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Madness Collection (#10)

"Exploring the Depths of Madness: From Hogarth's Gin Lane to Van Gogh's Asylum" Step into a world where madness reigns, as depicted by artists throughout history

Background imageMadness Collection: Mad woman for love, illustration from an unpublished treatise by Jean Etienne Dominique

Mad woman for love, illustration from an unpublished treatise by Jean Etienne Dominique
CHT280150 Mad woman for love, illustration from an unpublished treatise by Jean Etienne Dominique Esquirol (1772-1840) on the lunatics of the Salpetriere asylum

Background imageMadness Collection: Hysterical epilepsy, attack, crucifixion, plate IX from

Hysterical epilepsy, attack, crucifixion, plate IX from
REV287045 Hysterical epilepsy, attack, crucifixion, plate IX from Iconographie Photographique de La Salpetriere by Bourneville et P

Background imageMadness Collection: Hysterical epilepsy, face contraction, plate VIII from

Hysterical epilepsy, face contraction, plate VIII from
REV287044 Hysterical epilepsy, face contraction, plate VIII from Iconographie Photographique de La Salpetriere by Bourneville et P

Background imageMadness Collection: Hysterical epilepsy, crucifixion, head attitude, plate VII from

Hysterical epilepsy, crucifixion, head attitude, plate VII from
REV287043 Hysterical epilepsy, crucifixion, head attitude, plate VII from Iconographie Photographique de La Salpetriere by Bourneville et P

Background imageMadness Collection: Joanna, Queen of Castile (oil on canvas)

Joanna, Queen of Castile (oil on canvas)
PWI261835 Joanna, Queen of Castile (oil on canvas) by French School, (16th century); Chateau de Beauregard, France; (add.info)

Background imageMadness Collection: Ophelia from Hamlet (chromolitho)

Ophelia from Hamlet (chromolitho)
969294 Ophelia from Hamlet (chromolitho) by Paget, Henry Marriott (1856-1936) (after); Private Collection; (add.info.: Ophelia from Hamlet. There is pansies, thats for thoughts)

Background imageMadness Collection: Nebuchadnezzar dwelling with the beasts of the field (engraving)

Nebuchadnezzar dwelling with the beasts of the field (engraving)
976532 Nebuchadnezzar dwelling with the beasts of the field (engraving) by English School, (19th century); Private Collection; (add.info.: Nebuchadnezzar dwelling with the beasts of the field)

Background imageMadness Collection: Ophelia, engraved by Alfred Smith (1810-fl. 1870s) pub. by Henry Graves & Co

Ophelia, engraved by Alfred Smith (1810-fl. 1870s) pub. by Henry Graves & Co
Ma103973 Ophelia, engraved by Alfred Smith (1810-fl.1870s) pub. by Henry Graves & Co. 1864 (engraving) by Millais, John Everett (1826-96) (after); 52.7x85.7 cm; Private Collection; (add.info)

Background imageMadness Collection: The Rake in Bedlam, plate VIII from A Rakes Progress, 1763 (engraving)

The Rake in Bedlam, plate VIII from A Rakes Progress, 1763 (engraving)
GHL206154 The Rake in Bedlam, plate VIII from A Rakes Progress, 1763 (engraving) by Hogarth, William (1697-1764); length: 56 cm; London Metropolitan Archives

Background imageMadness Collection: The World Turned Upside Down (panel)

The World Turned Upside Down (panel)
JKR69454 The World Turned Upside Down (panel) by Brueghel, Pieter the Younger (c.1564-1638); Diameter: cm; Galerie de Jonckheere, Paris, France; Flemish, out of copyright

Background imageMadness Collection: The people of justice. Cartoon by Honore Daumier (1808-1879), 37, 5x28

The people of justice. Cartoon by Honore Daumier (1808-1879), 37, 5x28
JEB4901359 The people of justice. Cartoon by Honore Daumier (1808-1879), 37, 5x28. Extract from the newspaper Le" Charivari", Musee des Beaux Arts, Palais Longchamp, Marseille

Background imageMadness Collection: Fight between Carnival and Lent, detail, 1559 (oil on panel)

Fight between Carnival and Lent, detail, 1559 (oil on panel)
AIS5344257 Fight between Carnival and Lent, detail, 1559 (oil on panel) by Bruegel, Pieter, I (ca. 1525-1569); Kunsthistorisches Museum, Vienna, Austria; eIberfoto; Flemish, out of copyright

