John Constable Collection

The Hay Wain, 1821, (1912). Artist: John Constable
The Hay Wain, 1821, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Sir Richard Steeles Cottage, Hampstead, 1831 to 1832. Creator: John Constable
Sir Richard Steeles Cottage, Hampstead; A View of London, with Sir Richard Steeles House; Sir Richard Steeles Cottage; Hampstead Heath; Sir Richard Steeles Cottage at Hampstead; View of London with

Parham Mill, Gillingham Mill at Gillingham, Dorset Gillingham Mill, Dorset A Mill in Gillingham, in Dorsetshire, John Constable, 1776-1837, British

Salisbury Cathedral, 1823, (c1915). Artist: John Constable
Salisbury Cathedral, 1823, (c1915). The painting is part of the collection of the Victoria & Albert Museum, London. From International Art: Past and Present by Alfred Yockney

St Giles Church, Stoke Poges, 1833. Artist: John Constable
Stoke Poges Church, Buckinghamshire, 1833. From the collection of the Victoria & Albert Museum, London

Sky Study with a Shaft of Sunlight, c.1822 (oil on paper)
8890318 Sky Study with a Shaft of Sunlight, c.1822 (oil on paper) by Constable, John (1776-1837); 13.6x15 cm; Fitzwilliam Museum, University of Cambridge

Porch of Feering Church, 28th June, 1814 (pencil on paper)
BAL12846 Porch of Feering Church, 28th June, 1814 (pencil on paper) by Constable, John (1776-1837); Victoria & Albert Museum, London, UK; (add.info.: by John Constable).

Woman with Baby Fleeing Across Moors, n.d. Creator: John Constable
Woman with Baby Fleeing Across Moors, n.d. Possibly by John Constable

River Bank with Trees (recto), 1796/1837. Creator: John Constable
River Bank with Trees (recto); (Herd of Cattle Beneath Trees, with Inset Sketch of Landscape (verso)), 1796/1837. Possibly by John Constable

An Old Bridge at Salisbury, c. 1826. Creator: John Constable
An Old Bridge at Salisbury, c. 1826

Blinding of Elymas, c. 1807. Creator: John Constable
Blinding of Elymas, c. 1807

A Stand of Elm Trees (recto); A Study of East Bergholt with the Church (verso), c. 1802. Creator: John Constable
A Stand of Elm Trees (recto); A Study of East Bergholt with the Church (verso), c. 1802

Binfield Rectory and Church, Berkshire, 1816. Creator: John Constable
Binfield Rectory and Church, Berkshire, 1816

Death of Ananias, 1795. Creator: John Constable
Death of Ananias, 1795

Landscape with Cows, n.d. Creator: John Constable
Landscape with Cows, n.d

The White Horse, 1818-1819. Creator: John Constable
The White Horse, 1818-1819

Lugger and Hog boat, Brighton, 1824 (charcoal on paper)
7528531 Lugger and Hog boat, Brighton, 1824 (charcoal on paper) by Constable, John (1776-1837); 26x18 cm; Gallery Oldham, UK; (add.info)

Water Lane, Stratford St.Mary, 1831 (watercolour on paper)
7528536 Water Lane, Stratford St.Mary, 1831 (watercolour on paper) by Constable, John (1776-1837); 23x18 cm; Gallery Oldham

Cock Point, near Folkestone, 1833 (watercolour on paper)
7528535 Cock Point, near Folkestone, 1833 (watercolour on paper) by Constable, John (1776-1837); 20.5x12 cm; Gallery Oldham

Old Sarum, 1811 (pencil on paper)
7528534 Old Sarum, 1811 (pencil on paper) by Constable, John (1776-1837); 30.5x19 cm; Gallery Oldham, UK; (add.info.: From the Charles Lees Collection By John Constable (1776-1837)

Salisbury Cathedral from Old Sarum, 1811 (pencil on paper)
7528533 Salisbury Cathedral from Old Sarum, 1811 (pencil on paper) by Constable, John (1776-1837); 30.5x19 cm; Gallery Oldham

