Frames Collection (page 9)

Plate 82. Ascending Incline, Bucket of Water in Each Hand, 1872-85 (collotype on paper)
3950143 Plate 82. Ascending Incline, Bucket of Water in Each Hand, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.8x34.9 cm; Addison Gallery of American Art, Phillips Academy

Plate 79. Ascending Incline, 1872-85 (collotype on paper)
3950140 Plate 79. Ascending Incline, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21x35.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 76. Ascending Incline, 1872-85 (collotype on paper)
3950137 Plate 76. Ascending Incline, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21x34.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 520. A, 98 and 100 Wrestling; B, 98 and 100 Wrestling, 1872-85 (collotype on paper)
3950107 Plate 520. A, 98 and 100 Wrestling; B, 98 and 100 Wrestling, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.4x31.8 cm; Addison Gallery of American Art, Phillips Academy

Plate 492. A, 103 Rowing; B, 96 Rowing, 1872-85 (collotype on paper)
3950103 Plate 492. A, 103 Rowing; B, 96 Rowing, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.6x36.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 490. A, Sitting Down; B, Sitting Down; C, Sprinkling Water
3950101 Plate 490. A, Sitting Down; B, Sitting Down; C, Sprinkling Water, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.6x38.4 cm; Addison Gallery of American Art

Plate 394. Turning a Crank Handle, 1872-85 (collotype on paper)
3950091 Plate 394. Turning a Crank Handle, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.2x31.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 387. Farmer, Using a Long-Handled Shovel, 1872-85 (collotype on paper)
3950084 Plate 387. Farmer, Using a Long-Handled Shovel, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 15.7x45.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 383. Lifting A Log on Shoulder, 1872-85 (collotype on paper)
3950081 Plate 383. Lifting A Log on Shoulder, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 18.9x37.3 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 370. First Ballet Action, 1885 (collotype on paper)
3950077 Plate 370. First Ballet Action, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23.3x31.3 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 369. First Ballet Action, 1885 (collotype on paper)
3950076 Plate 369. First Ballet Action, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 17x324.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 364. Hand-spring over Mans Back, 1885 (collotype on paper)
3950075 Plate 364. Hand-spring over Mans Back, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23.7x31.4 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 328. Rowing, 1885 (collotype on paper)
3950066 Plate 328. Rowing, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.2x40.2 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 286. Base-ball; Throwing, 1885 (collotype on paper)
3950041 Plate 286. Base-ball; Throwing, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 24.8x28.6 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 281. Base-ball; Catching and Throwing, 1885 (collotype on paper)
3950036 Plate 281. Base-ball; Catching and Throwing, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.8x43 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 278. Base-ball; Batting, 1885 (collotype on paper)
3950033 Plate 278. Base-ball; Batting, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.8x42.2 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 274. Base-ball; Batting, 1885 (collotype on paper)
3950029 Plate 274. Base-ball; Batting, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 25.2x28.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 258. Arising from the Ground and Walking Off, 1885 (collotype on paper)
3950025 Plate 258. Arising from the Ground and Walking Off, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.9x31.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 249. Rising from Chair, 1885 (collotype on paper)
3950023 Plate 249. Rising from Chair, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 17.2x41.4 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 218. Stooping, and Lifting Full Demijohn to Shoulder, 1885 (collotype on paper)
3950021 Plate 218.Stooping, and Lifting Full Demijohn to Shoulder, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 17.3x44 cm; Addison Gallery of American Art, Phillips Academy

Plate 125. Descending Stairs, 1872-85 (collotype on paper)
3950010 Plate 125. Descending Stairs, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.4x34 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 91. Ascending Stairs, 1872-85 (collotype on paper)
3950005 Plate 91. Ascending Stairs, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.8x34.8 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 90. Ascending Stairs, 1872-85 (collotype on paper)
3950004 Plate 90. Ascending Stairs, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23x33.2 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 89. Ascending Stairs, 1872-85 (collotype on paper)
3950003 Plate 89. Ascending Stairs, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.1x37.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 66. Running, 1872-85 (collotype on paper)
3949995 Plate 66. Running, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.1x35.1 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 64. Running at Full Speed, 1872-85 (collotype on paper)
3949993 Plate 64. Running at Full Speed, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 22.2x31.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 322. Man Lifting Dumbbells, 1887 (collotype on paper)
3949810 Plate 322. Man Lifting Dumbbells, 1887 (collotype on paper) by Muybridge, Eadweard (1830-1904); Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 771. American Eagle; Flying Near the Ground, 1885 (collotype on paper)
3950747 Plate 771. American Eagle; Flying Near the Ground, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 21.3x34.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 766. Vulture; Flying, 1885 (collotype on paper)
3950742 Plate 766. Vulture; Flying, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 12.5x44.9 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Plate 765. Vulture; Flying, 1885 (collotype on paper)
3950741 Plate 765. Vulture; Flying, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 27.5x27.6 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Moorish Children Working at a School of Embroidery (chromolitho)
735623 Moorish Children Working at a School of Embroidery (chromolitho) by European School, (19th century); Private Collection; (add.info.: Moorish Children Working at a School of Embroidery)

