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Flemish Art Collection (page 6)

Flemish Art: A Journey Through Time and Imagination Step into the enchanting world of Flemish art

Background imageFlemish Art Collection: Scene of port activity: Spanish boat approaching the pier in Antwerp (Netherlands)

Scene of port activity: Spanish boat approaching the pier in Antwerp (Netherlands)
MMM5459445 Scene of port activity: Spanish boat approaching the pier in Antwerp (Netherlands). Oil painting, 17th century

Background imageFlemish Art Collection: Dutch ship on calm sea. To his left, a fishing boat in operation, to his right, an anchored boat

Dutch ship on calm sea. To his left, a fishing boat in operation, to his right, an anchored boat
MMM5459367 Dutch ship on calm sea. To his left, a fishing boat in operation, to his right, an anchored boat. Oil on wood by Abraham de Verwer (around 1585-1650)

Background imageFlemish Art Collection: The Dutch trading ship the Saint Jean Baptiste'. Oil on wood from 1668

The Dutch trading ship the Saint Jean Baptiste'. Oil on wood from 1668, by Cornelis Pietersz Mooy (1630-1693)
MMM5459825 The Dutch trading ship the Saint Jean Baptiste'. Oil on wood from 1668, by Cornelis Pietersz Mooy (1630-1693). by Mooy, Cornelis Pietersz

Background imageFlemish Art Collection: Ship under the Dutch flag, anchored in front of a Mediterranean port

Ship under the Dutch flag, anchored in front of a Mediterranean port, fortified port with a high mountain
MMM5459785 Ship under the Dutch flag, anchored in front of a Mediterranean port, fortified port with a high mountain on the horizon

Background imageFlemish Art Collection: Trompe l'oeil, The Reverse of a Framed Painting, 1668-72 (oil on canvas)

Trompe l'oeil, The Reverse of a Framed Painting, 1668-72 (oil on canvas)
8724033 Trompe l'oeil, The Reverse of a Framed Painting, 1668-72 (oil on canvas) by Gijsbrechts, Cornelis Norbertus (1630-1683); Statens Museum for Kunst, Copenhagen

Background imageFlemish Art Collection: Sir Anthony Van Dyck, Flemish Baroque artist, 1827 (lithograph)

Sir Anthony Van Dyck, Flemish Baroque artist, 1827 (lithograph)
5912821 Sir Anthony Van Dyck, Flemish Baroque artist, 1827 (lithograph); (add.info.: Sir Anthony Van Dyck, Flemish Baroque artist, 1599-1641)

Background imageFlemish Art Collection: Portrait of the Beurs van Amsterdam'. Built in 1654 as an Indiaman. 52-guns

Portrait of the Beurs van Amsterdam'. Built in 1654 as an Indiaman. 52-guns. Taken into the States service 1665
7342045 Portrait of the Beurs van Amsterdam'. Built in 1654 as an Indiaman. 52-guns. Taken into the States service 1665

Background imageFlemish Art Collection: Portrait of Vereenigde Provincien (built circa 1665), 48 guns, last mentioned 1667, c.1665 (offset)

Portrait of Vereenigde Provincien (built circa 1665), 48 guns, last mentioned 1667, c.1665 (offset)
7342037 Portrait of Vereenigde Provincien (built circa 1665), 48 guns, last mentioned 1667, c.1665 (offset) by Velde, Willem van de, the Elder (1611-93); 42.6x56.9 cm; National Maritime Museum

Background imageFlemish Art Collection: Portrait of the Wulpenburg, c.1659 (graphite)

Portrait of the Wulpenburg, c.1659 (graphite)
7342026 Portrait of the Wulpenburg, c.1659 (graphite) by Velde, Willem van de, the Elder (1611-93); 39.3x41.1 cm; National Maritime Museum, London, UK; (add.info.: Creator: Willem van de Velde)

Background imageFlemish Art Collection: Portrait of a Dutch frigate, c.1655 (graphite, grey wash)

Portrait of a Dutch frigate, c.1655 (graphite, grey wash)
7342025 Portrait of a Dutch frigate, c.1655 (graphite, grey wash) by Velde, Willem van de, the Younger (1633-1707); 30x50 cm; National Maritime Museum, London

Background imageFlemish Art Collection: Portrait of the Fazant, c.1655 (graphite, grey wash)

Portrait of the Fazant, c.1655 (graphite, grey wash)
7342024 Portrait of the Fazant, c.1655 (graphite, grey wash) by Velde, Willem van de, the Elder (1611-93); 34.6x44.6 cm; National Maritime Museum, London

