Jmw Turner Collection (page 6)

The Temple of Minerva Medica (Liber Studiorum, part V, plate 23), January 1, 1811

Junction of Severn and Wye (Liber Studiorum, part VI, plate 28), June 1811

The Leader Sea Piece (Liber Studiorum, part IV, plate 20), March 29, 1809

Little Devils Bridge over the Russ, above Altdorft, Switzerland (Liber Studiorum, part IV, plate 19), March 29, 1809

Drawing of the Clyde (Liber Studiorum, part IV, plate 18), March 29, 1809

The Farm-Yard with the Cock (Liber Studiorum, part IV, plate 17), March 29, 1809

Young Anglers (Liber Studiorum, part VII), June 1, 1811. Creator: JMW Turner
Young Anglers (Liber Studiorum, part VII), June 1, 1811

Lake of Thun, Swiss (Liber Studiorum, part III, plate 15), June 10, 1808

Dunstanborough Castle (Liber Studiorum, part III, plate 14), June 10, 1808

The Bridge in Middle Distance (Liber Studiorum, part III, plate 13), June 10, 1808

Mt. St. Gothard (Liber Studiorum, part II, plate 9), February 20, 1808

Holy Island Cathedral (Liber Studiorum, part III, plate 11), February 20, 1808

Pembury Mill, Kent (Liber Studiorum, part III, plate 12), June 10, 1808

The Castle above the Meadows (Liber Studiorum, part II, plate 8), 1808

The Straw Yard (Liber Studiorum, part II, plate 7), February 20, 1808

Jason (Liber Studiorum, part I, plate 6), June 11, 1807. Creator: JMW Turner
Jason (Liber Studiorum, part I, plate 6), June 11, 1807

The Frontispiece to Liber Studiorum, May 1812. Creator: JMW Turner
The Frontispiece to Liber Studiorum, May 1812

Basle (Liber Studiorum, part I, plate 5), June 11, 1807. Creator: JMW Turner
Basle (Liber Studiorum, part I, plate 5), June 11, 1807

Scene on the French Coast (Liber Studiorum, part I, plate 4), June 11, 1807

Whalers, 1879-80. Creator: Robert Brandard
Whalers, 1879-80

Wrexham, Rossett Mill, 1870s. Creator: Francis Bedford
Wrexham, Rossett Mill, 1870s

The Lake of Zug, 1843. Creator: JMW Turner
The Lake of Zug, 1843

Chatel Argent and the Val d Aosta from above Villeneuve, 1836. Creator: JMW Turner
Chatel Argent and the Val d Aosta from above Villeneuve, 1836

The Fort of L Esseillon, Val de la Maurienne, France, 1835-36. Creator: JMW Turner
The Fort of L Esseillon, Val de la Maurienne, France, 1835-36

Dark Prison (Carcere Oscura), 1790-99. Creator: JMW Turner
Dark Prison (Carcere Oscura), 1790-99

Venice, from the Porch of Madonna della Salute, ca. 1835. Creator: JMW Turner
Venice, from the Porch of Madonna della Salute, ca. 1835

Saltash with the Water Ferry, Cornwall, 1811. Creator: JMW Turner
Saltash with the Water Ferry, Cornwall, 1811

Whalers, ca. 1845. Creator: JMW Turner
Whalers, ca. 1845

West Staircase, Leading to the Ceramic Gallery, c1876, (1881). Creators: John Watkins, John R
West Staircase, Leading to the Ceramic Gallery, c1876, (1881). The West Staircase in the South Kensington Museum, decorated with Frank Moodys ceramic tile mosaic pavement

Joseph Mallord William Turner, English painter, c1840 (c1890). Creator: Unknown
Joseph Mallord William Turner (1775-1851), English painter, c1840 (c1890). From " Cassells History of England - Special Edition, Vol

Tynemouth, early 19th century, (1930). Creator: JMW Turner
Tynemouth, early 19th century, (1930). People clinging to wreckage in rough seas as a ship founders off the coast of north-east England. From " The Connoisseur", Volume 86, edited by C

Storm on the Lagoons, c1830, (1934). Creator: JMW Turner
Storm on the Lagoons, c1830, (1934). Stormy skies above Venice, Italy. A Storm on the Lagoon, Venice, drawing in the British Museum, London

Linlithgow Palace, 1807, (1934). Creator: JMW Turner
Linlithgow Palace, 1807, (1934). View of Linlithgow Palace and St Michaels Kirk on the south shore of Linlithgow Loch near Edinburgh in Scotland. Painting in the Walker Art Gallery, Liverpool

Lucerne - Evening, c1842, (1946). Creator: JMW Turner
Lucerne - Evening, c1842, (1946). View of Lake Lucerne in Switzerland. From " The Studio", Volume 132, July - December 1946. [The Offices of the Studio, London, 1946]