Rudolph Ackermann, or Ackermanns (b / w photo)
733709 Rudolph Ackermann, or Ackermanns (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Rudolph Ackermann, or Ackermanns. 203 Regent Street)

Filling Soap-frames (engraving)
3654615 Filling Soap-frames (engraving) by English School, (19th century); Private Collection; (add.info.: Filling Soap-frames. Illustration for The Penny Magazine (1842).); © Look and Learn

Portrait of a wife, late 18th century (wax)
2959929 Portrait of a wife, late 18th century (wax) by German School, (18th century); Timothy Millett Collection; (add.info.: One of a pair, probably Prussian.); German, out of copyright

Soap and candles (engraving)
2792793 Soap and candles (engraving) by English School, (19th century); Private Collection; (add.info.: Soap and candles. Illustration for Chatterbox (1893)

The Altarpiece of St Mary Redcliffe (triptych), 1755-1756 (oil on canvas)
2829277 The Altarpiece of St Mary Redcliffe (triptych), 1755-1756 (oil on canvas) by Hogarth, William (1697-1764); 422x370 cm; Bristol Museum and Art Gallery

Norman Park, Birkley, Huddersfield (colour photo)
3095270 Norman Park, Birkley, Huddersfield (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: Norman Park, Birkley, Huddersfield)

Corner of Sir Richard Burtons Study, 1889 (oil on panel)
3089789 Corner of Sir Richard Burtons Study, 1889 (oil on panel) by Letchford, Albert (fl.1889); 23.3x32.5 cm; Orleans House Gallery, Twickenham, UK; eOrleans House Gallery; British, out of copyright

Figure of a woman sitting with a decorative picture frame (engraving)
982244 Figure of a woman sitting with a decorative picture frame (engraving) by English School, (18th century); Private Collection; (add.info)

Rococo design for a frame (engraving)
982240 Rococo design for a frame (engraving) by French School, (19th century); Private Collection; (add.info.: Rococo design for a decorative picture frame, possibly a mirror)

Trade Catalogue for Tantalus frames 1930
A choice of fumed oak, mahogany and Princes plate Tantalus frames with finely cut glass decanter bottles and a elegant mahogany or oak cocktail table completely fitted with English cut-glass

Map and Printseller, trade card (engraving)
984034 Map and Printseller, trade card (engraving) by English School, (18th century); Private Collection; (add.info.: Map and Printseller, trade card.); Look and Learn / Peter Jackson Collection

Portraits: Members of the Soulia Family, 1872-75 (tintypes arranged in vintage frame with name of sitters on cloth tape)
995879 Portraits: Members of the Soulia Family, 1872-75 (tintypes arranged in vintage frame with name of sitters on cloth tape) by American Photographer

Comtesse Diane de Polignac, in decollete white dress, flowers
3576425 Comtesse Diane de Polignac, in decolletewhite dress, flowers and peppermint green ribbon in her upswept powdered hair

Bon Voyage, 1929 (oil on canvas)
CH343490 Bon Voyage, 1929 (oil on canvas) by Carrington, Dora (1893-1932); Private Collection; Photo eChristies Images; English, out of copyright

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"Frames: Capturing Life's Stories Through Different Lenses" Doctors at Queen Marys Hospital in Sidcup, Kent, have produced a film on the life - they have always been an integral part of our existence, capturing moments that shape our stories. (Picture No. 10901761) Dressing Shetland Shawls - In every culture, frames hold the essence of tradition and heritage. From intricate patterns to vibrant colors, they beautifully dress the narratives of generations past. Home of a Spitalfields weaver - Within these frames lie tales of craftsmanship and dedication. The looms hum with history as skilled hands weave threads into masterpieces that transcend time. The Apiarist - Nature's canvas comes alive within these wooden structures. Bees buzz around their honey-filled homes, creating sweet symphonies while reminding us of the interconnectedness between humans and nature. Plate 192. Dancing (fancy), 1885 (collotype on paper) - Frozen in time, this frame captures the elegance and gracefulness found in dance. Each movement tells a story; each step paints a picture that transcends words. Maskelyne and Cooke's "The Artist's Dream". John Nevil Maskelyne and George Co - Magic unfolds within these frames as illusionists transport us to realms beyond imagination. They remind us that sometimes reality is just an illusion waiting to be uncovered. Plate 327. Rowing, 1885 (collotype on paper) - Strength meets serenity in this frame where rowers glide through calm waters with synchronized strokes. It symbolizes teamwork and determination etched upon nature's canvas. Medina Souk, Marrakech, Morocco, North Africa, Africa - Vibrant marketplaces burst with life within these frames – bustling souks filled with exotic spices scents wafting through narrow alleys while merchants skillfully negotiate amidst colorful tapestries. Flying painter (#portrait81).