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George Iii Collection (page 4)

"George III: A Controversial Monarch and His Impact on History" In this captivating collection of images, we delve into the life and reign of King George III

Background imageGeorge Iii Collection: London: The St Jamess Club, Piccadilly (b / w photo)

London: The St Jamess Club, Piccadilly (b / w photo)
6026852 London: The St Jamess Club, Piccadilly (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The St Jamess Club, Piccadilly)

Background imageGeorge Iii Collection: English Coins, George III (b / w photo)

English Coins, George III (b / w photo)
6003804 English Coins, George III (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: English Coins, George III)

Background imageGeorge Iii Collection: George III and Dr Johnson (engraving)

George III and Dr Johnson (engraving)
6010847 George III and Dr Johnson (engraving) by English School, (19th century); Private Collection; (add.info.: George III and Dr Johnson)

Background imageGeorge Iii Collection: King George III (oil on canvas)

King George III (oil on canvas)
1781615 King George III (oil on canvas) by Ramsay, Allan (1713-84); 214x150 cm; Royal Hospital Chelsea, London, UK; (add.info.: Full length portrait in coronation robes); Scottish, out of copyright

Background imageGeorge Iii Collection: A Wedgwood Pearlware two handled cup, cover and stand painted with a portrait bust of

A Wedgwood Pearlware two handled cup, cover and stand painted with a portrait bust of
1766845 A Wedgwood Pearlware two handled cup, cover and stand painted with a portrait bust of George III, commemorating his Golden Jubilee in 1810, 1810 (pearlware ceramic) by English School

Background imageGeorge Iii Collection: A Lambeth Delft blue and white royal portrait dish painted with a half length portrait of

A Lambeth Delft blue and white royal portrait dish painted with a half length portrait of
1766844 A Lambeth Delft blue and white royal portrait dish painted with a half length portrait of George III, c.1761 (ceramic) by English School

Background imageGeorge Iii Collection: Thanksgiving Visit of George III to St Pauls in 1789, Procession up the Nave (engraving)

Thanksgiving Visit of George III to St Pauls in 1789, Procession up the Nave (engraving)
1613570 Thanksgiving Visit of George III to St Pauls in 1789, Procession up the Nave (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageGeorge Iii Collection: Exhibition of the Queens Jubilee Gifts at St Jamess Palace (engraving)

Exhibition of the Queens Jubilee Gifts at St Jamess Palace (engraving)
1591414 Exhibition of the Queens Jubilee Gifts at St Jamess Palace (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageGeorge Iii Collection: Sovereign, 1817 (gold)

Sovereign, 1817 (gold)
1220151 Sovereign, 1817 (gold) by Pistrucci, Benedetto (1783-1855); The Royal Mint Museum, Llantrisant, UK; (add.info.: George III (4 June 1738 - 29 January 1820)

Background imageGeorge Iii Collection: Three Graces pattern crown, 1817 (metal)

Three Graces pattern crown, 1817 (metal)
1220152 Three Graces pattern crown, 1817 (metal) by Wyon, William (1795-1851); The Royal Mint Museum, Llantrisant, UK; (add.info.: George III (4 June 1738 - 29 January 1820)

Background imageGeorge Iii Collection: The Opening of the Royal Military Tournament at the Agricultural Hall, 22 May (litho)

The Opening of the Royal Military Tournament at the Agricultural Hall, 22 May (litho)
1629874 The Opening of the Royal Military Tournament at the Agricultural Hall, 22 May (litho) by Amato, G.S. (fl.1897-1914) (after); Private Collection; (add.info)

Background imageGeorge Iii Collection: The Royal Military Exhibition at the Royal Military Hospital, Chelsea (engraving)

The Royal Military Exhibition at the Royal Military Hospital, Chelsea (engraving)
1627009 The Royal Military Exhibition at the Royal Military Hospital, Chelsea (engraving) by Wilson, Thomas Harrington (fl.1842-86) (after); Private Collection; (add.info)

Background imageGeorge Iii Collection: The Guelph Exhibition (engraving)

