Japanese Prints Collection (page 3)

Albert Einstein, 1920 (photo)
GIA4704116 Albert Einstein, 1920 (photo) by Unknown photographer, (20th century); Private Collection; © Giancarlo Costa

View of Sinaia, town of Prahova district in Romania in the Prahova Valley. Photochrome sd. around 1900
XEE4404355 View of Sinaia, town of Prahova district in Romania in the Prahova Valley. Photochrome sd. around 1900. by Unknown photographer

Autumn moon at Shinobazu, c. 1833 (woodblock print)
7390870 Autumn moon at Shinobazu, c.1833 (woodblock print) by Hokusai, Katsushika (1760-1849); Fitzwilliam Museum, University of Cambridge, UK; (add.info.: Original title: Shinobazu shugetsu)

Evening snow at Ryogoku, c. 1833 (woodblock print)
7389690 Evening snow at Ryogoku, c.1833 (woodblock print) by Hokusai, Katsushika (1760-1849); Fitzwilliam Museum, University of Cambridge, UK; (add.info.: Signed: zen Hokusai aratame Iitsu ga)

Actor's Face in Mirror (colour woodcut)
1068024 Actor's Face in Mirror (colour woodcut) by Osaka School (late 18th early 19th century); 36.5126x23.495x0 cm; Dallas Museum of Art, Texas, USA; (add.info.: by Osaka School)

Le Havre, Normandy, c. 1900 (b/w photo)
1730968 Le Havre, Normandy, c. 1900 (b/w photo) by French Photographer (20th century); (add.info.: Le Havre, Normandy : outside the station, c. 1900)

Lord Joseph Anton Leeb (1769-1837), Mayor of Vienna from 1834
XAM72501 Lord Joseph Anton Leeb (1769-1837), Mayor of Vienna from 1834 by Lampi, Johann Baptist Edler von (1751-1830); Wien Museum Karlsplatz, Vienna

Annunciation, 1509 (stained glass)
7294097 Annunciation, 1509 (stained glass) by Gambassi, Paolo di Mariotto da (16th century); Museo dell'Opera del Duomo, Prato, Italy; (add.info.: Annunciation, 1509)

A Bat Flying near a Pine Tree, 1801-1900 (woodblock print; surimono)
5860916 A Bat Flying near a Pine Tree, 1801-1900 (woodblock print; surimono) by Issho (active 19th century); 37x29.3 cm; The Art Institute of Chicago, IL, USA; (add.info.: Issho)

Primary
81.133.93

Summer: Two Women by a Stream, from the series The Elegant Moon in the Four Seasons, 1785-89 (woodblock print)
7387118 Summer: Two Women by a Stream, from the series The Elegant Moon in the Four Seasons, 1785-89 (woodblock print) by Hokusai, Katsushika (1760-1849); 21.7--15.5 cm; Allen Memorial Art Museum

Crab (woodcut)
1068025 Crab (woodcut) by Keisai, Kuwagata (1764-1824) ; 6.35x12.38 cm; Dallas Museum of Art, Texas, USA; (add.info.: by Kuwagata Keisai (1764-1824)); Foundation for the Arts Collection, gift of Mr

Sculpture group (De sacramentstoren). Hendrik Mauris. 1585. Late gothic. Detail
6276115 Sculpture group (De sacramentstoren). Hendrik Mauris. 1585. Late gothic. Detail. by Flemish School, (16th century); (add.info.: Creator: Hendrik Mauris Sint-Maartenskerk, Kortrijk)

Flirting Lovers, c. 1673-81 (woodblock print)
5860967 Flirting Lovers, c.1673-81 (woodblock print) by Moronobu, Hishikawa (c.1618-1694); 27.1x38.4 cm; The Art Institute of Chicago, IL, USA; (add.info.: Hishikawa Moronobu (c.1618-1694))

Erasmus and Quentin Matsys (oil on canvas)
6266036 Erasmus and Quentin Matsys (oil on canvas) by Siberdt, Eugene (1851-1931); Koninklijk Museum voor Schone Kunsten, Antwerp

Chart of Adventure Bay, Van Dieman's Land, c. 1773 (w/c on paper)
RNM286357 Chart of Adventure Bay, Van Dieman's Land, c.1773 (w/c on paper) by Fannin, Peter (fl.1773); National Museum of the Royal Navy, Portsmouth, Hampshire

Gustel von Blasewitz (engraving)
2808294 Gustel von Blasewitz (engraving) by Pecht, August Friedrich (1814-1903); Private Collection; (add.info.: Gustel von Blasewitz)

Musashi Plain Moon, 1891-92 (nishiki-e woodblock print, with bokashi)
7299855 Musashi Plain Moon, 1891-92 (nishiki-e woodblock print, with bokashi) by Yoshitoshi, Tsukioka (1839-92); 55.4x40.3 cm; Ashmolean Museum, University of Oxford

Chūsenko Teitokuson (Ding Desun) attacked by a snake on a mountain path, 1827-30 (woodblock print)
7299853 Chūsenko Teitokuson (Ding Desun) attacked by a snake on a mountain path, 1827-30 (woodblock print) by Kuniyoshi, Utagawa (1798-1861); 55.4x40.3 cm; Ashmolean Museum, University of Oxford

