-1625) (Jan Brueghel Ancien, l Aine ou le Vieux)

Flotender Faun (etching & mezzotint)
880508 Flotender Faun (etching & mezzotint) by Jahn, Georg (1869-1941); 38.4x34.6 cm; Minneapolis Institute of Arts, MN, USA; © Minneapolis Institute of Art; The William M. Ladd Collection

Bacchus and Ariadne (oil on canvas)
FTB165466 Bacchus and Ariadne (oil on canvas) by Italian School, (18th century); Private Collection; Italian, out of copyright

Bacchanal with a Dancing Couple in the Center. Creator: Willem Basse
Bacchanal with a Dancing Couple in the Center

Satyr, Nymph and River God, in or after 1736. Creator: Pierre Alexandre Aveline
Satyr, Nymph and River God, in or after 1736

The Seconda Macchina for the Chinea of 1771: A Pleasure Palace Dedicated to Bacchus, 1771

Title Page for a Missal, with Satyr and Putti Border [verso], c. 1511. Creator: Urs Graf
Title Page for a Missal, with Satyr and Putti Border [verso], c. 1511

Satyr Carrying a Nymph, 1769 / 1771. Creator: Salomon Gessner
Satyr Carrying a Nymph, 1769/1771

Two Satyrs in a Forest, 1777. Creator: Salomon Gessner
Two Satyrs in a Forest, 1777

Satyr Carrying a Nymph on His Back, 1769 / 71. Creator: Salomon Gessner
Satyr Carrying a Nymph on His Back, 1769/71

Mercury Chasing a Satyr Holding a Book. Creator: Stefano della Bella
Mercury Chasing a Satyr Holding a Book

Cartouche with Apollo and Pan, 1647. Creator: Stefano della Bella
Cartouche with Apollo and Pan, 1647

Satyrs and Faun. Creator: Stefano della Bella
Satyrs and Faun

Female Satyr Nursing a Child in a Wooded Landscape, 1656. Creator: Stefano della Bella
Female Satyr Nursing a Child in a Wooded Landscape, 1656

Head of a Faun. Creator: Gilles Demarteau
Head of a Faun

Allegory of Chastity, c. 1505. Creator: Lorenzo Lotto
Allegory of Chastity, c. 1505

The Judgment of Midas, c. 1640. Creator: Jan van den Hoecke
The Judgment of Midas, c. 1640

Orpheus, c. 1515. Creator: Unknown
Orpheus, c. 1515

Pan in the Reed, 1856-1857. Creator: Bocklin, Arnold (1827-1901)
Pan in the Reed, 1856-1857. Found in the collection of Kunst Museum Winterthur

Bacchanal with a Wine Vat, ca. 1470-90. Creator: Andrea Mantegna
Bacchanal with a Wine Vat, ca. 1470-90

Cephalus and Pan at the Temple of Diana, c. 1520 / 1522. Creator: Bernardino Luini
Cephalus and Pan at the Temple of Diana, c. 1520/1522

Two satyrs and a faun seated to right watching two child satyrs and another satyr with an child on his shoulders dance to left, a round composition, from Six animal subjects (Six sujets d animaux)

Apelles Painting Alexander and Campaspe. Creator: Master IQV
Apelles Painting Alexander and Campaspe

A faun standing in a niche holding aloft a bunch of grapes with his right hand and fruit with his left hand, a dog lower right, ca. 1515-27

Ornamental Design with a Mask and an Eagle between Two Fauns below, 1549

Habit de Faune: a faun, a cane in his right h... ca. 1721. Creator: Francois Joullain
Habit de Faune: a faun wearing a tonnelet with a flute attached, a cane in his right hand and vines around his horns, from New designs for costumes

The Feast of the Faun. n. d. Creator: Claude Gillot
The Feast of the Faun.n.d

Two Figures, a Faun, and a Satyr approach a Recliniing Woman, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

A Faun or Satyr Preparing a Pig for Sacrifice, published ca. 1599-1622. Creator: Unknown
A Faun or Satyr Preparing a Pig for Sacrifice, published ca. 1599-1622. After Battista Franco. Formerly attributed to Enea Vico

Desseins de Brasiers dont les Ornements peuuent Seruir aux Cuuettes, Tables, et autres Ouurages d Orfeurerie, Plate 2, 1660-1713

The prodigal son seated on a couch being served wine, revelers in the background, a monkey wearing a collar and chain in the lower left, from a series of four prints, ca. 1645

The drunken Silenus, supported by a satyr and a faun, 1625-59

Diana returning from the chase, accompanied by dogs and her nymphs at left, two satyrs at right, ca. 1808

The March of Silenus, ca. 1652. Creator: Christoffel Jegher
The March of Silenus, ca. 1652

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"Exploring the Enchanting World of Fauns: From Ballet to Ancient Mosaics" Step into a realm where myth and art intertwine, as we delve into the captivating world of fauns. These mystical creatures have inspired artists throughout history, leaving their mark on various forms of artistic expression. One such masterpiece is the stage design for Claude Debussy's ballet "The Afternoon of a Faun, " created by artist Leon Bakst in 1912. With its ethereal backdrop and enchanting atmosphere, this production brought to life the allure and mystery surrounding these mythical beings. Reginald Higgins' painting "Strange Incense" further immerses us in the faun's realm. The vibrant colors and intricate details evoke a sense of otherworldliness, inviting viewers to lose themselves in this fantastical landscape. Intriguingly, even ancient civilizations were captivated by fauns. A detail from "The Battle of Issus, " a first-century mosaic, showcases their presence amidst historical events. This fusion of mythology with reality highlights how deeply ingrained these creatures were within society's collective imagination. Moving forward in time, Nikolai Tcherepnin's cover design for "Narcisse" transports us to an era when fauns continued to inspire creativity. The delicate yet powerful depiction hints at both their seductive nature and their ability to reflect human desires. No discussion about fauns would be complete without mentioning Vaslav Nijinsky's iconic portrayal in Bakst's costume design for Ballets Russes' production of "The Afternoon of a Faun. " Rudolph Valentino also left his mark on popular culture with his mesmerizing performance as a faun-like character in silent films during the early 20th century. Beyond artistic representations, physical spaces have been dedicated to celebrating these mythical creatures.