Japanese Prints Collection (page 8)

Night View, Nihonbashi (colour woodblock print)
1766571 Night View, Nihonbashi (colour woodblock print) by Ogura Ryuson (fl.1880-1890); 25x35.6 cm; Private Collection; (add.info.: Night View, Nihonbashi. Ogura Ryuson (fl.1880-1890)

The Famous Teahouse at Mariko, from the series The Fifty-Three Stations of the Tokaido, c
1766551 The Famous Teahouse at Mariko, from the series The Fifty-Three Stations of the Tokaido, c.1834 (colour woodblock print) by Hiroshige

Clear Weather after Snow, Kameyama, from the Series The Fifty-Three Stations of the Tokaido (colour woodblock print)
1766547 Clear Weather after Snow, Kameyama, from the Series The Fifty-Three Stations of the Tokaido (colour woodblock print) by Hiroshige

The Monkey Plateau, Futagawa, from the series The Fifty-Three Stations of the Tokaido (colour woodblock print)
1766546 The Monkey Plateau, Futagawa, from the series The Fifty-Three Stations of the Tokaido (colour woodblock print) by Hiroshige

Miyako no hana Flower of the capital, a term used to refer to famous actors
1766530 Miyako no hana Flower of the capital, a term used to refer to famous actors, courtesans or celebrities, illustrating a courtesan standing by a potted pine, with poems by Shikishima Edamichi

A Great perspective print of the Echigoya draper's shop at Surugacho (colour woodblock print)
1766581 A Great perspective print of the Echigoya draper's shop at Surugacho (colour woodblock print) by Masanobu, Okumura (1686-1764); Private Collection; (add.info)

Grey mullet, Camellia and Udo (colour woodblock print)
1766577 Grey mullet, Camellia and Udo (colour woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); Private Collection; (add.info.: Grey mullet, Camellia and Udo)

Three Anglers Fishing at Teppozu, from the series
1766544 Three Anglers Fishing at Teppozu, from the series Famous places of the Eastern Capital (colour woodblock print) by Kuniyoshi

Returning Ships, Kanazawa, from the series Eight views of famous places
1766542 Returning Ships, Kanazawa, from the series Eight views of famous places (colour woodblock print) by Toyokuni II, (Utagawa Toyoshige) (1777-1835); 26.4x38 cm; Private Collection; (add.info)

Kokoro no hana Flowers of the heart, a poetic expression likening ever-changing
1766533 Kokoro no hana Flowers of the heart, a poetic expression likening ever-changing human emotions to easily scattered flower blossoms

A triple portrait of Ohan of the Shinanoya, Choemon and his wife Okinu
1766518 A triple portrait of Ohan of the Shinanoya, Choemon and his wife Okinu, from the series Models of Love-Talk: Clouds Form Over the Moon, c.1798-1800 (colour woodblock print) by Utamaro

A bust portrait of Ohisa of the Takashimaya holding a tobacco pipe (woodblock print)
1766514 A bust portrait of Ohisa of the Takashimaya holding a tobacco pipe (woodblock print) by Torii Kiyomasa (1776-1817); 38.3x25.3 cm; Private Collection; (add.info)

Full-length portraits of the wrestlers Onogawa Kisaburo
1766512 Full-length portraits of the wrestlers Onogawa Kisaburo, on the right and Tanizake Kajinosuke on the left (colour woodblock print) by Katsukawa Shunko (1743-1812)

The Second Month from the series Customs of Poets in the Four Seasons
1766509 The Second Month from the series Customs of Poets in the Four Seasons (colour woodblock print) by Harunobu, Suzuki (1725-70); 28.2x20.4 cm; Private Collection; (add.info)

Pink and Red Peonies Blown to the Left in a Breeze and a Butterfly (woodblock print)
1766523 Pink and Red Peonies Blown to the Left in a Breeze and a Butterfly (woodblock print) by Hokusai, Katsushika (1760-1849); 25x37.4 cm; Private Collection; (add.info)

