Flock Of Sheep Collection (page 5)

Altarpiece of the Virgin, Annunciation, making cheese by the shepherds, detail, 14th century (tempera on panel)
7294916 Altarpiece of the Virgin, Annunciation, making cheese by the shepherds, detail, 14th century (tempera on panel) by Master of Tora (14th century); National Art Museum of Catalonia, Barcelona

Cave Dwellings of the Shepherds in Dalmatia
7278790 Cave Dwellings of the Shepherds in Dalmatia by Unknown Artist, (19th century); Private Collection; (add.info.: Cave Dwellings of the Shepherds in Dalmatia, Historic)

Collector's picture series The Zodiac, March and April, Aries and Taurus
7279176 Collector's picture series The Zodiac, March and April, Aries and Taurus by Unknown Artist, (19th century); Private Collection; (add.info.: Collector's picture series The Zodiac)

Adoration of the Shepherds, 1554 (oil on canvas)
7292754 Adoration of the Shepherds, 1554 (oil on canvas) by Bassano, Jacopo (Jacopo da Ponte) (1510-92); Galleria Borghese, Rome, Lazio, Italy; (add.info.: by Jacopo Bassano); Ghigo Roli

Sheep on Lake Constance, Germany, Couple Watching the Animals
7279505 Sheep on Lake Constance, Germany, Couple Watching the Animals by Unknown Artist, (19th century); Private Collection; (add.info.: Sheep on Lake Constance, Germany, Couple Watching the Animals)

The Ball of the Animals, a Monkey Dances with a Sheep
7279826 The Ball of the Animals, a Monkey Dances with a Sheep by Unknown Artist, (19th century); Private Collection; (add.info.: The Ball of the Animals, a Monkey Dances with a Sheep, Historic)

The Love Letter, 1750 (oil on canvas)
7295964 The Love Letter, 1750 (oil on canvas) by Boucher, Francois (1703-70); 81.2x75.2 cm; National Gallery of Art, Washington DC

Four hours of the day: Morning, 1774 (oil on canvas)
904885 Four hours of the day: Morning, 1774 (oil on canvas) by Watteau, Louis Joseph (1731-98) (Watteau de Lille)(attr. to); 65x84 cm; Musee des Beaux-Arts, Valenciennes

View in Surrey, about 1863-1890 (Watercolour and gouache)
7290956 View in Surrey, about 1863-1890 (Watercolour and gouache) by Foster, Myles Birket (1825-99); 23x35.5 cm; Tyne & Wear Archives & Museums; (add.info)

View of the Roman Campagna (oil on canvas)
904737 View of the Roman Campagna (oil on canvas) by Dughet, Gaspard Poussin (1615-75); Palais des Beaux-Arts de Lille, France; (add.info.: by Gaspard Dughet (1615 - 1675))

A hunted hare is betrayed by farmyard animals. 1811 (etching)
7235868 A hunted hare is betrayed by farmyard animals. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: An exhausted hare chased by hounds is betrayed by farmyard animals)

Condens d his Emanations... plate 9 from Jerusalem, 1804-20 (relief etching printed in orange with pen & w / c)
XYC285570 Condens d his Emanations... plate 9 from Jerusalem, 1804-20 (relief etching printed in orange with pen & w/c) by Blake, William (1757-1827); 34.3x26.4 cm; Yale Center for British Art

Nativity, c. 1160 (miniature)
LRI4597703 Nativity, c.1160 (miniature) by Unknown Artist, (12th century); Osterreichische Nationalbibliothek, Vienna, Austria; (add.info.: Nativite Antiphonary of St. Peter. Lighted page (Cod. ser)

The Court of Doves, 1927 (oil on canvas)
885537 The Court of Doves, 1927 (oil on canvas) by Garbari, Tullio (1892-1931); Private Collection; (add.info.: by Tullio Garbari (1892-1931))

The Keeper of the Herd, 1871 (oil on canvas)
5863029 The Keeper of the Herd, 1871 (oil on canvas) by Millet, Jean-Francois (1814-75); 71.7--91.5 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Jean Francois Millet (1814-1875))

398341 by Penfield, Edward (1866-1925); JMK Archiv, Bremen, Germany; JMK Archiv

A flock of sheep wait for slaughter by a butcher. 1811 (etching)
7235872 A flock of sheep wait for slaughter by a butcher. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A flock of sheep wait for slaughter by a butcher)

A jackdaw sings on the back of a ram. 1811 (etching)
7235857 A jackdaw sings on the back of a ram. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A jackdaw sings on the back of a ram)

