Hunchback Collection (page 4)

Misfitz Dolls - Punch. early 20th century

Caricature of David James, English comic actor
Caricature of David James (1839-1893), English comic actor, seen here dressed as Mr Punch. 1881

Bombario the Hunchback, was used as a writing-desk by brokers and is reputed to have earned 6, 000 pounds in a few days Date: circa 18th century

Favourite Sayings - One Hunchback laughs at another
Black and white lantern slide of a round shouldered bent man pointing at another gentleman. Painted background of railings.. Part of Box 197 Sayings, Boswell Collection

Drawings Prints, Print, Hunchback, Artist, Ernest Haskell, American, Woodstock, Connecticut
Drawings and Prints, Print, The Hunchback, Artist, Ernest Haskell, American, Woodstock, Connecticut 1876-1925 West Point, Maine, Haskell, Ernest, American, 1876, 1925, 1900-1925

Officers U. S.s Hunchback 1861-65 Albumen silver print
Artokoloro

Le Bossu La Canne Hunchback Cane Varie Figure Gobbi
Artokoloro

Quasimodo engraving 1888
The Hunchback of Notre Dame

Knight of Notre Dame engraving 1888
The Hunchback of Notre Dame

Notre Dame engraving 1888
The Hunchback of Notre Dame

Cartoon illustration of a dinosaur hunchback

Esmeralda and Quasimodo, 1905 (b / w photo)
XIR82296 Esmeralda and Quasimodo, 1905 (b/w photo) by Merson, Luc-Oliver (1846-1920); Maison de Victor Hugo, Paris, France; eMEPL; French, out of copyright

H. Numan after Jacques Callot (Dutch, 1728 - 1788), Hunchback Brandishing Two Swords, woodcut on laid paper

Kant mixing mustard, 1801 (pen & ink on paper)
XJF387434 Kant mixing mustard, 1801 (pen & ink on paper) by Hagemann, Friedrich (1773-1806); Private Collection; (add.info.: Immanuel Kant (1724-1804) German philosopher; ); German, out of copyright

Charles Louis Philippe Henri Dieudonne Mayeux, born in Paris 7 Fructidor An 2, Decorated
XIR218901 Charles Louis Philippe Henri Dieudonne Mayeux, born in Paris 7 Fructidor An 2, Decorated with the Lys and the Croix de Juillet

Illustration from the Introduction to Aesops Fables, 1666 (engraving) (b / w photo)
XIR172444 Illustration from the Introduction to Aesops Fables, 1666 (engraving) (b/w photo) by Barlow, Francis (1626-1702); Bibliotheque Nationale, Paris, France; English, out of copyright

Humpback beggar with a cane, Jan Gillisz. van Vliet, 1632

Falling cleric and a man with a letter, Daniel Veelwaard (I), Jacob Smies, Francois Bohn, 1802 - 1809

Title page for series Several dwarfs, Varie figure gobbi di Jacopo Callot, Jacques Callot, print maker: Abraham Bosse, 1621 - 1676

Dwarf with sword, a row of buttons on the back; Dwarf with violin and sword, Jacques Callot, Abraham Bosse, 1621 - 1676

Dwarf with flute (flageolet); Dwarf with sword, a row of buttons on the belly, Jacques Callot, Abraham Bosse, 1621 - 1676

Dwarf with sling, stool and sword; Dwarf with walking stick, Jacques Callot, Abraham Bosse, 1621 - 1676

Dwarf with bottle and glass, drink spilling; Dwarf with bottle and glass, Jacques Callot, Abraham Bosse, 1621 - 1676

The Cathedral of Notre Dame, Paris, 1836
BAL16028 The Cathedral of Notre Dame, Paris, 1836 by Boys, Thomas Shotter (1803-74); Victoria & Albert Museum, London, UK; English, out of copyright

Picture No. 11067134
Cat Donskoy kitten. Date:

