Madness Collection (page 9)

A Rakes Progress VIII: The Rake in Bedlam, 1733 (oil on canvas)
SJS2005 A Rakes Progress VIII: The Rake in Bedlam, 1733 (oil on canvas) by Hogarth, William (1697-1764); 62.2x75 cm; Courtesy of the Trustees of Sir John Soanes Museum

Study for Ophelia, c. 1870 (panel)
Ma88179 Study for Ophelia, c.1870 (panel) by Watts, George Frederic (1817-1904); 20.3x20.3 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Faust, 1828 (ink and w / c)
NUL104379 Faust, 1828 (ink and w/c) by Schnorr von Carolsfeld, Ludwig Ferdinand (1788-1853); 37.30.5 cm; Private Collection; German, out of copyright

Balloon Hunting Near Lady Jamess Folly, (pencil, pen and brown ink and watercolour)
651981 Balloon Hunting Near Lady Jamess Folly, (pencil, pen and brown ink and watercolour) by Rowlandson, Thomas (1756-1827); 25.4x34.9 cm; Private Collection; (add.info)

Ophelia and Laertes: "Ophelia, here is Rosemary"etc
CH27556 Ophelia and Laertes: " Ophelia, here is Rosemary" etc. by Wills, William Gorman (1828-91); Private Collection; Photo eChristies Images; English, out of copyright

Joanna the Mad of Castille (1479-1555), the Young Charles V (1500-58
KSG153808 Joanna the Mad of Castille (1479-1555), the Young Charles V (1500-58) and his sister (oil on canvas) by Landshut

The Death of Lady Macbeth, 19th century (pen and ink on paper)
AMO101428 The Death of Lady Macbeth, 19th century (pen and ink on paper) by Rossetti, Dante Gabriel Charles (1828-82); 30.7x35.8 cm; Ashmolean Museum, University of Oxford

Signature of King George III, during his last attack of insanity in the early spring of 1810 (engraving)
5228612 Signature of King George III, during his last attack of insanity in the early spring of 1810 (engraving) by English School

Meg la folle - Mad Meg (De Dulle Griet) par Ryckaert (Rijckaert), David (1612-1661)
FIA5404828 Meg la folle - Mad Meg (De Dulle Griet) par Ryckaert (Rijckaert), David (1612-1661). Oil on canvas, c. 1650, Art History Museum, Vienne by Ryckaert

Il jeta un coup d oeil et est devenu fou - He Cast a Look and Went Mad - Minkowski
DGA5609804 Il jeta un coup d oeil et est devenu fou - He Cast a Look and Went Mad - Minkowski, Maurycy (1881-1930) - 1910 - Oil on canvas - 109x133, 4 - Jewish Museum

Catalepsy produced under the influence of light. French neurologist Jean Martin Charcot
XEE4407637 Catalepsy produced under the influence of light. French neurologist Jean Martin Charcot (1825-1893) studying the phenomene of hypnosis on a patient in Salpetriere hospital

Hypnotism phenomena: hypnotism is produced by suddenly extending the hand in front of
XEE4407742 Hypnotism phenomena: hypnotism is produced by suddenly extending the hand in front of the patient. Engraving from 1881

Illustration of Jules Vernes novel "Around the Moon"
PCT4259807 Illustration of Jules Vernes novel " Around the Moon", drawing by Emile Bayard, Hetzel edition/Voyages extraordinaire 1870

Hystero Epilepsie - Tetanism attack in "Photographic iconography of
LSE4094770 Hystero Epilepsie - Tetanism attack in " Photographic iconography of the SalpetriAre: service of Mr. Charcot" by Paul Regnard and Bourneville, 1875 by Unknown Artist

The beggar, the mad, the witch and the sergeants of arms, 15th century
LSE4093432 The beggar, the mad, the witch and the sergeants of arms, 15th century. by Unknown Artist, (19th century); Private Collection; (add.info.: The beggar, the mad)

Don Quixote wounds implore misericorde and help of the characters of his imagination
XEE4156365 Don Quixote wounds implore misericorde and help of the characters of his imagination - from " Don Quixote de la Mancha" by Miguel Cervantes (1547-1616) (Don Quixote)

Le fou qui vend la sagesse - The fool who sells Wisdom - from Fables
XEE4156047 Le fou qui vend la sagesse - The fool who sells Wisdom - from Fables by Jean de La Fontaine (Lafontaine) (1621-95) - engravin after Gustave Dore (1832-83) - Private collection by Dore