Ram, ewe and lambs of the Lincoln Longwool. 1792 (engraving)
7235928 Ram, ewe and lambs of the Lincoln Longwool. 1792 (engraving) by Dodd, Daniel (fl.1760-90) (after); (add.info.: Ram, ewe and lambs of the Lincoln Longwool or Lincolnshire sheep breed)

A courtcase between animals, with lion and tiger as judges. 1811 (etching)
7235845 A courtcase between animals, with lion and tiger as judges. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A courtcase between animals, with a lion and tiger as judges)

A wounded wolf under a tree asks a sheep for water. 1811 (etching)
7235822 A wounded wolf under a tree asks a sheep for water. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A wounded wolf under a tree asks a sheep for water. Sheep and the hunted wolf)

Autumn, November 1927 (gouache on paper)
7262411 Autumn, November 1927 (gouache on paper) by Hunter, Edmund (1866-1937); Private Collection; Edmund & Alec Hunter Collection

Boughton Aluph Church, 19th century (Watercolour)
7261311 Boughton Aluph Church, 19th century (Watercolour) by British School, (19th century); Maidstone Museum and Art Gallery, Kent

Maidstone 1760, 1801-1760 (Watercolour)
7261293 Maidstone 1760, 1801-1760 (Watercolour) by Shrubsole, William George (1856-89); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Taken after Francis Groves Print of Maidstone 1760)

Fray Pedro Gocial museum in San Franciscos convent, Quito, Ecuador. Good shepherd statue (17th century)
7230067 Fray Pedro Gocial museum in San Franciscos convent, Quito, Ecuador. Good shepherd statue (17th century, anonymous)(photography) by Unknown Artist

The Sower, c. 1575 (oil on canvas)
XAM65692 The Sower, c.1575 (oil on canvas) by Bassano, Francesco (Francesco da Ponte) (1549-92); 30x40 cm; Kunsthistorisches Museum, Vienna

Sweet Summer Time, 1869 (oil on panel)
BAL8712 Sweet Summer Time, 1869 (oil on panel) by Redgrave, Richard (1804-88); 21.6x34.9 cm; Victoria & Albert Museum, London, UK; (add.info.: by Richard Redgrave (1804-88))

Coniston, Wharfedale, Yorkshire, 1914 (Watercolour)
7261397 Coniston, Wharfedale, Yorkshire, 1914 (Watercolour) by Smith, Arthur Reginald (c.1872-c.1934); 24.5x36 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Coniston, Wharfedale)

The Sussex Downs (Autumn), 1906 (Watercolour)
7261392 The Sussex Downs (Autumn), 1906 (Watercolour) by Thorne-Waite, Robert (1842-1935); 34.5x50.7 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: The Sussex Downs (Autumn); 1906

Conway Castle [3], 1800-59 (Watercolour)
7261342 Conway Castle [3], 1800-59 (Watercolour) by Cox, David (1783-1859); 18.5x25.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Conway Castle (3); Watercolour; Cox

Lambs, Nantucket, 1874 (oil on board)
7262385 Lambs, Nantucket, 1874 (oil on board) by Johnson, Eastman (1824-1906); 48.2--39.6 cm; National Gallery of Art, Washington DC, USA; (add.info.: Eastman Johnson (1824-1906))

Two Sheep and a Goat (animal studies), 1625-54 (Chalk)
7261596 Two Sheep and a Goat (animal studies), 1625-54 (Chalk) by Potter, Paulus (1625-54); 10.5x17 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Two Sheep and a Goat (animal studies)

Nettlestead Church, Kent from Bow Bridge, 1800-65 (Watercolour)
7261345 Nettlestead Church, Kent from Bow Bridge, 1800-65 (Watercolour) by Pretty, Edward (1792-1865); 32.3x47.4 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Nettlestead Church)

Peasant leading her cow and sheep to the fields, 1863 (pastel)
BRM347373 Peasant leading her cow and sheep to the fields, 1863 (pastel) by Millet, Jean-Francois (1814-75); Private Collection

Sunset on the Coast of Cornwall, 1848-73 (Watercolour)
7261506 Sunset on the Coast of Cornwall, 1848-73 (Watercolour) by Goodwin, Frank (1848-73); 39x72.8 cm; Maidstone Museum and Art Gallery, Kent

Landscape, 1808 (oil on canvas)
XHC409201 Landscape, 1808 (oil on canvas) by Bidauld, Jean Joseph Xavier (1758-1846); Musee d Art Thomas Henry, Cherbourg, France; (add.info.: Jean Joseph Xavier Bidauld (1758-1846))

