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Fragments Collection (page 5)

In a world filled with fragments, the past whispers its stories through time

Background imageFragments Collection: Stained glass in north window of chancel of St Mary Redcliffe (w / c on paper)

Stained glass in north window of chancel of St Mary Redcliffe (w / c on paper)
2831506 Stained glass in north window of chancel of St Mary Redcliffe (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageFragments Collection: Carved figure from St Thomass Church (pencil & w / c on paper)

Carved figure from St Thomass Church (pencil & w / c on paper)
2831564 Carved figure from St Thomass Church (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageFragments Collection: Fragments of the Tomb of Mausolus (engraving)

Fragments of the Tomb of Mausolus (engraving)
2777255 Fragments of the Tomb of Mausolus (engraving) by English School, (19th century); Private Collection; (add.info.: Fragments of the Tomb of Mausolus)

Background imageFragments Collection: The Moment of Imagination, pub. 1785 (hand coloured engraving)

The Moment of Imagination, pub. 1785 (hand coloured engraving)
2490024 The Moment of Imagination, pub. 1785 (hand coloured engraving) by English School, (18th century); Private Collection; (add.info.: Edward Topham (1751-1820); Mrs

Background imageFragments Collection: Fragment of carved dish with duck motifs, Early Dynastic Period (siltstone)

Fragment of carved dish with duck motifs, Early Dynastic Period (siltstone)
1216304 Fragment of carved dish with duck motifs, Early Dynastic Period (siltstone) by Egyptian; 10.3x11.3 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Araba al-Madfuna Duck)

Background imageFragments Collection: Fragments of Zeppelin, 1916

Fragments of Zeppelin, 1916
Three fragments obtained from a recently-destroyed Zeppelin. No 1. outer covering of Zeppelin (a doped fabric, i.e. a woven material treated with waterproofing solution). No 2

Background imageFragments Collection: Fragments de sculpture trouves a Saint-Landry, 1829 (engraving)

Fragments de sculpture trouves a Saint-Landry, 1829 (engraving)
963544 Fragments de sculpture trouves a Saint-Landry, 1829 (engraving) by French School, (19th century); Private Collection; (add.info.: Fragments de sculpture trouves a Saint-Landry, 1829)

Background imageFragments Collection: Autres fragments trouves au meme endroit, a Notre-Dame (engraving)

Autres fragments trouves au meme endroit, a Notre-Dame (engraving)
963535 Autres fragments trouves au meme endroit, a Notre-Dame (engraving) by French School, (19th century); Private Collection; (add.info.: Autres fragments trouves au meme endroit, a Notre-Dame)

Background imageFragments Collection: Ionic capital from Greece, c. 320-30 BC (marble)

Ionic capital from Greece, c. 320-30 BC (marble)
1076477 Ionic capital from Greece, c.320-30 BC (marble) by Greek, (4th century BC); Leeds Museums and Art Galleries (Leeds City Museum) UK; (add.info)

Background imageFragments Collection: Window depicting Fragments and the Angel appearing to Saint Peter in prison

Window depicting Fragments and the Angel appearing to Saint Peter in prison
1278397 Window depicting Fragments and the Angel appearing to Saint Peter in prison (stained glass) by French School, (16th century); Eglise St Pierre et St Paul, Gerandot

Background imageFragments Collection: Specimens of volcanic matter, from Campi Phlegraei

Specimens of volcanic matter, from Campi Phlegraei
1275135 Specimens of volcanic matter, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803), published 1776 (hand coloured engraving) by Fabris

Background imageFragments Collection: Ballot Discs, 480 BC (terracotta)

Ballot Discs, 480 BC (terracotta)
LRI1761934 Ballot Discs, 480 BC (terracotta) by Greek, (5th century BC); Agora Museum, Athens, Greece; Luisa Ricciarini; Greek, out of copyright

