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Hammers Collection (page 2)

"Hammers: A Symbol of Strength and Craftsmanship" Upton Park Stadium Fine Art - West Ham United Football Club, Upton Park Art - West Ham United

Background imageHammers Collection: Machinist, c. 1859 (marble)

Machinist, c. 1859 (marble)
2969128 Machinist, c.1859 (marble) by Stebbins, Emma (1815-82); 74.9x29.2x29.2 cm; The Art Institute of Chicago, IL, USA; Gift of the Antiquarian Society; American, out of copyright

Background imageHammers Collection: The Crucifixion (pen and wash)

The Crucifixion (pen and wash)
AGN81579 The Crucifixion (pen and wash) by Blake, William (1757-1827); 32.8x34.5 cm; Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageHammers Collection: Music cover, The Jolly Blacksmiths March-Twostep

Music cover, The Jolly Blacksmiths March-Twostep, written by E T Paull and E Braham. 1905

Background imageHammers Collection: Method of catching fish in nets by tapping against the rocks

Method of catching fish in nets by tapping against the rocks
747031 Method of catching fish in nets by tapping against the rocks, illustration from Venationes, Ferarum, Avium, Piscium (Of Hunting: Wild Beasts, Birds, Fish)

Background imageHammers Collection: Music-box mechanism with cylinder and hammers to play chimes

Music-box mechanism with cylinder and hammers to play chimes on a bell, and music score to Ignace Joseph Pleyels German Hymn

Background imageHammers Collection: Chime engine in the clock room of St. Margaret s

Chime engine in the clock room of St. Margaret s
Chime work with engine and hammers located in the clock room of St. Margarets Church, Westminster Abbey. Copperplate engraving by Wilson Lowry after a drawing by John Farey Jr

Background imageHammers Collection: Compressed air drill in a gold mine in Transvaal (chromolitho)

Compressed air drill in a gold mine in Transvaal (chromolitho)
2788838 Compressed air drill in a gold mine in Transvaal (chromolitho) by European School, (19th century); Private Collection; (add.info.: Compressed air drill in a gold mine in Transvaal)

Background imageHammers Collection: The Opening Of The First Gallery On The Access Line To The Sempione, Between Arona And Meina

The Opening Of The First Gallery On The Access Line To The Sempione, Between Arona And Meina
2798711 The Opening Of The First Gallery On The Access Line To The Sempione, Between Arona And Meina, The Meeting Of The Workers (colour litho) by Beltrame

Background imageHammers Collection: Minting coins with hand-held tools, c. 1550 (woodcut)

Minting coins with hand-held tools, c. 1550 (woodcut)
1220238 Minting coins with hand-held tools, c.1550 (woodcut) by Unknown Artist, (16th century); The Royal Mint Museum, Llantrisant, UK; eRoyal Mint Museum; out of copyright

Background imageHammers Collection: Nailing the base of a wooden casket, Oneida, New York, April 3, 1916 (b / w photo)

Nailing the base of a wooden casket, Oneida, New York, April 3, 1916 (b / w photo)
1078982 Nailing the base of a wooden casket, Oneida, New York, April 3, 1916 (b/w photo) by Hassler, William Davis (1877-1921); Collection of the New-York Historical Society

Background imageHammers Collection: Blacksmith hammering at a lump of metal with a long hammer

Blacksmith hammering at a lump of metal with a long hammer
Blacksmith in his forge hammering at a lump of metal with a long hammer. Date: 1887

Background imageHammers Collection: The Fighting near Gilgit on the North-Western Frontier of India (engraving)

The Fighting near Gilgit on the North-Western Frontier of India (engraving)
1036598 The Fighting near Gilgit on the North-Western Frontier of India (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageHammers Collection: Rose Window, 1866 (stained glass)

Rose Window, 1866 (stained glass)
3474801 Rose Window, 1866 (stained glass) by Burne-Jones, Edward Coley (1833-98); Church of St Mary, Ealing, UK; (add.info.: Manufactured by Morris, Marshall)

Background imageHammers Collection: Victorian Christmas card with anvil and hammer (chromolitho)

Victorian Christmas card with anvil and hammer (chromolitho)
731712 Victorian Christmas card with anvil and hammer (chromolitho) by English School, (19th century); Private Collection; (add.info.: Victorian Christmas card with anvil and hammer)

Background imageHammers Collection: Man working in the Hardman, Peck & Co. piano factory, New York

Man working in the Hardman, Peck & Co. piano factory, New York
MNY381248 Man working in the Hardman, Peck & Co. piano factory, New York, 1907 (silver gelatin print) by Byron Company (fl.1890-1942); 25.4x19.2 cm; Museum of the City of New York

Background imageHammers Collection: Coal miners (chromolitho)

Coal miners (chromolitho)
2817178 Coal miners (chromolitho) by French School, (19th century); Private Collection; (add.info.: Coal miners. Educational card, late 19th or early 20th century.); © Look and Learn

Background imageHammers Collection: Poster announcing a play in aid of German War Aid, c. 1914-18 (colour litho)

