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Masquerade Collection (page 9)

"Unveiling the Enigma

Background imageMasquerade Collection: Waiting for a Train on the Elevated Railway after the Masquerade (engraving)

Waiting for a Train on the Elevated Railway after the Masquerade (engraving)
2812777 Waiting for a Train on the Elevated Railway after the Masquerade (engraving) by Sala, George Augustus (1828-95); Private Collection; (add.info)

Background imageMasquerade Collection: Advertisement for the 1st Carnaval masked ball at the Theatre National de l Opera

Advertisement for the 1st Carnaval masked ball at the Theatre National de l Opera
1770055 Advertisement for the 1st Carnaval masked ball at the Theatre National de l Opera, in 1892, 1892 (colour lithograph) by Cheret

Background imageMasquerade Collection: The Masquerade in Ranelagh gardens (engraving)

The Masquerade in Ranelagh gardens (engraving)
3652530 The Masquerade in Ranelagh gardens (engraving) by Cruikshank, George (1792-1878) (after); Private Collection; (add.info.: The Masquerade in Ranelagh gardens)

Background imageMasquerade Collection: Poster advertising a masked ball and carnival, at the Theatre de l Opera

Poster advertising a masked ball and carnival, at the Theatre de l Opera
AKV385139 Poster advertising a masked ball and carnival, at the Theatre de l Opera, 1894 (colour litho) by Cheret, Jules (1836-1932); Private Collection; eAckermann Kunstverlag; French

Background imageMasquerade Collection: The Little Tongue of Columbine, 1913 (w / c & gouache on paper)

The Little Tongue of Columbine, 1913 (w / c & gouache on paper)
SRM96592 The Little Tongue of Columbine, 1913 (w/c & gouache on paper) by Somov, Konstantin Andreevic (1869-1939); 29.3x22.5 cm; State Russian Museum, St

Background imageMasquerade Collection: The Minuet or Carnival Scene (oil on canvas)

The Minuet or Carnival Scene (oil on canvas)
BEN46124 The Minuet or Carnival Scene (oil on canvas) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); 80x110 cm; Louvre, Paris, France; Photo eRaffaello Bencini; Italian, out of copyright

Background imageMasquerade Collection: Portrait of Mrs Anne Carver

Portrait of Mrs Anne Carver
AGN81858 Portrait of Mrs Anne Carver by Wright of Derby, Joseph (1734-97); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageMasquerade Collection: An Elephant Shown in Venice (oil on canvas)

An Elephant Shown in Venice (oil on canvas)
REV116834 An Elephant Shown in Venice (oil on canvas) by Longhi, Pietro (c.1701-85); 48.2x60.3 cm; Private Collection; Italian, out of copyright

Background imageMasquerade Collection: The Domino, 1904 (oil on canvas)

The Domino, 1904 (oil on canvas)
2956882 The Domino, 1904 (oil on canvas) by Steer, Philip Wilson (1860-1942); 78.74x58.42 cm; Private Collection; (add.info.: Steers title is from The Black Domino)

Background imageMasquerade Collection: Title page from The Savoy No. 1 and 2, 1896 (litho) (b / w photo)

Title page from The Savoy No. 1 and 2, 1896 (litho) (b / w photo)
STC135042 Title page from The Savoy No. 1 and 2, 1896 (litho) (b/w photo) by Beardsley, Aubrey (1872-98); Private Collection; The Stapleton Collection; English, out of copyright

Background imageMasquerade Collection: La Surprise, 1718-19 (oil on panel)

La Surprise, 1718-19 (oil on panel)
5242328 La Surprise, 1718-19 (oil on panel) by Watteau, Jean Antoine (1684-1721); 36.4x28.2 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: Mezzetin, from the commedia dell arte)

Background imageMasquerade Collection: Le Bal des Ardents (chromolitho)

Le Bal des Ardents (chromolitho)
5228921 Le Bal des Ardents (chromolitho) by French School, (19th century); Private Collection; (add.info.: Le Bal des Ardents)

Background imageMasquerade Collection: Page from a souvenir album of the Juvenile Fancy Dress Ball, Leeds

