Hugo Van Der Goes Collection

Adoration of the Shepherd, 1476-1479. Artist: Hugo van der Goes
Adoration of the Shepherd, 1476-1479. Central panel of the Portinari Altarpiece. From the collection of the Galleria degli Uffizi, Florence, Italy

Hugo van der Goes cured of his madness by the Superior of the Rouge-Cloitre Abbey
3506163 Hugo van der Goes cured of his madness by the Superior of the Rouge-Cloitre Abbey, from 'Hutchinson's History of the Nations', pub

Portinari Altarpiece'
3330445 Portinari Altarpiece'; (add.info.: Detail from 'Portinari Altarpiece' by Hugo Van Der Goes (1440-1482) a Flemish painter. Dated 15th Century.); Universal History Archive/UIG.

The Adoration of the Kings, 1498-1501. Creator: Hugo van der Goes
The Adoration of the Kings, 1498-1501

Left wing of a Memorial Triptych, formerly called the Gertz Memorial Triptych, with nine male Donor Creator: Unknown
Left wing of a Memorial Triptych, formerly called the Gertz Memorial Triptych, with nine male Donor Portraits with Saint John the Evangelist (inner), and Saint Peter (outer), after c.1527

Central panel of a Memorial Triptych, formerly called the Gertz Memorial Triptych, with the Lamentation, after c.1527

Memorial Triptych, formerly called the Gertz Memorial Triptych, with the Lamentation (central panel) Creator: Unknown
Memorial Triptych, formerly called the Gertz Memorial Triptych, with the Lamentation (central panel), nine male Donor Portraits with Saint John the Evangelist (left wing, inner)

Original Sin: The Fall of Adam and Eve, c1467-1468 (1956). From the Kunsthistorisches Museum, Vienna. A print from Ideas, a volume about the origin and early history of many things

The Crucifixion (panel)
FTB60804 The Crucifixion (panel) by Goes, Hugo van der (c.1440-82); Museo Correr, Venice, Italy; Netherlandish, out of copyright

Collection du Palais Pitti, Portrait suppose de Giovanni Bandini, attribue a Van der Goes (engraving)
5199642 Collection du Palais Pitti, Portrait suppose de Giovanni Bandini, attribue a Van der Goes (engraving) by Italian School

Portrait of an Old Man, ca. 1470-75. Creator: Hugo van der Goes
Portrait of an Old Man, ca. 1470-75

Portrait of a Man, ca. 1475. Creator: Hugo van der Goes
Portrait of a Man, ca. 1475

Drawing after the Deposition from the Cross, c1460-1480, (1908). Creator: Hugo van der Goes
Drawing after the Deposition from the Cross, c1460-1480, (1908). Descent from the Cross after crucifixion with John the Evangelist, Mary and Mary Magdalene

St Victor and a Donor, (1927). Artist: Hugo van der Goes
St Victor and a Donor, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

The Adoration of the Magi, 15th century. Artist: Hugo van der Goes
The Adoration of the Magi, 15th century. The three Kings from the East, Melchior, Gaspar and Balthazar, present their gifts of gold, frankincense and myrhh to the infant Jesus

The Lamentation, c1479. Artist: Hugo van der Goes
The Lamentation, c1479. Right hand panel of a diptych of The Fall of Man and The Redemption. Mary, supported gently by John the Evangelist, Christs favourite pupil

The Adoration of the Magi, detail, 15th century. Artist: Hugo van der Goes
The Adoration of the Magi, detail, 15th century. Part of a Triptych

Left wing Memorial Triptych formerly Gertz Memorial Triptych
Left wing of a Memorial Triptych, formerly called the Gertz Memorial Triptych, with nine male Donor Portraits with Saint John the Evangelist (inner), and Saint Peter (outer)

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Hugo van der Goes, a renowned Flemish painter of the 15th century, left an indelible mark on the art world with his masterful works. One of his most celebrated pieces is "Adoration of the Shepherd, " created between 1476 and 1479. In this painting, Van der Goes skillfully captures the awe and reverence surrounding the birth of Christ. Another notable work by Van der Goes is "Original Sin: The Fall of Adam and Eve, " painted around 1467-1468. This piece depicts the biblical story of humanity's expulsion from paradise due to their disobedience. Through intricate details and vivid colors, Van der Goes conveys both the beauty lost in Eden and mankind's inherent flaws. In "Adoration of the Magi, " completed around 1470, Van der Goes showcases his ability to portray religious scenes with emotional depth. The richly adorned figures paying homage to baby Jesus exude a sense of wonderment that resonates with viewers even today. Van der Goes also explored themes beyond religious subjects; he delved into portraiture as well. His portraits such as "Portrait suppose de Giovanni Bandini" reveal his talent for capturing individuality through meticulous brushwork. The artist's versatility shines through in various mediums too. For instance, in his drawing after "Deposition from the Cross, " created between 1460-1480, he exhibits remarkable skill in rendering dramatic scenes with profound emotion. One cannot overlook Van der Goes' contribution to narrative paintings either; examples like "St Victor and a Donor" demonstrate his ability to weave stories within a single frame. "The Lamentation, " completed around 1479, exemplifies Van der Goes' mastery at depicting grief and sorrow while maintaining an ethereal quality that draws viewers into contemplation. Throughout all these works runs a common thread - Hugo van der Goes' exceptional attention to detail combined with an innate ability to evoke profound emotions.