Le Nozze Di Figaro Collection

Scene from Mozart's opera The Marriage of Figaro, 1786, (c1914). Artist: Charles A Buchel
Scene from Mozart's opera The Marriage of Figaro, 1786, (c1914). The Marriage of Figaro (Le Nozze di Figaro), a comic opera (opera buffa) with libretto by Lorenzo da Ponte (1749-1838)

Illustration for Opera The Marriage of Figaro by Wolfgang Amadeus Mozart. Private Collection

Cherubino, The Marriage Of Figaro (b / w photo)
3096136 Cherubino, The Marriage Of Figaro (b/w photo) by French Photographer, (20th century); Private Collection; (add.info.: Cherubino, The Marriage Of Figaro)

Wolfgang Amadeus Mozart (colour litho)
3093936 Wolfgang Amadeus Mozart (colour litho) by German School, (19th century); Private Collection; (add.info.: Wolfgang Amadeus Mozart. Postcard, early 20th century.); © Look and Learn

A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures

A man seated in a chair on a stepped platform holds an audience, two pointing men stand in the foreground, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for The

A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised

Theatre Italien, 1821. 1821. Creator: Eugene Delacroix
Theatre Italien, 1821. Composer Gioacchino Rossini with characters: Figaro, Rosina, and Othello

Portrait of the opera librettist and poet Lorenzo Da Ponte (1749-1838), . Private Collection

The autograph manuscript: Le nozze di Figaro, Opera buffa in four acts, 1785. Found in the collection of Staatsbibliothek zu Berlin

Mozarts Cherubino (Le cherubin de Mozart). Found in the Collection of Musee des Beaux-Arts, Reims

John Palmer as Count Almaviva in The Spanish Barber, 1779, (1917). Artist: Henry Walton
John Palmer as Count Almaviva in The Spanish Barber, 1779. John Palmer (c1742-1798), was one of the most prestigious actors on the English stage in the eighteenth century

Scene from Mozarts opera The Marriage of Figaro, 1786 (1905). The Marriage of Figaro (Le Nozze di Figaro), comic opera (opera buffa) with libretto by Lorenzo da Ponte (1749-1838) after Beaumarchais

Beaumarchais and The Marriage of Figaro, 1784 (c1900). Portrait of Pierre Augustin Caron de Beaumarchias (1732-1799) French playwright and satirist

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"Le Nozze di Figaro: A Timeless Masterpiece Unveiled Through Captivating Illustrations" Step into the enchanting world of Mozart's opera, "Le Nozze di Figaro, " as we embark on a visual journey through captivating illustrations. From the vibrant colors of Eugene Delacroix's depiction of Theatre Italien in 1821 to the intricate details in Wolfgang Amadeus Mozart's own autograph manuscript, this timeless masterpiece comes alive before our eyes. In one illustration, Cherubino steals the spotlight with his youthful charm and innocence, reminding us of the complexities of love entwined within this operatic tale. Meanwhile, a black and white photograph captures another moment from "The Marriage of Figaro, " showcasing Cherubino amidst a sea of emotions. Lorenzo Da Ponte, the brilliant librettist and poet behind this opera's words, is immortalized in a portrait that reflects his creative genius. His collaboration with Mozart resulted in an extraordinary fusion of music and storytelling that continues to captivate audiences today. As we delve deeper into these illustrations, we witness scenes filled with dramatic tension. A man seated on a stepped platform commands attention while two others point towards him—an intriguing glimpse into the power dynamics at play within this story. In another image, a man curled up in a chair anticipates an encounter with someone approaching from afar—a moment pregnant with anticipation and intrigue. Amidst all these visuals lies Mozart himself—his colorful lithograph radiating his passion for music composition. This portrayal serves as a testament to his unparalleled talent and enduring legacy. Finally, John Palmer takes center stage as Count Almaviva in Henry Walton's artwork from "The Spanish Barber. " This portrayal hints at the character's complexity—a nobleman torn between desire and societal expectations—an essential element woven throughout "Le Nozze di Figaro.