Page from a souvenir album of the Juvenile Fancy Dress Ball, Leeds
3744844 Page from a souvenir album of the Juvenile Fancy Dress Ball, Leeds, 12th January 1891 (b/w photo) by English Photographer

Background imageMasquerade Collection: Frontispiece from a souvenir album of the Juvenile Fancy Dress Ball, Leeds

Frontispiece from a souvenir album of the Juvenile Fancy Dress Ball, Leeds
3744839 Frontispiece from a souvenir album of the Juvenile Fancy Dress Ball, Leeds, 12th January 1891 (pen & ink on paper) by English School

Background imageMasquerade Collection: The Lute Player, c. 1623-24 (oil on canvas)

The Lute Player, c. 1623-24 (oil on canvas)
4071448 The Lute Player, c.1623-24 (oil on canvas) by Hals, Frans (1582/83-1666) (after); 67x60 cm; Rijksmuseum, Amsterdam, The Netherlands; Dutch, out of copyright

Background imageMasquerade Collection: Dogs Masquerade (coloured engraving)

Dogs Masquerade (coloured engraving)
979190 Dogs Masquerade (coloured engraving) by German School, (19th century); Private Collection; (add.info.: Dogs Masquerade.); © Look and Learn

Background imageMasquerade Collection: A Carnival on the Boulevard du Crime, 1832 (oil on canvas)

A Carnival on the Boulevard du Crime, 1832 (oil on canvas)
990151 A Carnival on the Boulevard du Crime, 1832 (oil on canvas) by Boilly, Louis Leopold (1761-1845); 61x108 cm; Private Collection; (add.info.: A Carnival on the Boulevard du Crime)

Background imageMasquerade Collection: The Carnival in Rome; Il Carnevale di Roma, 1881 (oil on panel)

The Carnival in Rome; Il Carnevale di Roma, 1881 (oil on panel)
824485 The Carnival in Rome; Il Carnevale di Roma, 1881 (oil on panel) by Benlliure y Gil, Jose (1855-1937); 37.5x53.6 cm; Private Collection; (add.info.: The Carnival in Rome; Il Carnevale di Roma)

Background imageMasquerade Collection: The Duel after the Ball (oil on panel)

The Duel after the Ball (oil on panel)
823423 The Duel after the Ball (oil on panel) by Gerome, Jean Leon (1824-1904); 22.3x33 cm; Private Collection; (add.info.: Sortie du Bal Masque)

Background imageMasquerade Collection: The Convent Parlour, c. 1760 (oil on canvas)

The Convent Parlour, c. 1760 (oil on canvas)
873445 The Convent Parlour, c.1760 (oil on canvas) by Gobbis, Giuseppe (c.1730-after 1787); San Diego Museum of Art, USA; eSan Diego Museum of Art; Gift of Anne R

Background imageMasquerade Collection: Entertainment. Theatre. Masquerade Ball at the Skating Theatre, Paris

Entertainment. Theatre. Masquerade Ball at the Skating Theatre, Paris
3434607 Entertainment. Theatre. Masquerade Ball at the Skating Theatre, Paris. Poster by Jules Cheret, France, c.1875 (poster) by Cheret, Jules (1836-1932); (add.info.: Spectacle. Theatre)

Background imageMasquerade Collection: Lifestyle. Brussels kermess (Carnival), Belgium. Poster by V. Mignot, Belgium, c

Lifestyle. Brussels kermess (Carnival), Belgium. Poster by V. Mignot, Belgium, c
3434551 Lifestyle. Brussels kermess (Carnival), Belgium. Poster by V. Mignot, Belgium, c.1890 (poster) by Mignot, Victor (1872-1944); (add.info.: Coll. Part. Lifestyle)

Background imageMasquerade Collection: By His Majestys Command, Jubilee Ball after the Venetian manner (engraving)

By His Majestys Command, Jubilee Ball after the Venetian manner (engraving)
586371 By His Majestys Command, Jubilee Ball after the Venetian manner (engraving) by English School, (18th century); Private Collection; (add.info.: By His Majestys Command)

Background imageMasquerade Collection: Invitation to a masked ball in Soho in 1775 (engraving)

Invitation to a masked ball in Soho in 1775 (engraving)
611035 Invitation to a masked ball in Soho in 1775 (engraving) by Bartolozzi, Francesco (1727-1815); Private Collection; (add.info)

