Hanging Scroll Collection (page 2)

Kobo Daishi (Kukai) as a Boy (Chigo Daishi) (hanging scroll with ink & colour on silk)
2968500 Kobo Daishi (Kukai) as a Boy (Chigo Daishi) (hanging scroll with ink & colour on silk) by Japanese School, (15th century); 86.7x48.9 cm; The Art Institute of Chicago, IL

Woman Walking in the Snow, 1840s-early 1850s. Creator: Ando Hiroshige
Woman Walking in the Snow, 1840s-early 1850s

Water-moon Avalokiteshvara, first half of the 14th century. Creator: Unknown
Water-moon Avalokiteshvara, first half of the 14th century. Goryeo dynasty (918-1392)

Taima Mandala, probably late 14th century. Creator: Unknown
Taima Mandala, probably late 14th century. Amida sits enthroned at the center of the mandala, flanked by the bodhisattvas Seishi and Kannon

Portrait of Yun Dongseom (1710-1795), ca. 1790-1805. Creator: Unknown
Portrait of Yun Dongseom (1710-1795), ca. 1790-1805. Joseon dynasty (1392-1910)

Oxherding, first half of the 15th century. Creator: Sekkyakushi
Oxherding, first half of the 15th century. Perhaps illustrating the fifth verse, Herding the Ox of the Ten Verses on Oxherding, a Zen parable. Muromachi period (1392-1573)

The Eight Immortals of the Wine Cup, 1828. Creator: Tani Buncho
The Eight Immortals of the Wine Cup, 1828

Studying a Painting, 16th century. Creator: Zhang Lu
Studying a Painting, 16th century. Parodies of a literary gathering. Ming dynasty (1368-1644)

Peacocks and Peonies, 1820. Creator: Tani Buncho
Peacocks and Peonies, 1820

Bamboo in Wind and Rain, ca. 1694. Creator: Shitao
Bamboo in Wind and Rain, ca. 1694

Tartars Playing Polo, early 18th century. Creator: Kano Eisen in Furunobu
Tartars Playing Polo, early 18th century. Edo period (1615-1868)

Children playing in the palace garden, late 13th-15th century. Creator: Unknown
Children playing in the palace garden, late 13th-15th century. Late Yuan (12711368) or early Ming (1368-1644) dynasty

Guan Yu, ca. 1700. Creator: Unknown
Guan Yu, ca. 1700. Guan Yu, warrior and saint in the Daoist pantheon, patron saint of the Manchu rulers of the Qing dynasty (1644-1911)

Daishojin Bosatsu, from Album of Buddhist Deities from the Diamond World... 12th century
Daishojin Bosatsu, from " Album of Buddhist Deities from the Diamond World and Womb World Mandalas" (" Kontai butsugajo" ), 12th century. Heian period (794-1185)

Cherry Blossoms, 18th century. Creator: Go Shun
Cherry Blossoms, 18th century

Landscape with Pavilion, 1478-80. Creator: Kenko Shokei
Landscape with Pavilion, 1478-80. Inscribed by Togen Zuisen (Japanese, 1430-1480). Muromachi period (1392-1573)

Shakyamuni Conquering the Demons (Shaka Goma-zu), ca. 1888. Creator: Kawanabe Kyosai
Shakyamuni Conquering the Demons (Shaka Goma-zu), ca. 1888

Eagle Attacking a Monkey, 1885. Creator: Kawanabe Kyosai
Eagle Attacking a Monkey, 1885

Samurai and Wakashu (Bushi to wakashu), early 18th century. Creator: Miyagawa Issho
Samurai and Wakashu (Bushi to wakashu), early 18th century

Wooded Mountains at Dusk, dated 1666. Creator: Kuncan
Wooded Mountains at Dusk, dated 1666. IN the area around Yellow Mountain in southern Anhui Province. Qing dynasty (1644-1911)

Shade of Pines in a Cloudy Valley, 1660. Creator: Wang Jian (Chinese, 1598-1677)
Shade of Pines in a Cloudy Valley, 1660

Wisdom King of Passion Aizen Myoo, 1300s. Creator: Unknown
Wisdom King of Passion Aizen Myoo, 1300s. This painting depicts the Buddhist deity the Wisdom King of Passion Aizen Myoo, who converts carnal lust into a desire for enlightenment

