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The Rake in Bedlam, plate VIII from A Rakes Progress, 1763 (engraving)

The Rake in Bedlam, plate VIII from A Rakes Progress, 1763 (engraving)


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The Rake in Bedlam, plate VIII from A Rakes Progress, 1763 (engraving)

GHL206154 The Rake in Bedlam, plate VIII from A Rakes Progress, 1763 (engraving) by Hogarth, William (1697-1764); length: 56 cm; London Metropolitan Archives, City of London; (add.info.: shoes Tom Rakewell in Old Bethlehem Hospital, having gone mad; Sarah Young comforts him; hopital; Londres; gravure; interieur; asile de fous; alienes; internes; malades; maladie; folie; alienation mentale; fers; chaines; satirique; ); eLondon Metropolitan Archives; English, out of copyright

Media ID 22600302

© London Metropolitan Archives / Bridgeman Images

Bethlem Inmates Insane Insanity Institution Madness Manacles Mental Illness Miser Rake Shackles Sickness Treatment Weeping Sectioned


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The Rake in Bedlam

EDITORS COMMENTS
is a captivating engraving by William Hogarth that offers a glimpse into the chaotic world of Old Bethlehem Hospital, commonly known as Bedlam. In this plate from his series "A Rake's Progress". Hogarth depicts Tom Rakewell, the protagonist, who has succumbed to madness. The scene unfolds within the confines of the asylum, where Rakewell finds himself restrained and tormented by his own demons. Shackled with manacles and surrounded by fellow inmates, he appears lost in a state of despair. However, amidst this bleakness emerges Sarah Young, an empathetic figure offering solace to Rakewell. Hogarth's satirical lens exposes not only the physical restraints imposed on those deemed insane but also society's treatment of mental illness during the 18th century. The artist uses vivid details to convey both the misery endured by patients and their lack of agency within these institutions. Through this powerful image, we witness themes such as inheritance, greed, and moral decline intertwining with mental instability. It serves as a reminder that even those considered privileged can fall victim to their own vices. "The Rake in Bedlam" stands as a testament to Hogarth's ability to capture social commentary through art. Its intricate composition invites viewers to contemplate society's response towards mental illness while shedding light on the plight faced by individuals trapped within its unforgiving grasp.

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