Brighton Beach with a Rainbow: Colliers Unloading, c.1792 (watercolour on paper)
7528530 Brighton Beach with a Rainbow: Colliers Unloading, c.1792 (watercolour on paper) by Constable, John (1776-1837); 25.5x17 cm; Gallery Oldham

A Cottage in a Cornfield, 1817 (oil on canvas)
NGW186824 A Cottage in a Cornfield, 1817 (oil on canvas) by Constable, John (1776-1837); 31.5x26.3 cm; National Museum and Gallery, Cardiff

Flatford Mill, between 1810 and 1811. Creator: John Constable
Flatford Mill, between 1810 and 1811

The Tulip and the Butterfly Appear in gayer Coats than I, 1832, (1947). Creator: Unknown
The Tulip and the Butterfly Appear in gayer Coats than I, 1832, (1947). Two children, one reading and the other wearing a sheer dress. Illustration to a hymn tilted Against Pride In Clothes

Wivenhoe Park, Essex, 1816. Artist: John Constable
Wivenhoe Park, Essex, 1816. The painting is part of the Widener Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

United Kingdom, England, Suffolk. View of Willy LotA¢€™s house and the River Stour at Flatford - made famous by John ConstableA¢€™s paintings, including the Haywain and Flatford Mill

Hampstead Heath, Looking Toward Harrow, c. 1821 (oil on paper, mounted on canvas)
XOS5886579 Hampstead Heath, Looking Toward Harrow, c. 1821 (oil on paper, mounted on canvas) by Constable, John (1776-1837); 39x44.5 cm; Cleveland Museum of Art, OH

Hampstead Heath (oil on canvas)
GLS224024 Hampstead Heath (oil on canvas) by Constable, John (1776-1837); 63.5x96.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

View from Hampstead Heath, looking towards Harrow, 1821 (oil on paper)
5933865 View from Hampstead Heath, looking towards Harrow, 1821 (oil on paper) by Constable, John (1776-1837); 25x29.8 cm; Manchester Art Gallery

Willy Lott's House from the Stour (The Valley Farm), c. 1816-1818 (oil on canvas)
7394051 Willy Lott's House from the Stour (The Valley Farm), c.1816-1818 (oil on canvas) by Constable, John (1776-1837); 61x50.8 cm; Ashmolean Museum, University of Oxford

Watermeadows near Salisbury, 1820 or 1829, (oil on canvas)
7146843 Watermeadows near Salisbury, 1820 or 1829, (oil on canvas) by Constable, John (1776-1837); Victoria & Albert Museum, London, UK; (add.info.: Watermeadows near Salisbury, 1820 or 1829)

Boat-building near Flatford Mill, 19th century (oil on canvas)
7146837 Boat-building near Flatford Mill, 19th century (oil on canvas) by Constable, John (1776-1837); Victoria & Albert Museum, London, UK; (add.info.: Boat-building near Flatford Mill)

John Constable RA aged 20, 1796, (tempera on canvas)
7146815 John Constable RA aged 20, 1796, (tempera on canvas) by Gardner, Daniel (1750-1805); Victoria & Albert Museum, London, UK; (add.info.: John Constable RA aged 20, 1796, Daniel Gardner)

Hampstead heath, with pond and bathers, 1821 (oil on canvas)
7146415 Hampstead heath, with pond and bathers, 1821 (oil on canvas) by Constable, John (1776-1837); Kenwood House, London, UK; (add.info.: Hampstead heath, with pond and bathers, 1821)

Houses at Putney Heath, 1818 (w/c)
STC60134 Houses at Putney Heath, 1818 (w/c) by Constable, John (1776-1837); Victoria & Albert Museum, London, UK; (add.info.: by John Constable); The Stapleton Collection

CJ12 2042 John Constable, Brabham BT37
John Constable, Brabham BT37, Graham Hill Celebration, a much celebrated and charismatic Formula 1 World Champion, he won his first F1 title 60 years ago

