Fourth State Of Four Collection

The Angelic Guards, 1808. Creator: James Barry
The Angelic Guards, 1808

Christ on the cross between the two thieves, ca. 1631. Creator: Anon
Christ on the cross between the two thieves, ca. 1631

Study of Eight Heads, 1795. Creator: Jean-Jacques de Boissieu
Study of Eight Heads, 1795

Landscape at Ambronay, 1796. Creator: Jean-Jacques de Boissieu
Landscape at Ambronay, 1796

The School Master, 1780. Creator: Jean-Jacques de Boissieu
The School Master, 1780

Interior of a Farm at Saint-Jean-de-Touslas, 1793. Creator: Jean-Jacques de Boissieu
Interior of a Farm at Saint-Jean-de-Touslas, 1793

The Public Scrivener, 1790. Creator: Jean-Jacques de Boissieu
The Public Scrivener, 1790

Peasants Resting, 1803. Creator: Jean-Jacques de Boissieu
Peasants Resting, 1803

Village Festival, 1773. Creator: Jean-Jacques de Boissieu
Village Festival, 1773

Herdsman and Bull, after Ruisdael, 1772. Creator: Jean-Jacques de Boissieu
Herdsman and Bull, after Ruisdael, 1772

Winter, after a drawing completed in Saint-Chamond, 1795

Soap Bubbles, 1799. Creator: Jean-Jacques de Boissieu
Soap Bubbles, 1799

Two shepherds resting next to a pedestal, an aqueduct at right in the background, a
Two shepherds resting next to an inscribed pedestal, an aqueduct at right in the background, and a city on a hill at left in the background, from Landscapes in the manner of Gaspar Dughet, ca. 1700-25

Ophelia (Shakespeare, Hamlet, Act 4), 1784. Creator: Francesco Bartolozzi
Ophelia (Shakespeare, Hamlet, Act 4), 1784

Roseaux et Sarcelles, 1882. Creator: Felix Bracquemond
Roseaux et Sarcelles, 1882. [Reeds and Teal]

Frontispiece for Champfleurys "Les Amis de la Nature", 1859
Frontispiece for Champfleurys " Les Amis de la Nature", 1859

Le Canard, 1856. Creator: Felix Bracquemond
Le Canard, 1856. [The Duck]

Ariadne, Cupid and Bacchus, 1788. Creator: Francesco Bartolozzi
Ariadne, Cupid and Bacchus, 1788

Hamlet, Horatio, Marcellus and the Ghost (Shakespeare, Hamlet, Act 1, Scene 4), first published 1796; reissued 1852

King Lear Casting Out His Daughter Cordelia (Shakespeare, King Lear, Act 1, Scene 1), first published 1792; reissued 1852

La Fornarina, 1814. Creators: Raphael Morghen, Pietro Ermini
La Fornarina, 1814

A Horse Being Eaten by a Lion, 1823. Creator: Theodore Gericault
A Horse Being Eaten by a Lion, 1823

The historian John Besly, after Jaspar Isaac, 1861. Creator: Charles Meryon
The historian John Besly, after Jaspar Isaac, 1861

L Odalisque, 1852. Creator: Charles-Alexandre Debacq
L Odalisque, 1852

The Enchanted Island Before the Cell of Prospero - Prospero... first published 1797; reissued 1852
The Enchanted Island Before the Cell of Prospero - Prospero, Miranda, Caliban and Ariel (Shakespeare, The Tempest, Act 1, Scene 2), first published 1797; reissued 1852

The Graces Crowning the Bust of Raphael, July 28, 1788. Creator: Francesco Bartolozzi
The Graces Crowning the Bust of Raphael, July 28, 1788

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"Exploring the Fourth State of Four: A Glimpse into Jean-Jacques de Boissieu's Artistic Journey" Step into the captivating world of Jean-Jacques de Boissieu, a renowned artist whose works have left an indelible mark on art history. As we delve into his collection, we encounter a diverse range of subjects and themes that showcase his mastery in capturing the essence of life. In "Study of Eight Heads, " created in 1795, Boissieu demonstrates his keen eye for detail as he meticulously portrays various expressions and emotions. Each head tells a unique story, inviting us to ponder upon the complexities of human nature. Moving on to "Landscape at Ambronay" from 1796, we are transported to tranquil countryside scenery. Through delicate brushstrokes and subtle use of color, Boissieu invites us to immerse ourselves in the serenity and beauty found within nature's embrace. "The School Master, " completed in 1780, offers a glimpse into everyday life during that era. With meticulous attention given to each character's posture and expression, Boissieu captures both the authority figure's sternness and the students' eager anticipation for knowledge. As our journey continues with "Interior of a Farm at Saint-Jean-de-Touslas" from 1793, we witness Boissieu's ability to infuse warmth and authenticity into his depictions. The rustic setting exudes charm while showcasing scenes from rural life—a testament to his dedication towards portraying reality with utmost sincerity. In "The Public Scrivener" painted in 1790, Boissieu explores societal dynamics by depicting individuals seeking assistance from an official writer. This thought-provoking piece prompts contemplation about bureaucracy and its impact on people’s lives—an issue still relevant today. With "Peasants Resting" completed in 1803, Boissieu captures moments of respite amidst toil.