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Original Sin: The Fall of Adam and Eve, c1467-1468 (1956)
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Original Sin: The Fall of Adam and Eve, c1467-1468 (1956)
Original Sin: The Fall of Adam and Eve, c1467-1468 (1956). From the Kunsthistorisches Museum, Vienna. A print from Ideas, a volume about the origin and early history of many things, common and less common, essential and inessential, by Readers Union, the Grosvenor Press, London, 1956
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Media ID 14949717
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Adam And Eve Apple Apples Bible Scene Book Of Genesis Garden Of Eden Genesis Hugo Van Der Hugo Van Der Goes Original Sin Picking Print Collector11 Reptile Serpent Snake Temptation Tree Of Knowledge Biblical Nakedness Old Testament
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EDITORS COMMENTS
Original Sin: The Fall of Adam and Eve, c1467-1468 (1956) captures the timeless biblical tale with striking detail. This print, sourced from the Kunsthistorisches Museum in Vienna, is featured in Ideas, a volume that delves into the origins and early history of various subjects. Created by an unknown artist but attributed to Hugo van der Goes, this masterpiece transports us back to 15th century Flanders. The scene unfolds within the lush Garden of Eden as Adam and Eve stand beneath the towering Tree of Knowledge. A serpent slithers sinuously towards them, tempting them with a forbidden apple. The vibrant colors bring life to this pivotal moment in Christian theology – symbolizing humanity's fall from grace due to their succumbing to temptation. The artist skillfully portrays both male and female figures amidst nature's beauty while highlighting their vulnerability through their nakedness. Every intricate brushstroke conveys emotion and symbolism; every element contributes to our understanding of original sin. This print serves as a powerful reminder of our human frailty and serves as a testament to the enduring influence of religious art throughout history. It invites contemplation on themes such as morality, free will, and redemption. As we gaze upon this remarkable artwork today, it continues to resonate across time and cultures – reminding us that even centuries later, its message remains relevant.
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