Hunchback Collection (page 2)

Richard III and Lady Anne (chromolitho)
735016 Richard III and Lady Anne (chromolitho) by European School, (19th century); Private Collection; (add.info.: Richard III and Lady Anne)

Bombario, the Hunchback, who was used as a Writing-Desk by the Brokers and who, in this Way
725395 Bombario, the Hunchback, who was used as a Writing-Desk by the Brokers and who, in this Way, earned Pound 6000 in a few days (engraving) by French School

Buckingham (chromolitho)
735019 Buckingham (chromolitho) by European School, (19th century); Private Collection; (add.info.: Buckingham. Liebig card)

Mrs Charles Young as "Julia, "in the "Hunchback"(engraving)
1609617 Mrs Charles Young as " Julia, " in the " Hunchback" (engraving) by English School, (19th century); Private Collection; (add.info.: Mrs Charles Young as " Julia)

Humpback Whale (coloured engraving)
1000567 Humpback Whale (coloured engraving) by German School, (19th century); Private Collection; (add.info.: Illustrator:MAoller Engraver:A)

Waiting for the bell he would fling himself upon it (colour litho)
3627118 Waiting for the bell he would fling himself upon it (colour litho) by Fournier, Louis Edouard Paul (1857-1917); Private Collection; (add.info)

The Ghost of Lady Anne (chromolitho)
735020 The Ghost of Lady Anne (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Ghost of Lady Anne)

Poster depicting Enrico Caruso (1873-1921) as Rigoletto, 1912 (colour litho)
CHT202149 Poster depicting Enrico Caruso (1873-1921) as Rigoletto, 1912 (colour litho) by American School, (20th century); Bibliotheque des Arts Decoratifs, Paris

Anacreonticks in full Song, published by Hannah Humphrey in 1801 (etching
NCO191235 Anacreonticks in full Song, published by Hannah Humphrey in 1801 (etching, engraving with aquatint & w/c) by Gillray

Quasimodo saving Esmeralda. Illustration of 1844 Notre Dame de Paris by Victor Hugo
XEE4406363 Quasimodo saving Esmeralda. Illustration of 1844 Notre Dame de Paris by Victor Hugo. by Unknown Artist, (19th century); Private Collection; (add.info.: Quasimodo saving Esmeralda)

A Musician from the Ballet du Serieux et du Grotesque, 1627 (brown ink & w / c on laid paper)
995942 A Musician from the Ballet du Serieux et du Grotesque, 1627 (brown ink & w/c on laid paper) by Rabel, Daniel (1578-1637); 28.7x18.2 cm; Art Gallery of Ontario, Toronto

The hunchback sees not his own hump, but he sees his neighbours (engraving)
3631174 The hunchback sees not his own hump, but he sees his neighbours (engraving) by Leighton, John (1822-1912); Private Collection; (add.info.: The hunchback sees not his own hump)

My Kingdom for a Horse (chromolitho)
735021 My Kingdom for a Horse (chromolitho) by European School, (19th century); Private Collection; (add.info.: My Kingdom for a Horse)

Richard and Lady Anne, Richard III, Act I, Scene II (engraving)
727167 Richard and Lady Anne, Richard III, Act I, Scene II (engraving) by Watson, James Dawson (1832-92); Private Collection; (add.info.: Richard and Lady Anne, Richard III, Act I, Scene II)

David as Richard III, illustration from Hogarth Restored
STC451185 David as Richard III, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub

King Richard III (aquatint)
958033 King Richard III (aquatint) by English School, (19th century); Private Collection; (add.info.: King Richard III. Illustration for Alfred Crowquills Comic History of the Kings)

Costume design for the Pageboy of the wicked fairy Carabosse, from Sleeping Beauty
STC133673 Costume design for the Pageboy of the wicked fairy Carabosse, from Sleeping Beauty, 1918 (colour litho) by Bakst, Leon (1866-1924); Private Collection; The Stapleton Collection; Russian

Mayeux wig, c. 1850
LSE4083914 Mayeux wig, c. 1850 by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: Mayeux wig, c. 1850); Photo eLeonard de Selva; French, out of copyright

Cartoon of a hunchback priest: "God made man in his image"
LSE4078118 Cartoon of a hunchback priest: " God made man in his image", 19th century by Unknown Artist, (19th century); Private Collection; (add.info.: Cartoon of a hunchback priest)

Quasimodo in Notre Dame de Paris by V. Hugo
XEE4412142 Quasimodo in Notre Dame de Paris by V. Hugo. by Unknown Artist, (19th century); Private Collection; (add.info.: Quasimodo in Notre Dame de Paris by V)

King Richard III. Act I, Scene II (gravure)
671989 King Richard III. Act I, Scene II (gravure) by Darley, Felix Octavius Carr (1822-88) (after); Private Collection; (add.info.: King Richard III. Act I, Scene II)

Portrait of a hunchback boy, c. 1855-57 (coated salt print)
CH416895 Portrait of a hunchback boy, c.1855-57 (coated salt print) by Duchenne de Boulogne, Guillaume-Benjamin-Armand (1806-75); 22.5x16.8 cm; Private Collection; (add.info)

Richard III and Edward IV (chromolitho)
735018 Richard III and Edward IV (chromolitho) by European School, (19th century); Private Collection; (add.info.: Richard III and Edward IV)

Mary Horn, Hartford, Connecticut, March 1909, 1909 (gelatin silver print)
466548 Mary Horn, Hartford, Connecticut, March 1909, 1909 (gelatin silver print) by Hine, Lewis Wickes (1874-1940); 11.7 x 16.8 cm; Corcoran Collection, National Gallery of Art, Washington D.C

