Frederich Collection

Cover of Sheet Music for Handels Messiah, published in 1742 (engraving) (b / w photo)
XJF323039 Cover of Sheet Music for Handels Messiah, published in 1742 (engraving) (b/w photo) by English School, (18th century); Private Collection; (add.info.: George Frederick Handel (1685-1759)

The Victoria Terminus, Bombay, opened in 1929 by the Governor of Bombay, Sire Frederich Sykes. The train station served the main lines of the Great Indian Peninsular Railway

Cover of Sheet Music for Julius Caesar, an Opera by Handel, published in 1724 (engraving)
XJF323045 Cover of Sheet Music for Julius Caesar, an Opera by Handel, published in 1724 (engraving) (b/w photo) by English School

Cover of Sheet Music for Samson, an Oratorio by Handel, published in 1759 (engraving)
XJF323038 Cover of Sheet Music for Samson, an Oratorio by Handel, published in 1759 (engraving) by English School, (18th century); Private Collection; (add.info.: George Frederick Handel (1685-1759)

Cover of Sheet Music for Alcina, an Opera by Handel, published in 1735 (engraving
XJF323037 Cover of Sheet Music for Alcina, an Opera by Handel, published in 1735 (engraving) (b/w photo) by English School

Peace of the Pyrenees or Treaty of the Pyrenees
3499777 Peace of the Pyrenees or Treaty of the Pyrenees by Meulen, Adam Frans van der (1632-90); Monasterio de la Encarnacion, Madrid

Dramatis Personae for Samson, an Oratorio by Handel, published in 1759 (engraving)
XJF336967 Dramatis Personae for Samson, an Oratorio by Handel, published in 1759 (engraving) by English School, (18th century); Private Collection; (add.info.: George Frederick Handel (1685-1759)

Cover of the score for Belshazzar by Handel, published in 1745 (engraving) (b / w photo)
XJF323036 Cover of the score for Belshazzar by Handel, published in 1745 (engraving) (b/w photo) by English School, (18th century); Private Collection; (add.info)

The Saloon, Hadzor House, 19th century. Creator: Frederick Peake
The Saloon, Hadzor House, 19th century. Interior of Hadzor Hall, an 18th-century country house near Droitwich in Worcestershire. From Mansions of England and Wales

Entry in the Halle University records, showing Handels name, 1702 (pen & ink on paper)
XJF323035 Entry in the Halle University records, showing Handels name, 1702 (pen & ink on paper) (b/w photo) by German School

Letter written by Handel, June 1716 (pen & ink on paper) (b / w photo)
XJF323034 Letter written by Handel, June 1716 (pen & ink on paper) (b/w photo) by Handel, George Frederick (1685-1759); Private Collection; (add.info.: George Frederick Handel (1685-1759)

Ewer and Basin; Painting attributed to Christian Frederich Herold, German, 1700 - 1779, Meissen Porcelain Manufactory, German, active 1710 - present; about 1740; Hard-paste porcelain

Frederich Church (1826 - 1900) American landscape painter and a leading artist within the Hudson River School of American landscape painters. Morning in the Tropics 1877

Frederich Wilhelm Ludwig Leichhardt (1813-1848ja) Prussian (German) explorer and naturalist. In 1848 he began a journey across Australia from east to west starting from Moreton Bay

The king of Prussia Frederich the Great and Voltaire. Etching

Frederich Schiller
Engraving of Frederich Schiller. Date: c.1850

All Professionally Made to Order for Quick Shipping

Frederich: A Journey Through Time and Music Step into the enchanting world of Frederich, a name that echoes through history, leaving its mark on music and beyond. From the mesmerizing cover of Handel's Messiah sheet music published in 1742 to the captivating black and white photo of Victoria Terminus in Bombay, each hint unravels a tale worth exploring. As we delve deeper, we discover the intricate engravings adorning the covers of Samson and Alcina, two masterpieces by Handel published in 1759 and 1735 respectively. These visual representations transport us to an era where opera was at its zenith. The Peace of the Pyrenees or Treaty of Pyrenees hints at a significant historical event that shaped nations. It serves as a reminder that Frederich's influence extended far beyond his musical compositions. Dramatis Personae for Samson reveals not only Handel's genius but also his ability to bring characters to life through his artistry. The engraving captures their essence before they even grace the stage. Belshazzar score cover takes us back to 1745 when this grandiose work first saw the light. The accompanying black and white photo transports us to Hadzor House's saloon during the 19th century—a place where melodies filled every corner under Frederick Peake's watchful eye. Julius Caesar opera cover showcases yet another gem from Handel's repertoire, dating back to 1724. Its delicate engravings invite us into an ancient world full of political intrigue and emotional turmoil. An entry in Halle University records from 1702 proudly displays Handel's name—evidence that even then he was destined for greatness. This pen-and-ink inscription marks one small step towards immortality in music history. A letter written by Handel himself in June 1716 offers a glimpse into his thoughts and emotions.