Hazy Night Moon: Kumasaka, 1887 (nishiki-e woodblock print)
7299852 Hazy Night Moon: Kumasaka, 1887 (nishiki-e woodblock print) by Yoshitoshi, Tsukioka (1839-92); 55.6x40.4 cm; Ashmolean Museum, University of Oxford

The "Pine of Success" at the Onmaya Embankment, Asakusa River, 1856 (woodblock print, with bokashi)
7299836 The "Pine of Success" at the Onmaya Embankment, Asakusa River, 1856 (woodblock print, with bokashi) by Hiroshige, Ando or Utagawa (1797-1858); 55.4x40.3 cm; Ashmolean Museum

Women and children watching archery in March, 1790-99 (nishiki-e woodblock print)
7299835 Women and children watching archery in March, 1790-99 (nishiki-e woodblock print) by Toyohiro, Utagawa (1773-1828); 55.5x40.5 cm; Ashmolean Museum, University of Oxford

Courtesan placing a pin in her hair (without an inscription in the partially unrolled scroll)
7299833 Courtesan placing a pin in her hair (without an inscription in the partially unrolled scroll), 1803 (nishiki-e woodblock print) by Utamaro

Various Illustration of Art from Japan, Historic, Digitally restored reproduction of an original 19th century original
7279437 Various Illustration of Art from Japan, Historic, Digitally restored reproduction of an original 19th century original by Unknown Artist

Bamboo Wood, 1939 (colour woodblock print)
7299860 Bamboo Wood, 1939 (colour woodblock print) by Yoshida, Hiroshi (1876-1950); 55.6x40.4 cm; Ashmolean Museum, University of Oxford

Elegant Plum Tree Garden, 1805-20 (nishiki-e woodblock print)
7299832 Elegant Plum Tree Garden, 1805-20 (nishiki-e woodblock print) by Eizan, Kikukawa (1787-1867); 55.6x32.7 cm; Ashmolean Museum, University of Oxford

Shin Arakawa, 1930 (colour woodblock print)
7299870 Shin Arakawa, 1930 (colour woodblock print) by Sakuichi, Fukazawa (1896-1946); 20.5x26.3 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Sakuichi Fukazawa (1896-1946)

Ushigome Mitsuke, 1929-32 (colour woodblock print)
7299869 Ushigome Mitsuke, 1929-32 (colour woodblock print) by Takashi, Henmi (1895-1944); 20x26.1 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Takashi Henmi (1895-1944)

Yanagibashi Bridge, 1929 (colour woodblock print)
7299868 Yanagibashi Bridge, 1929 (colour woodblock print) by Sakuichi, Fukazawa (1896-1946); 19.6x26.9 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Sakuichi Fukazawa (1896-1946)

The Waseda-Keio University Match, Meiji Baseball Stadium, 1931 (colour woodblock print)
7299867 The Waseda-Keio University Match, Meiji Baseball Stadium, 1931 (colour woodblock print) by Sakuichi, Fukazawa (1896-1946); 19.7x26.6 cm; Ashmolean Museum, University of Oxford

Kintarō grappling with a snake, 1855 (nishiki-e woodblock print)
7299858 Kintarō grappling with a snake, 1855 (nishiki-e woodblock print) by Yoshituya, Utagawa (1822-66); 55.4x40.4 cm; Ashmolean Museum, University of Oxford

Kan'u (Guan Yu), 1845-48 (nishiki-e woodblock print, with bokashi)
7299856 Kan u (Guan Yu), 1845-48 (nishiki-e woodblock print, with bokashi) by Kuniyoshi, Utagawa (1798-1861); 55.5x40.3 cm; Ashmolean Museum, University of Oxford

The warrior Menju Sōsuke Ieteru (Menju Shōsuke Ieteru) fighting to retrieve his lord's battle standard
7299854 The warrior Menju Sōsuke Ieteru (Menju Shōsuke Ieteru) fighting to retrieve his lord's battle standard, 1847-50 (woodblock print) by Kuniyoshi

Minamoto Yoshitsune fights Benkei on Gojō Bridge, with the help of tengu demons, 1847-50 (woodblock print)
7299848 Minamoto Yoshitsune fights Benkei on Gojō Bridge, with the help of tengu demons, 1847-50 (woodblock print, with bokashi) by Kuniyoshi, Utagawa (1798-1861); 36.4x24.4 cm; Ashmolean Museum

Nikushi the Frog Spirit Conjures up a Magical Battle of Frogs at Tateyama in Etchū Province, 1864 (woodblock print)
7299847 Nikushi the Frog Spirit Conjures up a Magical Battle of Frogs at Tateyama in Etchū Province, 1864 (woodblock print, with bokashi) by Yoshitora

Horikiri Iris Garden, 1857 (woodblock print, with bokashi)
7299843 Horikiri Iris Garden, 1857 (woodblock print, with bokashi) by Hiroshige, Ando or Utagawa (1797-1858); 55.4x40.2 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Hiroshige Utagawa)

