Inks Collection (page 3)

Sketch-plan showing two sections of the proposed cylindrical tunnel, 1818 (pen-and-ink sketch on wove paper)
7315308 Sketch-plan showing two sections of the proposed cylindrical tunnel, 1818 (pen-and-ink sketch on wove paper) by Brunel, Marc Isambard (1769-1849); 20.5x30 cm; London Metropolitan Archives

Time revealing Truth (pen, ink &w/c on paper)
7292615 Time revealing Truth (pen, ink &w/c on paper) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Museo Civico Palazzo Chiericati, Vicenza

Study for Madonna with Infant Jesus threading a crown, 1716 (pen, ink, w/c & pencil on paper)
7292756 Study for Madonna with Infant Jesus threading a crown, 1716 (pen, ink, w/c & pencil on paper) by Pieri, Giovanni Antonio De (known as Zoppo Vicentino) (1671-1751)

Alternative plan for an urban residence, 1565 (pen and ink, graphite of black stone on paper)
7292737 Alternative plan for an urban residence, 1565 (pen and ink, graphite of black stone on paper) by Palladio, Andrea (1508-80); Private Collection; (add.info)

Elements of the temple of Minerva and the Forum of Nerva in Rome, with variants of the Corinthian capital, 1540s (ink)
7292621 Elements of the temple of Minerva and the Forum of Nerva in Rome, with variants of the Corinthian capital, 1540s (ink, pen and brush) by Palladio

Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper)
AIS5380085 Thats what you get for writing for idiots, 1814-23 (wash, brush, bistre, grey-brown ink, iron gall ink on laid paper) by Goya y Lucientes, Francisco Jose de (1746-1828); Prado, Madrid

Hanamurasaki of the Kadotamaya, from the series Six Flowery Immortals of the Pleasure Quarters, c
5860634 Hanamurasaki of the Kadotamaya, from the series Six Flowery Immortals of the Pleasure Quarters, c.1794-95 (colour woodblock print; oban) by Eishi

A View near Francfurt upon the Main, 19th century (Pencil, Ink, Silk)
7261437 A View near Francfurt upon the Main, 19th century (Pencil, Ink, Silk) by Moore, Ann (19th century); Maidstone Museum and Art Gallery, Kent

A Hunt, 1826 (Ink)
7261360 A Hunt, 1826 (Ink) by British School, (19th century); 25.5x41.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info)

Landscape, 1819-40 (Ink, Chalk)
7261712 Landscape, 1819-40 (Ink, Chalk) by Brown, Philip Vandyke (1801-68); 15.5x20.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Landscape)

Holy House, 19th century (Ink)
7261288 Holy House, 19th century (Ink) by Hughes, Edward (1824-1908); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Holy House. From a drawing by Jeffries. Framed and glazed)

Seascape, 1851-1931 (Ink)
7261368 Seascape, 1851-1931 (Ink) by Wyllie, William Lionel (1851-1931); 45.99x40.95 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Seascape; Drawing or etching; Wyllie)

Mars standing outside the walls of Brussels, 1580-1630 (Ink, Watercolour)
7261609 Mars standing outside the walls of Brussels, 1580-1630 (Ink, Watercolour) by Clerck, Hendrik de (1570-1629); 35.5x28.4 cm; Maidstone Museum and Art Gallery, Kent

Cupid conquering Pan, 1570-1600 (Ink, Watercolour)
7261567 Cupid conquering Pan, 1570-1600 (Ink, Watercolour) by Carracci, Agostino (1557-1602) (attr. to); 26.5x22 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Cupid conquering Pan)

Mr Simpson, 1820-73 (Ink)
7261485 Mr Simpson, 1820-73 (Ink) by Landseer, Edwin (1802-73); 9x5.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Mr Simpson)

An Allegory of the Devine Authority of the Church, 15th century (Ink, Watercolour)
7261601 An Allegory of the Devine Authority of the Church, 15th century (Ink, Watercolour) by Roman School, (16th century); 17.5x13.5 cm; Maidstone Museum and Art Gallery, Kent

