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Mecene Collection (#2)

"Mécène: A Legacy of Patronage and Support" Throughout history, individuals have emerged as patrons, providing support and encouragement to various fields

Background imageMecene Collection: Laurent de Medici (1449-1492) says the Magnificent (Lorenzo de Medici) mecene

Laurent de Medici (1449-1492) says the Magnificent (Lorenzo de Medici) mecene
ELD4904697 Laurent de Medici (1449-1492) says the Magnificent (Lorenzo de Medici) mecene and the young Michelangelo Buonarroti called Michelangelo (1475-1564)

Background imageMecene Collection: France, Aquitaine, Gironde (33), Bordeaux: grape harvest in Bordeaux

France, Aquitaine, Gironde (33), Bordeaux: grape harvest in Bordeaux, Patron of the estate in hat and costume
LUX4766983 France, Aquitaine, Gironde (33), Bordeaux: grape harvest in Bordeaux, Patron of the estate in hat and costume and five pickers pose for the photographer on a cart pulled by two oxen where

Background imageMecene Collection: France, Ile-de-France, Paris (75): rue crozatier, front of a cafe with 5 consumers drinking beer

France, Ile-de-France, Paris (75): rue crozatier, front of a cafe with 5 consumers drinking beer on the terrace with
LUX4770490 France, Ile-de-France, Paris (75): rue crozatier, front of a cafe with 5 consumers drinking beer on the terrace with the boss and his dog in the background, 1905 - Cafe, beer, liqueurs

Background imageMecene Collection: Emperor Charlemagne visiting a school. 19th century (engraving)

Emperor Charlemagne visiting a school. 19th century (engraving)
ELD4919073 Emperor Charlemagne visiting a school. 19th century (engraving).; Private Collection; (add.info.: His interest in education and learning)

Background imageMecene Collection: Gothic architecture. History of Saint Eustachius: the donors - drapers and furriers

Gothic architecture. History of Saint Eustachius: the donors - drapers and furriers
JEB4845126 Gothic architecture. History of Saint Eustachius: the donors - drapers and furriers. Stained glass from the lower north coast. Cathedrale de Chartres.; (add.info.: Gothic architecture)

Background imageMecene Collection: Gothic architecture. Noe's story: donor - carpenters. Stained glass from the lower north coast

Gothic architecture. Noe's story: donor - carpenters. Stained glass from the lower north coast
JEB4845154 Gothic architecture. Noe's story: donor - carpenters. Stained glass from the lower north coast. Cathedrale de Chartres.; (add.info.: Gothic architecture)

Background imageMecene Collection: French author, courtesan, freethinker, and patron of the arts Ninon de Lenclos

French author, courtesan, freethinker, and patron of the arts Ninon de Lenclos (l'enclos ou lanclos) (1620-1705)
ELD4934376 French author, courtesan, freethinker, and patron of the arts Ninon de Lenclos (l'enclos ou lanclos) (1620-1705) and her lover Louis de Mornay, the marquis de Villarceaux (1619-1691)

Background imageMecene Collection: Laurent de Medici (1449 - 1492) (Laurent the Magnificent: Lorenzo il Magnifico)

Laurent de Medici (1449 - 1492) (Laurent the Magnificent: Lorenzo il Magnifico) sitting in the middle of the artists
GIM5038382 Laurent de Medici (1449 - 1492) (Laurent the Magnificent: Lorenzo il Magnifico) sitting in the middle of the artists, Fresco by Ottavio Vannini (1585 1643) - Museo degli argenti

Background imageMecene Collection: Portrait of the Swiss businessman and politician Alfred Escher and his daughter Lydia

Portrait of the Swiss businessman and politician Alfred Escher and his daughter Lydia (Lydia Welti-escher) (1858-1891)
ELD4964419 Portrait of the Swiss businessman and politician Alfred Escher and his daughter Lydia (Lydia Welti-escher) (1858-1891)

Background imageMecene Collection: The Archangel Raphael, Saint Leonard, Tobie and the Sponsor Kneeling (Painting, 1511)

