Mackenzie Collection (page 6)

Interior of the Church of St Stephen Walbrook, City of London, 1810. View showing Benjamin Wests painting over the altar

Jazz at the BBCs recording studios, London, 22 April 1982. Artist: Denis Williams
Jazz at the BBCs recording studios, London, 22 April 1982. Musicians Roy Williams, Kenny Baker, Danny Moss and Henry Mackenzie getting their parts sorted out under the eye of arranger Billy May

Kenny Baker, Danny Moss, and Henry Mackenzie at the BBC recording studios, London, 22 April 1982
Kenny Baker (trumpet), Danny Moss (saxophone) and Henry Mackenzie (clarinet) in rehearsal with Billy May at the BBC recording studios, London, 22 April 1982

Lita Roza singing with the Ted Heath Orchestra at the Forum Theatre, Hatfield, Hertfordshire, 1983
Vocalist Lita Roza performing with the Ted Heath Orchestra at the Forum Theatre, Hatfield, Hertfordshire, 1983. Clarinetist Henry Mackenzie is just to the right of Roza

The Ted Heath Orchestra in concert at the Forum Theatre, Hatfield, Hertfordshire, 18 November 1983. Lita Roza (vocals) and Henry Mackenzie (clarinet)

Helgi Hundingsbane returns to Valhalla, 1890. Artist: James Doyle Penrose
Helgi Hundingsbane returns to Valhalla, 1890. Illustration from Teutonic Myths and Legends by Donald A Mackenzie, 1890

The Shepherd finds the babe Semiramus, 1915. Artist: Ernest Wellcousins
The Shepherd finds the babe Semiramus, 1915. Illustration from Myths of Babylonia and Assyria by Donald Alexander Mackenzie, 1915

Nebuchadnezzar in the Hanging Gardens of Babylon, 1915. Artist: Ernest Wellcousins
Nebuchadnezzar in the Hanging Gardens of Babylon, 1915. The gardens were built in 600 BC by Nebuchadnezzar II (c634-562 BC) for the pleasure of his homesick wife, Amytis of Media

The Babylonian Marriage Market, 1915. Artist: Ernest Wellcousins
The Babylonian Marriage Market, 1915. After a painting by Edwin Longsden Long (1829-1891). Illustration from Myths of Babylonia and Assyria by Donald Alexander Mackenzie, 1915

The Babylonian Deluge, 1915. Artist: Ernest Wellcousins
The Babylonian Deluge, 1915. Illustration from Myths of Babylonia and Assyria by Donald Alexander Mackenzie, 1915

The slaying of the bull of Ishtar, 1915. Artist: Ernest Wellcousins
The slaying of the bull of Ishtar, 1915. Illustration from Myths of Babylonia and Assyria by Donald Alexander Mackenzie, 1915

Ishtar in Hades, 1915. Artist: Ernest Wellcousins
Ishtar in Hades, 1915. Illustration from Myths of Babylonia and Assyria by Donald Alexander Mackenzie, 1915

Merodach sets forth to attack Tiamat, 1915. Artist: Ernest Wellcousins
Merodach sets forth to attack Tiamat, 1915. Illustration from Myths of Babylonia and Assyria by Donald Alexander Mackenzie, 1915

The Temptation of Ea-Bani, 1915. Artist: Ernest Wellcousins
The Temptation of Ea-Bani, 1915. Frontispiece from Myths of Babylonia and Assyria by Donald Alexander Mackenzie, 1915

Mrs. Bryan, 1801. Artist: Mackenzie
Mrs. Bryan, 1801. Mary Wollstonecraft Shelley (1797?1851), English novelist, short story writer, dramatist, essayist, biographer, and travel writer, best known for her Gothic novel Frankenstein: or

Gerards Hall Crypt. Guildhall London, 1886. Artist: John Henry Le Keux
Gerards Hall Crypt.Guildhall London, 1886. Lithographic print from the Discriptive Account of the Guildhall of the City of London, 1886