The Woman clothed with the Sun, 16th century (Ink)
7261584 The Woman clothed with the Sun, 16th century (Ink) by Straet, Jan van der (Giovanni Stradano) (1523-1605); 27x36.3 cm; Maidstone Museum and Art Gallery, Kent

Bacchus, Hercules, putto and dragon, 1498 (Pencil, Ink)
7261582 Bacchus, Hercules, putto and dragon, 1498 (Pencil, Ink) by Bonasone, Giulio (c.1498-c.1580); 17.8x13.8 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Bacchus, Hercules)

Landscape, 1857-1945 (Ink)
7261398 Landscape, 1857-1945 (Ink) by Short, Frank (1857-1945); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Landscape. Undated black and white drawing)

William Abel, Alderman of the City of London, 18th century (Ink)
7261421 William Abel, Alderman of the City of London, 18th century (Ink) by Alexander, James (1770-1870) (attr.to); 6.4x7.3 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: William Abel)

Jerusalem 3, 1858 (Watercolour, Ink)
7261334 Jerusalem 3, 1858 (Watercolour, Ink) by Lear, Edward (1812-88); 17x24.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Jerusalem 3; May 1858. Watercolour; One of a series/group)

Shrimpers, 1851-1931 (Ink)
7261306 Shrimpers, 1851-1931 (Ink) by Wyllie, William Lionel (1851-1931); 30.24x25.2 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Shrimpers; Drawing; Wyllie)

Group of Fisherfolk beside the Sea Shore, 1800-43 (Chalk, Ink)
7261678 Group of Fisherfolk beside the Sea Shore, 1800-43 (Chalk, Ink) by Allston, Washington (1779-1843); 13x19.2 cm; Maidstone Museum and Art Gallery, Kent

Flying Maiden with Patta, 1740-99 (Ink, Watercolour)
7261607 Flying Maiden with Patta, 1740-99 (Ink, Watercolour) by Major, Thomas (1714-99); 31.5x19.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Flying Maiden with Patta)

East Front of Langley Hall in Kent, 1790 (Ink)
7261598 East Front of Langley Hall in Kent, 1790 (Ink) by Bonomi, Joseph (1739-1808); 43x56 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: East Front of Langley Hall in Kent. 1790)

Henry VIII, 18th century (Ink)
7261409 Henry VIII, 18th century (Ink) by Alexander, James (1770-1870) (attr.to); 14.0x17.7 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: King Henry VIII; Drawing; Alexander, James)

The Presentation of the Virgin at the Temple, 1600-50 (Ink, Watercolour)
7261572 The Presentation of the Virgin at the Temple, 1600-50 (Ink, Watercolour) by Northern Italian School, (17th century); 20x14.8 cm; Maidstone Museum and Art Gallery, Kent

Italian market scene, 1625 (Ink)
7261568 Italian market scene, 1625 (Ink) by Wael, Cornelis de (1592-1667); 21.3x28.1 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Italian market scene)

Design for stucco frame with caryatids, swags and putti, 1674-1749 (Ink, Watercolour)
7261614 Design for stucco frame with caryatids, swags and putti, 1674-1749 (Ink, Watercolour) by Vaga, Perino del (Pietro Buonaccorsi) (1501-47); 13x19 cm; Maidstone Museum and Art Gallery, Kent

Head of a girl with long flowing hair, 1490-1528 (Ink)
7261594 Head of a girl with long flowing hair, 1490-1528 (Ink) by Durer or Duerer, Albrecht (1471-1528); 9x14 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: 2 sided drawing)

Three elongated figures, 1490-1528 (Ink)
7261575 Three elongated figures, 1490-1528 (Ink) by Durer or Duerer, Albrecht (1471-1528); 14.2x9.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: 2 sided drawing)

