George Iii Collection (page 5)

The Four Georges and William IV (engraving)
973070 The Four Georges and William IV (engraving) by English School, (19th century); Private Collection; (add.info.: The Four Georges and William IV)

George III bombe commode, c. 1760-65 (rosewood, fruitwood & marquetry)
3060235 George III bombe commode, c.1760-65 (rosewood, fruitwood & marquetry) by Langlois, Pierre (1738-1805); 84x150x65 cm; Private Collection; (add.info)

Portrait of King George III (engraving)
3099332 Portrait of King George III (engraving) by English School, (19th century); Private Collection; (add.info.: Portrait of King George III)

Prince Augustus Frederick, Duke of Sussex (engraving)
820617 Prince Augustus Frederick, Duke of Sussex (engraving) by English School, (19th century); Private Collection; (add.info.: Prince Augustus Frederick, Duke of Sussex (1773-1843)

George III tallboy, late 18th century (burr elm & inlay)
869448 George III tallboy, late 18th century (burr elm & inlay) by English School, (18th century); 192x122x58 cm; Private Collection; (add.info)

Notes at the Coachmakers Exhibition (engraving)
1058927 Notes at the Coachmakers Exhibition (engraving) by English School, (19th century); Private Collection; (add.info.: Notes at the Coachmakers Exhibition)

A George III gold locket ring of Napoleonic interest, 1822 (gold, crystal & human hair)
1128007 A George III gold locket ring of Napoleonic interest, 1822 (gold, crystal & human hair) by English School, (19th century); Private Collection; (add.info)

Quarter-chiming, musical and automaton sailing ships
1121945 Quarter-chiming, musical and automaton sailing ships clock for the Chinese market, Henry Borrell, London, late 18th century (ormolu & guilloche enamel) by English School

George III musical and quarter chiming small table clock, Howlett & Horne, London, c
1121943 George III musical and quarter chiming small table clock, Howlett & Horne, London, c.1780 (ormolu & enamel) by English School

Plan of a Review of Volunteers in Hyde Park by George III, 4 June 1799 (engraving)
1098851 Plan of a Review of Volunteers in Hyde Park by George III, 4 June 1799 (engraving) by English School, (19th century); Private Collection; (add.info)

The fourth of June at Eton. George the thirds birthday, the fourth of June, was celebrated with customary rejoicings at Eton. The boys had a days holiday and there were many visitors

Trade Card for Thomas Jefferys, Engraver, Geographer, and Printseller, 18th century

Temperance Enjoying a Frugal Meal, July 28, 1792. Creator: James Gillray
Temperance Enjoying a Frugal Meal, July 28, 1792

George III Leading an Army of Jugs, 1794. Creator: Unknown
George III Leading an Army of Jugs, 1794. After Jacques Louis David

A Fresh Breeze, August 4, 1789. August 4, 1789. Creator: Thomas Rowlandson
A Fresh Breeze, August 4, 1789

Uncle George and Black Dick at their New Game of Naval Shuttlecock, January 11, 1787

Covent Garden Theatre, 1792. 1792. Creator: Thomas Rowlandson
Covent Garden Theatre, 1792

The State Auction, March 26, 1784. March 26, 1784. Creator: Thomas Rowlandson
The State Auction, March 26, 1784

Master Billys Procession to Grocers Hall, March 8, 1784. March 8, 1784
Master Billys Procession to Grocers Hall, March 8, 1784

Covent Garden Theatre, July 20, 1786. July 20, 1786. Creator: Thomas Rowlandson
Covent Garden Theatre, July 20, 1786

George III, (1738-1820), 1830. Creator: Unknown
George III, (1738-1820), 1830. George III (1738-1820) King of Great Britain and Ireland from 1760 until union of the two countries in 1801

Herschel, (1738-1822), 1830. Creator: Unknown
Herschel, (1738-1822), 1830. William Herschell (1738-1822) German-born British astronomer, composer and brother of fellow astronomer Caroline Herschel

John Scott, Earl of Eldon, c1810, (c1884). Creator: Unknown
John Scott, Earl of Eldon, c1884. John Scott, 1st Earl of Eldon (1751-1838) British barrister and politician, educated at the Royal Grammar School, Newcastle upon Tyne and University College, Oxford

George Street, Sydney, 1901. Creator: Unknown
George Street, Sydney, 1901. Sydneys original high street, formally named after King George III by Governor Lachlan Macquarie in 1810. From " Federated Australia"

Edmund Burke, c1760, (c1884). Creator: Unknown
Edmund Burke, c1760, (c1884). Edmund Burke (1729-1797) Anglo-Irish author, orator and liberal conservative political theorist and philosopher, educated at Trinity College Dublin

William Pitt, c1780, (c1884). Creator: Unknown
William Pitt, c1780, (c1884). William Pitt the Younger (1759-1806) British Tory statesman and administrator, educated at Pembroke College, Cambridge

Lord Chatham, c1740, (c1884). Creator: Unknown
Lord Chatham, c1740, (c1884). William Pitt, 1st Earl of Chatham, (1708-1778) British Whig, educated at Eton College and Trinity College, Oxford

Group on the Fourth of June, 1911. Creator: Unknown
Group on the Fourth of June, 1911. Eton flourished under the long reign of George III (1760-1820)who spent much of his time at Windsor, the school in turn made Georges birthday, the Fourth of June

