King Billy Collection

William Lanne, the last male Tasmanian aborigine
3522740 William Lanne, the last male Tasmanian aborigine; (add.info.: King Billy or William Lanne, the last male Tasmanian aborigine who died in 1869.); Universal History Archive/UIG

William III, when Prince of Orange, 1651. Creator: Jan Verkolje
William III, when Prince of Orange, 1651

Venus and Amor, 1605-1610. Creator: Jacques de Gheyn II
Venus and Amor, 1605-1610. Other Title(s): Venus and Amor

Design for glass window 8 donated by Prince Willem Hendrik at the age of seventeen, 1665-1667. Creator: Pieter Jansz
Design for glass window 8 donated by Prince Willem Hendrik at the age of seventeen, 1665-1667

Arch of Honour for King William III at The Hague, 1691, (1691). Creator: Jan van Call
Arch of Honour for King William III at The Hague, 1691, (1691). Triumphal arch on the Buitenhof for the visit of King William III to The Hague, 5 February 1691

Portrait of Mary Stuart (1662-95), Wife of Prince William III, c.1683. Creator: Gaspar Netscher
Portrait of Mary Stuart (1662-95), Wife of Prince William III, c.1683

Portrait of William III, Prince of Orange and Stadholder, c.1680-c.1684. Creator: Gaspar Netscher
Portrait of William III, Prince of Orange and Stadholder, c.1680-c.1684. Other Title(s): William III (1650-1702), Prince of Orange and since 1689, King of England

Allegory on the French Invasion of 1672, 1672. Creator: Johannes van Wijckersloot
Allegory on the French Invasion of 1672, 1672

Portrait of Willem III (1650-1702), Prince of Orange, as a Child, 1654. Creator: Adriaen Hanneman
Portrait of Willem III (1650-1702), Prince of Orange, as a Child, 1654. Other Title(s): Portrait of Willem III (1650-1702), Prince of Orange, as a Child, William III (1650-1702), Prince of Orange

Portrait of Willem III, in state dress, 1670-1684. Creator: Gaspar Netscher
Portrait of Willem III, in state dress, 1670-1684

Portrait of Willem III (1650-1702), Prince of Orange and since 1689, King of England, 1670-1684

Allegory of the Farewell of William III from Amalia van Solms following the transfer of Regency to t Creator
Allegory of the Farewell of William III from Amalia van Solms following the transfer of Regency to the States General, 1661

Portrait of William III (1650-1702), Prince of Orange, Stadholder and...King of Eng...c.1692-c.1697
Portrait of William III (1650-1702), Prince of Orange, Stadholder and from 1689 on, King of England, c.1692-c.1697

The Battle of the Boyne, Ireland, between Kings James II and William III, 12 July 1690, 1690-1733

Portrait of Willem III (1650-1702), Prince of Orange, c.1653. Creator: Workshop of Gerard van Honthorst
Portrait of Willem III (1650-1702), Prince of Orange, c.1653

Portrait of William III (1650-1702), Prince of Orange, 1680-1710. Creator: Willem Wissing
Portrait of William III (1650-1702), Prince of Orange, 1680-1710

Prince's Day, 1660-1679. Creator: Jan Steen
Prince's Day, 1660-1679. Other Title(s): Prince's day: celebrating the birthday of Prince William III

Portrait of William III (1650-1702), Prince of Orange, 1680-1710. Creator: Willem Wissing
Portrait of William III (1650-1702), Prince of Orange, 1680-1710

William III (1650-1702), Prince of Orange and since 1689, King of England, 1670-1733. Creator: Unknown
William III (1650-1702), Prince of Orange and since 1689, King of England, 1670-1733. Copy after Caspar Netscher

William III (of Orange), (c1911). Creator: Unknown
William III (of Orange), (c1911). King William III of Great Britain and Ireland. From a painting by Jan Wyck. In the National Portrait Gallery'

King William III of Great Britain, William of Orange, 18th century (engraving)
5913181 King William III of Great Britain, William of Orange, 18th century (engraving) by Werff, Adriaan van der (1659-1722) (after); (add.info.: King William III of Great Britain, William of Orange)

Princes Day, 1660-79 (oil on panel)
3709937 Princes Day, 1660-79 (oil on panel) by Steen, Jan Havicksz. (1625/26-79); 46x62.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: Princes Day)

