Hell Collection (page 11)

The Triumph of Death, c. 1608 (oil on oak)
3617960 The Triumph of Death, c.1608 (oil on oak) by Brueghel, Pieter the Younger (c.1564-1638); 123.3x166.5 cm; Kunstmuseum, Basel, Switzerland; (add.info.: Copy after Pieter Brueghel the Elder)

Cabaret in Hell (colour litho)
979735 Cabaret in Hell (colour litho) by Ehrenberger, Ludwig Lutz (1878-1950); Private Collection; (add.info.: Cabaret in Hell.); © Look and Learn

Head of a Damned Soul from Dantes "Inferno, "(verso), 1770-78(oil on canvas)
5861637 Head of a Damned Soul from Dantes " Inferno, " (verso), 1770-78(oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 40.6--29.8 cm; The Art Institute of Chicago

The Temptation of Saint Anthony, 1635 (etching)
862563 The Temptation of Saint Anthony, 1635 (etching) by Callot, Jacques (1592-1635); Private Collection

Illustration from Dantes Divine Comedy, Inferno, Canto XXX: 22, 1921 (w / c on paper)
XOT361723 Illustration from Dantes Divine Comedy, Inferno, Canto XXX: 22, 1921 (w/c on paper) by Bayros, Franz von (Choisy Le Conin) (1866-1924); Private Collection; German, out of copyright

The Circle of the Lustful, illustrations of Dantes Divine Comedy, 1827 (engraving on india paper)
XYC136245 The Circle of the Lustful, illustrations of Dantes Divine Comedy, 1827 (engraving on india paper) by Blake, William (1757-1827); 27x35.4 cm; Yale Center for British Art

DDE-90039188
Caprock sandstone badlands formation near Hell Creek State Park in Jordan, Montana, USA. Date: 24/11/2013

DDE-90020379
The lower gorge with thermal springs at Hell's Gate National Park in Kenya. The national park's main attractions are the vertical red basalt cliffs

DDE-90020364
Hell's Gate National Park in Kenya near Lake Naivasha. The lower gorge. The national park's main attractions are the vertical red basalt cliffs

DDE-90020363
Hell's Gate National Park in Kenya near Lake Naivasha. The lower gorge. The national park's main attractions are the vertical red basalt cliffs

DDE-90020362
Hell's Gate National Park in Kenya near Lake Naivasha. The lower gorge. The national park's main attractions are the vertical red basalt cliffs

DDE-90020361
Hell's Gate National Park in Kenya near Lake Naivasha. The lower gorge. The national park's main attractions are the vertical red basalt cliffs

DDE-90020360
Hell's Gate National Park in Kenya near Lake Naivasha. Fischers Tower in the upper gorge. The national park's main attractions are the vertical red basalt cliffs

DDE-90020357
Fischers Tower in the upper gorge of Hell's Gate National Park in Kenya. The national park's main attractions are the vertical red basalt cliffs

View of the chapel looking towards The Last Judgement by Giotto di Bondone, Scrovegni (Arena) Chapel, Padua
BBC195164 View of the chapel looking towards The Last Judgement by Giotto di Bondone, Scrovegni (Arena) Chapel, Padua, Italy (photo) by Giotto (Giotto di Bondone) (c.1266-1337); (add.info.: c.1305)

Envy, from the Seven Deadly Sins, ca. 1550-55. Creator: Leon Davent
Envy, from the Seven Deadly Sins, ca. 1550-55

The Last Judgment, 15th century. 15th century. Creator: Anon
The Last Judgment, 15th century

Descent to Hell, n. d. Creators: Henry Fuseli, Theodore Matthias von Holst
Descent to Hell, n.d

Das Neue Jerusalem, n. d. Creator: Orpha M. Peters
Das Neue Jerusalem, n.d

Illustration of Song 24 of Hell, by Gustave Dore (engraving)
ELD4831862 Illustration of Song 24 of Hell, by Gustave Dore (engraving) by Dore, Gustave (1832-83); (add.info.: Illustration of Song 24 of Hell in " La Divine Comedie" (la divina commedia)

Dante and Virgil meet Giant Anthee, illustrated by Gustave Dore, 1861 (engraving)
ELD4831538 Dante and Virgil meet Giant Anthee, illustrated by Gustave Dore, 1861 (engraving) by Dore, Gustave (1832-83); (add.info.: Dante and Virgil meet Giant Anthee)

First song of Hell, a panthere opposes Dantes passage. Illustration by Gustave Dore, 1852 (engraving)
ELD4831218 First song of Hell, a panthere opposes Dantes passage. Illustration by Gustave Dore, 1852 (engraving) by Dore, Gustave (1832-83); (add.info.: First song of Hell)