Background imageMadness Collection: English actors Henry Irving and William Haviland in a production of Shakespeares King Lear at

English actors Henry Irving and William Haviland in a production of Shakespeares King Lear at the Lyceum Theatre
6014242 English actors Henry Irving and William Haviland in a production of Shakespeares King Lear at the Lyceum Theatre, London, 1892 (litho) by English School

Background imageMadness Collection: English actors Henry Irving and Ellen Terry in a production of Shakespeares King Lear at

English actors Henry Irving and Ellen Terry in a production of Shakespeares King Lear at the Lyceum Theatre, London
6014234 English actors Henry Irving and Ellen Terry in a production of Shakespeares King Lear at the Lyceum Theatre, London, 1892 (litho) by English School

Background imageMadness Collection: The judgement of a madman (coloured engraving)

The judgement of a madman (coloured engraving)
5998880 The judgement of a madman (coloured engraving) by French School, (19th century); Private Collection; (add.info.: The judgement of a madman)

Background imageMadness Collection: La Barrique d amontillado - Das Fass Amontillado, Series: Edgar Poe par Redon

La Barrique d amontillado - Das Fass Amontillado, Series: Edgar Poe par Redon
FIA5401070 La Barrique d amontillado - Das Fass Amontillado, Series: Edgar Poe par Redon, Odilon (1840-1916), 1886 - Lithograph - Private Collection by Redon

Background imageMadness Collection: Baroque : The Temptation of Saint Anthony par Craesbeeck

Baroque : The Temptation of Saint Anthony par Craesbeeck
FIA5406126 Baroque : The Temptation of Saint Anthony par Craesbeeck, Joos (Josse) van (1605/06-ca 1660), c. 1650. Oil on canvas

Background imageMadness Collection: The parable of the blind - Painting, 1568

The parable of the blind - Painting, 1568
LRI4571124 The parable of the blind - Painting, 1568 by Bruegel, Pieter the Elder (c.1525-69); Museo di Capodimonte, Naples, Campania, Italy; Luisa Ricciarini; Flemish, out of copyright

Background imageMadness Collection: The beggars Groups of disabled dead and miserable. Painting by Pieter Bruegel

The beggars Groups of disabled dead and miserable. Painting by Pieter Bruegel
JLJ4565765 The beggars Groups of disabled dead and miserable. Painting by Pieter Bruegel (or Breugel or Brueghel or Breughel) the former (1525-1569). 1568. Dim. 0, 18x0, 21 m

Background imageMadness Collection: L Plate au beurre, number 173, Satirique en couleurs, 1904_7_23: Medical, Folie

L Plate au beurre, number 173, Satirique en couleurs, 1904_7_23: Medical, Folie
ICA4892025 L Plate au beurre, number 173, Satirique en couleurs, 1904_7_23: Medical, Folie, Suicide - Illustration by Aristide Delannoy (1874-1911) by Delannoy

Background imageMadness Collection: The Connoisseurs, (oil on canvas)

The Connoisseurs, (oil on canvas)
984911 The Connoisseurs, (oil on canvas) by Moeller, Louis Charles (1855-1930); 76.5x106.7 cm; Private Collection; (add.info.: The Connoisseurs. Louis Charles Moeller (1855-1930). Oil on canvas

Background imageMadness Collection: Charles VI of France is warned of an ambush in the forest near Angers, 1392 (engraving)

Charles VI of France is warned of an ambush in the forest near Angers, 1392 (engraving)
969162 Charles VI of France is warned of an ambush in the forest near Angers, 1392 (engraving) by French School, (19th century); Private Collection; (add.info)

Background imageMadness Collection: A Rakes Progress, Plate 8, 1st State, 1735 (engraving)

A Rakes Progress, Plate 8, 1st State, 1735 (engraving)
1071401 A Rakes Progress, Plate 8, 1st State, 1735 (engraving) by Hogarth, William (1697-1764); 34.6x38.7 cm; Dallas Museum of Art, Texas

Background imageMadness Collection: Twilight Charlie, Front Cover of Beadles New York Dime Novel

Twilight Charlie, Front Cover of Beadles New York Dime Novel
829834 Twilight Charlie, Front Cover of Beadles New York Dime Novel, 1888 (litho) by American School, (19th century); Denver Public Library

Background imageMadness Collection: Studies of a Red Deer, an Ibex, a Wild Boar, three Wolves, two Beavers, two Hares, a Fox

