Inks Collection (#4)

The Holy Family with Infant St. John and St. Anne (pens, inks, w / c, red & black pencils on white paper)
7240541 The Holy Family with Infant St. John and St. Anne (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Sacrifice to Vesta, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240558 Sacrifice to Vesta, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Aeneas and Anchises, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240555 Aeneas and Anchises, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Two Youths sitting on the Ground with a Stick and a Kid, 1706-25 (pens, inks, w / c)
7240549 Two Youths sitting on the Ground with a Stick and a Kid, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Virgin and Child enthroned with Saints John the Baptist, c. 1548 (pen, black ink & brown wash on paper)
7145317 Virgin and Child enthroned with Saints John the Baptist, c.1548 (pen, black ink & brown wash on paper) by Veronese, (Paolo Caliari) (1528-88) (attr)

Rural Scene, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240564 Rural Scene, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Religious Scene, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240561 Religious Scene, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Silhouette: Unknown Lady by John Field, after 1833 (ink on card)
450059 Silhouette: Unknown Lady by John Field, after 1833 (ink on card) by Field, John (1772-1848); The Holburne Museum, Bath, UK; (add.info.: Unknown Lady John Field (1772-1848) Ink on card

Silhouette: Unknown Lady by John Field, after 1833 (ink on card)
450057 Silhouette: Unknown Lady by John Field, after 1833 (ink on card) by Field, John (1772-1848); The Holburne Museum, Bath, UK; (add.info.: Unknown Lady John Field (1772-1848) Ink on card

Miniature silhouette: Unknown Gentleman by John Miers or John Field, c. 1795 (ink on ivory)
450060 Miniature silhouette: Unknown Gentleman by John Miers or John Field, c.1795 (ink on ivory) by Miers, John (d.1822) (after); The Holburne Museum, Bath

The classroom (chromolitho)
7148666 The classroom (chromolitho) by English School, (20th century); Private Collection; (add.info.: The classroom. Illustration from Le Livre Rouge, by E Magee (Blackie & Son Limited)

What I bought at the market (chromolitho)
7148672 What I bought at the market (chromolitho) by English School, (20th century); Private Collection; (add.info.: What I bought at the market)

Advertisement for H Savage, stamp ink and press makers, London (colour litho)
7200659 Advertisement for H Savage, stamp ink and press makers, London (colour litho) by English School, (19th century); Private Collection; (add.info.: Advertisement for H Savage)

Benjamin Franklin, 1901 (mezzotint)
7207091 Benjamin Franklin, 1901 (mezzotint) by Rosenthal, Max (1833-1918); National Gallery of Art, Washington DC, USA; (add.info.: Benjamin Franklin, holds the tip of a pointed lightning rod)

Caricature of British author Hall Caine (litho)
7201826 Caricature of British author Hall Caine (litho) by Ritchie, Alick Penrose Forbes (1868-1938); Private Collection; (add.info.: A Manx Cat o Nine Tails)

John IV. of Draŝice (vellum)
7212372 John IV. of Draŝice (vellum) by Czech School, (14th century); (add.info.: Prague bishop John IV. of Draŝice (cca 1260-1343)

Chinese art: word of a popular song calligraphy speaks Chinese painter Chao Chih-ch ien (1828-1884) (or Zhao Zhiqian)
AIS5381469 Chinese art: word of a popular song calligraphy speaks Chinese painter Chao Chih-ch ien (1828-1884) (or Zhao Zhiqian) on paper

Two Kittens Playing on a Desk, 1907 (oil on canvas)
6619458 Two Kittens Playing on a Desk, 1907 (oil on canvas) by Eycken, Charles van den (1859-1923); 34.3x45.7 cm; Private Collection

The Source of the Niger (engraving)
7164386 The Source of the Niger (engraving) by English School, (19th century); Private Collection; (add.info.: The Source of the Niger)

The Schoolgirl, 1900 (w / c on paper)
7063413 The Schoolgirl, 1900 (w/c on paper) by Anker, Albert (1831-1910); 19x25.3 cm; Private Collection

Boy using a hectograph (litho)
7186417 Boy using a hectograph (litho) by English School, (20th century); Private Collection; (add.info.: Boy using a hectograph)

A tumultuous and comical scene on the Bohemian Diet: slaps, punches, kicks and trickles of ink (Colour Litho)
2815163 A tumultuous and comical scene on the Bohemian Diet: slaps, punches, kicks and trickles of ink (Colour Litho) by Beltrame

A Session Of The New City Council Of Milan (colour litho)
2798279 A Session Of The New City Council Of Milan (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: A Session Of The New City Council Of Milan)

Adverts, Pullars Dye Works, Moncrieffs Inks
Adverts for Pullars Dye Works, Perth, and Moncrieffs Inks, Perth, Scotland. 1905

Examples of inks for printing bank cheques. 1899

Advert, Winstones Printing Inks, London
Advert for Winstones Printing Inks, Shoe Lane, London. 1899

