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Gospel Collection (page 10)

"Gospel: A Journey Through Time and Art" The concept of the gospel, derived from the Greek word "euangelion, " meaning good news or glad tidings

Background imageGospel Collection: The Parable of the Pharisee and the Publican, c. 1910 (colour litho)

The Parable of the Pharisee and the Publican, c. 1910 (colour litho)
KW441411 The Parable of the Pharisee and the Publican, c.1910 (colour litho) by Adams, Frank (1871-1944); Private Collection; (add.info)

Background imageGospel Collection: Matthew, from The Four Evangelists, 1539 (engraving in black on ivory laid paper)

Matthew, from The Four Evangelists, 1539 (engraving in black on ivory laid paper)
2971895 Matthew, from The Four Evangelists, 1539 (engraving in black on ivory laid paper) by Aldegrever, Heinrich (1502-c.1561); 11.6x7.6 cm; The Art Institute of Chicago, IL

Background imageGospel Collection: The calling of Nathaniel, illustration from Pictures That Teach The Crown Series

The calling of Nathaniel, illustration from Pictures That Teach The Crown Series
3082991 The calling of Nathaniel, illustration from Pictures That Teach The Crown Series, 1920 (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info)

Background imageGospel Collection: The Woman with the Box of Ointment, illustration from Women of the Bible

The Woman with the Box of Ointment, illustration from Women of the Bible
IL281089 The Woman with the Box of Ointment, illustration from Women of the Bible, published by The Religious Tract Society, 1927 (colour litho) by Copping

Background imageGospel Collection: The Woman of Canaan, illustration from Women of the Bible

The Woman of Canaan, illustration from Women of the Bible
IL281085 The Woman of Canaan, illustration from Women of the Bible, published by The Religious Tract Society, 1927 (colour litho) by Copping

Background imageGospel Collection: Window depicting the doctors in the Temple (stained glass)

Window depicting the doctors in the Temple (stained glass)
PC344926 Window depicting the doctors in the Temple (stained glass) by English School, (15th century); Church of St. Peter & St

Background imageGospel Collection: John the Evangelist (tempera on wood)

John the Evangelist (tempera on wood)
BFM286579 John the Evangelist (tempera on wood) by Master of San Torpe, (fl.c.1290-c.1320); 48.5x33.6 cm; Lindenau Museum, Altenburg, Germany; Bildarchiv Foto Marburg

Background imageGospel Collection: St. Peter and St. Mary Magdalene, detail from the Santa Lucia triptych (tempera on panel)

St. Peter and St. Mary Magdalene, detail from the Santa Lucia triptych (tempera on panel)
BAT76686 St. Peter and St. Mary Magdalene, detail from the Santa Lucia triptych (tempera on panel) by Crivelli, Carlo (c.1430/35-1495); Santa Lucia, Montefiori dell Aso

Background imageGospel Collection: Maesta: St. John the Evangelist, detail from the frame, 1315 (detail of 51591)

Maesta: St. John the Evangelist, detail from the frame, 1315 (detail of 51591)
ALI79388 Maesta: St. John the Evangelist, detail from the frame, 1315 (detail of 51591) by Martini, Simone (1284-1344); Palazzo Pubblico, Siena, Italy; Alinari

Background imageGospel Collection: Book-Shrine or Cumdach of Molaise, c. 1001-1025 (engraving) (b&w photo)

Book-Shrine or Cumdach of Molaise, c. 1001-1025 (engraving) (b&w photo)
XJF120797 Book-Shrine or Cumdach of Molaise, c.1001-1025 (engraving) (b&w photo) by English School, (19th century); Private Collection; (add.info.: originally housed St)

Background imageGospel Collection: The Church Militant and Triumphant, detail of the heretics, from the Spanish Chapel, c

The Church Militant and Triumphant, detail of the heretics, from the Spanish Chapel, c
KAB125291 The Church Militant and Triumphant, detail of the heretics, from the Spanish Chapel, c.1369 (fresco) by Andrea di Bonaiuto (Andrea da Firenze) (fl.1343-77); Santa Maria Novella, Florence

Background imageGospel Collection: Gelati Gospels (vellum)

Gelati Gospels (vellum)
JB148455 Gelati Gospels (vellum) by Georgian School, (12th century); Gelati Monastery, Kutaisi, Georgia; (add.info.: Photographed April 1981; ); eJohn Bethell; Georgian, out of copyright

Background imageGospel Collection: Detail from one of the windows, mid-15th century (stained glass)