Spinal disorder onset, artwork
Spinal disorder onset. Artwork of a man standing in a hunched posture demonstrating the onset of deteriorating spinal alignment

Spinal disorder, artwork
Spinal disorder. Artwork of a man standing in a markedly hunched posture demonstrating the onset of deteriorating spinal alignment

HUNCHBACK OF NOTRE DAME. Quasimodo pushes Frollo, the archdeacon, to his death from Notre Dame Cathedral in Paris, France

MAN WITH CANE, c1795. Thomas Roberts of Nottingham, England, known as Old Tom (d. 1795). Etching and engraving, English, 1805

MAN WITH CANE, c1795. Thomas Roberts, well-known in the neighbourhood of Nottingham by the name of Old Tom, for a long series of years, died May 19, 1795. Etching and engraving, English, 1805

The hunchback story-teller of Damascus. Reciting in a Coffee

Street music: Gypsies playing guitar, 1855
Gypsies playing guitar on the streets of Paris attract the attention of a passing shop girl and some gentlemen. Date: 1855

Potts disease. Coloured X-ray of the spine of a patient with Potts disease, or tuberculosis (TB) of the spine. The vertebrae (brown blocks) have become compacted and inflamed (red, yellow)

HUNCHBACK OF NOTRE DAME. Lon Chaney as Quasimodo in a scene from the silent movie The Hunchback of Notre Dame, 1923

HUNCHBACK OF NOTRE DAME. Silent film still. Lon Chaney in the title role of The Hunchback of Notre Dame, 1923

NATI2P-00665
Native American petroglyphs, including the hump-backed flute-player Kokopeli, near Galisteo, New Mexico. Photograph

NATI2P-00663
Native American petroglyphs, including the hump-backed flute-player Kokopeli, near Galisteo, New Mexico. Photograph

Sultan Mahmud I
Mahmud I, called the Hunchback (1696 - 1754) was the Sultan of the Ottoman Empire from 1730 to 1754"

Teaching the Animals
A hunchback - perhaps hes a jester ? - tries to teach the animals : they crowd round him eager for instruction

Quasimodo Flogged / Hugo
The flogging of Quasimodo

Folklore / Leprechauns
Lusmore the Hunchback meets leprechauns and fairies near Cahir; in return for making them a dancing floor, they remove his hump and make him handsome

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"Unveiling the Enigmatic World of the Hunchback: From Quasimodo to Historical Depictions" Step into the captivating realm of hunchbacks, where tales of resilience and intrigue unfold. One cannot help but be drawn to the iconic figure of Quasimodo, immortalized in Victor Hugo's masterpiece "The Hunchback of Notre Dame. " As we delve deeper, an engraving from 1888 brings this timeless character to life, etching his image into our collective consciousness. Journeying through history, we encounter Mahmud I, a formidable Ottoman sultan who reigned during the early 18th century. Despite physical challenges akin to a hunchback's plight, he defied expectations and left an indelible mark on his empire. Venturing further back in time reveals Mr Punch from Victorian scrap art—a mischievous puppet whose hunched posture hints at hidden depths within his comedic facade. Likewise, Shakespeare's evocative words echo through an illustration depicting a villainous determination that transcends societal norms. Turning our attention to another literary gem by Victor Hugo, we witness The Duke of Clarence and his Assassins—an enthralling chromolithograph capturing treachery amidst shadows. In contrast stands Don Juan alongside Sganarelle and a beggar; their lithographic portrayal invites us to ponder society's treatment of those deemed different or flawed. Exploring medical perspectives on spinal deformities leads us to Charles Emile Jacque's orthopedist plate from 1843—a testament to humanity's quest for understanding and healing. Yet even earlier still lies an enigma—an ancient seated hunchbacked dwarf dating back centuries—its creator lost in time yet leaving behind a poignant reminder of human diversity throughout history. Intriguing and multifaceted, these glimpses into the world of hunchbacks remind us that appearances can deceive while urging empathy towards those marginalized by society.