Poster announcing a play in aid of German War Aid, c. 1914-18 (colour litho)
1630628 Poster announcing a play in aid of German War Aid, c.1914-18 (colour litho) by Oppenheim, Louis (1879-1936); Private Collection; The Stapleton Collection; German, out of copyright

Background imageHammers Collection: An early sixteenth-century European mint, from Der Weisskunig (engraving)

An early sixteenth-century European mint, from Der Weisskunig (engraving)
1220235 An early sixteenth-century European mint, from Der Weisskunig (engraving) by German School, (16th century); The Royal Mint Museum, Llantrisant, UK; eRoyal Mint Museum; German, out of copyright

Background imageHammers Collection: The Village Blacksmith, 1918 (w / c on paper)

The Village Blacksmith, 1918 (w / c on paper)
2601933 The Village Blacksmith, 1918 (w/c on paper) by Tozer, Henry Spernon (c.1870-1940); Private Collection; Bourne Gallery, Reigate, Surrey; English, out of copyright

Background imageHammers Collection: Are YOU in this?, 1915 (colour litho)

Are YOU in this?, 1915 (colour litho)
2648879 Are YOU in this?, 1915 (colour litho) by Baden-Powell, Robert (1857-1941); 76x51 cm; Private Collection; (add.info.: Original Parliamentary Recruiting Committee poster No 112)

Background imageHammers Collection: North Italian Folk (engraving)

North Italian Folk (engraving)
1049823 North Italian Folk (engraving) by Caldecott, Randolph (1846-86); Private Collection; (add.info.: North Italian Folk)

Background imageHammers Collection: Symptoms Of The Finish Of 'Some Sorts Of Life'In London - Tom, Jerry and Logic

Symptoms Of The Finish Of "Some Sorts Of Life"In London - Tom, Jerry and Logic
2562173 Symptoms Of The Finish Of " Some Sorts Of Life" In London - Tom, Jerry and Logic, in the Press Yard, at Newgate, from Tom and Jerrys Life in London

Background imageHammers Collection: Sculpture of Thomas Stirling Lee, c. 1898 (bronze)

Sculpture of Thomas Stirling Lee, c. 1898 (bronze)
5845906 Sculpture of Thomas Stirling Lee, c.1898 (bronze) by Walker, Arthur George (1861-1939); The Art Workers Guild Trustees Limited, London

Background imageHammers Collection: Progress of the International Exhibition Building, the Forge (engraving)

Progress of the International Exhibition Building, the Forge (engraving)
1620146 Progress of the International Exhibition Building, the Forge (engraving) by English School, (19th century); Private Collection; (add.info.: Progress of the International Exhibition Building)

Background imageHammers Collection: Javanese Musical Instruments recently added to the British Museum (engraving)

Javanese Musical Instruments recently added to the British Museum (engraving)
1098750 Javanese Musical Instruments recently added to the British Museum (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageHammers Collection: Hercules Restores Gallia, 1638 (etching)

Hercules Restores Gallia, 1638 (etching)
1071018 Hercules Restores Gallia, 1638 (etching) by Nolpe, Pieter (1613-53); 29.7x38.3 cm; Dallas Museum of Art, Texas, USA; gift of Mark Haukohl in honor of Mr. and Mrs. Jack E

Background imageHammers Collection: Fitting on the ornament of a wooden casket, Oneida, New York, April 3, 1916 (b / w photo)

Fitting on the ornament of a wooden casket, Oneida, New York, April 3, 1916 (b / w photo)
1078988 Fitting on the ornament of a wooden casket, Oneida, New York, April 3, 1916 (b/w photo) by Hassler, William Davis (1877-1921); Collection of the New-York Historical Society

Background imageHammers Collection: Builders Tools, engraved by Martino Schede (engraving)

Builders Tools, engraved by Martino Schede (engraving)
810311 Builders Tools, engraved by Martino Schede (engraving) by Rostagni, Francesco (18th century) (after); Private Collection; The Stapleton Collection; Italian, out of copyright

Background imageHammers Collection: Jan Lutma, Goldsmith, 1656 (etching & drypoint)

Jan Lutma, Goldsmith, 1656 (etching & drypoint)
3514798 Jan Lutma, Goldsmith, 1656 (etching & drypoint) by Rembrandt Harmensz. van Rijn (1606-69); 19.7x14.5 cm; Private Collection; (add.info)

Background imageHammers Collection: The Hammerman, 1884 (bronze)

The Hammerman, 1884 (bronze)
2970049 The Hammerman, 1884 (bronze) by Meunier, Constantin Emile (1831-1905); 194.3x96.5x71.1 cm; The Art Institute of Chicago, IL, USA; Robert Alexander Waller Memorial Collection; Belgian

Background imageHammers Collection: A characteristic play of power (colour litho)

A characteristic play of power (colour litho)
2783518 A characteristic play of power (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: A characteristic play of force)

Background imageHammers Collection: Labourers and carpenters (chromolitho)

Labourers and carpenters (chromolitho)
964101 Labourers and carpenters (chromolitho) by French School, (19th century); Private Collection; (add.info.: Labourers and carpenters (Laboureurs et Charpentiers), an 11th century depiction