Detail from one of the windows, mid-15th century (stained glass)
RNT145334 Detail from one of the windows, mid-15th century (stained glass) by English School, (15th century); Great Malvern Church, Worcestershire, UK; Patrick Reyntiens Archive; English

Background imageGospel Collection: Madonna and Child with the Four Evangelists (tempera & gold leaf on panel)

Madonna and Child with the Four Evangelists (tempera & gold leaf on panel)
DAY235412 Madonna and Child with the Four Evangelists (tempera & gold leaf on panel) by Italian School, (14th century); 36.8x27.9 cm; The Dayton Art Institute, Dayton, Ohio

Background imageGospel Collection: St. Anthony of Padua (oil on canvas)

St. Anthony of Padua (oil on canvas)
LEE251775 St. Anthony of Padua (oil on canvas) by Romanino, Girolamo (c.1485-c.1566); Private Collection; eDavid Lees Photography Archive; Italian, out of copyright

Background imageGospel Collection: The Father Jesuit Thomas Conjer evangelising France, from

The Father Jesuit Thomas Conjer evangelising France, from
CHT164076 The Father Jesuit Thomas Conjer evangelising France, from The Jesuits Martyrology, 1688 (coloured engraving) by German School, (17th century); Bibliotheque Les Fontaines, Chantilly

Background imageGospel Collection: Ms. Czart. 1207 IV, fol. 9v Life of Christ according to St

Ms. Czart. 1207 IV, fol. 9v Life of Christ according to St
CZA228912 Ms. Czart. 1207 IV, fol.9v Life of Christ according to St. Matthew, from The Evangeliarium of the Cathedral of Plock c.1075 (vellum) by German School

Background imageGospel Collection: Ms. Czart. 1207 IV, fol. 10v The Life of Christ according to St

Ms. Czart. 1207 IV, fol. 10v The Life of Christ according to St
CZA228911 Ms. Czart. 1207 IV, fol.10v The Life of Christ according to St. Matthew, from The Evangeliarium of the Cathedral of Plock c.1075 (vellum) by German School

Background imageGospel Collection: Ms. Czart. 1207, IV, fol. V v. Adoration of the Magi, from

Ms. Czart. 1207, IV, fol. V v. Adoration of the Magi, from
CZA228900 Ms. Czart. 1207, IV, fol.V v. Adoration of the Magi, from The Evangeliarium of Plock Cathedral, c.1075 (vellum) by German School, (11th century); Czartoryski Museum, Cracow, Poland; German

Background imageGospel Collection: St. Patrick showing the people of Ireland the Four Gospels

St. Patrick showing the people of Ireland the Four Gospels
STC232087 St. Patrick showing the people of Ireland the Four Gospels, from The Trias Thaumaturga, or Three Wonder-Working Saints of Ireland

Background imageGospel Collection: Book-Shrine or Cumdach of Molaise, c. 1001-25 (bronze plated with silver

Book-Shrine or Cumdach of Molaise, c. 1001-25 (bronze plated with silver
XBP228637 Book-Shrine or Cumdach of Molaise, c.1001-25 (bronze plated with silver) (see also 120797 & 228636) by Celtic, (11th century); National Museum of Ireland, Dublin

Background imageGospel Collection: Gilt and enamel plaque showing St. John the Evangelist, workshop of the Moscow Kremlin

Gilt and enamel plaque showing St. John the Evangelist, workshop of the Moscow Kremlin
BAL56492 Gilt and enamel plaque showing St. John the Evangelist, workshop of the Moscow Kremlin, 17th century (gold and enamel) by Russian School (17th century); diam: 8.5 cm; Kremlin Museums

Background imageGospel Collection: St. Mark

St. Mark
HAT43727 St. Mark by Palma Il Giovane (Jacopo Negretti) (1548-1628); Hatton Gallery, University of Newcastle Upon Tyne, UK; eTyne & Wear Archives & Museums; Italian, out of copyright

Background imageGospel Collection: Illustration of Alfred Le Pete (1841-1909) in Gros-Jean et son cure

Illustration of Alfred Le Pete (1841-1909) in Gros-Jean et son cure
ICA4836935 Illustration of Alfred Le Pete (1841-1909) in Gros-Jean et son cure, 1881 - Jesus sends the devil into the body of two thousand pigs - Anticlericalism

Background imageGospel Collection: Russian baptism An Orthodox pope baptizes a child in front of his parents

Russian baptism An Orthodox pope baptizes a child in front of his parents
JLJ4672307 Russian baptism An Orthodox pope baptizes a child in front of his parents. Painting by Jean Baptiste Leprince (1733-1781) 1765 Sun

