Fragments Collection (page 8)

A ruined Roman entrance to the Temple of Apollo under a bright blue sky at sunrise, Side, Turkey
Roman and Hellenistic ruins of the Temple of Apollo under a bright blue sky at sunrise, a ruined Roman entrance, at Side, near Manavgat, on the Mediterranean coast of Anatolia; Side, Anatolia, Turkey

Marches Ancona Bastia Parrocchiale Italy italian country
Marches Ancona Bastia Parrocchiale, this is my Italy, the italian country of visual history, Medieval 12th century stoup. Post-medieval Architecture fresco fragments paintings on canvas

Marches Ancona Fabriano S. Benedetto Italy italian country
Marches Ancona Fabriano S. Benedetto, this is my Italy, the italian country of visual history, Medieval 13th century architecture 1244/1290 wooden crucifix

Lazio Viterbo Ischia di Castro Museo Comunale, this is my Italy, the italian country of visual history, Views of fragments from Rovine di Castro, including architectural sculpture from 8th-9th c

Lazio Roma Rome Zagarolo Palazzo Colonna Italy
Lazio Roma Zagarolo Palazzo Colonna, this is my Italy, the italian country of visual history, Post-medieval Architectural sculpture Antiquities Fragments of architectural sculpture, sarcophagi

Lazio Roma Rome Vicovaro Misc views Italy italian country
Lazio Roma Vicovaro Misc. views, this is my Italy, the italian country of visual history, Medieval Architecture, architectural sculpture

Lazio Roma Rome Vicovaro S. Cosimato Italy italian country
Lazio Roma Vicovaro S. Cosimato, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, painting. Rock-cut church with wall paintings and statue of S

Lazio Roma Rome Velletri S. Clemente Cathedral
Lazio Roma Velletri S. Clemente, Cathedral, this is my Italy, the italian country of visual history, Medieval Architecture 4th c. rebuilt c

Lazio Roma Rome Licenza Palazzo Baronale Italy
Lazio Roma Licenza Palazzo Baronale, this is my Italy, the italian country of visual history, Medieval Architecture, architectural sculpture Antiquities Sculptural fragments Museum Oraziano is

Lazio Roma Rome Palombara Sabina S. Giovanni
Lazio Roma Palombara Sabina S. Giovanni in Argentella, this is my Italy, the italian country of visual history, Medieval Architecture 12-14th centuries iconostasis with Cosmati style mosaic inlay c

Lazio Roma Rome Ardea S. Pietro Italy italian country
Lazio Roma Ardea S. Pietro, this is my Italy, the italian country of visual history, Medieval Architecture, sculpture, architectural sculpture, painting

Lazio Roma Rome Castel Madama Castello Italy
Lazio Roma Castel Madama Castello, this is my Italy, the italian country of visual history, Medieval 14th century architecure, portico, loggia with spolia, inscribed funerary monuments fragments

Lazio Roma Rome Frascati Villa Mondragone Italy
Lazio Roma Frascati Villa Mondragone, this is my Italy, the italian country of visual history, Exterior views of outer and courtyard facades of the 16th c. villa, now a Jesuit school

Lazio Rieti Tarano S. Francesco Italy italian country
Lazio Rieti Tarano S. Francesco, this is my Italy, the italian country of visual history, Medieval Architectural ruins. Post-medieval Fragments of architectural sculpture See Argenta

Lazio Latina Gaeta S. Domenico Italy italian country
Lazio Latina Gaeta S. Domenico, this is my Italy, the italian country of visual history, views of paintings and frescoes only. exterior views of facade, portal, courtyard, bell tower

Abruzzo Aquila San Sebastiano S. Sebastiano Italy
Abruzzo Aquila San Sebastiano S. Sebastiano, this is my Italy, the italian country of visual history, Medieval Architecture 12th-13th centuries very primitive probably built by local inhabitants

Lazio Roma Rome Albano Laziale Catacombe di S. Senatore
Lazio Roma Albano Laziale Catacombe di S. Senatore, this is my Italy, the italian country of visual history, Antiquities Interior views fragments of architectural sculpture