Background imageFragments Collection: 619408

619408

Background imageFragments Collection: The Discoveries in the Roman Forum (b / w photo)

The Discoveries in the Roman Forum (b / w photo)
1601360 The Discoveries in the Roman Forum (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Discoveries in the Roman Forum)

Background imageFragments Collection: Two stone figures from St Thomass Church (pencil & w / c on paper)

Two stone figures from St Thomass Church (pencil & w / c on paper)
2831565 Two stone figures from St Thomass Church (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageFragments Collection: Two figures in east window north transept of St Mary Redcliffe (w / c on paper)

Two figures in east window north transept of St Mary Redcliffe (w / c on paper)
2831503 Two figures in east window north transept of St Mary Redcliffe (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageFragments Collection: Remains of a Monument discovered in the East Wall, and Piscina in South Aisle

Remains of a Monument discovered in the East Wall, and Piscina in South Aisle
2832615 Remains of a Monument discovered in the East Wall, and Piscina in South Aisle, St Jamess Church, Bristol (pencil & w/c on paper) by Wheatley, William W

Background imageFragments Collection: Fragment of Carved Oak from old Tuckers Hall, Temple Street (w / c on paper)

Fragment of Carved Oak from old Tuckers Hall, Temple Street (w / c on paper)
2831631 Fragment of Carved Oak from old Tuckers Hall, Temple Street (w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageFragments Collection: Stone carvings from St Thomass Church (pencil on paper)

Stone carvings from St Thomass Church (pencil on paper)
2831570 Stone carvings from St Thomass Church (pencil on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageFragments Collection: 11 corbel heads about the cloisters of Bristol Cathedral (pencil & on paper)

11 corbel heads about the cloisters of Bristol Cathedral (pencil & on paper)
2831253 11 corbel heads about the cloisters of Bristol Cathedral (pencil & on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageFragments Collection: Specimens of volcanic matter found in the crater of Vesuvius, Plate XXXXVI

Specimens of volcanic matter found in the crater of Vesuvius, Plate XXXXVI
1275124 Specimens of volcanic matter found in the crater of Vesuvius, Plate XXXXVI, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imageFragments Collection: Specimens of Tufa found in and around Herculaneum, Plate XXXXV

Specimens of Tufa found in and around Herculaneum, Plate XXXXV
1275123 Specimens of Tufa found in and around Herculaneum, Plate XXXXV, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imageFragments Collection: Specimens of volcanic matter taken from the inside of the crater of Vesuvius

Specimens of volcanic matter taken from the inside of the crater of Vesuvius
1275122 Specimens of volcanic matter taken from the inside of the crater of Vesuvius, Plate XXXXIV, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies

Background imageFragments Collection: View of the Crater, or inside of the Cone of the little mountain, Plate XIV

View of the Crater, or inside of the Cone of the little mountain, Plate XIV
1275098 View of the Crater, or inside of the Cone of the little mountain, Plate XIV, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Background imageFragments Collection: Fragments from a colossal statue of Constantine the Great (marble)

Fragments from a colossal statue of Constantine the Great (marble)
704480 Fragments from a colossal statue of Constantine the Great (marble) by Roman, (4th century AD); Musei Capitolini, Rome, Italy; (add.info.: Constantine I (c.272-337)

Background imageFragments Collection: Colossal head of Constantine the Great (marble)

Colossal head of Constantine the Great (marble)
704478 Colossal head of Constantine the Great (marble) by Roman, (4th century AD); Musei Capitolini, Rome, Italy; (add.info.: Constantine I (c.272-337)

Background imageFragments Collection: Fragments of a medieval wall painting from the Abbey of Monte Cassino (stone

Fragments of a medieval wall painting from the Abbey of Monte Cassino (stone
703202 Fragments of a medieval wall painting from the Abbey of Monte Cassino (stone, plaster & pigment) by Italian School, (9th century); Abbey of Monte Cassino, Cassino, Italy; (add.info.: St)