Allegory of madness. the bear skin coat desires madness that carries anger
XEE4135849 Allegory of madness. the bear skin coat desires madness that carries anger, the action of dancing emphasizes those who wear to gaiete

Don Quixote fights the puppets he thinks are Moors. Engraving by V
XEE4162646 Don Quixote fights the puppets he thinks are Moors. Engraving by V. Beauce after the painting by Charles Antoine Coypel (1694 - 1752) illustrating the novel by Cervantes (1547-1616)

Ecole pour les idiots a Bicetre au 19eme century - Engraving in "
XEE4147524 Ecole pour les idiots A Bicetre au 19eme century - Engraving in " Tableau-de-Paris" by Edmond Texier 1852 by French School

Les chalets de la Salpetriere pour les folles agitees - Engraving in "
XEE4146928 Les chalets de la Salpetriere pour les folles agitees - Engraving in " Tableau-de-Paris" by Edmond Texier 1852 by French School

Playing Havoc, 1894 (oil on canvas)
827522 Playing Havoc, 1894 (oil on canvas) by Eycken, Charles van den (1859-1923); 82.9x118.2 cm; Private Collection; (add.info.: Playing Havoc. Charles van den Eycken (1859-1923). Oil on canvas

Dance in a Madhouse, 1917 (litho)
874627 Dance in a Madhouse, 1917 (litho) by Bellows, George Wesley (1882-1925); 46.99 x61.44 cm; San Diego Museum of Art, USA; eSan Diego Museum of Art; Museum purchase; American, out of copyright

Melencolia I, 1514 (engraving)
3615917 Melencolia I, 1514 (engraving) by DAorer or Duerer, Albrecht (1471-1528); 24x18.5 cm; Metropolitan Museum of Art, New York

L Espagnol reveur, gravure attribuee a Abraham Bosse (engraving)
3645955 L Espagnol reveur, gravure attribuee a Abraham Bosse (engraving) by French School, (19th century); Private Collection; (add.info.: L Espagnol reveur, gravure attribuee a Abraham Bosse)

A modern Una; A young and beautiful maniac in the cage of an African lion (engraving)
736048 A modern Una; A young and beautiful maniac in the cage of an African lion (engraving) by English School, (19th century); Private Collection; (add.info)

Extraordinary cases (colour litho)
2783747 Extraordinary cases (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The extraordinary cases)

Window n2 depicting a scene from a St Thomas Becket Miracle window
719610 Window n2 depicting a scene from a St Thomas Becket Miracle window: " Mad" Matilda of Colognes story (stained glass) by English School, (13th century); Canterbury Cathedral

A Russian officer driven mad on the battlefield at Mukden, Russo-Japanese War (colour litho)
2795918 A Russian officer driven mad on the battlefield at Mukden, Russo-Japanese War (colour litho) by French School, (20th century); Private Collection; (add.info)

The King in Sardinia (colour litho)
2809002 The King in Sardinia (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The King in Sardinia)

Madness and hallucination of an English painter (chromolitho)
3100715 Madness and hallucination of an English painter (chromolitho) by Spanish School, (19th century); Private Collection; (add.info.: Madness and hallucination of an English painter)

Portrait of Sarah Bernhardt, as Lady Macbeth, 1892 (oil on board)
651185 Portrait of Sarah Bernhardt, as Lady Macbeth, 1892 (oil on board) by Lenbach, Franz Seraph von (1836-1904); 88.9x75.2 cm; Private Collection; (add.info)

Detail from the Miracle Window depicting Mad Matilda of Cologne
PC344972 Detail from the Miracle Window depicting Mad Matilda of Colognes story (stained glass) by English School, (13th century); Canterbury Cathedral, Canterbury, Kent, UK; English, out of copyright

Don Quixotes Extraordinary Battle, illustration from
STC405556 Don Quixotes Extraordinary Battle, illustration from Don Quixote of the Mancha retold by Judge Parry, pub. Blackie & Son Ltd, London, 1900 (colour litho) by Crane

Nightmare, illustration from Le Horla by Guy de Maupassant (1850-93
CHT382607 Nightmare, illustration from Le Horla by Guy de Maupassant (1850-93) engraved by Georges Lemoine, Paris, Editions Albin Michel, c.1910 (wood engraving) by Julian-Damazy