Lazio Latina Ninfa S. Giovanni Italy italian country
Lazio Latina Ninfa S. Giovanni, this is my Italy, the italian country of visual history, Fragments of church walls overgrown with vegetation. Ninfa is an abandoned medieval city

Lazio Latina Gaeta SS Erasmo e Marziano Cathedral
Lazio Latina Gaeta SS. Erasmo e Marziano, Cathedral, this is my Italy, the italian country of visual history, Views of objects in the pinacoteca, including paintings, 14th and 15th c

Campania Salerno Teggiano S. Pietro Italy italian country
Campania Salerno Teggiano S. Pietro, this is my Italy, the italian country of visual history, Exterior views of 14th-century church facade, narthex

Campania Caserta Aversa S. Francesco Italy italian country
Campania Caserta Aversa S. Francesco, this is my Italy, the italian country of visual history, Post-medieval Built in 6th century, remodelled in 1645 and 1830

Umbria Perugia Terni Palazzo dei Mazzancolli, this is my Italy, the italian country of visual history, Medieval Dressed stone architecture 14th century

Umbria Perugia Pieve Pagliaccia Parrocchiale, this is my Italy, the italian country of visual history, Small church with rose window and a small campanile

Umbria Perugia Spoleto environs S. Salvatore, this is my Italy, the italian country of visual history, Although first erected in the early 5th century on the remains of a Roman temple

Umbria Perugia Spoleto S. Domenico Italy italian country
Umbria Perugia Spoleto S. Domenico, this is my Italy, the italian country of visual history, Exterior views of 13th-14th century church restored in 1960 striped facade, bell tower, and portals

Umbria Terni Amelia S. Monica Italy italian country
Umbria Terni Amelia S. Monica, this is my Italy, the italian country of visual history, Post-medieval Original church 14th century, rebuilt 17th century after an earthquake

Tuscany Siena Serre di Rapolano Palazzo di Giustizia, this is my Italy, the italian country of visual history, Medieval Gothic architecture restored

Umbria Terni Montefranco Chiesa del Cimitero, this is my Italy, the italian country of visual history, Medieval Architecture

Umbria Terni Amelia Palazzo Comunale Italy italian country
Umbria Terni Amelia Palazzo Comunale, this is my Italy, the italian country of visual history, Medieval Architectural sculpture sarcophagus, capitals

Palmyra Temple Baal Fragments entablature main entrance
Palmyra. Temple of Baal. Fragments of the entablature, etc. at the main entrance. 1920, Syria, Tadmur

Tel Deweir Lachish Men clearing burnt line debris
Tel Deweir, Lachish, Men clearing burnt line debris. Iron lance heads, arrowheads & fragments of scale armour found in this area due to attack, 588 B.C. 1936, Israel, Lachish

Tel Deweir Lachish Sifting debris fragments relics
Tel Deweir, Lachish, Sifting debris for fragments & relics at Tel-Deweir. 1936, Israel, Lachish

Excavations Tell Jemmeh Gerar Searching relics
Excavations. Tell Jemmeh, (Gerar) Searching for relics. Earth carefully sifted for fragments. Bedouin woman using a sieve to sift earth at Tell Jemmeh while another woman holds a basket

General View Longleate Prospect Hill Shewing
General View of Longleate from the Prospect Hill: Shewing the Water as it has been Finished, and the Surface Lowered, to Raise the House

Plate 19 Colours Fragments theory practice landscape gardening
Plate 19: Colours, Fragments on the theory and practice of landscape gardening: including some remarks on Grecian and Gothic architecture

Coverlet Fragments 1760-1770 Philippe de Lasalle
Coverlet and Fragments, c. 1760-1770. Philippe de Lasalle (French, 1723-1805). Embroidered satin and silk; overall: 305.3 x 201.3 cm (120 3/16 x 79 1/4 in.); average: 75 x 82 cm (29 1/2 x 32 5/16 in.)

Bartmann jug cup fragments William Chaffers English
Bartmann jug, cup, and fragments; William Chaffers (English, 1811 - 1892); London, England, Europe; 1871; Woodburytype; 10.7 x 8 cm (4 3, 16 x 3 1, 8 in.)