Background imageFragments Collection: Damaged fresco from Santa Maria Antiqua, Rome (fresco)

Damaged fresco from Santa Maria Antiqua, Rome (fresco)
703231 Damaged fresco from Santa Maria Antiqua, Rome (fresco) by Italian School; Santa Maria Antiqua, Rome, Italy; Italian, out of copyright

Background imageFragments Collection: Relief from the area of the Temple of Apollo, Palatine Hill, Rome (terracotta)

Relief from the area of the Temple of Apollo, Palatine Hill, Rome (terracotta)
702383 Relief from the area of the Temple of Apollo, Palatine Hill, Rome (terracotta) by Roman; Antiquarium Palatino, Rome, Italy; out of copyright

Background imageFragments Collection: Window depicting Mary Magdalene (stained glass)

Window depicting Mary Magdalene (stained glass)
PC344933 Window depicting Mary Magdalene (stained glass) by English School, (15th century); Church of St. Peter & St. Paul, East Harling, Norfolk, UK; (add.info.: Norwich School; ); English

Background imageFragments Collection: Plaque depicting a king offering wine, Ptolemaic period, 305-30 BC (soft limestone)

Plaque depicting a king offering wine, Ptolemaic period, 305-30 BC (soft limestone)
425406 Plaque depicting a king offering wine, Ptolemaic period, 305-30 BC (soft limestone) by Egyptian Ptolemaic Period (332-30 BC); 18.9x16.5x3.9 cm; Freer Gallery of Art, Smithsonian Institution

Background imageFragments Collection: Facsimile of cave temple paintings now in the Koeniglichen Museum, Berlin

Facsimile of cave temple paintings now in the Koeniglichen Museum, Berlin
STC420664 Facsimile of cave temple paintings now in the Koeniglichen Museum, Berlin, late 19th-early 20th century (colour litho)

Background imageFragments Collection: Sarcophagus, Herodium (sandstone)

Sarcophagus, Herodium (sandstone)
1220463 Sarcophagus, Herodium (sandstone) by Levantine School; (add.info.: Sarcophagus found near the mausoleum believed to be that of King Herod the Great (73/74-4 BC)

Background imageFragments Collection: Wall Fragment from the Tomb of Thenti, 2524-2400 BC (limestone)

Wall Fragment from the Tomb of Thenti, 2524-2400 BC (limestone)
2969169 Wall Fragment from the Tomb of Thenti, 2524-2400 BC (limestone) by Egyptian 5th Dynasty (c.2494-2345 BC); 55.9x87.6x11.4 cm; The Art Institute of Chicago, IL

Background imageFragments Collection: Fragments of a Caftan Covered with a Silk Fabric with a Simurgh Pattern

Fragments of a Caftan Covered with a Silk Fabric with a Simurgh Pattern
2637036 Fragments of a Caftan Covered with a Silk Fabric with a Simurgh Pattern, Moshchevaya Balka Burial Mound, Eastern Mediterranean (silk) by Syrian School (9th Century)

Background imageFragments Collection: Incomplete massive Mina i pottery storage jar, Central Iran, c. 1200 (ceramic)

Incomplete massive Mina i pottery storage jar, Central Iran, c. 1200 (ceramic)
3610799 Incomplete massive Mina i pottery storage jar, Central Iran, c.1200 (ceramic) by Iranian school (13th century); height: 82.3 cm; Private Collection; (add.info)

Background imageFragments Collection: Fragment of a sculpture, Cathedrale Notre-Dame, Tournai, Hainaut, Belgium

Fragment of a sculpture, Cathedrale Notre-Dame, Tournai, Hainaut, Belgium
3469626 Fragment of a sculpture, Cathedrale Notre-Dame, Tournai, Hainaut, Belgium, late 14th century (stone) by French School, (14th century); Cathedrale de Notre-Dame, Tournai