Cool of the Evening at Shijo Riverbed, from the series Famous Places of Kyoto (woodblock print)
1766601 Cool of the Evening at Shijo Riverbed, from the series Famous Places of Kyoto (woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); Private Collection; (add.info)

Fuji from Gotenyama at Shinagawa on the Tokaido, from the series
1766598 Fuji from Gotenyama at Shinagawa on the Tokaido, from the series The Thirty-Six Views of Mt. Fuji (colour woodbloc print) by Hokusai

A Woman in Underclothes, 1918 (colour woodblock print)
1766590 A Woman in Underclothes, 1918 (colour woodblock print) by Hashiguchi, Goyo (c.1880-1921); Private Collection; (add.info.: A Woman in Underclothes. Hashiguchi Goyo (1880-1921)

Trumpet Lilies (colour woodblock print)
1766585 Trumpet Lilies (colour woodblock print) by Hokusai, Katsushika (1760-1849); Private Collection; (add.info.: Trumpet Lilies. Katsushika Hokusai (1760-1849)

A Beauty in Snow (colour woodblock print)
1766582 A Beauty in Snow (colour woodblock print) by Tissot, James Jacques Joseph (1836-1902); Private Collection; (add.info.: A Beauty in Snow. Isoda Koryusai (1735-1790)

Foreign Ships at Yokohama (colour woodblock print)
1766568 Foreign Ships at Yokohama (colour woodblock print) by Gountei Sadahide (1807-1873); Private Collection; (add.info.: Foreign Ships at Yokohama. Gountei Sadahide (1807-1873)

Sazai Hall, Five Hundred Raken [Temple], from the series One Hundred Views of Famous Places in Edo
1766564 Sazai Hall, Five Hundred Raken [Temple], from the series One Hundred Views of Famous Places in Edo (colour woodblock print) by Hiroshige

Winter View, Hamamatsu, from the series The Fifty-Three Stations of The Tokaido, c. 1834 (colour woodblock print)
1766552 Winter View, Hamamatsu, from the series The Fifty-Three Stations of The Tokaido, c.1834 (colour woodblock print) by Hiroshige

Night Snow, Kambara, from the series The Fifty-Three Stations of the Tokaido (woodblock print)
1766545 Night Snow, Kambara, from the series The Fifty-Three Stations of the Tokaido (woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); Private Collection; (add.info.: Night Snow, Kambara)

Twilight, Atami, from the series Eight views of famous places
1766543 Twilight, Atami, from the series Eight views of famous places (colour woodblock print) by Toyokuni II, (Utagawa Toyoshige) (1777-1835); 26.4x38 cm; Private Collection; (add.info.: Twilight)

Archival miniature print of a coastal landscape with volcanic mountains, Japan, c 1930. (Photo by Allan Seiden, Legacy Archive/Getty Images)

Archival postcard of pagoda and trees in graphic, Japanese print-style, Japan, c. 1910
Archival postcard in graphic, Japanese print-style, Japan, c. 1910. (Photo by Allan Seiden, Legacy Archive/Getty Images)

Boating 1874 Oil canvas 38 1 / 4 x 51 1 / 4 97. 2 130. 2 cm
Artokoloro

Daidokoro] = [Kitchen scene], Kitagawa, Utamaro (1753?-1806), (Artist)

Arai-bari] = [Washing and stretching cloth], Kitagawa, Utamaro (1753?-1806), (Artist)

Mimeguri no dote] = [The embankment at Mimeguri], Kitagawa, Utamaro (1753?-1806), (Artist), Date Created: 1799

Oume, Kumenosuke = [Oume and Kumenosuke], Kitagawa, Utamaro (1753?-1806), (Artist), Date Created: ca. 1793-ca.1804

A aaAgiya uchi Yashio, Someki, Tsumaki = [Yashio of the A aaAgiya, [kamuro:] Someki, Tsumaki], Kitagawa, Utamaro (1753?-1806), (Artist), Date Created: ca. 1793-ca.1804

Yaoya Oshichi, Koshaś Kichisaburaś, Dozaemon Denkichi = Oshichi the greengrocer s
Yaoya Oshichi, Koshaś Kichisaburaś, Dozaemon Denkichi = Oshichi the greengrocers daughter, Kichisaburaś the boy-servant and Dozaemon Denkichi