The Guelph Exhibition (engraving)
1062216 The Guelph Exhibition (engraving) by English School, (19th century); Private Collection; (add.info.: The Guelph Exhibition)

Background imageGeorge Iii Collection: George III musical and quarter chiming small table clock, Howlett & Horne, London, c

George III musical and quarter chiming small table clock, Howlett & Horne, London, c
1121944 George III musical and quarter chiming small table clock, Howlett & Horne, London, c.1780 (ormolu & enamel) by English School

Background imageGeorge Iii Collection: Portion of George IIIs speech, made on opening his first parliament

Portion of George IIIs speech, made on opening his first parliament, in his own handwriting (colour litho)
3652435 Portion of George IIIs speech, made on opening his first parliament, in his own handwriting (colour litho) by English School

Background imageGeorge Iii Collection: The Queens Lodge, Windsor, in 1786 (engraving)

The Queens Lodge, Windsor, in 1786 (engraving)
1057908 The Queens Lodge, Windsor, in 1786 (engraving) by Ward, Edgar Melville (1839-1915) (after); Private Collection; (add.info.: The Queens Lodge, Windsor, in 1786)

Background imageGeorge Iii Collection: One of a pair of George III tea-tables, possibly Irish, c

One of a pair of George III tea-tables, possibly Irish, c
3056801 One of a pair of George III tea-tables, possibly Irish, c.1780 (black & gold Japanned and polychrome decorated wood) (see also 3056799-803) by English School

Background imageGeorge Iii Collection: George III and his coachman (engraving)

George III and his coachman (engraving)
3629343 George III and his coachman (engraving) by English School, (19th century); Private Collection; (add.info.: George III and his coachman. Illustration for Sunday at Home, 1872)

Background imageGeorge Iii Collection: Princess Elizabeth of the United Kingdom (engraving)

Princess Elizabeth of the United Kingdom (engraving)
3105084 Princess Elizabeth of the United Kingdom (engraving) by English School, (19th century); Private Collection; (add.info.: Princess Elizabeth of the United Kingdom (1770-1840)

Background imageGeorge Iii Collection: Portrait of King George III (colour litho)

Portrait of King George III (colour litho)
2775388 Portrait of King George III (colour litho) by Bone, Henry (1755-1834); Private Collection; (add.info.: Portrait of King George III)

Background imageGeorge Iii Collection: George III casket containing a verge watch in the manner of James Cox, c

George III casket containing a verge watch in the manner of James Cox, c
741846 George III casket containing a verge watch in the manner of James Cox, c.1770 (gilt metal, enamel & verre-eglomise) (see also 741845) by Craft

Background imageGeorge Iii Collection: The Pigs Possessed, or the Broad bottom d Litter running headlong into the Sea of

The Pigs Possessed, or the Broad bottom d Litter running headlong into the Sea of
2632306 The Pigs Possessed, or the Broad bottom d Litter running headlong into the Sea of Perdition, 1807 (coloured engraving) by Gillray

Background imageGeorge Iii Collection: George III (engraving)

George III (engraving)
664903 George III (engraving) by English School, (19th century); Private Collection; (add.info.: George III. Illustration for Boy Travellers in Australasia by Thomas Knox (Harper, 1889)

Background imageGeorge Iii Collection: Golden Jubilee of Queen Victoria (litho)

Golden Jubilee of Queen Victoria (litho)
6032049 Golden Jubilee of Queen Victoria (litho) by English School, (19th century); Private Collection; (add.info.: Golden Jubilee of Queen Victoria)

Background imageGeorge Iii Collection: One of a pair of George III giltwood sofas, c. 1765 (wood & upholstery)

One of a pair of George III giltwood sofas, c. 1765 (wood & upholstery)
6039193 One of a pair of George III giltwood sofas, c.1765 (wood & upholstery) by Adam, Robert (1728-92); Private Collection; (add.info)

Background imageGeorge Iii Collection: One of a pair of George III giltwood sofas, c. 1765 (wood & upholstery)

One of a pair of George III giltwood sofas, c. 1765 (wood & upholstery)
6039189 One of a pair of George III giltwood sofas, c.1765 (wood & upholstery) by Adam, Robert (1728-92); Private Collection; (add.info)