George III and Queen Charlotte at Eton Montem, 1778, (1911). Creator: Unknown
George III and Queen Charlotte at Eton Montem, 1778, (1911). George III at Eton Montem for the initiation ceremony of new boys, a custom which ended in 1847

Portrait of John Hancock, in coat with double pocket-flaps, c1780, (1937). Creator: Unknown
Portrait of John Hancock, Governor of the Massachusetts Colony, showing coat with a turned-down collar and double pocket-flaps, reign of George III, c1780, (1937)

Costumes during the Reign of George III and First Years of the Republic 1778-1790, 1903, (1937). From " History of American Costume - Book One 1607-1800", by Elisabeth McClellan

George III, c1780, (1890). Creator: Unknown
George III, c1780, (1890). George III (1738-1820) King of Great Britain and King of Ireland from 25 October 1760, third British monarch of the House of Hanover

The George, Axminster, Devonshire, 1936. Creator: Unknown
The George, Axminster, Devonshire, 1936. The George Hotel, 18th century coaching inn on route between Exeter and London, dating to 1760, visited by Lord Nelson and King George III

Costumes at the beginning of George IIIs reign, early 1760s (c1890). From " Cassells History of England - Special Edition, Vol

First meeting of George III with the Princess Charlotte... 1761, (mid 19th century)
First meeting of George III with the Princess Charlotte of Mecklenburg Strelitz, 1761, (mid 19th century). King George III of Great Britain (1738-1820) succeeded to the throne when his grandfather

Cheapside on Lord Mayors Day, 1761, (1925). Creator: Unknown
Cheapside on Lord Mayors Day, 1761, 1925. Procession of Sir Samuel Fludyer, with George III watching from balcony. From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C

A Figure for a Crown, 1897. Creator: John Leech
A Figure for a Crown, 1897. Rear view of a king, possibly George III, putting on a crown in the mirror. From " The Comic History of England" by Gilbert Abbott A Beckett

George III. Presides in the Common Council Chamber in the Guildhall, c1935. Creator: King
George III. Presides in the Common Council Chamber in the Guildhall, c1935. Statue of King George III in the council chamber of the Guildhall in the City of London

Georg III, (1933). Creator: Unknown
Georg III, (1933). Portrait of King George III (1738-1820), King of Great Britain and King of Ireland from 25 October 1760 until the union of the two countries on 1 January 1801

The Throne Room, Windsor Castle, Berkshire, 1894. Creator: Unknown
The Throne Room, Windsor Castle, Berkshire, 1894. The Garter Throne Room in the royal residence at Windsor, with a full-length portrait of King George III in garter robes by Gainsborough Dupont over

Equestrian statue of King George III, Snow Hill, Windsor Great Park, Berkshire, c1861

King George III processing through Old Palace Yard, Westminster, London, 1804. Artist
King George III processing through Old Palace Yard, Westminster, London, 1804. The yard is lined with onlookers

The Crowd, 1847. Artist: Robert William Buss
The Crowd, 1847. Scene showing a cheering crowd looking down Pall Mall, with Wyatts statue of George III behind them at the junction of Pall Mall East and Cockspur Street

Service of thanksgiving in St Pauls Cathedral, City of London, 1789 (1793). Scene during the thanksgiving service for the recovery from illness of King George III

The City cuckolds & Court horned beasts comparing each others beauty, 1770. Two groups of courtiers and citizens under a bell resembling the Princess of Wales petticoat

The effects of petitions and remonstrances, 1770. Augusta, the Princess of Wales, sitting on a sofa with the Earl of Bute

The Reception in 1770, 1770. George III, in his state coach, is driven along an empty street by the Prime Minister, the Duke of Grafton, dressed as a jockey

The fate of City Rem-ces, 1770. King George III seated at a table; at his foot lie various papers inscribed Humble petition and remonstrance

All Professionally Made to Order for Quick Shipping

"George III: A Controversial Monarch and His Impact on History" In this captivating collection of images, we delve into the life and reign of King George III, a figure who left an indelible mark on both Britain and the world. The first image, "Map of the City of Dublin, 1797, " sets the stage for our journey through time. It showcases the vastness and influence of British rule during George III's era. Next, we encounter "The horse America throwing his master, " a satirical cartoon from 1779 that eerily predicts the outcome of the American Revolutionary War. This artwork serves as a reminder of how George III's policies ultimately led to Britain losing its grip on its American colonies. Moving forward, we come face-to-face with King George III himself in a regal portrait. The intensity in his eyes hints at his determination to maintain control over his empire amidst growing challenges. A contrasting image follows – "Portrait of Princess Charlotte of Mecklenburg-Strelitz. " As Queen consort to George III since their marriage in 1762, she played an essential role by his side throughout their tumultuous reign. Our visual journey takes us further into satire with "BROBDINGNAG & GULLIVER. " This etching humorously depicts King George III as Gulliver being dwarfed by Brobdingnagian figures. It reflects public sentiment towards him during times when he faced criticism for his policies and mental health struggles. We then find ourselves transported to Weymouth, Dorset where a statue commemorates King George III's connection to this coastal town. The accompanying gardens provide solace amid turbulent times—a testament to how nature can offer respite even for monarchs. Returning to portraiture, we encounter another striking depiction capturing King George III's essence—his resilience shining through despite personal hardships endured during his reign.