Torment of St. Anthony, 1515-20 (oil on panel)
TMK282561 Torment of St. Anthony, 1515-20 (oil on panel) by Savoldo, Giovanni Girolamo (c.1480-p.1548); 69.5x119.4 cm; The Putnam Foundation, Timken Museum of Art, San Diego

First song of Hell: the poet Dante finds himself in a forest. Illustration by Gustave Dore, 1852 (engraving)
ELD4831197 First song of Hell: the poet Dante finds himself in a forest. Illustration by Gustave Dore, 1852 (engraving) by Dore

Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius
6365884 Punishment of the Miser and the Wrathful and Satan devouring Judas, Brutus and Cassius, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell

Lucifer clutching two Giants and Antenor, fragment from the cycle of detached frescoes The Triumph of Death
6365883 Lucifer clutching two Giants and Antenor, fragment from the cycle of detached frescoes The Triumph of Death, Last Judgement and Hell, c.1350 by Orcagna

The Last Judgment
5974502 The Last Judgment by Palestinian School (18th century); 265x138.5 cm; Private Collection; (add.info.: In the centre of the composition a medallion displaying the Preparation of the Throne)

Last Judgement, detail (fresco)
3736127 Last Judgement, detail (fresco) by Procaccini, Camillo (c.1560-1629); Chiesa di San Prospero, Reggio Emilia, Emilia Romagna, Italy; (add.info.: Basilica di San Prospero)

Eneas enters the Averno (the Underworld) from Aeneid, Canto VI, detail of 2384661 (fresco)
2384662 Eneas enters the Averno (the Underworld) from Aeneid, Canto VI, detail of 2384661 (fresco) by Abate, Nicolo dell (c.1509-71); Galleria e Museo Estense, Modena, Italy; (add.info.: Modena)

The fire of hell with the seven capital sins, 14th century miniature by Thomas Le Myesier
AIS5351972 The fire of hell with the seven capital sins, 14th century miniature by Thomas Le Myesier by Le Myesier, Thomas (d.1336); (add.info)

Damned to hell, detail, 1500-02 (fresco)
6262768 Damned to hell, detail, 1500-02 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior, Chapel Nova or St)

Damned to hell, detail of the flying demon carrying a prosperous sinner on his shoulders
6263066 Damned to hell, detail of the flying demon carrying a prosperous sinner on his shoulders and looking back towards her grinning, evidently satisfied with the prey

Descent of Jesus Christ into Limbo (photogravure)
7185047 Descent of Jesus Christ into Limbo (photogravure) by Magimel, Albert (1799-1877); Private Collection; (add.info.: Descent of Jesus Christ into Limbo)

Call to Hell, detail showing the Antehell, taken from Dantes description, 1500-02 (fresco)
6262769 Call to Hell, detail showing the Antehell, taken from Dantes description, 1500-02 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria

"Orphee et Eurydice aux enfers"(Orpheus and Eurydice in the Hell) Peinture de Pieter Fris (1627-1706)
FIA5397981 " Orphee et Eurydice aux enfers" (Orpheus and Eurydice in the Hell) Peinture de Pieter Fris (1627-1706) 1652 Dim 61x77 cm Museo del Prado, Madrid by Fris

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"Journey through the Depths: Exploring the Concept of Hell" Embarking on a spiritual odyssey, Dante's Divine Comedy unveils the eternal struggle between good and evil. The frontispiece of this masterpiece captures Dante's ascent to heavenly realms, illuminating the path towards salvation. Contrasting with divine bliss, Dantes Inferno reveals a haunting woodcut that depicts the horrors of hell. A Venetian edition from centuries ago brings forth vivid imagery, reminding us of the consequences awaiting those who stray from righteousness. Intriguingly, Pieter Bruegel's "The Garden of Earthly Delights" portrays earthly pleasures intertwined with moral decay. This oil painting serves as a cautionary tale about indulgence leading to damnation. Amidst these artistic representations lies an unexpected scene - ice skaters in Pieter II Breugel's winter landscape. It reminds us that even amidst fleeting joys and mundane activities, our choices can shape our ultimate destination. Beyond religious contexts, Thos. Brett Cleveland showcases how even companies like Diebold Safe & Lock Company associate their products with security against potential perils lurking in society. Delving deeper into historical perspectives, we encounter "Fleisch macht Fleisch, " emphasizing how one act begets another - highlighting a perpetual cycle where actions have lasting repercussions. Mad Meg by Pieter Bruegel confronts us with chaos and destruction; it symbolizes humanity's capacity for self-inflicted suffering when succumbing to vice rather than virtue. Sisyphus and his stone epitomize an eternity spent laboring fruitlessly - serving as a reminder that repetitive patterns devoid of growth lead only to despair unless we choose change and redemption instead. Yet hope shines through in "The New Jerusalem. " Painted at the turn of the 20th century, it envisions a celestial city where goodness triumphs over evil – offering solace for those seeking salvation amid life's trials.