Background imageMasquerade Collection: The Soho Masquerade Conference between the Premier and his Journeyman (engraving)

The Soho Masquerade Conference between the Premier and his Journeyman (engraving)
611032 The Soho Masquerade Conference between the Premier and his Journeyman (engraving) by English School, (18th century); Private Collection; (add.info)

Background imageMasquerade Collection: Tom and Bob in masquerade, blowing a cloud of and taking their heavy wet (coloured engraving)

Tom and Bob in masquerade, blowing a cloud of and taking their heavy wet (coloured engraving)
607594 Tom and Bob in masquerade, blowing a cloud of and taking their heavy wet (coloured engraving) by Heath, William (1795-1840) (after); Private Collection; (add.info.: Tom and Bob in masquerade)

Background imageMasquerade Collection: An amphitheatre (pen & ink on paper)

An amphitheatre (pen & ink on paper)
CTS407564 An amphitheatre (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

Background imageMasquerade Collection: Interior of the palace, c. 1611 (pen & ink on paper)

Interior of the palace, c. 1611 (pen & ink on paper)
CTS407532 Interior of the palace, c.1611 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info.: stage design for Oberon)

Background imageMasquerade Collection: Design for an elephant pageant (pen & ink on paper)

Design for an elephant pageant (pen & ink on paper)
CTS407522 Design for an elephant pageant (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees;

Background imageMasquerade Collection: Bel-Anna, Queen of the Sea, c. 1609 (pen & ink on paper)

Bel-Anna, Queen of the Sea, c. 1609 (pen & ink on paper)
CTS407515 Bel-Anna, Queen of the Sea, c.1609 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections

Background imageMasquerade Collection: Queen Zenobia, c. 1609 (pen & ink on paper)

Queen Zenobia, c. 1609 (pen & ink on paper)
CTS407513 Queen Zenobia, c.1609 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info.: Masque of Queens by Ben Jonson; Zenobia)

Background imageMasquerade Collection: Queen Candace, c. 1609 (pen & ink on paper)

Queen Candace, c. 1609 (pen & ink on paper)
CTS407512 Queen Candace, c.1609 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info.: Masque of Queens by Ben Jonson; Candace of Meroe)

Background imageMasquerade Collection: Camilla, c. 1609 (pen & ink on paper)

Camilla, c. 1609 (pen & ink on paper)
CTS407508 Camilla, c.1609 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info)

Background imageMasquerade Collection: Torchbearer of Oceania, 1605 (w / c on paper)

Torchbearer of Oceania, 1605 (w / c on paper)
CTS407501 Torchbearer of Oceania, 1605 (w/c on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info)

Background imageMasquerade Collection: A palace (pen & ink on paper)

A palace (pen & ink on paper)
CTS407590 A palace (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English, out of copyright

Background imageMasquerade Collection: A garden and princely villa (pen & ink on paper)

A garden and princely villa (pen & ink on paper)
CTS407569 A garden and princely villa (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info)

Background imageMasquerade Collection: A forest (pen & ink on paper)

A forest (pen & ink on paper)
CTS407547 A forest (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English, out of copyright

Background imageMasquerade Collection: The Release of the Daughters of the Morn, c. 1611 (pen & ink on paper)

The Release of the Daughters of the Morn, c. 1611 (pen & ink on paper)
CTS407537 The Release of the Daughters of the Morn, c.1611 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections

Background imageMasquerade Collection: Masked Guests (oil on panel) (see 254068)

Masked Guests (oil on panel) (see 254068)
BAT254067 Masked Guests (oil on panel) (see 254068) by Flemish School, (16th century); Galleria Palatina & Appartamenti Reali di Palazzo Pitti, Florence, Tuscany

Background imageMasquerade Collection: Le Fete des Vendanges de Naples, (oil on canvas)

Le Fete des Vendanges de Naples, (oil on canvas)
658753 Le Fete des Vendanges de Naples, (oil on canvas) by Marchetti, Ludovico (1853-1909); 42x61 cm; Private Collection; (add.info.: Le Fete des Vendanges de Naples. Ludovico Marchetti (1853-1909)