Background imageFragments Collection: Relief from the area of the Temple of Apollo, Palatine Hill, Rome (terracotta)

Relief from the area of the Temple of Apollo, Palatine Hill, Rome (terracotta)
702381 Relief from the area of the Temple of Apollo, Palatine Hill, Rome (terracotta) by Roman; Antiquarium Palatino, Rome, Italy; out of copyright

Background imageFragments Collection: Fragments over doors in gallery of chancel of Bristol Cathedral (pencil & w / c on paper)

Fragments over doors in gallery of chancel of Bristol Cathedral (pencil & w / c on paper)
2831255 Fragments over doors in gallery of chancel of Bristol Cathedral (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageFragments Collection: Remains of a Monument in St Jamess Church, Bristol (pencil & w / c on paper)

Remains of a Monument in St Jamess Church, Bristol (pencil & w / c on paper)
2832614 Remains of a Monument in St Jamess Church, Bristol (pencil & w/c on paper) by Wheatley, William W. (1811-1885); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageFragments Collection: The Vision of Ezekiel: the Valley of Dry Bones (pencil, w / c & bodycolour with gum arabic

The Vision of Ezekiel: the Valley of Dry Bones (pencil, w / c & bodycolour with gum arabic
CH402051 The Vision of Ezekiel: the Valley of Dry Bones (pencil, w/c & bodycolour with gum arabic on paper) by Stanhope, John Roddam Spencer (1829-1908)

Background imageFragments Collection: A Trade that was always brisk in Mafeking, Natives selling Fragments of Boer Shells (litho)

A Trade that was always brisk in Mafeking, Natives selling Fragments of Boer Shells (litho)
1048522 A Trade that was always brisk in Mafeking, Natives selling Fragments of Boer Shells (litho) by Calkin, Lance (1859-1936); Private Collection; (add.info)

Background imageFragments Collection: Part of a folding tomb entrance door with head of a gorgon, from Greece

Part of a folding tomb entrance door with head of a gorgon, from Greece
1076476 Part of a folding tomb entrance door with head of a gorgon, from Greece, 300-100 BC (marble) by Greek; Leeds Museums and Art Galleries (Leeds City Museum) UK; (add.info)



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In a world filled with fragments, the past whispers its stories through time. Old Bill kneels in front of the Cenotaph in Whitehall, his weathered hands tracing the fragmented memories etched into stone. Each crack and crevice holds a piece of history, reminding us of sacrifices made. Across continents, another fragment emerges from the depths of antiquity - a Dead Sea scroll fragment dating back to the 1st century AD. Its delicate parchment unravels secrets lost to time, offering glimpses into ancient civilizations and their beliefs. But they can not confined to scrolls alone; they manifest in various forms. An Antiphonal Incunable Fragment carries melodies that once echoed through grand cathedrals, while a Gradual Fragment reveals snippets of sacred chants sung during religious ceremonies. Incunabula continue to unveil their fragmented beauty as we encounter Noted Breviary and Sacramentary Fragments. These remnants transport us back to an era when books were meticulously crafted by hand and adorned with intricate illustrations. Within these pages lies yet another treasure – a Noted Hymnal Fragment – where notes dance across faded lines like musical whispers from centuries ago. And amidst it all, we stumble upon more Noted Breviary and Missal Fragments that offer fleeting glimpses into prayers uttered by faithful souls long gone. Even bindings bear witness to fragments' allure; Paper and Parchment Binding Fragments hold within them tales untold - stories hidden between layers of protective covers meant for preservation but now revealing only tantalizing clues about what was once contained within. And so it goes on - an endless cycle of discovery as each fragment unveils just enough to leave us yearning for more. Like an incomplete puzzle waiting patiently for missing pieces, these fragments remind us that history is never fully complete or comprehensible. Yet even in their incompleteness, they possess an undeniable power - stirring our imagination and connecting us to the past in ways that only fragments can.