Studies of a Red Deer, an Ibex, a Wild Boar, three Wolves, two Beavers, two Hares, a Fox
827937 Studies of a Red Deer, an Ibex, a Wild Boar, three Wolves, two Beavers, two Hares, a Fox, four Domestic Ducks, two Great Bustards, three Barn Owls a Turtle Dove, a Lapwing, a Nutcracker

Background imageMadness Collection: Charles VI caught in madness in the forest of Le Mans. chromolithography of the late 19th

Charles VI caught in madness in the forest of Le Mans. chromolithography of the late 19th
XEE4412881 Charles VI caught in madness in the forest of Le Mans. chromolithography of the late 19th century by French School

Background imageMadness Collection: Frontispice of the book 'Zur Auffassung der Aphasien'(About aphasia

Frontispice of the book "Zur Auffassung der Aphasien"(About aphasia
LSE4105093 Frontispice of the book " Zur Auffassung der Aphasien" (About aphasia: a critical study. With 10 engravings in the text) by Sigmund Freud

Background imageMadness Collection: Doctor Philippe PINEL (1745 - 1826) liberating the insane from their chains by Tony

Doctor Philippe PINEL (1745 - 1826) liberating the insane from their chains by Tony
LSE4094298 Doctor Philippe PINEL (1745 - 1826) liberating the insane from their chains by Tony Norbert Fleury, 1795. by Robert-Fleury

Background imageMadness Collection: Royaumont Bible, New Testament: Posssede gueri. Jesus Christ healed a possede that

Royaumont Bible, New Testament: Posssede gueri. Jesus Christ healed a possede that
XEE4138028 Royaumont Bible, New Testament: Posssede gueri. Jesus Christ healed a possede that the demon made furious. Illustration from 1811

Background imageMadness Collection: Jansenist convulsionary (or Saint Medard) (Works of convulsions) in the 18th century

Jansenist convulsionary (or Saint Medard) (Works of convulsions) in the 18th century
XEE4157671 Jansenist convulsionary (or Saint Medard) (Works of convulsions) in the 18th century: " the sick and infirm go to the cemetery of saint-medard

Background imageMadness Collection: L asile Sainte Anne (Sainte-Anne) a Paris: le refectoire - Engraving In '

L asile Sainte Anne (Sainte-Anne) a Paris: le refectoire - Engraving In "
XEE4149604 L asile Sainte Anne (Sainte-Anne) a Paris: le refectoire - Engraving In " Le Journal Illustree", 1869 - Sainte-Anne (Sainte-Anne) asylum in Paris

Background imageMadness Collection: Cover of 'The Horla'by Guy de Maupassant

Cover of "The Horla"by Guy de Maupassant
GIA4816890 Cover of " The Horla" by Guy de Maupassant. Illustration by William Julian Damazy (1865-1910). by Julian-Damazy

Background imageMadness Collection: Lycantrophy: Delire of the one who thinks he is transformed into a wolf

Lycantrophy: Delire of the one who thinks he is transformed into a wolf
GIA4760151 Lycantrophy: Delire of the one who thinks he is transformed into a wolf. Chromo of the 19th century by Unknown Artist

Background imageMadness Collection: The Nave of the Crazy Scene of a group of drunk lunatics

The Nave of the Crazy Scene of a group of drunk lunatics
JLJ4651259 The Nave of the Crazy Scene of a group of drunk lunatics. Painting by Hieronymus Van Aeken (Aken) dit Jerome Bosch (1450-1516), 1490-1500. Dim. 0, 58x0, 32 m

Background imageMadness Collection: The Life of St Martin of Tours stained glass window - Stained glass window of

The Life of St Martin of Tours stained glass window - Stained glass window of
JLJ4642583 The Life of St Martin of Tours stained glass window - Stained glass window of the Cathedrale de Chartres (ca. 1215-1225): detail of the life of Saint Martin de Tours

Background imageMadness Collection: View of the courtyard of the Paisibles at the hospice of Bicetre The walk of the mentally

View of the courtyard of the Paisibles at the hospice of Bicetre The walk of the mentally
JLJ4671637 View of the courtyard of the Paisibles at the hospice of Bicetre The walk of the mentally ill at the Hospital in 1824. Anonymous gouache

Background imageMadness Collection: Salpetriere hyene or monomaniac of envy Portrait of an old woman suffering from mental