The narrator in bed, illustration from Le Horla
CHT382605 The narrator in bed, illustration from Le Horla by Guy de Maupassant (1850-93) engraved by Georges Lemoine, Paris, Editions Albin Michel, c.1910 (wood engraving) by Julian-Damazy

Doctor Jean Martin Charcot (1825-93) and the Hysterics, from La Revue Illustree
CHT227160 Doctor Jean Martin Charcot (1825-93) and the Hysterics, from La Revue Illustree, August 1887 (engraving) by Renouard, Charles Paul (1845-1924) (after); Musee de la Ville de Paris

Mental patient going for an early morning walk (oil on canvas)
CHT225123 Mental patient going for an early morning walk (oil on canvas) by Simon, Dr. Max (1807-89); Musee d Histoire de la Medecine et de la Pharmacie

Portrait of Rasputin (b / w photo)
TPG314624 Portrait of Rasputin (b/w photo) by Russian Photographer; Private Collection; (add.info.: probably taken at his family home in Pokrovskoe; Grigory Yefimovich Rasputin (1872)

A Seated Madman (oil on canvas)
CHT234672 A Seated Madman (oil on canvas) by Simon, Dr. Max (1807-89); Musee d Histoire de la Medecine et de la Pharmacie

Panic, from Jugend magazine (colour litho)
CHT236746 Panic, from Jugend magazine (colour litho) by Schmidhammer, Arpad (1857-1921); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; German, out of copyright

Melancholic, illustration from an unpublished treatise by Jean Etienne Dominique Esquirol
CHT280164 Melancholic, illustration from an unpublished treatise by Jean Etienne Dominique Esquirol (1772-1840) on the lunatics of the Salpetriere asylum

Idiot, illustration from an unpublished treatise by Jean Etienne Dominique Esquirol
CHT280157 Idiot, illustration from an unpublished treatise by Jean Etienne Dominique Esquirol (1772-1840) on the lunatics of the Salpetriere asylum, c.1818 (pencil on paper) (b/w photo) by Gabriel

Idiot, illustration from an unpublished treatise by Jean Etienne Dominique Esquirol
CHT280152 Idiot, illustration from an unpublished treatise by Jean Etienne Dominique Esquirol (1772-1840) on the lunatics of the Salpetriere asylum, c.1818 (pencil on paper) (b/w photo) by Gabriel

Mad woman for love, illustration from an unpublished treatise by Jean Etienne Dominique
CHT280150 Mad woman for love, illustration from an unpublished treatise by Jean Etienne Dominique Esquirol (1772-1840) on the lunatics of the Salpetriere asylum

Hysterical epilepsy, attack, crucifixion, plate IX from
REV287045 Hysterical epilepsy, attack, crucifixion, plate IX from Iconographie Photographique de La Salpetriere by Bourneville et P

Hysterical epilepsy, face contraction, plate VIII from
REV287044 Hysterical epilepsy, face contraction, plate VIII from Iconographie Photographique de La Salpetriere by Bourneville et P

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"Exploring the Depths of Madness: From Hogarth's Gin Lane to Van Gogh's Asylum" Step into a world where madness reigns, as depicted by artists throughout history. In Hogarth's iconic "Gin Lane, " we witness the devastating consequences of excessive alcohol consumption on society. The moon casts an eerie glow, fueling Moon Madness and distorting reality. Venturing further down the rabbit hole, Alice encounters the enigmatic Cheshire Cat, whose mischievous grin embodies the essence itself. Meanwhile, in England's Lunacy era, a man dressed as a chicken runs wild across fields and hills, embodying both absurdity and freedom. William Hogarth returns with "A Rake's Progress, " illustrating the descent into melancholy and raving madness within Bedlam Hospital walls. Erik XIV of Sweden also succumbs to insanity during his reign—a reminder that even kings are not immune to its grip. Irish Drunk Pat stumbles through life with his drinking logic, blurring lines between reason and chaos. Ophelia floats amidst flowers in her tragic demise—an embodiment of fragile sanity shattered by heartbreak. Goya takes us inside The Madhouse (Asylum), exposing humanity at its most vulnerable state—struggling against inner demons while society looks away. Vincent van Gogh invites us into the Vestibule of Asylum; brushstrokes convey swirling emotions that mirror his own battle with mental illness. In these artistic depictions lies a fascination with madness—a reflection of our collective curiosity about what lies beyond rationality’s boundaries. They remind us that within this realm exists both tragedy and beauty—an exploration worth undertaking for those brave enough to delve into its depths.