Advert, Mander Brothers, Wolverhampton, Letterpress Inks. 1893

Cartoon advert for Shuck Maclean and Co Ltd, makers of printing inks. The winner of a beauty competition writes: I ascribe my success entirely to the use of your charming inks. 20th century

Walnut Caddy Lid Box, containing paints, inks, etc. circa 1880s

Liquid Water Colours -- Indian Ink. circa 1880s

Mahogany Brass Bound Box
Solid Spanish Mahogany Brass Bound Box containing paints, inks, etc. circa 1880s

Mahogany Caddy Lid Box containing paints, inks and other items. circa 1880s

Stationer, William Roach, trade card (engraving)
984000 Stationer, William Roach, trade card (engraving) by English School, (18th century); Private Collection; (add.info.: Stationer, William Roach, trade card)

The printing house of a Russian reactionary newspaper invaded by revolutionary workers to print their own
2814845 The printing house of a Russian reactionary newspaper invaded by revolutionary workers to print their own... (colour litho) by Beltrame

EyeUbiquitous_20108315
Bangladesh, Dhaka, Young man holding a printing block used to print on cotton fabrics in New Market with pallettes of colours in front of him

Hands & Paintbrushes
Advertisement for Hostmann-Steinberg makers of lithographic inks. Date: circa 1930

Clown
Advertisement for Hostmann-Steinberg makers of lithographic inks. Date: 1928

Decorated Initial Q Northern Italy Italy third quarter
Decorated Initial Q; Northern Italy, Italy; third quarter of 9th century; Iron gall and red lead (minimum) inks applied with pen and brush on parchment; Leaf: 30.3 x 21.3 cm (11 15, 16 x 8 3, 8 in.)

Decorated Initial T Northern Italy Italy third quarter
Decorated Initial T; Northern Italy, Italy; third quarter of 9th century; Iron gall and red lead (minimum) inks applied with pen and brush on parchment; Leaf: 30.3 x 21.3 cm (11 15, 16 x 8 3, 8 in.)

Ault & Wiborg
Arts & Crafts style advertisement for Ault & Wiborg printing inks. Date: 1898

Advert Winstone Inks 1897
Printing Inks, B Winstone & Sons Ltd Date: 1897

Design Processional Float 17th century Pen brown ink
Artokoloro

Louis-Marin Bonnet after Carle Van Loo, French (1736-1793), Marie-Rosalie Vanloo, c. 1764, chalk manner printed in black and white inks on gray-brown paper

Jean-Franazois Janinet after Franazois Boucher, French (1752-1814), La toilette de Venus
Jean-Franazois Janinet after Franazois Boucher (French, 1752 - 1814), La toilette de Venus, 1783, wash manner, printed in blue, red, carmine, yellow, and black inks

Louis-Marin Bonnet after Franazois Boucher (French, 1736 - 1793), Young Woman Seated on a Bed, 1767, chalk manner printed in black and white inks on blue paper

Louis-Marin Bonnet after Carle Van Loo (French, 1736 - 1793), Marie-Rosalie Vanloo, c. 1764, chalk manner printed in black and white inks on blue paper

Atelier of Gilles Demarteau the Elder after Carle Van Loo (French, 1722 - 1776), Head of a Man Wearing a Plumed Turban, 1772, chalk-manner in red and black inks

Pierre-Michel Alix after Elisabeth-Louise Viga e Le Brun (French, 1762 - 1817), Queen
Pierre-Michel Alix after Elisabeth-Louise Viga© e Le Brun (French, 1762 - 1817), Queen Marie-Antoinette, c. 1789, etching and wash manner, printed in blue, red, yellow, and black inks

All Professionally Made to Order for Quick Shipping

Inks have been an integral part of human history, with their vibrant hues derived from coal tar and used in various forms of art and communication. From the colorful lithographs produced by Manders Inks to the captivating advertisements promoting Mander Brothers letterpress inks, these pigments have left a lasting impression. One such advertisement showcases Moncrieffs Inks, hailing all the way from Perth, Scotland. Their high-quality they were sought after by artists and writers alike, leaving a mark on every stroke of their pen or brush. As we delve into history, we discover that even centuries ago, ink played a vital role in artistic expression. The 18th-century masterpiece "Pursuits of a Scholar 8" mesmerizes us with its intricate details created using ink on silk. Similarly, "The chamberlain and a writer in their office, " painted on wood, transports us back to an era where words flowed effortlessly onto parchment. Religious art also owes much to the power of ink. The Madonna of the Magnificat captivates our senses with its delicate tempera strokes on wood dating back to circa 1483. Equally enchanting is St Augustine's vision of the Trinity depicted through tempera on wood during the years 1437-38. But it wasn't just art that relied upon this versatile medium; important historical documents were penned using ink as well. The East India Company Charter stands as a testament to this fact - drafted meticulously with black ink on paper - sealing London's destiny as an epicenter for trade since December 31st, 1600. From ancient manuscripts to modern-day masterpieces, inks continue to color our world with beauty and significance. Whether it be advertising materials showcasing R. Collie & Co or capturing moments through vivid lithography prints – these diverse applications remind us that behind every stroke lies creativity waiting to be unleashed onto canvas or paper.