Hell Collection (page 6)

The winged archangel Saint Michael holding a sword and standing on the head of the devil, 1600-1640. Creator: Anon
The winged archangel Saint Michael holding a sword and standing on the head of the devil, who descends into hell, an oval composition, after Reni, 1600-1640

The Last Judgment, Christ at top center surrounded by many figures, below figures... ca. 1550-1600. Creator: Anon
The Last Judgment, Christ at top center surrounded by many figures, below figures sound trumpets and people are being forced from the boat into hell, ca. 1550-1600

Christ Descending into Hell, c. 1513. Creator: Albrecht Altdorfer
Christ Descending into Hell, c. 1513

Christ and the Demon, ca 1611. Creator: Ribera, José, de (1591-1652)
Christ and the Demon, ca 1611. Private Collection

Christ and the Demon, ca 1611. Creator: Ribera, José, de (1591-1652)
Christ and the Demon, ca 1611. Private Collection

The Holy Mountain, folio 3 from The Holy Mountain (Monte Sancto di Dio), 1477

The Damned in Hell, n.d. Creator: Unknown
The Damned in Hell, n.d

The Last Judgment, 1478/1506. Creator: Alart du Hameel
The Last Judgment, 1478/1506

The Last Judgment, n.d. Creator: Jacopo Tintoretto
The Last Judgment, n.d

The Inferno According to Dante, from the Campo Santo Frescos in Pisa, 1480/1500. Creators: Unknown, Baccio Baldini
The Inferno According to Dante, from the Campo Santo Frescos in Pisa, 1480/1500

The Fall of Lucifer and the Rebel Angels (verso); The Gathering of the Angels (recto)... 1491
The Fall of Lucifer and the Rebel Angels (verso); The Gathering of the Angels (recto), pages three and two from the Treasury (Schatzbehalter), 1491

Satan and Beelzebub
" Satan and Beelzebub and scene from the Miltons Paradise Lost. Forthwith upright he rears from off the pool His mighty stature. Engraving from 1870

The angel up to heaven 1885
Engraving by Gustave Dore. From Miltons Paradise Lost by Robert Vaughan, D.D. Chicago and New York 1885

The mouth of Hell
" The mouth of Hell, a scene from Miltons Paradise Lost. Engraving from 1870. Engraving by Gustave Dore, Photo by D Walker."

Judgment of God on Sin in the form of the Whore of Babylon, with angels above and dragons and demons below in hell. Handcoloured etching drawn

Bael - Baal - (demon) - Bael is the head of the infernal power - in "
XEE4163711 Bael - Baal - (demon) - Bael is the head of the infernal power - in " Le dictionnaire infernal" by Collin de Plancy - Engraving by L. Breton. Paris, 1863

Asmodee demon of the Bible - Asmodeus or Ashmedai king of demons - in "
XEE4163706 Asmodee demon of the Bible - Asmodeus or Ashmedai king of demons - in " The infernal dictionary" by Collin de Plancy - Engraving by L. Breton. Paris, 1863

Frontispice illustrating the passion and resurrection of Jesus Christ
JLJ4674829 Frontispice illustrating the passion and resurrection of Jesus Christ. From left to right: Paradise (with an empty room), the Nazareth gate, the temple, the Jerusalem gate

Lucifer Carries Cain up into the Finite Space, from Eight Etchings on Byrons Cain, 1919-1920

Lucifer Abandons Cain to his Fate, from Eight Etchings on Byrons Cain, 1919-1920

Now was the day departing, c1890. Creator: Gustave Doré
Now was the day departing, and the air, imbrown d with shadows, from their toils released, c1890. Dante and the Roman poet Virgil

Ribbon sawtail fish (Idiacanthus fasciola) from Atlantic Ocean, at a depth of 800-1000m

The Archangel Michael Throwing Satan out of Heaven, from a Catechism by La Bonne Presse, pub. 1912 (colour lithograph)

Satire on the sale of indulgences, before 1536. Found in the Collection of Staatliche Museen, Berlin

The Hell. Illustration to the Divine Comedy by Dante Alighieri, 1861. Private Collection

Ixion Chained in Tartarus, 1824. Found in the Collection of Musee du Louvre, Paris

The Underworld, c1613-c1644. Artist: Francois de Nome
The Underworld, c1613-c1644. On the left Pluto and Persephone, King and Queen of the Underworld, view their kingdom

Archangel St Michel. The last judgment. Hell and damnation depiction. Scuplture. Braga Se Cathedral. Braga. Portugal

The last judgment. Hell and damnation depiction. Scuplture. Braga Se Cathedral. Braga. Portugal

Detail of the lunette of the central portal of the facade of the Sainte Madelaine Cathedral in Venezlay France Vezelay Low Relief, Basrelief Romanesque, Middle Ages, Europe