Background imageFlemish Art Collection: Portrait of the Hilversum, c.1655 (graphite)

Portrait of the Hilversum, c.1655 (graphite)
7342023 Portrait of the Hilversum, c.1655 (graphite) by Velde, Willem van de, the Elder (1611-93); 34.2x41.3 cm; National Maritime Museum, London, UK; (add.info.: Creator: Willem van de Velde)

Background imageFlemish Art Collection: Portrait of an English third-rate, c.1685 (graphite, grey wash)

Portrait of an English third-rate, c.1685 (graphite, grey wash)
7341992 Portrait of an English third-rate, c.1685 (graphite, grey wash) by Velde, Willem van de, the Elder (1611-93); 40.4x30.1 cm; National Maritime Museum, London

Background imageFlemish Art Collection: An English third-rate and fourth-rate under easy sail, c.1677 (pencil, wash)

An English third-rate and fourth-rate under easy sail, c.1677 (pencil, wash)
7341989 An English third-rate and fourth-rate under easy sail, c.1677 (pencil, wash) by Velde, Willem van de, the Elder (1611-93); 27.8x40.3 cm; National Maritime Museum, London

Background imageFlemish Art Collection: Portrait of the Success'?, c.1675 (pencil)

Portrait of the Success'?, c.1675 (pencil)
7341986 Portrait of the Success'?, c.1675 (pencil) by Velde, Willem van de, the Younger (1633-1707); 28.6x35 cm; National Maritime Museum, London

Background imageFlemish Art Collection: Portrait of the Holmes'?, 1675 (pencil)

Portrait of the Holmes'?, 1675 (pencil)
7341984 Portrait of the Holmes'?, 1675 (pencil) by Velde, Willem van de, the Younger (1633-1707); 27.1x37.5 cm; National Maritime Museum, London

Background imageFlemish Art Collection: A boeier at a pier and a Dutch ship at anchor, c.1665 (grey wash)

A boeier at a pier and a Dutch ship at anchor, c.1665 (grey wash)
7341839 A boeier at a pier and a Dutch ship at anchor, c.1665 (grey wash) by Velde, Willem van de, the Younger (1633-1707); 15.1x19.1 cm; National Maritime Museum, London

Background imageFlemish Art Collection: Portrait of the James Galley'?, c.1676 (offset, pencil, wash)

Portrait of the James Galley'?, c.1676 (offset, pencil, wash)
7341987 Portrait of the James Galley'?, c.1676 (offset, pencil, wash) by Velde, Willem van de, the Younger (1633-1707); 30.3x39.9 cm; National Maritime Museum, London

Background imageFlemish Art Collection: Portrait of a French two-decker, 1673 (pencil)

Portrait of a French two-decker, 1673 (pencil)
7341976 Portrait of a French two-decker, 1673 (pencil) by Velde, Willem van de, the Elder (1611-93); 27.6x36.5 cm; National Maritime Museum, London

Background imageFlemish Art Collection: A Dutch flagship with a despatch vessel on her quarter, May 1672?, c.1672 (pencil, wash)

A Dutch flagship with a despatch vessel on her quarter, May 1672?, c.1672 (pencil, wash)
7341973 A Dutch flagship with a despatch vessel on her quarter, May 1672?, c.1672 (pencil, wash) by Velde, Willem van de, the Elder (1611-93); 23.2x37.3 cm; National Maritime Museum, London

Background imageFlemish Art Collection: Portrait of the Victory, 2nd rate built 1620, 82 guns, rebuilt 1666, c.1672 (graphite, grey wash)

Portrait of the Victory, 2nd rate built 1620, 82 guns, rebuilt 1666, c.1672 (graphite, grey wash)
7342099 Portrait of the Victory, 2nd rate built 1620, 82 guns, rebuilt 1666, c.1672 (graphite, grey wash) by Velde, Willem van de, the Younger (1633-1707); 31x40.4 cm; National Maritime Museum

Background imageFlemish Art Collection: Portrait of the Prins te Paard built in about 1658 and wrecked in 1683, c.1666 (graphite, grey wash)

Portrait of the Prins te Paard built in about 1658 and wrecked in 1683, c.1666 (graphite, grey wash)
7342098 Portrait of the Prins te Paard built in about 1658 and wrecked in 1683, c.1666 (graphite, grey wash) by Velde, Willem van de, the Younger (1633-1707); 32.3x41.3 cm; National Maritime Museum

Background imageFlemish Art Collection: Portrait of the Yarmouth, 1677 (offset, graphite)