Adoration of the Shepherds, 1632-1706 (Ink, Watercolour)
7261574 Adoration of the Shepherds, 1632-1706 (Ink, Watercolour) by Giordano, Luca (1634-1705); 23.5x26.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Adoration of the Shepherds)

Two figures in classical costume hunting a stag, 1760-95 (Ink, Watercolour)
7261570 Two figures in classical costume hunting a stag, 1760-95 (Ink, Watercolour) by Carter, Thomas (d.1795); 34x67.5 cm; Maidstone Museum and Art Gallery, Kent

Circe and the companion of Ulysses, 16th century (Ink, Watercolour)
7261611 Circe and the companion of Ulysses, 16th century (Ink, Watercolour) by Mazzuoli, Francesco (1763-1839); 23.5x19 cm; Maidstone Museum and Art Gallery, Kent

The Kings entry into Paris, 1789 (Ink, Watercolour)
7261595 The Kings entry into Paris, 1789 (Ink, Watercolour) by Benazech, Charles (1767-94); 24.5x57.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: The Kings entry into Paris)

A Yorkshire Gossip, 1890 (Ink)
7261433 A Yorkshire Gossip, 1890 (Ink) by May, Philip William (1864-1903); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: A Yorkshire Gossip, c. 1890. Pen drawing)

King James II, when Duke of York, 18th century (Ink)
7261412 King James II, when Duke of York, 18th century (Ink) by Faithorne, William (1616-91) (after); 12.7x17.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: King James II)

Rest during the Flight into Egypt, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240562 Rest during the Flight into Egypt, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Head of an Old Man, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240559 Head of an Old Man, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Two little girls sitting on the ground and a cat, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240553 Two little girls sitting on the ground and a cat, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Nathan rebukingDavid, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240551 Nathan rebukingDavid, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Sacrifice of Polyxena, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240548 Sacrifice of Polyxena, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Triumph of Venice, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240545 Triumph of Venice, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Christ among the doctors, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240539 Christ among the doctors, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Death of Coronis, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240556 Death of Coronis, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

The Holy Family with Infant St. John and St. Anne, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240542 The Holy Family with Infant St. John and St. Anne, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

The Holy Family with Infant St. John and St. Anne (pens, inks, w / c, red & black pencils on white paper)
7240541 The Holy Family with Infant St. John and St. Anne (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Sacrifice to Vesta, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240558 Sacrifice to Vesta, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

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Inks have been an integral part of human history, with their vibrant hues derived from coal tar and used in various forms of art and communication. From the colorful lithographs produced by Manders Inks to the captivating advertisements promoting Mander Brothers letterpress inks, these pigments have left a lasting impression. One such advertisement showcases Moncrieffs Inks, hailing all the way from Perth, Scotland. Their high-quality they were sought after by artists and writers alike, leaving a mark on every stroke of their pen or brush. As we delve into history, we discover that even centuries ago, ink played a vital role in artistic expression. The 18th-century masterpiece "Pursuits of a Scholar 8" mesmerizes us with its intricate details created using ink on silk. Similarly, "The chamberlain and a writer in their office, " painted on wood, transports us back to an era where words flowed effortlessly onto parchment. Religious art also owes much to the power of ink. The Madonna of the Magnificat captivates our senses with its delicate tempera strokes on wood dating back to circa 1483. Equally enchanting is St Augustine's vision of the Trinity depicted through tempera on wood during the years 1437-38. But it wasn't just art that relied upon this versatile medium; important historical documents were penned using ink as well. The East India Company Charter stands as a testament to this fact - drafted meticulously with black ink on paper - sealing London's destiny as an epicenter for trade since December 31st, 1600. From ancient manuscripts to modern-day masterpieces, inks continue to color our world with beauty and significance. Whether it be advertising materials showcasing R. Collie & Co or capturing moments through vivid lithography prints – these diverse applications remind us that behind every stroke lies creativity waiting to be unleashed onto canvas or paper.