JA aśbon no zu = [Picture of the upper class], Kitagawa, Utamaro (1753?-1806), (Artist), Date Created: ca. 1793-ca.1804

TA aśji san bijin] = [Three beauties of the present day], Kitagawa, Utamaro (1753?-1806), (Artist), Date Created: 1793

A aaAgiya HanaA aśgi = [A aaAgiya HanaA aśgi (picture riddle)], Kitagawa, Utamaro (1753?-1806), (Artist), Date Created: 1795

Hata-ori] = [Weaving on a loom], Kitagawa, Utamaro (1753?-1806), (Artist), Date Created: ca. 1793-ca.1804

Oyasumi-dokoro = [Roadside tea-stall], Kitagawa, Utamaro (1753?-1806), (Artist), Date Created: 1783

Kiseru o motsu onna] = [Woman holding a pipe], Kitagawa, Utamaro (1753?-1806), (Artist), Date Created: ca. 1793-ca.1804

Horo-gaya] = [Mosquito net for a baby], Kitagawa, Utamaro (1753?-1806), (Artist), Date Created: ca. 1793-ca.1804

Kami-yui] = [Hairdresser], Kitagawa, Utamaro (1753?-1806), (Artist), Date Created: ca. 1793-ca.1804

Shinshi-bari] = [Cloth-stretcher], Kitagawa, Utamaro (1753?-1806), (Artist), Date Created: ca. 1793-ca.1804

Gion-dA aśfu] = [Gion bean curd], Kitagawa, Utamaro (1753?-1806), (Artist), Date Created: ca. 1793-ca.1804

Ogiya HanaA aśgi = [HanaA aśgi of the A aaAgiya (picture riddle)], Date Created: ca. 1793-ca.1804

Uwaki no sA aś = [The fancy-free type], Kitagawa, Utamaro (1753?-1806), (Artist), Date Created: ca. 1793-ca.1804

Tamaya uchi Komurasaki, KochA aś, Haruji = [Komurasaki of the Tamaya, [kamuro:] KochA aś, Haruji], Kitagawa, Utamaro (1753?-1806), (Artist), Date Created: ca. 1793-ca.1804

Gebon no zu = [Picture of the lower class], Kitagawa, Utamaro (1753?-1806), (Artist), Date Created: ca. 1793-ca.1804

All Professionally Made to Order for Quick Shipping

"Japanese Prints: A Glimpse into the Artistic Splendor of Edo Period" Immerse yourself in the captivating world of Japanese prints, where vibrant colors and intricate details come to life. From The Running Well Teahouse, Otsu, a mesmerizing woodblock print from the series The Fifty-Three Stations of the Tokaido, to Hari-shigoto (Needlework), an exquisite creation by Kitagawa Utamaro, these artworks transport us back to Japan's Edo period. Utamaro's Kiseru o motsu onna (Woman holding a pipe) captures the grace and elegance of a woman indulging in her leisurely pastime. In JA a┼¢bon no zu (Picture of the upper class), Utamaro unveils a glimpse into aristocratic life with his meticulous attention to detail. Shinshi-bari (Cloth-stretcher) is another masterpiece by Utamaro that showcases his mastery over portraying delicate fabrics and textures. Each fold and crease comes alive under his skilled brushstrokes. Venturing beyond portraits, we encounter fascinating glimpses into other cultures as well. Gabriel Hanotaux, captured through late 19th-century photography, offers insight into French history and academia. Harlaxton Manor beckons us with its grandeur as we peer through its forecourt screen in this black-and-white photograph from 100 Favourite Houses. Returning to traditional Japanese art forms, we are enchanted by Rabbit under a full moon—a color woodcut that exudes whimsy and charm. Kingfisher and Irises transports us to tranquil landscapes filled with natural beauty while Roaring tiger evokes both awe and fear with its powerful presence. Lastly, Kingfisher on a tree stump enchants us once again with its vivid hues—another testament to the skillful craftsmanship found within Japanese prints.