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Dramatis Personae for Samson, an Oratorio by Handel, published in 1759 (engraving)

Dramatis Personae for Samson, an Oratorio by Handel, published in 1759 (engraving)


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Dramatis Personae for Samson, an Oratorio by Handel, published in 1759 (engraving)

XJF336967 Dramatis Personae for Samson, an Oratorio by Handel, published in 1759 (engraving) by English School, (18th century); Private Collection; (add.info.: George Frederick Handel (1685-1759), German composer, musician and conductor; Samson premiered on February 18th 1743 at the Theatre Royal Covent Garden; Handel had written it in 1741; sometimes performed as an opera; handwritten note on this page records that John Randall (1717-99), composer and Professor of Music at Cambridge University conducted performances in 1761 and 1765 at the Senate House in Cambridge; ); English, out of copyright

Media ID 22678940

© Bridgeman Images

Adaptation Adapted Composed Composition Frederich Frideric Friederich Front Frontcover Frontispiece Georg Milton Score Sheet


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EDITORS COMMENTS
This engraving captures the dramatis personae, or cast of characters, for George Frederick Handel's renowned oratorio "Samson". Published in 1759, this print showcases the meticulous attention to detail and artistic skill of the English School from the 18th century. Handel, a German composer and conductor, composed "Samson" in 1741. Premiering on February 18th, 1743 at the Theatre Royal Covent Garden, it was initially written as an oratorio but is sometimes performed as an opera. The handwritten note on this page reveals that John Randall, a prominent composer and Professor of Music at Cambridge University, conducted performances of "Samson" in 1761 and 1765 at the Senate House in Cambridge. The frontispiece features intricate illustrations depicting scenes from Milton's epic poem "Samson Agonistes" which served as inspiration for Handel's composition. The adaptation of Milton's work into musical form demonstrates Handel's genius in bringing literature to life through his compositions. Displayed prominently on the front cover is Handel's name along with other relevant information about this publication. This engraving serves not only as a visual representation of Handel's masterpiece but also as a testament to his enduring legacy within music history. Housed within a private collection today, this remarkable print offers us a glimpse into both the artistic craftsmanship of its time and the profound impact that Handel had on music composition during his era.

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