Portrait of the Yarmouth, 1677 (offset, graphite)
7342073 Portrait of the Yarmouth, 1677 (offset, graphite) by Velde, Willem van de, the Younger (1633-1707); 37x47.3 cm; National Maritime Museum, London, UK; (add.info.: Creator: Willem van de Velde)

Background imageFlemish Art Collection: The Battle of the Texel (Kijkduijn) 11-21 August 1673, c.1673 (graphite, grey wash)

The Battle of the Texel (Kijkduijn) 11-21 August 1673, c.1673 (graphite, grey wash)
7342065 The Battle of the Texel (Kijkduijn) 11-21 August 1673, c.1673 (graphite, grey wash) by Velde, Willem van de, the Younger (1633-1707); 27.6x41.2 cm; National Maritime Museum, London

Background imageFlemish Art Collection: An English flagship at anchor, possibly in June 1673, c.1673 (grey wash)

An English flagship at anchor, possibly in June 1673, c.1673 (grey wash)
7342064 An English flagship at anchor, possibly in June 1673, c.1673 (grey wash) by Velde, Willem van de, the Elder (1611-93); 26.5x44.3 cm; National Maritime Museum, London

Background imageFlemish Art Collection: Portrait of the Gideon, a 62-gun ship built in 1664 and last recorded in 1689, c.1670 (offset)

Portrait of the Gideon, a 62-gun ship built in 1664 and last recorded in 1689, c.1670 (offset)
7342058 Portrait of the Gideon, a 62-gun ship built in 1664 and last recorded in 1689, c.1670 (offset) by Velde, Willem van de, the Elder (1611-93); 38.6x49.8 cm; National Maritime Museum, London

Background imageFlemish Art Collection: An Amsterdam ship, possibly an Indiaman, of about 50 guns, c.1670 (graphite)

An Amsterdam ship, possibly an Indiaman, of about 50 guns, c.1670 (graphite)
7342057 An Amsterdam ship, possibly an Indiaman, of about 50 guns, c.1670 (graphite) by Velde, Willem van de, the Elder (1611-93); 32.4x48.8 cm; National Maritime Museum, London

Background imageFlemish Art Collection: The surrender of the Royal Prince, 3-13 June 1666, c.1666 (graphite, grey wash)

The surrender of the Royal Prince, 3-13 June 1666, c.1666 (graphite, grey wash)
7342054 The surrender of the Royal Prince, 3-13 June 1666, c.1666 (graphite, grey wash) by Velde, Willem van de, the Younger (1633-1707); 21x43.2 cm; National Maritime Museum, London

Background imageFlemish Art Collection: The Yachts and Ships at anchor near Sheerness, c.1677 (graphite, grey wash)

The Yachts and Ships at anchor near Sheerness, c.1677 (graphite, grey wash)
7341878 The Yachts and Ships at anchor near Sheerness, c.1677 (graphite, grey wash) by Velde, Willem van de, the Elder (1611-93); 22.5x36 cm; National Maritime Museum, London

Background imageFlemish Art Collection: Study of a ship's barge, c.1665 (graphite, grey wash)

Study of a ship's barge, c.1665 (graphite, grey wash)
7341835 Study of a ship's barge, c.1665 (graphite, grey wash) by Velde, Willem van de, the Elder (1611-93); 13.8x31.4 cm; National Maritime Museum, London

Background imageFlemish Art Collection: An English yacht sailing into Plymouth, late 17th century (oil on canvas)

An English yacht sailing into Plymouth, late 17th century (oil on canvas)
7339108 An English yacht sailing into Plymouth, late 17th century (oil on canvas) by Bakhuizen, Ludolf (1630-1708) ; 103.5x132.1 cm; National Maritime Museum, London

Background imageFlemish Art Collection: A navigator with globe and dividers, 1624 (oil on panel)

A navigator with globe and dividers, 1624 (oil on panel)
7338094 A navigator with globe and dividers, 1624 (oil on panel) by Borcht, Hendrick van der the Elder (1583-1651); 73.5x56 cm; National Maritime Museum, London

Background imageFlemish Art Collection: The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4900874 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

Background imageFlemish Art Collection: The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4900872 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

Background imageFlemish Art Collection: The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4900811 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

Background imageFlemish Art Collection: The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4901107 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

Background imageFlemish Art Collection: The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4901037 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

Background imageFlemish Art Collection: Tapestry illustrating Tarquinius Priscus. ca. 1475 (tapestry)

Tapestry illustrating Tarquinius Priscus. ca. 1475 (tapestry)
CUL4898962 Tapestry illustrating Tarquinius Priscus. ca. 1475 (tapestry); (add.info.: Tarquinius Priscus. ca. 1475. History of the founder and fifth king of Rome according to the account of Livy)