CJ12 1225 John Constable, Brabham BT37
John Constable, Brabham BT37, Graham Hill Celebration, a much celebrated and charismatic Formula 1 World Champion, he won his first F1 title 60 years ago

Yarmouth Jetty, 1822 (oil on canvas)
7296353 Yarmouth Jetty, 1822 (oil on canvas) by Constable, John (1776-1837); 31.7 -- 50.8 cm; National Gallery of Art, Washington DC, USA; (add.info.: by John Constable (1776-1837))

The White Horse, 1818-19 (oil on canvas)
7296351 The White Horse, 1818-19 (oil on canvas) by Constable, John (1776-1837); 127 x 183 cm; National Gallery of Art, Washington DC, USA; (add.info.: by John Constable (1776-1837))

Hampstead, Stormy Sky, 1814 (oil on canvas)
5860980 Hampstead, Stormy Sky, 1814 (oil on canvas) by Constable, John (1776-1837); 46--61 cm; The Art Institute of Chicago, IL, USA; (add.info.: by John Constable (1776-1837))

Stoke-by-Nayland, 1836 (oil on canvas)
5863027 Stoke-by-Nayland, 1836 (oil on canvas) by Constable, John (1776-1837); 126--169 cm; The Art Institute of Chicago, IL, USA; (add.info.: by John Constable (1776-1837))

View in Borrowdale, 1806, Afternoon (pencil and w / c)
BAL10305 View in Borrowdale, 1806, Afternoon (pencil and w/c) by Constable, John (1776-1837); 18.1x38.1 cm; Victoria & Albert Museum, London, UK

A Bridge at Borrowdale, 1806 (pencil and w / c)
BAL8339 A Bridge at Borrowdale, 1806 (pencil and w/c) by Constable, John (1776-1837); Victoria & Albert Museum, London, UK

Weymouth Bay Approaching Storm (oil on canvas)
YOU4418839 Weymouth Bay Approaching Storm (oil on canvas) by Constable, John (1776-1837); Louvre, Paris, France; (add.info.: Weymouth Bay Approaching Storm)

6867093

Flatford Lock and Mill (oil)
7074538 Flatford Lock and Mill (oil) by Constable, John (1776-1837); Private Collection; English, out of copyright

All Professionally Made to Order for Quick Shipping

John Constable, a renowned English landscape painter, captured the beauty of various locations with his remarkable talent. One such masterpiece is "Sir Richard Steeles Cottage, " painted in Hampstead between 1831 and 1832. In this artwork, Constable skillfully portrays the quaint cottage surrounded by lush greenery, showcasing his ability to capture nature's essence. Another notable piece by Constable is "Parham Mill" at Gillingham in Dorset. This painting depicts a picturesque mill nestled amidst serene surroundings. The artist's attention to detail brings life to every stroke, making the viewer feel as though they are standing right beside the flowing river. "The Hay Wain, " created in 1821 (and reproduced in 1912), remains one of Constable's most famous works. This iconic painting showcases a rural scene with a horse-drawn cart crossing a tranquil river. The composition exudes tranquility and harmony while highlighting the artist's mastery of capturing light and atmosphere. Constable also immortalized St Giles Church in Stoke Poges through his brushstrokes in 1833. With meticulous precision, he captures the architectural details of this historic church against an idyllic backdrop, evoking a sense of peace and spirituality. One cannot overlook Constable's fascination with Hampstead Heath; he depicted its breathtaking views multiple times throughout his career. Whether it be "Hampstead Heath Looking Toward Harrow" or simply "Hampstead Heath, " these paintings showcase the vastness and natural beauty that captivated him so deeply. In "The White Horse, " completed between 1818-1819, Constable presents us with an enchanting rural scene featuring livestock grazing peacefully near Dedham Vale—a testament to his love for depicting pastoral landscapes filled with charm and serenity. "Willy Lott's House from the Stour (The Valley Farm)" transports viewers back to early nineteenth-century England through its depiction of a quaint farmhouse nestled in the countryside.