Landscape, 1822 (oil on canvas)
XHC409200 Landscape, 1822 (oil on canvas) by Bidauld, Jean Joseph Xavier (1758-1846); Musee d Art Thomas Henry, Cherbourg, France; (add.info.: Jean Joseph Xavier Bidauld (1758-1846))

The Large Sheepfold, 1881 (oil on canvas)
XIR223201 The Large Sheepfold, 1881 (oil on canvas) by Jacque, Charles Emile (1813-94); 100x156 cm; Musee d Orsay, Paris, France; (add.info.: by Charles Emile Jacque (1813-94))

Landscape (oil on canvas)
XHC383910 Landscape (oil on canvas) by Weenix, Jan Baptist (1621-c.1664); Musee d Art Thomas Henry, Cherbourg, France; (add.info.: by Jan Baptist Weenix (1621-c.1664))

The Sheep Shearer (pencil on paper)
XOU16855 The Sheep Shearer (pencil on paper) by Segantini, Giovanni (1858-99); Musee des Beaux-Arts, Rouen, France; (add.info.: by Giovanni Segantini (1858-99))

Haruspex reading the entrails of a sacrificed sheep, ancient Rom 1796 (engraving)
7236782 Haruspex reading the entrails of a sacrificed sheep, ancient Rom 1796 (engraving) by Labrousse, L.F. (fl.1796); Private Collection; (add.info)

A Distant View of Arundel Castle (pencil and w / c)
6867102 A Distant View of Arundel Castle (pencil and w/c) by Palmer, Harold Sutton (1854-1933); 54.6x76.2 cm; Private Collection

Home from the Market, A Bedfordshire Hamlet
BON40708 Home from the Market, A Bedfordshire Hamlet by Stannard, Henry John Sylvester (1870-1951); Private Collection; Photo © Bonhams, London, UK

Kenilworth Castle, Warwickshire, c. 1867-70 (oil on panel)
7240845 Kenilworth Castle, Warwickshire, c.1867-70 (oil on panel) by Bridgeman, Gerald Orlando Manners (1847-70); 41x57.5 cm; The Weston Park Foundation, Shropshire, UK; (add.info.: Two figures)

Diana and Endymion, 1752 (marble)
449810 Diana and Endymion, 1752 (marble) by Plura, Joseph the Younger (fl.1750-86); The Holburne Museum, Bath, UK; (add.info.: Diana, goddess of the moon)

Diana and Endymion, 1752 (marble)
449807 Diana and Endymion, 1752 (marble) by Plura, Joseph the Younger (fl.1750-86); The Holburne Museum, Bath, UK; (add.info.: Diana, goddess of the moon)

Diana and Endymion, 1752 (marble)
449814 Diana and Endymion, 1752 (marble) by Plura, Joseph the Younger (fl.1750-86); The Holburne Museum, Bath, UK; (add.info.: Diana, goddess of the moon)

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"A Serene Symphony: Captivating Views of Flocks of Sheep Across the Globe" Majestic Horn Head in County Donegal, Ireland offers a breathtaking panorama as sheep gracefully graze below. Glencolumbcille's picturesque sheep pasture in County Donegal, Ireland paints a tranquil scene straight out of a postcard. Immerse yourself in Jules Breton's masterpiece "By The Sea" where a flock of sheep adds charm to the stunning coastal landscape. In Eastern Anatolia, Turkey, Mount Ararat stands tall and proud as a flock of sheep peacefully grazes at its foothills. As the sun sets over Chipping Campden in Cotswolds, England, the Banqueting House provides an enchanting backdrop for grazing sheep. Otago's South Island in New Zealand is blessed with nature's marvels - here you'll find flocks of sheep happily grazing under vibrant rainbows. Step back into history with the Polyptych of Conversano and admire how even centuries ago, shepherds tended their flocks amidst religious scenes. Transport yourself to 18th-century England through "The Ford Crossing, " where artist George Morland captures rural life complete with contented sheep crossing waterways. Delve into Renaissance artistry and discover "The Virgin and Child with Saints John the Baptist" exuding divine grace alongside gentle lambs. Bangor comes alive through lithography as it showcases its pastoral beauty adorned by fluffy white clouds and roaming herds against lush greenery. Explore Penryn's harbors from yesteryears through vividly colored lithographs; witness ships sailing past fields dotted with peaceful flocks along Old Helton Road. Bruton unveils Somersetshire’s idyllic countryside captured on tinted lithograph paper; immerse yourself amidst rolling hills where wooly companions roam freely.