Fraud Blocker Skip to main content

Granville J J Collection

"Granville J J: A Journey through Time and Imagination" Step into the world of Granville J J

Background imageGranville J J Collection: What do you think of the expedition? from Metamorphoses of the Day, 1829

What do you think of the expedition? from Metamorphoses of the Day, 1829

Background imageGranville J J Collection: Le portrait s'acheva en dépit de leurs remonstrances, 1842. Creator: Jean Ignace Isidore Gerard

Le portrait s'acheva en dépit de leurs remonstrances, 1842. Creator: Jean Ignace Isidore Gerard
Le portrait s'acheva en depit de leurs remonstrances, 1842. (The portrait was completed despite their remonstrances) - monkey artist with birds

Background imageGranville J J Collection: And in this suit for seperation, gentlemen, observe two things from Metamorphoses of

And in this suit for seperation, gentlemen, observe two things from Metamorphoses of the Day, 1829

Background imageGranville J J Collection: Nenuphar, from Les Fleurs Animees, 1847. Creator: Charles-Michel Geoffroy

Nenuphar, from Les Fleurs Animees, 1847. Creator: Charles-Michel Geoffroy
Nenuphar, from Les Fleurs Animees, 1847

Background imageGranville J J Collection: Mythological Gallery: Judgement of Paris, ca. 1829-31. Creator: Pierre Langlumé

Mythological Gallery: Judgement of Paris, ca. 1829-31. Creator: Pierre Langlumé
Mythological Gallery: Judgement of Paris, ca. 1829-31

Background imageGranville J J Collection: More than once, while leaving the masked ball Mr. de *** was arrested by the patrol

More than once, while leaving the masked ball Mr. de *** was arrested by the patrol officers from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageGranville J J Collection: Les Fleurs Animees, Title Page, 1847. Creator: Jean Ignace Isidore Gerard

Les Fleurs Animees, Title Page, 1847. Creator: Jean Ignace Isidore Gerard
Les Fleurs Animees, Title Page, 1847

Background imageGranville J J Collection: Illustration in Jerome Paturot, by Louis Reybaud, Paris, 1846, ca. 1846

Illustration in Jerome Paturot, by Louis Reybaud, Paris, 1846, ca. 1846

Background imageGranville J J Collection: I was in too much need of an omnibus, but as soon as it starts raining

I was in too much need of an omnibus, but as soon as it starts raining, they all seem to disappear as if by magic. from the Little Miseries of Human Life, 1843

Background imageGranville J J Collection: I tried to escape from this philological discussion. from the Little Miseries of Human

I tried to escape from this philological discussion. from the Little Miseries of Human Life, 1843

Background imageGranville J J Collection: I was ignominiously arrested from Scenes from the Private and Public Life of Animal

I was ignominiously arrested from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageGranville J J Collection: Clown from The Complete Works of Beranger, 1836. Creator: John Thompson

Clown from The Complete Works of Beranger, 1836. Creator: John Thompson
Clown from The Complete Works of Beranger, 1836

Background imageGranville J J Collection: Having said that, this poor invalid gives us a curtsy, and goes hobbling off from S

Having said that, this poor invalid gives us a curtsy, and goes hobbling off from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageGranville J J Collection: Friends, the wise one places his glory in eating well from Scenes from the Private

Friends, the wise one places his glory in eating well from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageGranville J J Collection: Brennus from The Complete Works of Beranger, 1836. Creators: Auguste Raffet

Brennus from The Complete Works of Beranger, 1836. Creators: Auguste Raffet
Brennus from The Complete Works of Beranger, 1836

Background imageGranville J J Collection: As soon as I set foot on the island... from Scenes from the Private and Public Life

As soon as I set foot on the island... from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageGranville J J Collection: He tells us: don t cry, Act! from Scenes from the Private and Public Life of Animal

He tells us: don t cry, Act! from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageGranville J J Collection: An Old Butterfly from Scenes from the Private and Public Life of Animals, ca. 1837-47

An Old Butterfly from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageGranville J J Collection: All of the wolves are brothers from Scenes from the Private and Public Life of Anim

All of the wolves are brothers from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageGranville J J Collection: Again, Madame, whether you do or do not want to divorce, you are perfectly free, 1832

Again, Madame, whether you do or do not want to divorce, you are perfectly free, 1832

Background imageGranville J J Collection: After, in came the body of guards armed with terrible stings from Scenes from the P

After, in came the body of guards armed with terrible stings from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageGranville J J Collection: After accepting a glass of sweet water, the illustrious orator descends from the pl

After accepting a glass of sweet water, the illustrious orator descends from the platform from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageGranville J J Collection: Fortune from The Complete Works of Beranger, 1836. Creator: J Constantine Beneworth

Fortune from The Complete Works of Beranger, 1836. Creator: J Constantine Beneworth
Fortune from The Complete Works of Beranger, 1836

Background imageGranville J J Collection: A very well put insect and beautiful dancer from Scenes from the Private and Public

A very well put insect and beautiful dancer from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageGranville J J Collection: Did anyone ever forgive an awkward visit? from the Little Miseries of Human Life, 1843

Did anyone ever forgive an awkward visit? from the Little Miseries of Human Life, 1843

Background imageGranville J J Collection: Daughter of the People from The Songs of Beranger, 1829

Daughter of the People from The Songs of Beranger, 1829

Background imageGranville J J Collection: Crown of Cornflowers from The Complete Works of Beranger, 1836

Crown of Cornflowers from The Complete Works of Beranger, 1836

Background imageGranville J J Collection: Capucine, from Les Fleurs Animees, 1820-70. 1820-70

