Jmw Turner Collection (page 7)

The Bay of Baiae, with Apollo and the Sibyl, c1823, (c1915). Artist: JMW Turner
The Bay of Baiae, with Apollo and the Sibyl, c1823, (c1915). The painting is held by the Tate Gallery, London. From International Art: Past and Present by Alfred Yockney

J. M. W. Turner, R. A. c1842, (1911). Artist: Charles Turner
J. M. W. Turner, R.A. c1842, (1911). Joseph Mallord William Turner (1775-1851) an English Romanticist landscape painter. From Bibbys Annual 1911, [J. Bibby & Sons, Liverpool, 1911]

Hastings, 19th century, (1910). Artist: JMW Turner
Hastings, 19th century, (1910). Joseph Mallord William Turner, (1775-1851) was an English Romanticist landscape painter, renowned for his oil paintings

The approach to Venice, 1844, (1917). Artist: JMW Turner
The approach to Venice, 1844, (1917). Painting held at the National Gallery of Art, Washington. From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

Heidelberg With A Rainbow, c1840, (1917). Artist: JMW Turner
Heidelberg With A Rainbow, c1840, (1917). From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

St. Germains, 1835. Artist: James BaylieAllen
St. Germains, 1835. After Joseph Mallord William Turner (1775-1851). [Longman & Co. London, 1835]

View on the Seine, between Mantes and Vernon, 1837. Artist: Edward Paxman Brandard
View on the Seine, between Mantes and Vernon, 1837. After Joseph Mallord William Turner (1775-1851). [Longman & Co. London, 1837]

Bridge of St. Cloud from Sevres, 1835. Artist:s Fisher
Bridge of St. Cloud from Sevres, 1835. After Joseph Mallord William Turner (1775?1851). [Longman & Co. London, 1835]

Melun, 1835. Artist:s Fisher
Melun, 1835. After Joseph Mallord William Turner (1775-1851). [Longman & Co. London, 1835]

Saint Denis, 1835. Artist: William Miller
Saint Denis, 1835. After Joseph Mallord William Turner (1775?1851). [Longman & Co. London, 1835]

JMW Turner, RA, (late 19th century). The celebrated landscape painter at work. From Cassells Illustrated History of England, Vol IX. (Colorised black and white print)

Winchelsea, Sussex, 1812, (1923). Artist: JMW Turner
Winchelsea, Sussex, 1812, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

The Clyde, c1807, (1923). Artist: JMW Turner
The Clyde, c1807, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

London from Greenwich Park, c1809, (1923). Artist: JMW Turner
London from Greenwich Park, c1809, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

Heidelberg-Sunset, c1840, (1918). Artist: JMW Turner
Heidelberg-Sunset, c1840, (1918). Painting held at the Manchester City Galleries, Manchester. From Bibbys Annual 1918, edited by Joseph Bibby. [The Priory Publishing Press, Liverpool, 1917]

Plymouth, Devonshire, c1830. Artist: JMW Turner
Plymouth, Devonshire, c1830. From The Connoisseur Volume LXXX. [The Connoisseur Ltd. London, 1928]

Drawing Room, Farnley, 1818. Artist: JMW Turner
Drawing Room, Farnley, 1818. Farnley Hall is a stately home in Farnley, North Yorkshire, England. From The Studio Volume 55, [London Offices of the Studio, London, 1912]

Devonshire Bridge with Cottage, 1813. Artist: JMW Turner
Devonshire Bridge with Cottage, 1813. Painting held at The Tate, London. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

Turin: From the Church of the Superga, 1909. Artist: JMW Turner
Turin: From the Church of the Superga, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Goarhausen and Katz Castle, 1909. Artist: JMW Turner
Goarhausen and Katz Castle, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Seelisberg: Moonlight, 1909. Artist: JMW Turner
The Seelisberg: Moonlight, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Schaaffhausen: The Town, 1909. Artist: JMW Turner
Schaaffhausen: The Town, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Lausanne: From Le Signal, 1909. Artist: JMW Turner
Lausanne: From Le Signal, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Distant View of Lichfield Cathedral, 1909. Artist: JMW Turner
Distant View of Lichfield Cathedral, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Pent, Dover, 1909. Artist: JMW Turner
The Pent, Dover. 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Peterborough Cathedral from the North, 1909. Artist: JMW Turner
Peterborough Cathedral from the North, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Mouth of the Avon, 1909. Artist: JMW Turner
The Mouth of the Avon, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

The Archbishops Palace, Lambeth, 1909. Artist: JMW Turner
The Archbishops Palace, Lambeth, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Burg Eltz and Trutz Eltz from the North, 1840. Artist: JMW Turner
Burg Eltz and Trutz Eltz from the North, 1840. Painting housed at the Tate Britain, London. From The Connoisseur Volume 96, edited by Edward Wenham. [International Studio, London, 1934-35]