Welcoming Descent of Amida Buddha, 1300-33. Creator: Unknown
Welcoming Descent of Amida Buddha, 1300-33. In the Pure Land school of Buddhism, Amida Buddha is the focus of worship. Pictured here is the raigo

Wisdom King of Great Awe-inspiring Power (Daiitoku myoo), mid-1800s. Creator: Unknown
Wisdom King of Great Awe-inspiring Power (Daiitoku myoo), mid-1800s. In Esoteric Buddhism, there is one Buddha at the center of the universe, and four additional Buddhas

Painting Party, 1880. Creator: Kawanabe Kyosai (Japanese, 1831-1889)
Painting Party, 1880. This lively painting depicts shogakai, a gathering during which calligraphers and painters created artwork in response to their patrons requests

Plums, Bamboo, and Orchid, 1834. Creator: Yamamoto Baiitsu (Japanese, 1783-1856)
Plums, Bamboo, and Orchid, 1834. In Japan, the literati painter Yamamoto Baiitsu loved the plum and even changed his name to include the word plum

Birds and camelia in snow, c. 1700 (ink and colours on paper)
BL12348 Birds and camelia in snow, c.1700 (ink and colours on paper) by Haritsu, Ogawa (1663-1747); 194.5x87.5 cm; British Museum, London, UK; Japanese, out of copyright

Pheasant, bullfinch, flowers and rock, c. 1800 (ink and colours on silk)
BL12336 Pheasant, bullfinch, flowers and rock, c.1800 (ink and colours on silk) by Baikei, Ariwara (1750-1803); 96.8x34.3 cm; British Museum, London, UK; (add.info.: ); Japanese, out of copyright

Hanging scroll (Ming dynasty, AD 1501-1583), Shanghai Museum, Peoples Square, Shanghai, China

Yang Guifei Leaving the Bath, 1700s (hanging scroll, ink, colours & gold on silk)
XOS5885454 Yang Guifei Leaving the Bath, 1700s (hanging scroll, ink, colours & gold on silk) by Chinese School, Qing dynasty (18th century); 96.5x44.1 cm; Cleveland Museum of Art, OH

White Plum Blossoms and Moon, 1755 (hanging scroll, ink & colour on silk)
7392237 White Plum Blossoms and Moon, 1755 (hanging scroll, ink & colour on silk) by Jakuchu, Ito (1716-1800); Metropolitan Museum of Art, New York, USA

74. 1. 199 Primary
74.1.199, primary, 7369539

Hydrangea and Rock, 1946 (hanging scroll, ink and colour on paper)
1764937 Hydrangea and Rock, 1946 (hanging scroll, ink and colour on paper) by Gao Jianfu (1879-1952); Private Collection; (add.info.: Hydrangea and Rock. Gao Jianfu (1879-1951)

Landscape in the Style of Ancient Masters: after Gao Shangshu, following Dong Yuan (active... 1642. Creator: Unknown)
Landscape in the Style of Ancient Masters: after Gao Shangshu, following Dong Yuan (active 937-975) and Ju Ran, and later in the style of Mi Fu (1051_-1107), China, Ming dynasty (1368-1644), 1642

Noble Hermit in a Mountain Retreat, late Ming / early Qing dynasty, 17th century. Creator: Chen Ruyan
Noble Hermit in a Mountain Retreat, late Ming/early Qing dynasty, 17th century

River and Mountain Landscape, Ming dynasty (1368-1644). Creator: Xiang Shengmo
River and Mountain Landscape, Ming dynasty (1368-1644)

Lotus and Waterfowl, Qing dynasty (1644-1911), 1697. Creator: Unknown
Lotus and Waterfowl, Qing dynasty (1644-1911), 1697

Mountainous Landscape after Wang Meng, Qing dynasty (1644-1911), 1715. Creator: Wang Yuanqi
Mountainous Landscape after Wang Meng, Qing dynasty (1644-1911), 1715

Flowers of the Four Seasons, Qing dynasty (1644-1911), 18th / 19th century. Creators: Unknown, Prince Yongrong
Flowers of the Four Seasons, Qing dynasty (1644-1911), 18th/19th century. A vertical painting of a bundle of many types of flowers set in a vase-like vessel

