Marriage Of Figaro Collection

MOZART: MARRIAGE OF FIGARO. Engraved title page of a vocal score depicting the scene from Wolfgang Amadeus Mozarts The Marriage of Figaro ( Le Nozze di Figaro)

Woman in the Suzanne bonnet with lace, ribbons and plumes. Suzanne hat, inspired by Miss Contat in the role of Suzanne
FLO4606442 Woman in the Suzanne bonnet with lace, ribbons and plumes. Suzanne hat, inspired by Miss Contat in the role of Suzanne in the Marriage of Figaro

Scene from Mozart's opera The Marriage of Figaro, 1786, (c1914). Artist: Charles A Buchel
Scene from Mozart's opera The Marriage of Figaro, 1786, (c1914). The Marriage of Figaro (Le Nozze di Figaro), a comic opera (opera buffa) with libretto by Lorenzo da Ponte (1749-1838)

Illustration for Opera The Marriage of Figaro by Wolfgang Amadeus Mozart. Private Collection

Cherubino released by Susanna, Nozze Di Figaro (colour litho)
2811706 Cherubino released by Susanna, Nozze Di Figaro (colour litho) by Buchel, Charles A. (1872-1950); Private Collection; (add.info.: Cherubino released by Susanna, Nozze Di Figaro)

Il vous rend chaste et pure aux mains de votre Epoux
3329984 Il vous rend chaste et pure aux mains de votre Epoux, illustration from The Marriage of Figaro by Pierre Augustin Caron de Beaumarchais, 1784 (engraving) by Naudet

Mademoiselle Jenny Lind as "Susanna, "in "Le Nozze di Figaro, "at Her Majestys Theatre (engraving)
1617538 Mademoiselle Jenny Lind as " Susanna, " in " Le Nozze di Figaro, " at Her Majestys Theatre (engraving) by English School

Pierre Augustin Caron de Beaumarchais (oil on canvas)
CHT189349 Pierre Augustin Caron de Beaumarchais (oil on canvas) by Nattier, Jean-Marc (1685-1766); Comedie Francaise, Paris, France; eArchives Charmet; French, out of copyright

A young boy holds a torch under trees in a garden, at center a man raises both arms, surrounded by male and female figures

A man seated in a chair on a stepped platform holds an audience, two pointing men stand in the foreground, from a series of five illustrations after Jacques Philippe Joseph de Saint-Quentin for The

A man leans toward a woman standing in a doorway at right, at left a seated woman raises both hands, a canopied bed beyond

A man curled up in a chair looks toward another man who approaches him from the left in an interior setting, a woman and a man stand nearby with their hands raised

Theatre Italien, 1821. 1821. Creator: Eugene Delacroix
Theatre Italien, 1821. Composer Gioacchino Rossini with characters: Figaro, Rosina, and Othello

Caroline Miolan-Carvalho, Delphine Ugalde and Caroline Duprez in Le Nozze di Figaro by Wolfgang Amadeus Mozart. Private Collection

The autograph manuscript: Le nozze di Figaro, Opera buffa in four acts, 1785. Found in the collection of Staatsbibliothek zu Berlin

Mademoiselle Schieroni as Susanna in Le Nozze di Figaro by Wolfgang Amadeus Mozart. Private Collection

Mozarts Cherubino (Le cherubin de Mozart). Found in the Collection of Musee des Beaux-Arts, Reims

John Palmer as Count Almaviva in The Spanish Barber, 1779, (1917). Artist: Henry Walton
John Palmer as Count Almaviva in The Spanish Barber, 1779. John Palmer (c1742-1798), was one of the most prestigious actors on the English stage in the eighteenth century

Scene from Mozarts opera The Marriage of Figaro, 1786 (1905). The Marriage of Figaro (Le Nozze di Figaro), comic opera (opera buffa) with libretto by Lorenzo da Ponte (1749-1838) after Beaumarchais

Beaumarchais and The Marriage of Figaro, 1784 (c1900). Portrait of Pierre Augustin Caron de Beaumarchias (1732-1799) French playwright and satirist

An Actress in the Role of Rosine in The Barber of Seville by Pierre-Augustin
XIR214244 An Actress in the Role of Rosine in The Barber of Seville by Pierre-Augustin Caron de Beaumarchais (1732-99) (gouache on paper) by French School, (18th century); Musee de la Ville de Paris

Portrait of Pierre Augustin Caron de Beaumarchais (1732-99) after a painting by Jean
XIR101681 Portrait of Pierre Augustin Caron de Beaumarchais (1732-99) after a painting by Jean Baptiste Greuze (oil on canvas) by Soyer, Paul (1823-1903); 62x47 cm; ChAteau de Versailles

MOZART: MARRIAGE OF FIGARO. Announcement for the first performance of Le Nozze di Figaro (The Marriage of Figaro), 1 May 1786 at Viennas Burgtheater

MOZART: MARRIAGE OF FIGARO. A scene from Wolfgang Amadeus Mozarts opera The Marriage of Figaro, in which Count Almaviva discovers Cherubino hiding in the countesss chambers: steel engraving, 1827

MOZART: MARRIAGE OF FIGARO. Austrian composer. A scene from the Wolfgang Amadeus Mozarts opera The Marriage of Figaro, in which Count Almaviva discovers Cherubino hiding in the Countesss chambers

OPERA: MARRIAGE OF FIGARO. Jenny Lind as Susanna in a London, England, production of Wolfgang Amadeus Mozarts Marriage of Figaro, 1848. Contemporary line engraving

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Experience the timeless beauty and enchantment of Mozart's Marriage of Figaro. From its captivating melodies to its intricate plot, this opera is a true masterpiece that continues to captivate audiences worldwide. The engraved title page of a vocal score sets the stage for an unforgettable journey into the world of love, deceit, and comedy. Illustrations bring the characters to life, such as Cherubino being released by Susanna in a colorful lithograph. Witness their forbidden love unfold as they navigate through obstacles and schemes in Nozze Di Figaro. Feel your heart flutter with emotion as you witness Il vous rend chaste et pure aux mains de votre Epoux - a moment where purity is restored. The talented Mademoiselle Jenny Lind shines as Susanna on stage at Her Majesty's Theatre in an exquisite engraving. Her performance captures the essence of this beloved character with grace and charm. Pierre Augustin Caron de Beaumarchais, the brilliant playwright behind this tale, immortalizes his creation through oil on canvas. His genius gives birth to a story that transcends time and speaks to our deepest desires for justice and happiness. A young boy holds a torch under trees in a garden while a man raises both arms - an image that symbolizes passion ignited amidst nature's embrace. A man seated on a platform commands attention from his audience while two men point towards him - representing power dynamics within society. Love takes center stage when one man leans toward a woman standing in a doorway while another woman raises her voice from her seat nearby - showcasing complex relationships filled with longing and desire. Intrigue unfolds as we see one man curled up in contemplation while another approaches him - hinting at hidden agendas lurking beneath the surface. Eugene Delacroix's depiction of Theatre Italien transports us back to 1821 when audiences first witnessed this extraordinary production come alive before their eyes.