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Genre Collection (page 4)

"Exploring the Boundaries of Genre: From Classic Comedy to Surrealism and Beyond" Step back in time with Laurel and Hardy

Background imageGenre Collection: From Gudbrandsdalen, woman and child in landscape, 1929

From Gudbrandsdalen, woman and child in landscape, 1929
7215867 From Gudbrandsdalen, woman and child in landscape, 1929 by Jorde, Lars (1865-1939); 75x85 cm; Private Collection; Photo © O. Vaering

Background imageGenre Collection: Young boy at the summer pasture (painting)

Young boy at the summer pasture (painting)
7215860 Young boy at the summer pasture (painting) by Bratland, Jacob (1859-1906); 65x46 cm; Private Collection; Photo © O. Vaering

Background imageGenre Collection: A Shepherd and His Flock in a Sunlit Wooded Landscape, 1875 (oil on canvas)

A Shepherd and His Flock in a Sunlit Wooded Landscape, 1875 (oil on canvas)
7064892 A Shepherd and His Flock in a Sunlit Wooded Landscape, 1875 (oil on canvas) by Linnell, William (1826-1906); 51x66.5 cm; Private Collection

Background imageGenre Collection: A River Valley with a Mountainous Landscape Beyond (oil on canvas)

A River Valley with a Mountainous Landscape Beyond (oil on canvas)
7064885 A River Valley with a Mountainous Landscape Beyond (oil on canvas) by Glendening, Alfred, Jr. (1861-1907); 50.8x81.6 cm; Private Collection

Background imageGenre Collection: View of the village of Domremy in the valley of the Meuse, France (chromolitho)

View of the village of Domremy in the valley of the Meuse, France (chromolitho)
7185107 View of the village of Domremy in the valley of the Meuse, France (chromolitho) by Pensee, Charles Francois Joseph (1799-1871) (after); Private Collection; (add.info)

Background imageGenre Collection: A Bit of Heather (engraving)

A Bit of Heather (engraving)
7188285 A Bit of Heather (engraving) by English School, (19th century); Private Collection; (add.info.: A Bit of Heather. Illustration for Home Words (1888).); © Look and Learn

Background imageGenre Collection: In the Hay-Field (engraving)

In the Hay-Field (engraving)
7188245 In the Hay-Field (engraving) by English School, (19th century); Private Collection; (add.info.: In the Hay-Field. Illustration for Home Words (1886).); © Look and Learn

Background imageGenre Collection: From Oslo fjord, 1873

From Oslo fjord, 1873
7205704 From Oslo fjord, 1873 by Gude, Hans (1825-1903); 37x72 cm; Private Collection; Photo © O. Vaering

Background imageGenre Collection: The young Pastoure (Joan of Arc), Salon 1884 (oil on canvas)

The young Pastoure (Joan of Arc), Salon 1884 (oil on canvas)
PCT4256051 The young Pastoure (Joan of Arc), Salon 1884 (oil on canvas) by Berteaux, Hippolyte (1843-1928); Musee des Beaux-Arts, Carcassonne, France; © Patrice Cartier

Background imageGenre Collection: Studley Royal, Yorkshire (oil on canvas)

Studley Royal, Yorkshire (oil on canvas)
7076585 Studley Royal, Yorkshire (oil on canvas) by Nebot, Balthasar (fl.1730-65); 50.8x73.6 cm; Private Collection; (add.info.: An extensive view of the park with the octagon tower in the distance.)

Background imageGenre Collection: A Pastorale in a Flat (engraving)

A Pastorale in a Flat (engraving)
7164521 A Pastorale in a Flat (engraving) by English School, (19th century); Private Collection; (add.info.: A Pastorale in a Flat)

Background imageGenre Collection: Southern Ireland: The Old Weir Bridge (Shooting the Rapids), Killarney (coloured photo)

Southern Ireland: The Old Weir Bridge (Shooting the Rapids), Killarney (coloured photo)
7180570 Southern Ireland: The Old Weir Bridge (Shooting the Rapids), Killarney (coloured photo) by Irish Photographer (20th century); Private Collection; (add.info)

Background imageGenre Collection: Richmond Castle (engraving)

Richmond Castle (engraving)
7188286 Richmond Castle (engraving) by Evans, Bernard Walter (1848-1922); Private Collection; (add.info.: Richmond Castle. Illustration for Home Words (1891).); © Look and Learn

Background imageGenre Collection: On The River, 1897 (oil on canvas)

On The River, 1897 (oil on canvas)
7063386 On The River, 1897 (oil on canvas) by Barwell, Frederick Bacon (c.1831-1922); Private Collection

Background imageGenre Collection: A Midsummer Day, East Hampton, Long Island, 1903 (oil on canvas)

A Midsummer Day, East Hampton, Long Island, 1903 (oil on canvas)
7088632 A Midsummer Day, East Hampton, Long Island, 1903 (oil on canvas) by Moran, Thomas (1837-1926); 35.5x50.8 cm; Private Collection

