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The Enchanted Island Before the Cell of Prospero - Prospero... first published 1797; reissued 1852. Creator: Peter Simon

The Enchanted Island Before the Cell of Prospero - Prospero... first published 1797; reissued 1852. Creator: Peter Simon


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The Enchanted Island Before the Cell of Prospero - Prospero... first published 1797; reissued 1852. Creator: Peter Simon

The Enchanted Island Before the Cell of Prospero - Prospero, Miranda, Caliban and Ariel (Shakespeare, The Tempest, Act 1, Scene 2), first published 1797; reissued 1852

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Media ID 20288311

© Heritage Art/Heritage Images

Ariel Caliban Fourth State Of Four Fuseli Fuseli Henri Fuseli Henry Fuseli Henry The Younger Fuseli Jean Henri Fussli Fussli Heinrich Fussli Johann Heinrich Heinrich Heinrich Fussli Henri Fuseli Henry Henry Fuseli Henry Fuseli Esq Ra Jean Henri Johann Heinrich Johann Heinrich Fussli Miranda Monster Peter Simon Prospero Shakespeare Shakespeare William Shakspeare Simon Simon Peter Stipple Engraving The Tempest The Younger William Shakespeare


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> Animals > Mammals > Vespertilionidae > Ariel

> Arts > Artists > F > Henry Fuseli

> Arts > Artists > S > William Shakespeare

> Arts > Artists > W > William White

> Europe > United Kingdom > England > London > Sights > British Museum

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


The Enchanted Island Before the Cell of Prospero - A Captivating Glimpse into Shakespeare's Tempest

EDITORS COMMENTS
. This stunning print, created by Peter Simon in the 19th century, takes us back to the magical world of William Shakespeare's play, The Tempest. Entitled "The Enchanted Island Before the Cell of Prospero" this image captures a pivotal moment from Act 1, Scene 2. In this scene, we find ourselves amidst a dramatic encounter between Prospero, Miranda, Caliban, and Ariel. The intricate stipple engraving beautifully depicts these iconic characters as they come alive on paper. We witness Prospero's commanding presence as he stands tall and authoritative while engaging with his daughter Miranda. Caliban lurks in the background like a menacing monster with his grotesque features adding an air of mystery to the composition. Meanwhile, Ariel hovers above them all with an ethereal grace that perfectly embodies his otherworldly nature. Simon's attention to detail brings out every nuance of emotion and expression on each character's face. This fourth state print is a testament to Simon's skillful artistry and dedication to capturing Shakespearean drama. As we gaze upon this remarkable piece at The Metropolitan Museum of Art today or through its reissue in 1852 by Heritage Art, we are transported into a realm where magic intertwines with human desires and emotions. It serves as a reminder of Shakespeare's enduring legacy and continues to captivate audiences centuries after its first publication.

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