Decorated Border Fragments Paris France 1460
Decorated Border Fragments; Paris, France; about 1460 - 1470; Tempera colors, gold leaf, and gold paint on parchment; Ms. 42, leaf 4

Verso Decorated Border Fragments Paris France
Verso of Decorated Border Fragments; Paris, France; about 1460 - 1470; Tempera colors, gold leaf, and gold paint on parchment; Ms. 42, leaf 4v

Egypt Nubia Volume II - No 4 Fragments Great Colossi
Egypt and Nubia: Volume II - No. 4, Fragments of the Great Colossi, at the Memnonium, 1838. Louis Haghe (British, 1806-1885). Color lithograph

Fragments Copperplate Printed Cotton 1789 Firm
Fragments of Copperplate Printed Cotton, c. 1789. Firm of Christophe Philippe Oberkampf (French, 1738-1815), Jean-Baptiste Marie Huet (French, 1745-1811)

Views Fragments Sculpture 1735-1746 Antonio Canaletto
Views: Fragments of Sculpture, 1735-1746. Antonio Canaletto (Italian, 1697-1768). Etching

Egypt Nubia Volume II Fragments Great Colossi
Egypt and Nubia, Volume II: Fragments of the Great Colossi at the Memnonium, Thebes, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British)

Fragments Belt 400 Peru South Andes Tiwanaku style
Fragments of a Belt, c. 400. Peru, South Andes, Tiwanaku style, late 4th-early 5th Century. Camelid wool; tapestry; average: 86.5 x 4.7 cm (34 1/16 x 1 7/8 in.)

Fragments 1800s India Rajasthan 19th century
Fragments, 1800s. India, Rajasthan ?, 19th century. Block printed with gold leaf on cotton muslin; average: 39.2 x 11.5 cm (15 7/16 x 4 1/2 in.)

Fragments of a Dornier brought down in Victoria Station
Knocking over chimney pots as it came to rest. The Fragments of a Dornier Bomber brought down in the forecourt of Victoria Station by Fighter Pilot Ray Holmes on 15th September 1940

Bolide meteorite with a serpentine shape
Bolide forming a serpentine shape due to the influence of gravitational forces on the fragments forming the tail Date: 1954

Pinned boken ankle, X-ray C017 / 7186
Pinned broken ankle. X-ray of the lower leg of an 85 year old female with fractures at the ends of the tibia (shin bone, right) and fibula (calf bone, left)

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In a world filled with fragments, the past whispers its stories through time. Old Bill kneels in front of the Cenotaph in Whitehall, his weathered hands tracing the fragmented memories etched into stone. Each crack and crevice holds a piece of history, reminding us of sacrifices made. Across continents, another fragment emerges from the depths of antiquity - a Dead Sea scroll fragment dating back to the 1st century AD. Its delicate parchment unravels secrets lost to time, offering glimpses into ancient civilizations and their beliefs. But they can not confined to scrolls alone; they manifest in various forms. An Antiphonal Incunable Fragment carries melodies that once echoed through grand cathedrals, while a Gradual Fragment reveals snippets of sacred chants sung during religious ceremonies. Incunabula continue to unveil their fragmented beauty as we encounter Noted Breviary and Sacramentary Fragments. These remnants transport us back to an era when books were meticulously crafted by hand and adorned with intricate illustrations. Within these pages lies yet another treasure – a Noted Hymnal Fragment – where notes dance across faded lines like musical whispers from centuries ago. And amidst it all, we stumble upon more Noted Breviary and Missal Fragments that offer fleeting glimpses into prayers uttered by faithful souls long gone. Even bindings bear witness to fragments' allure; Paper and Parchment Binding Fragments hold within them tales untold - stories hidden between layers of protective covers meant for preservation but now revealing only tantalizing clues about what was once contained within. And so it goes on - an endless cycle of discovery as each fragment unveils just enough to leave us yearning for more. Like an incomplete puzzle waiting patiently for missing pieces, these fragments remind us that history is never fully complete or comprehensible. Yet even in their incompleteness, they possess an undeniable power - stirring our imagination and connecting us to the past in ways that only fragments can.