DIS-F-000702-0000
Map of Hell, illustration from Dante's Inferno, colour litho, Jan van der Straet (Joannes Stradanus) (1523-1605), Biblioteca Medicea-Laurenziana

Map of Hell, illustration from Dante's Inferno, colour litho, Jan van der Straet (Joannes Stradanus) (1523-1605), Biblioteca Medicea-Laurenziana

Panel of the pulpit by Giovanni Pisano with the reprobates. The work is collocated in the Cathedral of Pisa Pisa Cathedral High Relief, Relief Gothic, Middle Ages, Europe

Detail of the fresco depicting the Last Judgment, located in the counter facade of the Cathedral of Torcello (S)
Detail of the fresco depicting the Last Judgment, located in the counter facade of the Cathedral of Torcello (S. Maria Assunta). Torcello

Detail of relief on the pier of the faade of the Orvieto Cathedral. Orvieto Relief Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca

Detail of relief sculpture on the pillar of the faade of the Cathedral of Orvieto. Orvieto Relief Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca

Pier of the faade of the Orvieto Cathedral. Orvieto Relief Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1320-1331 ca

The Damned and the Judges, mosaics by Coppo di Marcovaldo, in the dome of the Baptistry of San Giovanni, Florence, Tuscany Florence Baptistry of San Giovanni Mosaic Gothic, Middle Ages, Europe

An illumination of Dante Alighieri and the Inferno, from the Strozziano Codex, in the Biblioteca Laurenziana (Laurentian Library)

Mourning over the Dead Christ and Descent into Limbo, high reliefs by Fra Guglielmo da Pisa for the Pulpit of the Church of Saint John Fuorcivitas in Pistoia Pistoia Church of Saint John Fuorcivitas

Phantasm
Silvija Danelsone

Minos
In Greek mythology, Minos was a mythical king of Crete, son of Zeus and Europa. After his death, Minos became a judge of the dead in Hades. Engraving from 1870

Dreadful was the din of hissing through the hall 1885
Engraving by Gustave Dore. From Miltons Paradise Lost by Robert Vaughan, D.D. Chicago and New York 1885

The Scrovegni Chapel. Fresco by Giotto, 14 th century. The last Judgement
5936901 The Scrovegni Chapel. Fresco by Giotto, 14 th century. The last Judgement. The Prince of Hell, grabs the damned and eats them. Padua. Italy

The Belial Proces: "The Belial Demon Returning to the Entrance of
GIA4805146 The Belial Proces: " The Belial Demon Returning to the Entrance of the Underworld" Engraving from " The Belial Proces" by Jacobus de Teramo (or Palladino), Ausburg

Inferno, Canto 4 : Homer, the poets, and heroes in Limbo
GIA745727 Inferno, Canto 4 : Homer, the poets, and heroes in Limbo, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia
GIA745709 Inferno, Canto 19 : Dante rebukes Pope Nicholas III (Nicolas III) in the fourth bolgia, illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Inferno, Canto 32 : The traitors frozen in the ice of Cocytus (Cocyte)
GIA745674 Inferno, Canto 32 : The traitors frozen in the ice of Cocytus (Cocyte), illustration from The Divine Comedy by Dante Alighieri, 1885 (coloured engraving) by Dore

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"Journey through the Depths: Exploring the Concept of Hell" Embarking on a spiritual odyssey, Dante's Divine Comedy unveils the eternal struggle between good and evil. The frontispiece of this masterpiece captures Dante's ascent to heavenly realms, illuminating the path towards salvation. Contrasting with divine bliss, Dantes Inferno reveals a haunting woodcut that depicts the horrors of hell. A Venetian edition from centuries ago brings forth vivid imagery, reminding us of the consequences awaiting those who stray from righteousness. Intriguingly, Pieter Bruegel's "The Garden of Earthly Delights" portrays earthly pleasures intertwined with moral decay. This oil painting serves as a cautionary tale about indulgence leading to damnation. Amidst these artistic representations lies an unexpected scene - ice skaters in Pieter II Breugel's winter landscape. It reminds us that even amidst fleeting joys and mundane activities, our choices can shape our ultimate destination. Beyond religious contexts, Thos. Brett Cleveland showcases how even companies like Diebold Safe & Lock Company associate their products with security against potential perils lurking in society. Delving deeper into historical perspectives, we encounter "Fleisch macht Fleisch, " emphasizing how one act begets another - highlighting a perpetual cycle where actions have lasting repercussions. Mad Meg by Pieter Bruegel confronts us with chaos and destruction; it symbolizes humanity's capacity for self-inflicted suffering when succumbing to vice rather than virtue. Sisyphus and his stone epitomize an eternity spent laboring fruitlessly - serving as a reminder that repetitive patterns devoid of growth lead only to despair unless we choose change and redemption instead. Yet hope shines through in "The New Jerusalem. " Painted at the turn of the 20th century, it envisions a celestial city where goodness triumphs over evil – offering solace for those seeking salvation amid life's trials.