Landscape, 1734 (ink & colour on paper)
6199658 Landscape, 1734 (ink & colour on paper) by Wang Su (fl.1733-66); Minneapolis Institute of Arts, MN, USA; (add.info)

Scholar in Landscape, 1601 (ink on paper)
6124999 Scholar in Landscape, 1601 (ink on paper) by Liu Yuanqi (1555-c.1632); 334.3x99.1 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: Liu Yuanqi was a pupil of Qian Gu (1508-78) who

Scholars Converse on a Bridge (ink & colour on silk mounted on brocaded silk laid down on paper)
3929731 Scholars Converse on a Bridge (ink & colour on silk mounted on brocaded silk laid down on paper) by Zhou Chen (16th century); 96x200.7 cm; San Diego Museum of Art

Landscape After Huang Gongwang, 1752 (ink & colour on paper)
6125005 Landscape After Huang Gongwang, 1752 (ink & colour on paper) by Wang Yu (fl.1710-50); 271.9x127.5 cm; Minneapolis Institute of Arts, MN

Landscape after Dong Yuan, 1775 (ink on paper)
6199605 Landscape after Dong Yuan, 1775 (ink on paper) by Wang Chen (1720-97); 99.1x46.8 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: Wang Chen was born in Tai Cang)

The Four Accomplishments (colour & gold on silk) (pair to 3930722)
3930723 The Four Accomplishments (colour & gold on silk) (pair to 3930722) by Toyohiro, Utagawa (1773-1828); 101.7x41.5 cm; Freer Gallery of Art, Smithsonian Institution

Landscape, 1734 (ink & colour on paper)
6199655 Landscape, 1734 (ink & colour on paper) by Wang Su (fl.1733-66); 119.4x52.7 cm; Minneapolis Institute of Arts, MN

Landscape after Dong Yuan, 1775 (ink on paper)
6199624 Landscape after Dong Yuan, 1775 (ink on paper) by Wang Chen (1720-97); 99.1x46.8 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: Wang Chen was born in Tai Cang)

Bodhisattva Kshitigarbha (Jijang bosal), Late 13th or early 14th century (ink, colour and gold on silk)
5930761 Bodhisattva Kshitigarbha (Jijang bosal), Late 13th or early 14th century (ink, colour and gold on silk) by Korean School, (13th-14th century); 200.7x72.4 cm; Freer Gallery of Art

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"Hanging Scrolls: A Window into Asian Art and Culture" Immerse yourself in the rich tapestry of Asian art with these captivating hanging scrolls. Each scroll tells a unique story, capturing the essence of its creator's vision and skill. "Bamboo in the Wind" by Yi Jeong takes us back to early 17th century Korea, where delicate bamboo sways gracefully against a backdrop of nature's elements. The artist's mastery brings this scene to life, evoking a sense of tranquility and harmony. In "Guanyin as the Nine-Lotus Bodhisattva, " an unknown artist from 1593 presents us with a divine figure surrounded by blooming lotuses. This masterpiece invites contemplation on spirituality and enlightenment. Sessh? T?y?'s "Haboku, Splashed Ink Landscape" transports us to 15th-century Japan. With bold brushstrokes and ink splatters, this artwork captures the dynamic energy of nature itself, leaving room for interpretation and personal reflection. A late 18th-early 19th-century portrait reveals an imperial censor and his wife in exquisite detail. Though their identities remain unknown, their dignified presence speaks volumes about societal norms during that era. Soga Shohaku's "Lions at the Stone Bridge of Mount Tiantai" showcases fierce mythical creatures guarding sacred grounds. The artist's unconventional style adds drama and intensity to this vibrant composition. The "Owl on a Pine Branch" by Soga Nichokuan is both whimsical and mysterious. Its intricate details invite viewers into a world where animals hold symbolic significance beyond what meets the eye. "Hokusai's Wild Geese and Water" from 1839 captures movement frozen in time as geese soar above rippling waters. This iconic piece exemplifies Hokusai’s mastery over depicting natural landscapes with meticulous precision. Kintaro with Carp introduces us to a charming scene from the 19th century.