The Archangel Raphael, Saint Leonard, Tobie and the Sponsor Kneeling (Painting, 1511)
LRI4576981 The Archangel Raphael, Saint Leonard, Tobie and the Sponsor Kneeling (Painting, 1511) by Sarto, Andrea del (1486-1530); Kunsthistorisches Museum, Vienna

Background imageMecene Collection: Pattern for cross stitch embroidery (parrot) - in '

Pattern for cross stitch embroidery (parrot) - in "
XEE4114704 Pattern for cross stitch embroidery (parrot) - in " Journal des Demoiselles" 1852. by French School, (19th century); Private Collection; (add.info)

Background imageMecene Collection: Nos Financiers en robe de chambre, 1891 (print)

Nos Financiers en robe de chambre, 1891 (print)
ICA4884661 Nos Financiers en robe de chambre, 1891 (print) by Gruen, Jules (1868-1938); (add.info.: Nos Financiers en robe)

Background imageMecene Collection: The adoration of the magi, detail, 1475 (tempera on wood)

The adoration of the magi, detail, 1475 (tempera on wood)
LRI4570977 The adoration of the magi, detail, 1475 (tempera on wood) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Galleria degli Uffizi, Florence, Tuscany

Background imageMecene Collection: Pattern for cross stitch embroidery (bird of paradise) - in '

Pattern for cross stitch embroidery (bird of paradise) - in "
XEE4114730 Pattern for cross stitch embroidery (bird of paradise) - in " Journal des Demoiselles" 1852. by French School

Background imageMecene Collection: Las Meninas or the Family of Philip IV, 1656 (oil on canvas)

Las Meninas or the Family of Philip IV, 1656 (oil on canvas)
JLJ4665450 Las Meninas or the Family of Philip IV, 1656 (oil on canvas) by Velazquez, Diego Rodriguez de Silva y (1599-1660); 316x276 cm; Prado, Madrid

Background imageMecene Collection: Emperor Charlemagne visiting a school, his interest in education and learning

Emperor Charlemagne visiting a school, his interest in education and learning
ELD4868386 Emperor Charlemagne visiting a school, his interest in education and learning and patronage of scholars has caused him to be considered the patron of schools

Background imageMecene Collection: Alberto I Canfrancesco della Scala (1291-1329), war name Cangrande della Scala

Alberto I Canfrancesco della Scala (1291-1329), war name Cangrande della Scala
FLO4676799 Alberto I Canfrancesco della Scala (1291-1329), war name Cangrande della Scala, lord of Verona and mecene of Dante Alighieri (1265-1321) - Cangrande della Scala, lord of Verona

Background imageMecene Collection: Engraving workshop. Night falls, the boss and one of his sons (?) check the work in the workshops

Engraving workshop. Night falls, the boss and one of his sons (?) check the work in the workshops
LSE4313961 Engraving workshop. Night falls, the boss and one of his sons (?) check the work in the workshops, while two workers heat themselves in a brazier

Background imageMecene Collection: Emperor Charlemagne (742-814) founder of the school meeting of children'

Emperor Charlemagne (742-814) founder of the school meeting of children" (Emperor Charlemagne meets children)
ELD4885779 Emperor Charlemagne (742-814) founder of the school meeting of children" (Emperor Charlemagne meets children)

Background imageMecene Collection: Portrait of Scottish Insurer and Protector of Arts Evan Mackenzie Painting by Luigi de Servi

Portrait of Scottish Insurer and Protector of Arts Evan Mackenzie Painting by Luigi de Servi (1863-1945)
LRI4693892 Portrait of Scottish Insurer and Protector of Arts Evan Mackenzie Painting by Luigi de Servi (1863-1945) 1902 Dim 135x135 cm Genes, Galleria d Arte Moderna, inv 1056 Italy by Servi

Background imageMecene Collection: Madone and Child with the saints Mercuriale (patron of the city of Forli)

Madone and Child with the saints Mercuriale (patron of the city of Forli) and Valeriano (oil on panel)
VEN5027525 Madone and Child with the saints Mercuriale (patron of the city of Forli) and Valeriano (oil on panel) by Modigliani

Background imageMecene Collection: Statue of Benvenuto Cellini (1500-1571), sculptor, goldbearer, founder