Background imageGeorge Iii Collection: One of a pair of George III giltwood armchairs, 1765 (limewood, beech & damask)

One of a pair of George III giltwood armchairs, 1765 (limewood, beech & damask)
6039165 One of a pair of George III giltwood armchairs, 1765 (limewood, beech & damask) by Adam, Robert (1728-92); 107x75.5x75 cm; Private Collection; (add.info)

Background imageGeorge Iii Collection: A George III breakfront bookcase, 1764 (mahogany & glass)

A George III breakfront bookcase, 1764 (mahogany & glass)
6039182 A George III breakfront bookcase, 1764 (mahogany & glass) by Chippendale, Thomas (1718-79); 278x340x58.5 cm; Private Collection; (add.info)

Background imageGeorge Iii Collection: A George III giltwood sofa, 1765 (beech & damask)

A George III giltwood sofa, 1765 (beech & damask)
6039168 A George III giltwood sofa, 1765 (beech & damask) by Adam, Robert (1728-92); 252.5x110.5x91.5 cm; Private Collection; (add.info.: Designed by Robert Adam and made by Thomas Chippendale)

Background imageGeorge Iii Collection: One of a pair of George III giltwood armchairs, 1765 (limewood, beech & damask)

One of a pair of George III giltwood armchairs, 1765 (limewood, beech & damask)
6039166 One of a pair of George III giltwood armchairs, 1765 (limewood, beech & damask) by Adam, Robert (1728-92); 107x75.5x75 cm; Private Collection; (add.info)

Background imageGeorge Iii Collection: George Augustus Frederick IV, son of George III was born 12 August 1762; proclaimed 31 January 1820;

George Augustus Frederick IV, son of George III was born 12 August 1762; proclaimed 31 January 1820;
6020316 George Augustus Frederick IV, son of George III was born 12 August 1762; proclaimed 31 January 1820; and crowned 19 July 1821 (engraving) by English School

Background imageGeorge Iii Collection: 'The Pigs Possessed, or the Broad bottomed Litter running headlong into the Sea of

"The Pigs Possessed, or the Broad bottomed Litter running headlong into the Sea of
XND75994 " The Pigs Possessed, or the Broad bottomed Litter running headlong into the Sea of Perdition", 1807 (engraving) by Gillray, James (1757-1815); Private Collection; English

Background imageGeorge Iii Collection: Portrait of George III in his Coronation Robes, c. 1760 (oil on canvas)

Portrait of George III in his Coronation Robes, c. 1760 (oil on canvas)
CPB90787 Portrait of George III in his Coronation Robes, c.1760 (oil on canvas) by Ramsay, Allan (1713-84); 130.8x102. cm; Private Collection; (add.info)

Background imageGeorge Iii Collection: The first page of a printed copy of the Stamp Act, 1765 (newsprint)

The first page of a printed copy of the Stamp Act, 1765 (newsprint)
PNP328647 The first page of a printed copy of the Stamp Act, 1765 (newsprint) by English School, (18th century); Private Collection; (add.info)

Background imageGeorge Iii Collection: Pair of George III double gateleg games tables, c. 1780 (sycamore & tulipwood

Pair of George III double gateleg games tables, c. 1780 (sycamore & tulipwood
CH441549 Pair of George III double gateleg games tables, c.1780 (sycamore & tulipwood) (see also 441550) by English School

Background imageGeorge Iii Collection: The Ghost of a Guinea! or The Country Bankers Surprise!, pub

The Ghost of a Guinea! or The Country Bankers Surprise!, pub
2646241 The Ghost of a Guinea! or The Country Bankers Surprise!, pub. 1804 (hand-coloured engraving) by Woodward, George Moutard (c.1760-1809); Private Collection; The Stapleton Collection; English

Background imageGeorge Iii Collection: The Reconciliation, published by Hannah Humphrey, 1804 (coloured etching)

The Reconciliation, published by Hannah Humphrey, 1804 (coloured etching)
NCO189717 The Reconciliation, published by Hannah Humphrey, 1804 (coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageGeorge Iii Collection: Vices Overlook d in the New Proclamation, published by Hannah Humphrey