The Sun of Venice Going to Sea, exhibited 1843, (1937) Artist: JMW Turner
The Sun of Venice Going to Sea, exhibited 1843. After an original work by Joseph Mallord William Turner (1775?1851). Original housed in the Tate, London. From The Studio Vol

Kirby Lonsdale Church Yard, 19th century. Artist: C Heath
Kirby Lonsdale Church Yard, 19th century. After an original painting of c1818 by JMW Turner

Abingdon, 19th century. Artist: C Cousen
Abingdon, 19th century. After an original painting of c1806 by JMW Turner

Heidelberg, 19th century. Artist: TA Prior
Heidelberg, 19th century. View of the German city of Heidelberg. After an original painting of c1844-c1845 by JMW Turner

The Opening of the Walhalla, 19th century. Artist: C Cousen
The Opening of the Walhalla, 19th century. A view of the River Danube near Regensburg, Bavaria, showing the Neoclassical Walhalla Temple on the riverbank

The Lake of Lucerne, 19th century. Artist: R Wallis
The Lake of Lucerne, 19th century. After an original painting by JMW Turner

Whitstable, Kent, 19th century. Artist: J Horsburgh
Whitstable, Kent, 19th century. View towards the town with people working on the oyster beds. After an original painting by JMW Turner

Rocks at Colgong on the Ganges, India, 1838. Artist: Edward Goodall
Rocks at Colgong on the Ganges, India, 1838

JMW Turner, British artist, 19th century (1956). Known as the painter of light, Joseph Mallord William Turner (1775-1851) is regarded as posibly the greatest British landscape painter

Joseph Mallord William Turner (1775-1851), English artist, 1891. From Old and New London: a Narrative of its History, its People and its Places, volume IV, by Edward Walford

Snowy Range, India, c1860. Artist: E Goodall
Snowy Range, India, c1860. As seen from Tyne or Marma. The Indian Rebellion of 1857 began in the town of Meerut and soon erupted into other mutinies

Mussoorie and the Dhoon valley, India, c1860. Artist: James B Allen
Mussoorie and the Dhoon valley, India, c1860. As seen from Landour. The Indian Rebellion of 1857 began in the town of Meerut and soon erupted into other mutinies

Caligulas Palace and Bridge, 19th century. Artist: E Goodall
Caligulas Palace and Bridge, 19th century

The Acropolis, Athens, Greece, 19th century. Artist: J Cousins
The Acropolis, Athens, Greece, 19th century

The Landing of William of Orange at Torbay, 1688, c1920. Illustration from Story of the British Nation, Volume II, by Walter Hutchinson, (London, c1920s)

The Splugen Pass, c1841, (1938). Artist: JMW Turner
The Splugen Pass, c1841, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Sidmouth, 1825-27, (1938). Artist: JMW Turner
Sidmouth, c1825-27, (1938). Painting held at the Whitworth Art Gallery, Manchester. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Forum Romanum, 1818, (1938). Artist: JMW Turner
Forum Romanum, 1818, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Linlithgow Palace, Scotland, c1810, (1938). Artist: JMW Turner
Linlithgow Palace, Scotland, c1810, (1938). Painting held at the Walker Art Gallery, Liverpool. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

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JMW Turner, a renowned English artist of the 19th century, captivated audiences with his breathtaking landscapes and evocative seascapes. His masterpieces continue to inspire awe and admiration even today. One of his most iconic works is "The Fighting Temeraire" from 1839. In this painting, Turner beautifully captures the fading glory of a warship being towed away by a steam-powered tugboat. The contrast between the majestic vessel and the modern machinery symbolizes the passing of an era. In "Whitby" painted in 1824, Turner showcases his mastery in capturing light and atmosphere. The scene depicts the picturesque coastal town bathed in golden hues as sunlight dances on the water's surface. Turner also left behind a self-portrait from 1799, revealing glimpses into his own persona. With intense eyes and disheveled hair, he presents himself as an enigmatic figure immersed in artistic contemplation. His fascination with historical subjects can be seen in "Ulysses Deriding Polyphemus" from 1829 (1904). This dramatic piece portrays Ulysses taunting Cyclops while sailing away from danger—a testament to Turner's ability to bring ancient myths to life through vivid brushstrokes. Not limited to grand scenes, Turner captured smaller moments too. In "Shoeburyness Fisherman Hailing a Whitstable Hoy, " he immortalized everyday life along England's coastlines during that time period—showcasing fishermen at work against a backdrop of turbulent waves. Throughout his career, Turner often returned to Brinkburn Priory in Northumberland for inspiration. He depicted its ruins multiple times over several decades—an exploration of decay juxtaposed against nature's enduring beauty. Another notable artwork is "Crossing the Brook" created around 1815. Here we see serene countryside scenery where figures traverse a brook amidst lush greenery, showcasing Turner's ability to convey tranquility and harmony.