Statue of Benvenuto Cellini (1500-1571), sculptor, goldbearer, founder, designer of the Italian Renaissance
YOU4419679 Statue of Benvenuto Cellini (1500-1571), sculptor, goldbearer, founder, designer of the Italian Renaissance, having as their mecenes, Francois 1st and Cosimo 1st of Tuscany

Background imageMecene Collection: Bust of Benvenuto Cellini (1500-1571), sculptor, Italian goldwort, having as their mecenes

Bust of Benvenuto Cellini (1500-1571), sculptor, Italian goldwort, having as their mecenes
YOU4419717 Bust of Benvenuto Cellini (1500-1571), sculptor, Italian goldwort, having as their mecenes, Francois 1st and Cosimo 1st of Tuscany, bronze sculpture by Raffaello Romanelli (1856-1928)

Background imageMecene Collection: Equestrian statue of Cosimo 1st of Tuscany (1519-1574), Grand Duke of Tuscany

Equestrian statue of Cosimo 1st of Tuscany (1519-1574), Grand Duke of Tuscany
YOU4419633 Equestrian statue of Cosimo 1st of Tuscany (1519-1574), Grand Duke of Tuscany, Under his reign were created in Florence, the Uffizi, the Vasari corridor, the Boboli Gardens

Background imageMecene Collection: View of the Abbey St Genevieve in Paris, 1889 (engraving)

View of the Abbey St Genevieve in Paris, 1889 (engraving)
ELD4834146 View of the Abbey St Genevieve in Paris, 1889 (engraving) by Demoulin, Gustave (fl.1889); Private Collection; (add.info)

Background imageMecene Collection: L Assiette au Beurre, number 414, Satirique en couleurs, 1909_3_6: Colonization, Elections

L Assiette au Beurre, number 414, Satirique en couleurs, 1909_3_6: Colonization, Elections, Vie des riches
ICA4912935 L Assiette au Beurre, number 414, Satirique en couleurs, 1909_3_6: Colonization, Elections, Vie des riches, Guadeloupe - Clemenceau George, Boss/Bourgeois, Black (lithograph) by Camara

Background imageMecene Collection: In Maecenas Foyer, 1890 (oil on canvas)

In Maecenas Foyer, 1890 (oil on canvas)
BAL137550 In Maecenas Foyer, 1890 (oil on canvas) by Bakalowicz, Stefan Vladislavovich (1857-1947); 45x72.7 cm; Tretyakov Gallery, Moscow

Background imageMecene Collection: Cover of 'The Socialist Chambard', number 71, Satirical in Colours

Cover of "The Socialist Chambard", number 71, Satirical in Colours
ICA4852998 Cover of " The Socialist Chambard", number 71, Satirical in Colours, 1895_4_20: Resurrection - Anticlericalism, Social, Armee, Justice Proces, Religion - Eg with reactionaries

Background imageMecene Collection: First Empire: 'The Suppressed Employees'Drawing by Dargencourt. 1806 B. N. Paris

First Empire: "The Suppressed Employees"Drawing by Dargencourt. 1806 B. N. Paris
JLJ4566748 First Empire: " The Suppressed Employees" Drawing by Dargencourt. 1806 B.N. Paris by Dargencourt, (19th century); Bibliotheque Nationale, Paris

Background imageMecene Collection: Our Lady and the child with donor, detail ( circa 1377, Fresco placed on canvas)

Our Lady and the child with donor, detail ( circa 1377, Fresco placed on canvas)
LRI4608326 Our Lady and the child with donor, detail ( circa 1377, Fresco placed on canvas) by Master of Mocchirolo (fl.c.1350); Pinacoteca di Brera, Milan

Background imageMecene Collection: Saint Francois-de-Sales (Saint Francois de Sales) (1567-1622), eveque of Geneva

Saint Francois-de-Sales (Saint Francois de Sales) (1567-1622), eveque of Geneva
XEE4155030 Saint Francois-de-Sales (Saint Francois de Sales) (1567-1622), eveque of Geneva and patron of journalists during his evangelization of Chablais

Background imageMecene Collection: Serpent Journalist hired by a press boss for the excellence of his venom; cartoon by Benjamin