Background imageGospel Collection: Byzantine Art: Evangelical of gold and enamel decorated with gold leaves repels with

Byzantine Art: Evangelical of gold and enamel decorated with gold leaves repels with
LRI4671017 Byzantine Art: Evangelical of gold and enamel decorated with gold leaves repels with filigree crucifix representing the Virgin and Saint John

Background imageGospel Collection: The Angel received the book of the Lord and handed it to Saint John Miniature from

The Angel received the book of the Lord and handed it to Saint John Miniature from
JLJ4593266 The Angel received the book of the Lord and handed it to Saint John Miniature from the commentaries of " The Revelation according to Saint John" written in 775 by the monk Beatus

Background imageGospel Collection: Das Reichsevangeliar Angels and symbols of the four evangelists

Das Reichsevangeliar Angels and symbols of the four evangelists
LRI4645642 Das Reichsevangeliar Angels and symbols of the four evangelists. The Evangelical of Aachen. 8th century Kunsthistorisches Museum, Vienna by German School

Background imageGospel Collection: One God, one Christ, one Church

One God, one Christ, one Church
LSE4104322 One God, one Christ, one Church. by French School; Private Collection; (add.info.: One God, one Christ, one Church.); Photo eLeonard de Selva; French, out of copyright

Background imageGospel Collection: Saint Mark carving a pen - in 'Aurea Bibbia classica

Saint Mark carving a pen - in "Aurea Bibbia classica
LSE4102430 Saint Mark carving a pen - in " Aurea Bibbia classica: storia della rivelazione divina nell antico e nel nouvo tesiamento" by Giovanni Ladislao Sykora (vol)

Background imageGospel Collection: Saint Mark Writing the Gospel - attributed to Veronese, Church of La Turbie

Saint Mark Writing the Gospel - attributed to Veronese, Church of La Turbie
LSE4095904 Saint Mark Writing the Gospel - attributed to Veronese, Church of La Turbie. by Veronese, (Paolo Caliari) (1528-88) (attr)

Background imageGospel Collection: Babylon ruin - The Fall of Babylon - Babylon in Ruin (vision of Saint John

Babylon ruin - The Fall of Babylon - Babylon in Ruin (vision of Saint John
XEE4161004 Babylon ruin - The Fall of Babylon - Babylon in Ruin (vision of Saint John) - Engraving in " The Bible illustree" by Gustave Dore (1832-1883)

Background imageGospel Collection: Satan presents a black book to followers in exchange for the book of the Gospels - '

Satan presents a black book to followers in exchange for the book of the Gospels - "
XEE4148175 Satan presents a black book to followers in exchange for the book of the Gospels - " Compendium Maleficarum", deals with witches

Background imageGospel Collection: Consolation, 1859 (oil on canvas)

Consolation, 1859 (oil on canvas)
CH401902 Consolation, 1859 (oil on canvas) by Brooks, Thomas (1818-92); 71.2x91.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageGospel Collection: The Raising of Lazarus, (pencil and watercolour heightened with white)

The Raising of Lazarus, (pencil and watercolour heightened with white)
659800 The Raising of Lazarus, (pencil and watercolour heightened with white) by Shields, Frederic James (1833-1911); 274.5x142.3 cm; Private Collection; (add.info.: The Raising of Lazarus)

Background imageGospel Collection: Silver Gilt Binding, Depicting the Crucifixion of Christ

Silver Gilt Binding, Depicting the Crucifixion of Christ
986210 Silver Gilt Binding, Depicting the Crucifixion of Christ, with the Holy Mother of God and Holy Mary on Either Side, 1669 (silver gilt repousse binding, red leather)

Background imageGospel Collection: St. Luke the Evangelist (oil on canvas)

St. Luke the Evangelist (oil on canvas)
780674 St. Luke the Evangelist (oil on canvas) by Bijlert or Bylert, Jan van (1603-71); 93.6x77.4 cm; Private Collection; Photo eChristies Images; Dutch, out of copyright

Background imageGospel Collection: 'Evangelist points out the way to the Wicket Gate'from The Pilgrim

"Evangelist points out the way to the Wicket Gate"from The Pilgrim
5615798 " Evangelist points out the way to the Wicket Gate" from The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688)

Background imageGospel Collection: Venerable Bede finishing his translation of St Johns Gospel

Venerable Bede finishing his translation of St Johns Gospel into Anglo-Saxon, not long before he died. Date: 735

Background imageGospel Collection: St. John the Evangelist, from The Coronation of the Virgin (Altarpiece of St. Mark, c