Background imageFlemish Art Collection: Tapestry illustrating Tarquinius Priscus. ca. 1475 (tapestry)

Tapestry illustrating Tarquinius Priscus. ca. 1475 (tapestry)
CUL4898906 Tapestry illustrating Tarquinius Priscus. ca. 1475 (tapestry); (add.info.: Tarquinius Priscus. ca. 1475. TARQUINIUS PRISCUS, Lucius (579 BC). King of Rome (616 BC-579 BC)

Background imageFlemish Art Collection: Redemption of Man or Vices and Virtues, c.1510 (tapestry)

Redemption of Man or Vices and Virtues, c.1510 (tapestry)
CUL4903750 Redemption of Man or Vices and Virtues, c.1510 (tapestry); 420x798 cm; Burgos Cathedral, Burgos, Spain; (add.info.: Crucifixion and Virtues win the battle to Vices. ca. 1510. (c)

Background imageFlemish Art Collection: Series of the Genesis or the Creation of Man, c.1630 (silk and wool)

Series of the Genesis or the Creation of Man, c.1630 (silk and wool)
CUL4903533 Series of the Genesis or the Creation of Man, c.1630 (silk and wool); 330x260 cm; (add.info.: God creates Woman and introduces her to Adam, first created woman according to the Bible)

Background imageFlemish Art Collection: Tapestry illustrating The Trojan War: Achilles Death, c.1470 (tapestry)

Tapestry illustrating The Trojan War: Achilles Death, c.1470 (tapestry)
CUL4896336 Tapestry illustrating The Trojan War: Achilles Death, c.1470 (tapestry); (add.info.: AGAMEMNON. Legendary king of Argos and Mycenae. Left scene. The Trojans charging against the besiegers)

Background imageFlemish Art Collection: Tapestry of Pastrana. end 15th century (tapestry)

Tapestry of Pastrana. end 15th century (tapestry)
CUL4894005 Tapestry of Pastrana. end 15th century (tapestry); (add.info.: Alfonso V of Portugal, the African King of Portugal Disembarkation in Asilah of 1470. GUADALAJARA. Pastrana)

Background imageFlemish Art Collection: Redemption of Man or Vices and Virtues, c.1510 (tapestry)

Redemption of Man or Vices and Virtues, c.1510 (tapestry)
CUL4903655 Redemption of Man or Vices and Virtues, c.1510 (tapestry); 420x798 cm; Burgos Cathedral, Burgos, Spain; (add.info.: Crucifixion and Virtues win the battle to Vices. ca. 1510)

Background imageFlemish Art Collection: The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4902443 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

Background imageFlemish Art Collection: The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4902210 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

Background imageFlemish Art Collection: The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4901957 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier

Background imageFlemish Art Collection: The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier

The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier
CUL4901910 The Pastrana Tapestries, manufacturing of Tournai, probably from the workshop of Passchier Grenier, c.1471 - 1475 (tapestry) by Grenier



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Flemish Art: A Journey Through Time and Imagination Step into the enchanting world of Flemish art, where masterpieces come to life with vibrant colors and intricate details. From the captivating brushstrokes of Pieter Brueghel II's "The Wedding Procession" to the grandeur of Louis XIV and Maria Theresa's entry into Arras in 1667, Flemish art mesmerizes with its ability to transport us through time. In Willem Kalf's "Still Life with a Mother-of-Pearl Goblet, " we are invited to savor the beauty of peaches, lemons, and a glass of wine. The meticulous attention given to each object showcases Kalf's mastery in capturing light and texture. This painting, housed at the Musee Pouchkine in Moscow, is a testament to Flemish artists' ability to create still lifes that transcend reality. Vincent van Gogh takes us on an emotional journey with his depiction of a farmhouse in Nuenen. Known for his expressive brushwork, Van Gogh captures not only the physical structure but also infuses it with emotion. We can almost feel the solitude and tranquility emanating from this piece as we immerse ourselves in its rustic charm. "The Witches Sabbath" transports us into an imaginary Renaissance palace filled with mystery and intrigue. With every stroke of paint on canvas, this artwork invites us into a world where fantasy intertwines seamlessly with reality. It serves as a reminder that Flemish artists were not bound by conventional boundaries but allowed their imaginations to run wild. Philip IV and his Queen grace our presence in "A Colonnade. " The regal couple stands amidst architectural splendor while exuding power and elegance. This oil painting captures their majesty while showcasing the artist's skillful rendering of textures such as silk garments or marble columns. Music fills our ears as we gaze upon "Musical Company.