Great Musicians - Plate VIII. 1895. August Friedrich Manns (1825-1907), Alexander Campbell Mackenzie (1847-1935), Joseph Barnby (1838-1896), George Henschel (1850-1934)

Sir A. C. Mackenzie. 1895. Alexander Campbell Mackenzie (1847-1935), Scottish composer and conductor. From The Musical Educator, Volume III by John Greig, M.A. Mus. Doc. [T. C. & E. C

Vestry, Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Vestry, Rievaulx Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Choir, from North, Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Choir, from North, Rievaulx Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Choir, looking North, Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Choir, looking North, Rievaulx Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From the North, Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon
From the North, Rievaulx Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Rievaulx Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Rievaulx Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Jedburgh Abbey, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Nave Looking West, Jedburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Nave Looking West, Jedburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Norman Arches in Nave, Jedburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Norman Arches in Nave, Jedburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From South-East, Jedburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
From South-East, Jedburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Nave, from South Aisle, Jedburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Nave, from South Aisle, Jedburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Jedburgh Abbey, 1882, (1897). Artist: Alexander Francis Lydon
Jedburgh Abbey, 1882, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

North Transept, Whitby Abbey, c1880, (1897). Artist: Alexander Francis Lydon
North Transept, Whitby Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

North Aisle, Whitby Abbey, c1880, (1897). Artist: Alexander Francis Lydon
North Aisle, Whitby Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Whitby Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Whitby Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Furness Abbey, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Furness Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Furness Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

South Transept, Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon
South Transept, Netley Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Netley Abbey, 1897. Artist: Alexander Francis Lydon
Ground Plan of Netley Abbey, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Arches in South Transept, Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Arches in South Transept, Netley Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Interior, Looking East, Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Interior, Looking East, Netley Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Netley Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Netley Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Chapter House, Kirkstall Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Chapter House, Kirkstall Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Kirkstall, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Kirkstall Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Kirkstall Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

From the Cloister Court, Dryburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
From the Cloister Court, Dryburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Ground Plan of Dryburgh, 1897. From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Dryburgh Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Dryburgh Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Abbots Kitchen, Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Abbots Kitchen, Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

St. Josephs Chapel, Interior, Looking East, Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
St. Josephs Chapel, Interior, Looking East, Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

Doorway in St Josephs Chapel, Glastonbury Abbey, c1880, (1897). Artist: Alexander Francis Lydon
Doorway in St Josephs Chapel, Glastonbury Abbey, c1880, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

All Professionally Made to Order for Quick Shipping

"Mackenzie: A Journey Through Time and Places" Step into the past with Mackenzie, as we explore various iconic locations and moments that bear this name. From the historic Augusta National Golf Club House in 1943 to the enchanting snow-covered Police Public Call Box in London, each hint unveils a unique facet of Mackenzie's story. Immerse yourself in serenity at the Church of the Good Shepherd or witness the artistry of Five Famous Conductors in Silhouette. The enigmatic Police Public Call Box reappears, reminding us of its timeless allure amidst London's wintry landscapes. Delve into T Mackenzie's Scheherazade, an opus that transports you to distant realms through its captivating melodies. Feel your heart race as athletes compete fiercely while Throwing the hammer at Braemar Highland Games or during the exhilarating Public Schools Championships at White City. Discover historical cartography with a Map of Prussia from c1872, created by an unknown mastermind. Marvel at architectural grandeur with glimpses into Augusta National Golf Club House circa 1935 or Oppenheim from c1872 by E I Roberts. Nature beckons us too; Kellands Pond near Twizel invites tranquility amidst South Canterbury's stunning Mackenzie District on New Zealand's South Island. Mackenzie is not just a name but a tapestry woven across time and places—a journey filled with intrigue, beauty, and cultural significance. Join us as we unravel these fragments and celebrate the rich heritage behind this evocative moniker.