Background imageMasquerade Collection: At the Carnival, (oil on panel)

At the Carnival, (oil on panel)
658200 At the Carnival, (oil on panel) by Benlliure y Gil, Jose (1855-1937); 38.1x54.6 cm; Private Collection; (add.info.: At the Carnival. Jose Benlliure y Gil (1855-1937). Oil on panel

Background imageMasquerade Collection: Tapan Mask, from the Elema Region of the Papuan Gulf, Papua New Guinea, Oceania

Tapan Mask, from the Elema Region of the Papuan Gulf, Papua New Guinea, Oceania
HSC137106 Tapan Mask, from the Elema Region of the Papuan Gulf, Papua New Guinea, Oceania, (mixed media) by Oceanic; Private Collection; Photo eHeini Schneebeli; out of copyright

Background imageMasquerade Collection: Conversation with masks or the Apples Seller, 1750-60 (oil on canvas)

Conversation with masks or the Apples Seller, 1750-60 (oil on canvas)
FTB60397 Conversation with masks or the Apples Seller, 1750-60 (oil on canvas) by Longhi, Alessandro (1733-1813); 162x51 cm; Ca Rezzonico, Museo del Settecento, Venice

Background imageMasquerade Collection: Moonlight Masquerade (oil on canvas)

Moonlight Masquerade (oil on canvas)
2561219 Moonlight Masquerade (oil on canvas) by Somov, Konstantin Andreevic (1869-1939); 36.2x47.8 cm; Private Collection; Photo eChristies Images; Russian, out of copyright

Background imageMasquerade Collection: York Club masked ball to celebrate victories of the allies in the Napoleonic Wars (litho)

York Club masked ball to celebrate victories of the allies in the Napoleonic Wars (litho)
6032968 York Club masked ball to celebrate victories of the allies in the Napoleonic Wars (litho) by English School, (19th century); Private Collection; (add.info)

Background imageMasquerade Collection: The Casino, 1720-90 (oil on canvas)

The Casino, 1720-90 (oil on canvas)
5916319 The Casino, 1720-90 (oil on canvas) by Longhi, Pietro (c.1701-85) (school of); 85x101.5 cm; Rijksmuseum, Amsterdam, The Netherlands; Italian, out of copyright

Background imageMasquerade Collection: Page from a souvenir album of the Juvenile Fancy Dress Ball, Leeds

Page from a souvenir album of the Juvenile Fancy Dress Ball, Leeds
3744835 Page from a souvenir album of the Juvenile Fancy Dress Ball, Leeds, 12th January 1891 (b/w photo) by English Photographer



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"Unveiling the Enigma: Exploring the Allure of Masquerade" Step into a world of mystery and intrigue as two ladies adorned in resplendent blue and gold masks transport us to the enchanting Venice Carnival, a UNESCO World Heritage Site. This captivating Elspeth Phelps advertisement from 1920 captures the essence of this timeless tradition. The iconic Lon Chaney takes center stage in "Phantom of the Opera, " a 1925 film that epitomizes the allure and mystique surrounding masquerades. His haunting portrayal lingers in our minds, reminding us of the hidden identities concealed behind elaborate disguises. Venice, with its vibrant Venetian Carnival, has long been synonymous with masquerades. A lady and gentleman clad in red and white masks evoke an air of elegance against this picturesque backdrop. The city's rich history comes alive through these masked figures wandering its labyrinthine streets. Delving deeper into cultural customs, we encounter Native American hunters donning wolf-skins as clever camouflage during their hunts—a striking example of how masquerades transcend time and geography. Amidst Venice's architectural marvels stands The Church of Santa Maria della Salute, an embodiment of grandeur since 1740/41. Its opulence serves as a fitting setting for masked revelers who gather within its hallowed halls during extravagant balls. Traveling back to 1788, we witness a woman gracefully swathed in a ball gown while concealing her identity behind an exquisite mask—an emblematic image capturing society's fascination with anonymity at lavish gatherings. Queen Artemisia herself graces our narrative; her pen-and-ink portrait from c. 1609 showcases her regal poise combined with an enigmatic allure—proof that even royalty succumbs to the allure of masquerades' secrets. Yet not all is veiled beneath layers of disguise; some moments demand vulnerability.