Brighthelmston, Sussex, 1825. Creator: George Cooke
Brighthelmston, Sussex, 1825. View of boats in rough seas off the coast of Brighton, with the new chain pier on the left. The Royal Suspension Chain Pier, built in 1823

Bridges of St. Cloud and Sevres, c1835. Creator: J Radclyffe
Bridges of St. Cloud and Sevres, c1835. View of the French countryside, with bridges over the River Seine. Engraving after a watercolour. [Longman & Co, London]

Troyes, c1833, (mid-late 19th century). Creator: JC Armytage
Troyes, c1833, (mid-late 19th century). View of the town of Troyes on the River Seine in France. Engraving after a watercolour. [Longman & Co, London]

J. M. W. Turner, R. A. (1775-1851). Creator: Unknown
J.M.W. Turner, R.A. (1775-1851). Portrait print of British landscape painter Joseph Mallord William Turner, after a chalk drawing by Charles Turner made in 1842

Lucerne and the Righi: Early Dawn, c1840s, (c1900). Creator: Unknown
Lucerne and the Righi: Early Dawn, c1840s, (c1900). Sunrise over the mountain known as the Rigi, overlooking Lake Lucerne in Switzerland. Print after a painting by Joseph Mallord William Turner

Hornby Castle from Tatham Church, c1822. Creator: William Radclyffe
Hornby Castle from Tatham Church, c1822. Rural scene with cows and milkmaids. Hornby Castle in Yorkshire was a medieval (14th-15th century) courtyard castle

The Arsenal, c1840, (1925). Creator: JMW Turner
The Arsenal, c1840, (1925). Venice: An Imaginary View of the Arsenale, scene in Italy. The Venetian Arsenal was a complex of shipyards and armories, painting in the Tate Gallery, London

Venice-Canaletti Painting, c1833, (1925). Creator: JMW Turner
Venice-Canaletti Painting, c1833, (1925). Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting. 19th century view of Venice, Italy, painting in the Tate Gallery, London

Venice, 1840, (c1950). Creator: JMW Turner
Venice, 1840, (c1950). Venice from the Giudecca, painting in the Victoria & Albert Museum, London. Romantic and dream-like impression of the ancient Italian city

Cremorne, Chelsea, London, 1852. Artist: Wilson
Cremorne, Chelsea, London, 1852. View of Cremorne, showing the house (on the right) in which JMW Turner died

View of the residence of Joseph Mallord William Turner, Cheyne Walk, Chelsea, London, 1882

Hythe, Kent, 1824. Artist: JMW Turner
Hythe, Kent, 1824. View from a cliff top with infantrymen making their way uphill with cannon. A defensive gun emplacement sits in the foreground

Inside of Tintern Abbey, Monmouthshire, c1794. Artist: JMW Turner
Inside of Tintern Abbey, Monmouthshire, c1794. From the collection of the British Museum, London

The Bay of Baiae, with Apollo and the Sibyl, c1823, (c1915). Artist: JMW Turner
The Bay of Baiae, with Apollo and the Sibyl, c1823, (c1915). The painting is held by the Tate Gallery, London. From International Art: Past and Present by Alfred Yockney

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JMW Turner, a renowned English artist of the 19th century, captivated audiences with his breathtaking landscapes and evocative seascapes. His masterpieces continue to inspire awe and admiration even today. One of his most iconic works is "The Fighting Temeraire" from 1839. In this painting, Turner beautifully captures the fading glory of a warship being towed away by a steam-powered tugboat. The contrast between the majestic vessel and the modern machinery symbolizes the passing of an era. In "Whitby" painted in 1824, Turner showcases his mastery in capturing light and atmosphere. The scene depicts the picturesque coastal town bathed in golden hues as sunlight dances on the water's surface. Turner also left behind a self-portrait from 1799, revealing glimpses into his own persona. With intense eyes and disheveled hair, he presents himself as an enigmatic figure immersed in artistic contemplation. His fascination with historical subjects can be seen in "Ulysses Deriding Polyphemus" from 1829 (1904). This dramatic piece portrays Ulysses taunting Cyclops while sailing away from danger—a testament to Turner's ability to bring ancient myths to life through vivid brushstrokes. Not limited to grand scenes, Turner captured smaller moments too. In "Shoeburyness Fisherman Hailing a Whitstable Hoy, " he immortalized everyday life along England's coastlines during that time period—showcasing fishermen at work against a backdrop of turbulent waves. Throughout his career, Turner often returned to Brinkburn Priory in Northumberland for inspiration. He depicted its ruins multiple times over several decades—an exploration of decay juxtaposed against nature's enduring beauty. Another notable artwork is "Crossing the Brook" created around 1815. Here we see serene countryside scenery where figures traverse a brook amidst lush greenery, showcasing Turner's ability to convey tranquility and harmony.