William of Orange, King of England and Stadtholder, c. 1692-97 (oil on canvas)
3545909 William of Orange, King of England and Stadtholder, c. 1692-97 (oil on canvas) by Schalken or Schalcken, Godfried (1643-1706); 76.5x65 cm; Rijksmuseum, Amsterdam

King Billy (engraving)
6008189 King Billy (engraving) by English School, (19th century); Private Collection; (add.info.: King Billy. The Last Aboriginal of Tasmania)

College Green, Dublin, c. 1890-1900 (photochrom)
5053978 College Green, Dublin, c.1890-1900 (photochrom) by Detroit Publishing Co. (1880-1920); Private Collection; (add.info)

Portrait of William III, Prince of Orange and Stadtholder, c. 1680-84 (oil on canvas)
3545939 Portrait of William III, Prince of Orange and Stadtholder, c.1680-84 (oil on canvas) by Netscher, Caspar (1639-84); 80.5x63 cm; Rijksmuseum, Amsterdam

King William III (1650-1702), 1703 (engraving)
5846106 King William III (1650-1702), 1703 (engraving) by Mortier, Pierre (Pieter) (1661-1711); The Peace Palace Library, The Hague, The Netherlands; (add.info.: William III of England (1650-1702)

King William in State Robes, c. 1690 (oil on canvas)
5983964 King William in State Robes, c.1690 (oil on canvas) by Kneller, Godfrey (1646-1723) (after); Private Collection; (add.info.: Willem III (1650-1702) Prince of Orange

The Arrival of Stadholder-King Willem III in the Oranjepolder on 31 January 1691
5671996 The Arrival of Stadholder-King Willem III in the Oranjepolder on 31 January 1691, 1692 (oil on canvas) by Backhuysen, Ludolf, I (1630-1708); 53.5x67.5 cm; Mauritshuis, The Hague

Allegory on the French Invasion of 1672 (oil on canvas)
3709980 Allegory on the French Invasion of 1672 (oil on canvas) by Wyckersloot, Jan van (fl.1643-83); 43x37.5 cm; Rijksmuseum, Amsterdam

New South Wales Aborigines - King Billy and his A. D. C. s, c1900. Creator: Unknown
New South Wales Aborigines - Jimmy Clements and his A.D.C. s, c1900. Jimmy Clements (c1847 -1927) was an Aboriginal elder from the Wiradjuri tribe in Australia

The Prince of Orange at Toulouse, 1882. Artist: Brend amour, Richard (1831-1915)
The Prince of Orange at Toulouse, 1882. Private Collection

King William III of England (1650-1702) in his Coronation Robes. Artist: Kneller, Sir Gotfrey (1646-1723)
King William III of England (1650-1702) in his Coronation Robes. Private Collection

King WIlliam III of England, Ireland and Scotland, 1650-1702. Dutch born, also known as William of Orange, and nicknamed King Billy

Presentation in Oxford to William III, King of England, Ireland, and Scotland from 1689 until his death
Illustration of a Presentation to William III (1650 a 1702), King of England, Ireland, and Scotland from 1689 until his death

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"King Billy: The Iconic Legacy of King William III" In the annals of history, one name shines brightly - King Billy. Known as King William III of Great Britain and William of Orange, this 18th-century monarch left an indelible mark on the world. From the captivating engravings depicting his regal presence to the mesmerizing oil paintings showcasing his grandeur, King Billy's image has transcended time. Princes Day in 1660-79 immortalizes his noble stature on a panel while another oil painting from c. 1692-97 captures him as both King of England and Stadtholder. A majestic engraving simply titled "King Billy" conveys his commanding presence, while a photochrom from c. 1890-1900 transports us to College Green in Dublin where he once stood tall. A portrait painted between 1680-84 reveals William III as Prince of Orange and Stadtholder, exuding power and grace. Another engraving from 1703 pays homage to this remarkable ruler who reigned with distinction until his passing in 1702. The Arrival of Stadholder-King Willem III in the Oranjepolder on January 31st, 1691 commemorates a significant moment in history when he made an impactful entrance into Dutch lands. An allegorical oil painting symbolizing the French Invasion of 1672 showcases King Billy's resilience against adversity. His unwavering spirit echoes through time. Even beyond Europe's borders, King Billy's influence reached far and wide. In New South Wales during the early twentieth century, Aboriginal tribes revered their own "King Billy, " capturing a connection that transcends continents. Lastly, an artwork by Brend Amour depicts The Prince of Orange at Toulouse in 1882 - a testament to how even after centuries have passed since his reign ended; people still celebrate and remember this extraordinary king.