La Rue Quincampoix, The Law Affair, c. 1797 (coloured engraving)
CHT185936 La Rue Quincampoix, The Law Affair, c.1797 (coloured engraving) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Kaikeyi, King Dasarathas Second Queen, Rewarding the Hunchback Maidservant Manthara
1196758 Kaikeyi, King Dasarathas Second Queen, Rewarding the Hunchback Maidservant Manthara, c.1690-1700 (w/c on paper) by Indian School

Portrait of a hunchback artist. Painting by Gabriel Jacques de Saint Aubin (1724-1780)
LSE4314989 Portrait of a hunchback artist. Painting by Gabriel Jacques de Saint Aubin (1724-1780), oil on canvas. Art francais 18th century. Musee des Beaux Arts de Rouen

Novel series: "Notre Dame de Paris"by Victor Hugo (1802-1885)
XEE4168161 Novel series: " Notre Dame de Paris" by Victor Hugo (1802-1885). The crowds scared and laughing in front of Quasimodo, the bells ringer

The alchemist, detail (oil on canvas, 17th century)
LRI4672054 The alchemist, detail (oil on canvas, 17th century) by Steen, Jan Havicksz. (1625/26-79); Franchetti Gallery, Ca D Oro, Venice, Veneto

When it was sharp enough, he looked round at strangers, from Little Brother & Little
3704747 When it was sharp enough, he looked round at strangers, from Little Brother & Little Sister and Other Tales by the Brothers Grimm, pub.1917 (litho) by Rackham

The Hunchback with a Cane, c. 1622. Creator: Jacques Callot
The Hunchback with a Cane, c. 1622

The Hunchback with the Feathered Cap, c. 1622. Creator: Jacques Callot
The Hunchback with the Feathered Cap, c. 1622

Mery Horn, a hunchback condition aggravated by the heavy load of papers she carried. Hartford, Connecticut, March 1909, 3348

A Martyr Of The 16th Century - Johanna Van Santhoven, 1883. Creator: Willem Geets
A Martyr Of The 16th Century - Johanna Van Santhoven, 1883. [Johanna Van Santhoven, a Protestant, Led Out to be Buried Alive]

Hudibras and the Lawyer (Twelve Large Illustrations for Samuel Butlers Hudibras, Plate 12), 1725-68

Hudibras Triumphant (Twelve Large Illustrations for Samuel Butlers Hudibras, Plate 4), 1725-68

Hudibrass First Adventure (Twelve Large Illustrations for Samuel Butlers Hudibras, Plate 3), 1725-68

Hudibras and the Skimmington (Twelve Large Illustrations for Samuel Butlers Hudibras, Plate 7), February 1725-26

Hudibras and the Lawyer (Plate 12: Illustrations to Samuel Butlers Hudibras), 1725-30 (?)

Hudibras Encounters the Skimmington (Plate 7: Illustrations to Samuel Butlers Hudibras), 1725-30 (?)

Hudibras Triumphant (Plate 4: Illustrations to Samuel Butlers Hudibras), 1725-30 (?)

The Adventure of the Bear and the Fiddle (Plate 3: Illustrations to Samuel Butler s
The Adventure of the Bear and the Fiddle (Plate 3: Illustrations to Samuel Butlers Hudibras), 1725-30 (?)

Hudibras in Tribulation (Twelve Large Illustrations for Saumel Butlers Hudibras, Plate 6), February 1725-26

Hudibras First Adventure (Twelve Large Illustrations for Samuel Butlers Hudibras, Plate 3), February 1725-26

Sr. Hudibras, His Passing Worth, The Manner How He Sally d Forth": Twelve Larg
Sr. Hudibras, His Passing Worth, The Manner How He Sally d Forth" : Twelve Large Illustrations for Samuel Butlers Hudibras, Plate 2, February 1725-26

Hudibras Vanquished by Trulla (Twelve Large Illustrations for Samuel Butler s
Hudibras Vanquished by Trulla (Twelve Large Illustrations for Samuel Butlers Hudibras, Plate 5), February 1725-26

Hudibras and the Skimmington (Seventeen Small Illustrations for Samuel Butlers Hudibras, no. 9), 1721-26

All Professionally Made to Order for Quick Shipping

"Unveiling the Enigmatic World of the Hunchback: From Quasimodo to Historical Depictions" Step into the captivating realm of hunchbacks, where tales of resilience and intrigue unfold. One cannot help but be drawn to the iconic figure of Quasimodo, immortalized in Victor Hugo's masterpiece "The Hunchback of Notre Dame. " As we delve deeper, an engraving from 1888 brings this timeless character to life, etching his image into our collective consciousness. Journeying through history, we encounter Mahmud I, a formidable Ottoman sultan who reigned during the early 18th century. Despite physical challenges akin to a hunchback's plight, he defied expectations and left an indelible mark on his empire. Venturing further back in time reveals Mr Punch from Victorian scrap art—a mischievous puppet whose hunched posture hints at hidden depths within his comedic facade. Likewise, Shakespeare's evocative words echo through an illustration depicting a villainous determination that transcends societal norms. Turning our attention to another literary gem by Victor Hugo, we witness The Duke of Clarence and his Assassins—an enthralling chromolithograph capturing treachery amidst shadows. In contrast stands Don Juan alongside Sganarelle and a beggar; their lithographic portrayal invites us to ponder society's treatment of those deemed different or flawed. Exploring medical perspectives on spinal deformities leads us to Charles Emile Jacque's orthopedist plate from 1843—a testament to humanity's quest for understanding and healing. Yet even earlier still lies an enigma—an ancient seated hunchbacked dwarf dating back centuries—its creator lost in time yet leaving behind a poignant reminder of human diversity throughout history. Intriguing and multifaceted, these glimpses into the world of hunchbacks remind us that appearances can deceive while urging empathy towards those marginalized by society.