St. John the Evangelist, from The Coronation of the Virgin (Altarpiece of St. Mark, c
BEN44381 St. John the Evangelist, from The Coronation of the Virgin (Altarpiece of St. Mark, c.1488-90 (tempera on panel) (detail of 44363) by Botticelli

Background imageGospel Collection: Shrine of the Stowe Missal, Lorrha, County Tipperary (oak decorated with silver plates)

Shrine of the Stowe Missal, Lorrha, County Tipperary (oak decorated with silver plates)
XBP390442 Shrine of the Stowe Missal, Lorrha, County Tipperary (oak decorated with silver plates) by Celtic, (11th century); height: 18.7 cm; National Museum of Ireland, Dublin

Background imageGospel Collection: Ms65 f30r, Commentary on the Apocalypse of St John, late 13th century

Ms65 f30r, Commentary on the Apocalypse of St John, late 13th century
833771 Ms65 f30r, Commentary on the Apocalypse of St John, late 13th century (pen & ink and tempera on vellum) by French School, (13th century); Courtesy of the Warden and Scholars of New College

Background imageGospel Collection: Ms65 f27v, Commentary on the Apocalypse of St John, late 13th century

Ms65 f27v, Commentary on the Apocalypse of St John, late 13th century
833770 Ms65 f27v, Commentary on the Apocalypse of St John, late 13th century (pen & ink and tempera on vellum) by French School, (13th century); Courtesy of the Warden and Scholars of New College

Background imageGospel Collection: Ms65 f29v, Commentary on the Apocalypse of St John, late 13th century

Ms65 f29v, Commentary on the Apocalypse of St John, late 13th century
833768 Ms65 f29v, Commentary on the Apocalypse of St John, late 13th century (pen & ink and tempera on vellum) by French School, (13th century); Courtesy of the Warden and Scholars of New College

Background imageGospel Collection: Six Apostles, c. 1390 (fresco)

Six Apostles, c. 1390 (fresco)
KAB148350 Six Apostles, c.1390 (fresco) by Florentine School, (14th century); Church of St. Peter, Galciana, Prato, Italy; eDario Grimaldi; Italian, out of copyright

Background imageGospel Collection: St. Peter (oil on canvas)

St. Peter (oil on canvas)
BWM150055 St. Peter (oil on canvas) by Fracanzano, Francesco (1612-56); 237.5x115.6 cm; The Bowes Museum, Barnard Castle, County Durham

Background imageGospel Collection: Title page from the four Gospels of Isaac Birev, 1531 (ink, vermillion, paint

Title page from the four Gospels of Isaac Birev, 1531 (ink, vermillion, paint
REV131205 Title page from the four Gospels of Isaac Birev, 1531 (ink, vermillion, paint, and gold on paper) by Russian School (16th century); 31.6x20 cm; V.I



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"Gospel: A Journey Through Time and Art" The concept of the gospel, derived from the Greek word "euangelion, " meaning good news or glad tidings, has been a source of inspiration for centuries. Illustrated in various forms throughout history, it continues to captivate hearts and minds. One such captivating illustration is found in the Book of Kells, an illuminated manuscript dating back to around 800 AD. The intricate depiction of St. Matthew showcases the meticulous craftsmanship that went into creating this masterpiece. Similarly, the Lindisfarne Gospels offer a glimpse into early medieval artistry with its beautifully adorned pages. One page stands out as it features The Lord's Prayer written in gold lettering, showcasing devotion and reverence. The Ms - Lindisfarne Gospel further emphasizes the significance of these ancient texts by preserving their delicate beauty. Its careful preservation allows us to appreciate not only their religious importance but also their artistic value. Moving forward through time, we encounter Christ Pantocrator encaustic on panel—a powerful representation of Jesus as ruler and judge—reminding us of his divine authority over all creation. In contrast to these grand depictions are intimate moments captured within illuminated texts like that from St Luke's Gospel circa 700 AD. This page transports us back in time, allowing us to witness scenes from Jesus' life with awe-inspiring detail. Beyond illustrations lie real-life embodiments music's power—the Jubilee Singers at Fisk University in the USA—a group photo capturing their harmonious voices spreading hope during challenging times. Returning once again to sacred texts, we find solace in witnessing Jesus praying fervently amidst anguish in the Garden—an emotional reminder that even he sought strength through prayer during trying moments. Finally, another remarkable example comes from the Book of Kells where St John’s symbol is depicted on folio 27v—a testament to Hiberno-Saxon creativity merging Christian symbolism with intricate designs.