Serpent Journalist hired by a press boss for the excellence of his venom; cartoon by Benjamin Rabier (drawing)
PCT4256324 Serpent Journalist hired by a press boss for the excellence of his venom; cartoon by Benjamin Rabier (drawing) by Rabier, Benjamin (1869-1939); © Patrice Cartier

Background imageMecene Collection: Le Whistle, number 9, Satirique en N & B, 1898_4_14: Turnee electorale - Anticlericalism

Le Whistle, number 9, Satirique en N & B, 1898_4_14: Turnee electorale - Anticlericalism
ICA4885794 Le Whistle, number 9, Satirique en N & B, 1898_4_14: Turnee electorale - Anticlericalism, Case Dreyfus - Eg with reactionaries, Eg social parasite, Eg opposed to the people

Background imageMecene Collection: View of the rotunda of Mars and the mecene room at the Louvre

View of the rotunda of Mars and the mecene room at the Louvre. Painting by Alphonse Hirsch (1843-1884), 1880
JLJ4600428 View of the rotunda of Mars and the mecene room at the Louvre. Painting by Alphonse Hirsch (1843-1884), 1880. Oil on canvas. Dim: 1 x 0, 73m

Background imageMecene Collection: Cover of 'L Assiette au Beurre', number 388, Satirique en Colours, 1908_9_5: Art

Cover of "L Assiette au Beurre", number 388, Satirique en Colours, 1908_9_5: Art
ICA4909164 Cover of " " L Assiette au Beurre", number 388, Satirique en Colours, 1908_9_5: Art, Life of the rich - Painters artists

Background imageMecene Collection: Portrait of Lorenzo de Medici, Florentine Mecene (Painting, 17th century)

Portrait of Lorenzo de Medici, Florentine Mecene (Painting, 17th century)
LRI4571204 Portrait of Lorenzo de Medici, Florentine Mecene (Painting, 17th century) by Campo, Isacco (17th century); Galleria Palatina & Appartamenti Reali di Palazzo Pitti, Florence, Tuscany

Background imageMecene Collection: Statue of Edouard Andre (marble)

Statue of Edouard Andre (marble)
YOU4418234 Statue of Edouard Andre (marble) by Carpeaux, Jean-Baptiste (1827-75); Musee d Orsay, Paris, France; (add.info.: Statue of Edouard Andre (1855-1894), politician, French collector

Background imageMecene Collection: Portrait of Count Franz Anton von Nostitz-Rieneck (1725-1794

Portrait of Count Franz Anton von Nostitz-Rieneck (1725-1794
LRI4673184 Portrait of Count Franz Anton von Nostitz-Rieneck (1725-1794) founder of the State Theatre of Prague in 1783 (Portrait of aristocrat Frantisek Antonin Count Nostitz Rieneck who built)

Background imageMecene Collection: Aztec art: Ometochtli, god rabbit boss of drunkenness

Aztec art: Ometochtli, god rabbit boss of drunkenness
GIA4701204 Aztec art: Ometochtli, god rabbit boss of drunkenness. by Aztec; Private Collection; (add.info.: Aztec art: Ometochtli, god rabbit boss of drunkenness.); eGiancarlo Costa; out of copyright

Background imageMecene Collection: Benvenuto Cellini (1500-1571), Italian artist at the court of Francois 1st

Benvenuto Cellini (1500-1571), Italian artist at the court of Francois 1st
XEE4415535 Benvenuto Cellini (1500-1571), Italian artist at the court of Francois 1st. In " Histoire Populaire de la France", sd. circa 1885. Engraving

Background imageMecene Collection: Feasts of Saint George, patron of the city of Alcoy, sketch made on the lively of Gustave

Feasts of Saint George, patron of the city of Alcoy, sketch made on the lively of Gustave
LSE4325309 Feasts of Saint George, patron of the city of Alcoy, sketch made on the lively of Gustave Dore (1832-1883), to illustrate his trip to Spain, in 1862, with Ch. Davillier

Background imageMecene Collection: Coin minting in the Middle Ages. Miniature from a draft by Nicolas Oresme (1320-1382)