Background imageGenre Collection: Peasants in a Wooded River Landscape (oil on canvas)

Peasants in a Wooded River Landscape (oil on canvas)
7064894 Peasants in a Wooded River Landscape (oil on canvas) by Williams, Walter Heath (c.1830-90); 66.4x102.6 cm; Private Collection

Background imageGenre Collection: A Milkmaid Crossing A Ford with Sheep and Cattle Beyond, 1857 (oil on canvas)

A Milkmaid Crossing A Ford with Sheep and Cattle Beyond, 1857 (oil on canvas)
7064891 A Milkmaid Crossing A Ford with Sheep and Cattle Beyond, 1857 (oil on canvas) by Percy, Sidney Richard (1821-86); 54x89.5 cm; Private Collection

Background imageGenre Collection: Killarney Lakes, Old Weir Bridge (colour litho)

Killarney Lakes, Old Weir Bridge (colour litho)
7165865 Killarney Lakes, Old Weir Bridge (colour litho) by Rowbotham, Thomas Leeson the Elder (1783-1853); Private Collection; (add.info.: Killarney Lakes, Old Weir Bridge)

Background imageGenre Collection: The table, 1901 (oil on canvas)

The table, 1901 (oil on canvas)
PCT4256109 The table, 1901 (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); Musee Petiet, Limoux, France; © Patrice Cartier

Background imageGenre Collection: Dale Park, Arundel, Sussex (pencil and w / c)

Dale Park, Arundel, Sussex (pencil and w / c)
7064890 Dale Park, Arundel, Sussex (pencil and w/c) by Turner, William (Turner of Oxford) (1789-1862); Private Collection

Background imageGenre Collection: Summer Evening, 1853 (oil on canvas)

Summer Evening, 1853 (oil on canvas)
7063464 Summer Evening, 1853 (oil on canvas) by Linnell, John (1792-1882); 71.1x91.4 cm; Private Collection

Background imageGenre Collection: Flowers of the Field (colour litho)

Flowers of the Field (colour litho)
7184019 Flowers of the Field (colour litho) by English School, (19th century); Private Collection; (add.info.: Flowers of the Field. Illustration for The Prize, 1885.); © Look and Learn

Background imageGenre Collection: Australia: A Pastoral Scene, Victoria (b / w photo)

Australia: A Pastoral Scene, Victoria (b / w photo)
7182044 Australia: A Pastoral Scene, Victoria (b/w photo) by Australian Photographer (20th century); Private Collection; (add.info.: A Pastoral Scene, Victoria)

Background imageGenre Collection: 'Alice began telling them her adventures', illustration for Lewis Carroll

"Alice began telling them her adventures", illustration for Lewis Carroll
4075103 " Alice began telling them her adventures", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Background imageGenre Collection: 'Come on! cried the Gryphon', illustration for Lewis Carroll

"Come on! cried the Gryphon", illustration for Lewis Carroll
4075102 " Come on! cried the Gryphon", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Background imageGenre Collection: 'At this the whole pack rose up into the air'

"At this the whole pack rose up into the air"
4075098 " At this the whole pack rose up into the air", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Background imageGenre Collection: 'The Hedge-hog was engaged in a fight with another Hedge-hog'

"The Hedge-hog was engaged in a fight with another Hedge-hog"
4075094 " The Hedge-hog was engaged in a fight with another Hedge-hog", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Background imageGenre Collection: 'Don t look at me like that', illustration for Lewis Carroll

"Don t look at me like that", illustration for Lewis Carroll
4075093 " Don t look at me like that", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Background imageGenre Collection: 'They both bowed low and their curls got entangled'

"They both bowed low and their curls got entangled"
4075084 " They both bowed low and their curls got entangled", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Background imageGenre Collection: 'Old Father William turning a back somersault in at the door'

"Old Father William turning a back somersault in at the door"
4075082 " Old Father William turning a back somersault in at the door", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Background imageGenre Collection: 'Old Father William standing on his head', illustration for Lewis Carroll

"Old Father William standing on his head", illustration for Lewis Carroll
4075080 " Old Father William standing on his head", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Background imageGenre Collection: 'The Dodo solemnly presented the thimble', illustration for Lewis Carroll

"The Dodo solemnly presented the thimble", illustration for Lewis Carroll
4075071 " The Dodo solemnly presented the thimble", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Background imageGenre Collection: 'The poor little thing sat down and cried', illustration for Lewis Carroll

"The poor little thing sat down and cried", illustration for Lewis Carroll
4075066 " The poor little thing sat down and cried", illustration for Lewis Carrolls Alices Adventures in Wonderland, 1901 (litho) by Newell

Background imageGenre Collection: The Painter (engraving)