Background imageHammers Collection: The Advance in the Soudan, launching a Barge in Sections at Shalal (litho)

The Advance in the Soudan, launching a Barge in Sections at Shalal (litho)
1063640 The Advance in the Soudan, launching a Barge in Sections at Shalal (litho) by English School, (19th century); Private Collection; (add.info.: The Advance in the Soudan)

Background imageHammers Collection: The Clock and Bells at the Royal Courts of Justice (engraving)

The Clock and Bells at the Royal Courts of Justice (engraving)
1107386 The Clock and Bells at the Royal Courts of Justice (engraving) by Courbould, Alfred (fl.1831-75); Private Collection; (add.info.: The Clock and Bells at the Royal Courts of Justice)

Background imageHammers Collection: The White and Black Hammers (litho)

The White and Black Hammers (litho)
1067459 The White and Black Hammers (litho) by Pennell, Joseph (1858-1926); 52.7x40 cm; Dallas Museum of Art, Texas, USA; gift of Edmund J. Kahn; American, out of copyright

Background imageHammers Collection: Harry Redknapp. Aged 16 on 31st August 1963 when this picture was taken

Harry Redknapp. Aged 16 on 31st August 1963 when this picture was taken. He made his first team debut in 1965. Redknapp was born in Poplar, At age 11

Background imageHammers Collection: Coopers making beer barrels at the Whitbread brewery. October 1958

Coopers making beer barrels at the Whitbread brewery. October 1958

Background imageHammers Collection: The ancient art of making barrels is demonstrated at The Close, Newcastle

The ancient art of making barrels is demonstrated at The Close, Newcastle, where coopers are pictured with 56 gallon whisky hogsheads in the shadow of the High Level Bridge

Background imageHammers Collection: Flint grinding, Staffordshire Potteries 1843

Flint grinding, Staffordshire Potteries 1843
A steam-powered vertical hammers breaks up flint into small fragments, pieces are then finely ground in a mill and mixed with clay for use in pottery. Date: 1843

Background imageHammers Collection: TOOLS / HAMMERS ETC / 1889

TOOLS / HAMMERS ETC / 1889
Various types of hammer and scythe Date: 1889

Background imageHammers Collection: 17th century Blacksmith

17th century Blacksmith
Two blacksmiths work with hammers at an anvil, while behind them their furnace roars. Date: 17th century

Background imageHammers Collection: SAI KZ VII Laerke OY-aZ

SAI KZ VII Laerke OY-aZ
SAI KZ VII Laerke (Danish: Lark) OY-aZ of Hammers Luftfart, somewhere in Denmark. (SAI- Skandinavisk Aero Industri) Date: 1950s-1960s

Background imageHammers Collection: Ancient Gem Cutter and Apprentice - Sri Lanka

Ancient Gem Cutter and Apprentice - Sri Lanka
Ancient Gem Cutter with his cutting and polishing tools and (his middle-aged!) Apprentice - Sri Lanka. Date: circa 1908

Background imageHammers Collection: Masonry Tools 18th C

Masonry Tools 18th C
Various tools used by builders in the 18th century : trowels, spades, saws, baskets, spades, wheelbarrows, hammers, etc. Date: Circa 1760

Background imageHammers Collection: Statue of Jack Blandiver in Wells Cathedral

Statue of Jack Blandiver in Wells Cathedral, Somerset. The Cathedral Clock was installed in 1390. Inside, Jack Blandiver, the quarter-jack, strikes the bells at his heels at every quarter-hour

Background imageHammers Collection: Saxon Tools - a. Pair of Shears b. Pincers or Tongs c. Other Pincers d. Nippers e. Axe f

Saxon Tools - a. Pair of Shears b. Pincers or Tongs c. Other Pincers d. Nippers e. Axe f. Hammer g. Chisel h. i
Saxon Tools - a. Pair of Shears b. Pincers or Tongs c. Other Pincers d. Nippers e. Axe f. Hammer g. Chisel h.i. Hammers. From The History of Progress in Great Britain, published 1866



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"Hammers: A Symbol of Strength and Craftsmanship" Upton Park Stadium Fine Art - West Ham United Football Club, Upton Park Art - West Ham United, Coopers at work making wooden barrels – these are just a few hints that remind us of the power and artistry behind hammers. Just like the various shoemaking tools or geologists' equipment, they have been an essential part of human history for centuries. They represent our ability to shape and create with precision. From the Cyclops Works forging files in 1918 to Bristol City v West Ham United 250115, they have been present in both industrial settings and sporting events. Whether it's on the football field or in a workshop, they symbolize determination and teamwork. As we transition from Upton Park Stadium - West Ham United FC to The London Stadium - West Ham United FC, one thing remains constant – the hammer as a proud emblem of this iconic club. It represents their resilience and unwavering spirit. But hammers aren't limited to sports; they also find their place in everyday life. From boys making a pigeon loft to craftsmen shaping wood or metal, these tools enable us to bring our ideas into reality. So next time you see a hammer, remember its significance beyond its physical form. It embodies strength, craftsmanship, and the potential for greatness – qualities that resonate within all of us.