Capucine, from Les Fleurs Animees, 1820-70. 1820-70
Capucine, from Les Fleurs Animees, 1820-70

Background imageGranville J J Collection: Gotton from The Complete Works of Beranger, 1836. Creator

Gotton from The Complete Works of Beranger, 1836. Creator
Gotton from The Complete Works of Beranger, 1836

Background imageGranville J J Collection: France Delivered to the Crows, 1831. Creator: Delaporte

France Delivered to the Crows, 1831. Creator: Delaporte
France Delivered to the Crows, 1831

Background imageGranville J J Collection: Vocal Concert from Metamorphoses of the Day, 1829. Creator: Pierre Langlumé

Vocal Concert from Metamorphoses of the Day, 1829. Creator: Pierre Langlumé
Vocal Concert from Metamorphoses of the Day, 1829

Background imageGranville J J Collection: The Suspended Congress, ca. 1829. Creator: Pierre Langlumé

The Suspended Congress, ca. 1829. Creator: Pierre Langlumé
The Suspended Congress, ca. 1829

Background imageGranville J J Collection: Letter Written from Alger, ca. 1835. Creator: Jean Ignace Isidore Gerard

Letter Written from Alger, ca. 1835. Creator: Jean Ignace Isidore Gerard
Letter Written from Alger, ca. 1835

Background imageGranville J J Collection: Leftovers from the Little Miseries of Human Life, 1843. Creator: Quichon

Leftovers from the Little Miseries of Human Life, 1843. Creator: Quichon
Leftovers from the Little Miseries of Human Life, 1843

Background imageGranville J J Collection: Pervenche Dessechee, from Les Fleurs Animees, 1847. 1847

Pervenche Dessechee, from Les Fleurs Animees, 1847. 1847
Pervenche Dessechee, from Les Fleurs Animees, 1847

Background imageGranville J J Collection: Passing Young Girls from The Complete Works of Beranger, 1836

Passing Young Girls from The Complete Works of Beranger, 1836

Background imageGranville J J Collection: What do you say about the butterfly hunt? from Scenes from the Private and Public L

What do you say about the butterfly hunt? from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageGranville J J Collection: This protest was stifled by the noise of private conversations from Scenes from

This protest was stifled by the noise of private conversations from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageGranville J J Collection: The Parsley Bouquet, 1832. Creator: Becquet

The Parsley Bouquet, 1832. Creator: Becquet
The Parsley Bouquet, 1832

Background imageGranville J J Collection: There are men who walk around begging on fertile ground from Scenes from the Privat

There are men who walk around begging on fertile ground from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageGranville J J Collection: She responded to my protests and oaths with a tone of mockery so cold that I swore

She responded to my protests and oaths with a tone of mockery so cold that I swore to die from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageGranville J J Collection: The Beautiful World of the Tuileries from Scenes from the Private and Public Life o

The Beautiful World of the Tuileries from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageGranville J J Collection: The studies are painful, expensive; but the students are intrepid from Scenes

The studies are painful, expensive; but the students are intrepid from Scenes from the Private and Public Life of Animals, ca. 1837-47

Background imageGranville J J Collection: The Schoolmaster from The Songs of Beranger, 1829. Creator

The Schoolmaster from The Songs of Beranger, 1829. Creator
The Schoolmaster from The Songs of Beranger, 1829

Background imageGranville J J Collection: The& Cafe, from Les Fleurs Animees, 1847

The& Cafe, from Les Fleurs Animees, 1847
The & Cafe, from Les Fleurs Animees, 1847

Background imageGranville J J Collection: Zing! Zing! Boom_Boom_Boom!!! The Show of the Grrrreat Political Tumblers, August 1833

Zing! Zing! Boom_Boom_Boom!!! The Show of the Grrrreat Political Tumblers, August 1833

Background imageGranville J J Collection: Sir, I offer you my respects and my daughter from Metamorphoses of the Day, 1829

Sir, I offer you my respects and my daughter from Metamorphoses of the Day, 1829

Background imageGranville J J Collection: Children, Obey Me, Do Not Play With Those Weapons, April 1834

Children, Obey Me, Do Not Play With Those Weapons, April 1834



All Professionally Made to Order for Quick Shipping

"Granville J J: A Journey through Time and Imagination" Step into the world of Granville J J, a man whose life was filled with extraordinary adventures and whimsical encounters. In his famous work "Metamorphoses of the Day, 1829, " he invites us to ponder on the wonders of an expedition. What do you think of it? Join him as he explores uncharted territories, both in reality and within his own mind. In another masterpiece called "Les Fleurs Animees, 1847, " created by Charles-Michel Geoffroy, we catch a glimpse of Nenuphar - a captivating character that seems to embody nature's enchantment. Granville J J urges us to observe two things in this suit for separation; what could they be? As we delve deeper into Granville's imagination, we encounter the mythological gallery where Paris faces judgment in Pierre Langlumé's creation from ca. 1829-31, and is here that our protagonist contemplates matters beyond mortal comprehension. Amidst masquerades and masked balls, Granville finds himself arrested more than once by the patrol. Could it be that his eccentricity attracts attention wherever he goes? Such misadventures are beautifully depicted in Jean Ignace Isidore Gerard's "Les Fleurs Animees" title page from 1847. Through an illustration found in Louis Reybaud's "Jerome Paturot" (ca. 1846), we witness Granville desperately seeking refuge from rain while yearning for an omnibus ride. Little did he know that fate had other plans for him. Philological discussions may not have been his cup of tea, but when faced with one such debate during "The Little Miseries of Human, " Granville attempted to escape its clutches. Alas. His efforts were futile as intellectual pursuits seemed determined to ensnare him at every turn.