Salpetriere hyene or monomaniac of envy Portrait of an old woman suffering from mental
JLJ4662664 Salpetriere hyene or monomaniac of envy Portrait of an old woman suffering from mental illness. Painting by Theodore Gericault (1791-1824) 1822 Sun

Background imageMadness Collection: The crazy monomaniac of the game. Painting by Theodore Gericault (1791-1824), 1822

The crazy monomaniac of the game. Painting by Theodore Gericault (1791-1824), 1822
JLJ4688429 The crazy monomaniac of the game. Painting by Theodore Gericault (1791-1824), 1822. Oil on canvas. Dim: 0.77 x 0.64m

Background imageMadness Collection: Majnun is reduced to an abject state, c. 1700 (opaque w / c & gold on paper)

Majnun is reduced to an abject state, c. 1700 (opaque w / c & gold on paper)
874425 Majnun is reduced to an abject state, c.1700 (opaque w/c & gold on paper) by Indian School, (18th century); 14 x16.5 cm; San Diego Museum of Art

Background imageMadness Collection: Lear, King of Britain, from Shakespeares King Lear (colour litho)

Lear, King of Britain, from Shakespeares King Lear (colour litho)
3626481 Lear, King of Britain, from Shakespeares King Lear (colour litho) by German School, (19th century); Private Collection; (add.info.: Lear, King of Britain, from Shakespeares King Lear)

Background imageMadness Collection: Gulliver has the honour of being questioned by his masters guests from

Gulliver has the honour of being questioned by his masters guests from
3514752 Gulliver has the honour of being questioned by his masters guests from Part IV: A Voyage to the Country of the Houyhnhnms in Gullivers Travels by Jonathan Swift by Rackham

Background imageMadness Collection: Lost at sea! (colour litho)

Lost at sea! (colour litho)
2779450 Lost at sea! (colour litho) by French School, (20th century); Private Collection; (add.info.: Lost at sea! Two Nova Scotia fishermen pushed out into the Atlantic by the current without food)

Background imageMadness Collection: Hamlet feigns madness in front of Ophelia (chromolitho)

Hamlet feigns madness in front of Ophelia (chromolitho)
2782907 Hamlet feigns madness in front of Ophelia (chromolitho) by European School, (19th century); Private Collection; (add.info.: Hamlet feigns madness in front of Ophelia)

Background imageMadness Collection: Woman and Black Dog; Femme au Chien Noir, 1874 (oil on canvas)

Woman and Black Dog; Femme au Chien Noir, 1874 (oil on canvas)
656253 Woman and Black Dog; Femme au Chien Noir, 1874 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 61x49 cm; Private Collection; (add.info.: Woman and Black Dog; Femme au Chien Noir)

Background imageMadness Collection: A Ward in Bethlehem Hospital (engraving)

A Ward in Bethlehem Hospital (engraving)
654361 A Ward in Bethlehem Hospital (engraving) by English School, (19th century); Private Collection; (add.info.: A Ward in Bethlehem Hospital)



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"Exploring the Depths of Madness: From Hogarth's Gin Lane to Van Gogh's Asylum" Step into a world where madness reigns, as depicted by artists throughout history. In Hogarth's iconic "Gin Lane, " we witness the devastating consequences of excessive alcohol consumption on society. The moon casts an eerie glow, fueling Moon Madness and distorting reality. Venturing further down the rabbit hole, Alice encounters the enigmatic Cheshire Cat, whose mischievous grin embodies the essence itself. Meanwhile, in England's Lunacy era, a man dressed as a chicken runs wild across fields and hills, embodying both absurdity and freedom. William Hogarth returns with "A Rake's Progress, " illustrating the descent into melancholy and raving madness within Bedlam Hospital walls. Erik XIV of Sweden also succumbs to insanity during his reign—a reminder that even kings are not immune to its grip. Irish Drunk Pat stumbles through life with his drinking logic, blurring lines between reason and chaos. Ophelia floats amidst flowers in her tragic demise—an embodiment of fragile sanity shattered by heartbreak. Goya takes us inside The Madhouse (Asylum), exposing humanity at its most vulnerable state—struggling against inner demons while society looks away. Vincent van Gogh invites us into the Vestibule of Asylum; brushstrokes convey swirling emotions that mirror his own battle with mental illness. In these artistic depictions lies a fascination with madness—a reflection of our collective curiosity about what lies beyond rationality’s boundaries. They remind us that within this realm exists both tragedy and beauty—an exploration worth undertaking for those brave enough to delve into its depths.