The Painter (engraving)
3646832 The Painter (engraving) by Ostade, Adriaen Jansz. van (1610-85); Private Collection; (add.info.: The Painter. Illustration for Kulturgeschichtliches Bilderbuch aus drei Jahrhunderten by Georg)

Background imageGenre Collection: The Smoking Woman (engraving)

The Smoking Woman (engraving)
3646829 The Smoking Woman (engraving) by Teniers, David the Younger (1610-90) (after); Private Collection; (add.info.: The Smoking Woman)

Background imageGenre Collection: Portrait of Franz Kafka, (1883 - 1924) (photo)

Portrait of Franz Kafka, (1883 - 1924) (photo)
3557535 Portrait of Franz Kafka, (1883 - 1924) (photo) by Czech School, (20th century); Private Collection; (add.info.: Franz Kafka (1883 - 1924)

Background imageGenre Collection: The Heathcart, 1850 (oil on panel)

The Heathcart, 1850 (oil on panel)
5938139 The Heathcart, 1850 (oil on panel) by Goodall, Frederick (1822-1904); 30.2 x40.6 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Background imageGenre Collection: Man with a Tankard, 1739 (oil on panel)

Man with a Tankard, 1739 (oil on panel)
5938220 Man with a Tankard, 1739 (oil on panel) by Mieris, Frans van (1635-81); 21.3x16.8 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Dutch, out of copyright

Background imageGenre Collection: La Blanchisseuse, engraved by Charles Nicolas Cochin I (1688-1754

La Blanchisseuse, engraved by Charles Nicolas Cochin I (1688-1754
5934127 La Blanchisseuse, engraved by Charles Nicolas Cochin I (1688-1754) 1739 (etching & engraving) by Chardin, Jean-Baptiste Simeon (1699-1779) (after); Fitzwilliam Museum

Background imageGenre Collection: Lady Artists copying at the Paris Louvre (engraving)

Lady Artists copying at the Paris Louvre (engraving)
1054387 Lady Artists copying at the Paris Louvre (engraving) by English School, (19th century); Private Collection; (add.info.: Lady Artists copying at the Paris Louvre)

Background imageGenre Collection: Portia and Bassanio-from the 'Merchant of Venice', 1865 (oil on canvas)

Portia and Bassanio-from the "Merchant of Venice", 1865 (oil on canvas)
1079387 Portia and Bassanio-from the " Merchant of Venice", 1865 (oil on canvas) by Gray, Henry Peters (1819-1877); 61x50.8 cm; Collection of the New-York Historical Society

Background imageGenre Collection: The Cavaliers Return, 1847 (oil on canvas)

The Cavaliers Return, 1847 (oil on canvas)
1079324 The Cavaliers Return, 1847 (oil on canvas) by Woodville, Richard Caton (1825-55); 72.4x76.2 cm; Collection of the New-York Historical Society, USA; (add.info.: The Cavaliers Return)

Background imageGenre Collection: Princess Elizabeth in the Tower, 1860 (oil on canvas)

Princess Elizabeth in the Tower, 1860 (oil on canvas)
1079452 Princess Elizabeth in the Tower, 1860 (oil on canvas) by Leutze, Emanuel Gottlieb (1816-68); 92.1x121.9 cm; Collection of the New-York Historical Society



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"Exploring the Boundaries of Genre: From Classic Comedy to Surrealism and Beyond" Step back in time with Laurel and Hardy, as they bring laughter and joy in their 1939 film "Flying Deuces. " This iconic duo captivated audiences with their slapstick humor and timeless performances. In another corner of the cinematic world, Charlie Chaplin takes center stage alongside Paulette Goddard in the unforgettable final scene from "Modern Times" (1936). Chaplin's genius shines through as he effortlessly blends comedy with social commentary, leaving a lasting impact on the genre. Venturing into the realm of art, Diego Velazquez's masterpiece "Old Woman Cooking Eggs" (1618) showcases his mastery of capturing everyday life. The detailed brushwork transports us to a simpler time while highlighting the beauty found in ordinary moments. Oscar Wilde's provocative play "Salome" comes alive through Aubrey Beardsley's striking pen and ink drawing. The intricate lines depict a climactic moment that perfectly encapsulates Wilde's decadent style. Sergey Solomko introduces us to an enchanting creature - the Blue Bird or Bird Sirin. This mystical artwork invites us to explore folklore and mythology within different genres, blurring boundaries between reality and imagination. Returning to Laurel and Hardy once more, we witness their comedic brilliance in "Big Business" (1929). Their hilarious antics leave us doubled over with laughter as they navigate absurd situations with impeccable timing. From laughter to fear, we delve into horror with James Whale's iconic film poster for "Bride of Frankenstein" (1935). It represents a pivotal moment when this classic monster tale became ingrained in popular culture forevermore. Henry Scott Tuke captures a serene seaside scene in his painting "The Run Home. " Through his masterful use of light and color, he transports us into a tranquil world where genre becomes irrelevant compared to sheer beauty.