Vices Overlook d in the New Proclamation, published by Hannah Humphrey
NCO189718 Vices Overlook d in the New Proclamation, published by Hannah Humphrey, 1792 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageGeorge Iii Collection: George III and the Roasting-Jack (engraving)

George III and the Roasting-Jack (engraving)
6010868 George III and the Roasting-Jack (engraving) by English School, (19th century); Private Collection; (add.info.: George III and the Roasting-Jack)

Background imageGeorge Iii Collection: Volunteer Types a Hundred Years Ago (engraving)

Volunteer Types a Hundred Years Ago (engraving)
1592291 Volunteer Types a Hundred Years Ago (engraving) by English School, (19th century); Private Collection; (add.info.: Volunteer Types a Hundred Years Ago)

Background imageGeorge Iii Collection: The Volunteer Centenary, 1799-1899 (engraving)

The Volunteer Centenary, 1799-1899 (engraving)
1592287 The Volunteer Centenary, 1799-1899 (engraving) by English School, (19th century); Private Collection; (add.info.: The Volunteer Centenary, 1799-1899)

Background imageGeorge Iii Collection: Costumes of the period of George III

Costumes of the period of George III
1192440 Costumes of the period of George III by Paget, Henry Marriott (1856-1936); Private Collection; (add.info.: Cassells History of England published by Cassell and Company circa 1920 s); English

Background imageGeorge Iii Collection: George III Rudds table, c. 1770 (mahogany & marquetry) (see also 1163627)

George III Rudds table, c. 1770 (mahogany & marquetry) (see also 1163627)
1163628 George III Rudds table, c.1770 (mahogany & marquetry) (see also 1163627) by English School, (18th century); 81.5x118x63.5 cm; Private Collection; (add.info)

Background imageGeorge Iii Collection: The Coronation of Their Majesties, Scenes in Whitehall (b / w photo)

The Coronation of Their Majesties, Scenes in Whitehall (b / w photo)
1600898 The Coronation of Their Majesties, Scenes in Whitehall (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Coronation of Their Majesties)

Background imageGeorge Iii Collection: George III (engraving)

George III (engraving)
816475 George III (engraving) by Lawrence, Thomas (1769-1830) (after); Private Collection; (add.info.: George III, George William Frederick (1738-1820)

Background imageGeorge Iii Collection: George III of Britain in 1810 on his Fifty Year Jubilee

George III of Britain in 1810 on his Fifty Year Jubilee
955612 George III of Britain in 1810 on his Fifty Year Jubilee, print by R Dighton after his own drawing made at Windsor, pub



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"George III: A Controversial Monarch and His Impact on History" In this captivating collection of images, we delve into the life and reign of King George III, a figure who left an indelible mark on both Britain and the world. The first image, "Map of the City of Dublin, 1797, " sets the stage for our journey through time. It showcases the vastness and influence of British rule during George III's era. Next, we encounter "The horse America throwing his master, " a satirical cartoon from 1779 that eerily predicts the outcome of the American Revolutionary War. This artwork serves as a reminder of how George III's policies ultimately led to Britain losing its grip on its American colonies. Moving forward, we come face-to-face with King George III himself in a regal portrait. The intensity in his eyes hints at his determination to maintain control over his empire amidst growing challenges. A contrasting image follows – "Portrait of Princess Charlotte of Mecklenburg-Strelitz. " As Queen consort to George III since their marriage in 1762, she played an essential role by his side throughout their tumultuous reign. Our visual journey takes us further into satire with "BROBDINGNAG & GULLIVER. " This etching humorously depicts King George III as Gulliver being dwarfed by Brobdingnagian figures. It reflects public sentiment towards him during times when he faced criticism for his policies and mental health struggles. We then find ourselves transported to Weymouth, Dorset where a statue commemorates King George III's connection to this coastal town. The accompanying gardens provide solace amid turbulent times—a testament to how nature can offer respite even for monarchs. Returning to portraiture, we encounter another striking depiction capturing King George III's essence—his resilience shining through despite personal hardships endured during his reign.