Ryōgoku bridge with figures in the foreground, 1771-1830 (nishiki-e woodblock print)
7299839 Ryōgoku bridge with figures in the foreground, 1771-1830 (nishiki-e woodblock print) by Toyohiro, Utagawa (1773-1828); 37.1x77.3 cm; Ashmolean Museum, University of Oxford

Yoshitsune and Benkei at Gojō Bridge, 1881 (nishiki-e woodblock print, with bokashi)
7299829 Yoshitsune and Benkei at Gojō Bridge, 1881 (nishiki-e woodblock print, with bokashi) by Yoshitoshi, Tsukioka (1839-92); 55.5x84.5 cm; Ashmolean Museum, University of Oxford

Shibaura Drawbridge, 1931 (colour woodblock print)
7299871 Shibaura Drawbridge, 1931 (colour woodblock print) by Suwa, Kanenori (1897-1932); 19.7x26.5 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Kanenori Suwa (1897-1932)

Botanical Garden, 1929 (colour woodblock print)
7299866 Botanical Garden, 1929 (colour woodblock print) by Takashi, Henmi (1895-1944); 19.9x26.4 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Takashi Henmi (1895-1944)

The Suijin Woods and Massaki on the Sumida River, 1856 (woodblock print, with bokashi)
7299872 The Suijin Woods and Massaki on the Sumida River, 1856 (woodblock print, with bokashi) by Hiroshige, Ando or Utagawa (1797-1858); 55.4x40.3 cm; Ashmolean Museum, University of Oxford

Senju-Ohashi Bridge, 1929-32 (colour woodblock print)
7299865 Senju-Ohashi Bridge, 1929-32 (colour woodblock print) by Sakuichi, Fukazawa (1896-1946); 19.2x25.7 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Sakuichi Fukazawa (1896-1946)

Yūhi Hill and Drum Bridge at Meguro, 1857 (woodblock print, with bokashi)
7299863 Yūhi Hill and Drum Bridge at Meguro, 1857 (woodblock print, with bokashi) by Hiroshige, Ando or Utagawa (1797-1858); 55.9x40.6 cm; Ashmolean Museum, University of Oxford

Clearing After Snow at Nihonbashi Bridge, 1856 (woodblock print, with bokashi)
7299862 Clearing After Snow at Nihonbashi Bridge, 1856 (woodblock print, with bokashi) by Hiroshige, Ando or Utagawa (1797-1858); 55.9x40.6 cm; Ashmolean Museum, University of Oxford

The Spirit of Oiwa, 1847-48 (woodblock print, with bokashi)
7299859 The Spirit of Oiwa, 1847-48 (woodblock print, with bokashi) by Kuniyoshi, Utagawa (1798-1861); 55.4x34.2 cm; Ashmolean Museum, University of Oxford

The warrior Sasai Kyūzō Masayasu (Sakai Kyūzō Narishige) at the battle of Anegawa, 1847-50 (woodblock print)
7299857 The warrior Sasai Kyūzō Masayasu (Sakai Kyūzō Narishige) at the battle of Anegawa, 1847-50 (woodblock print) by Kuniyoshi, Utagawa (1798-1861); 55.4x40.3 cm; Ashmolean Museum

Lion dancer from the Nō play Shakkyō, 1845-48 (nishiki-e woodblock print, with bokashi)
7299849 Lion dancer from the Nō play Shakkyō, 1845-48 (nishiki-e woodblock print, with bokashi) by Kuniyoshi, Utagawa (1798-1861); 55.5x40.2 cm; Ashmolean Museum, University of Oxford

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"Japanese Prints: A Glimpse into the Artistic Splendor of Edo Period" Immerse yourself in the captivating world of Japanese prints, where vibrant colors and intricate details come to life. From The Running Well Teahouse, Otsu, a mesmerizing woodblock print from the series The Fifty-Three Stations of the Tokaido, to Hari-shigoto (Needlework), an exquisite creation by Kitagawa Utamaro, these artworks transport us back to Japan's Edo period. Utamaro's Kiseru o motsu onna (Woman holding a pipe) captures the grace and elegance of a woman indulging in her leisurely pastime. In JA a┼¢bon no zu (Picture of the upper class), Utamaro unveils a glimpse into aristocratic life with his meticulous attention to detail. Shinshi-bari (Cloth-stretcher) is another masterpiece by Utamaro that showcases his mastery over portraying delicate fabrics and textures. Each fold and crease comes alive under his skilled brushstrokes. Venturing beyond portraits, we encounter fascinating glimpses into other cultures as well. Gabriel Hanotaux, captured through late 19th-century photography, offers insight into French history and academia. Harlaxton Manor beckons us with its grandeur as we peer through its forecourt screen in this black-and-white photograph from 100 Favourite Houses. Returning to traditional Japanese art forms, we are enchanted by Rabbit under a full moon—a color woodcut that exudes whimsy and charm. Kingfisher and Irises transports us to tranquil landscapes filled with natural beauty while Roaring tiger evokes both awe and fear with its powerful presence. Lastly, Kingfisher on a tree stump enchants us once again with its vivid hues—another testament to the skillful craftsmanship found within Japanese prints.