Coin minting in the Middle Ages. Miniature from a draft by Nicolas Oresme (1320-1382)
JLJ4568250 Coin minting in the Middle Ages. Miniature from a draft by Nicolas Oresme (1320-1382). 15th century B.N. Paris by Unknown Artist, (15th century); Bibliotheque Nationale, Paris

Background imageMecene Collection: Our Lady of the Guard, patron saint of sailors, image of Epinal

Our Lady of the Guard, patron saint of sailors, image of Epinal
XEE4411668 Our Lady of the Guard, patron saint of sailors, image of Epinal, first half of the 19th century. by French School, (19th century); Private Collection; (add.info.: Our Lady of the Guard)

Background imageMecene Collection: Triptych of Epiphany with St. Peter and donor (oil on panel, 1510)

Triptych of Epiphany with St. Peter and donor (oil on panel, 1510)
LRI4602796 Triptych of Epiphany with St. Peter and donor (oil on panel, 1510) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid, Spain; (add.info.: Triptych of the Epiphany (triptych of Epiphany) St

Background imageMecene Collection: The line of Saint Anne Representation of the genealogical tree of Saint Anne

The line of Saint Anne Representation of the genealogical tree of Saint Anne
JLJ4563584 The line of Saint Anne Representation of the genealogical tree of Saint Anne, mother of Mary. Painting on wood by Gerard David (1460-1523). 1483. Sun

Background imageMecene Collection: A workshop at the Batignolles (with several portraits of artist) (oil on canvas, 1870)

A workshop at the Batignolles (with several portraits of artist) (oil on canvas, 1870)
LRI4605536 A workshop at the Batignolles (with several portraits of artist) (oil on canvas, 1870) by Fantin-Latour, Henri (1836-1904); Musee d Orsay, Paris

Background imageMecene Collection: The architect Louis Visconti (1791-1853) presents to Napoleon III the plan of the new

The architect Louis Visconti (1791-1853) presents to Napoleon III the plan of the new
JLJ4576434 The architect Louis Visconti (1791-1853) presents to Napoleon III the plan of the new Louvre Painting of Ange Tissier (1814-1876) 1865, oil on canvas, 1.78 x 2.31 m

Background imageMecene Collection: Portrait of Archduke Leopold Wilhelm of Austria, in front of siege of Gravelines in 1652

Portrait of Archduke Leopold Wilhelm of Austria, in front of siege of Gravelines in 1652
LRI4574712 Portrait of Archduke Leopold Wilhelm of Austria, in front of siege of Gravelines in 1652. (Painting, c.1655) by Teniers, David the Younger (1610-90); Kunsthistorisches Museum, Vienna



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"Mécène: A Legacy of Patronage and Support" Throughout history, individuals have emerged as patrons, providing support and encouragement to various fields. From the humble plowers to renowned artists, these benefactors have left an indelible mark on society. In the 12th century, Saint Isidore became known as the patron of plowers. An angel's assistance while he plowed a field symbolized divine intervention in agricultural endeavors. Cross-stitch enthusiasts find inspiration in patterns like the parrot design. This intricate art form allows them to create beautiful embroidery pieces that showcase their creativity and skill. Diego Velázquez's masterpiece "Las Meninas" captures the essence of patronage during Philip IV's reign. The painting immortalizes his family while highlighting their connection with artists and intellectuals of the time. Emperor Charlemagne's interest in education earned him recognition as the patron saint of schools. His visitations to educational institutions emphasized his commitment to learning and fostering knowledge among scholars. In "The Adoration of the Magi, " we witness how patrons' contributions supported religious art throughout history. This detailed tempera painting showcases both devotion and financial support for artistic endeavors. Cangrande della Scala, lord of Verona during the 14th century, played a crucial role as Dante Alighieri's mecène or benefactor. Their relationship fostered Dante's literary genius while Cangrande donned a distinctive blue cap symbolizing his status. Engraving workshops thrived under dedicated patrons who ensured quality craftsmanship prevailed even after nightfall. In this scene, bosses oversee work progress while workers warm themselves by a brazier—a testament to patrons' dedication towards nurturing talent within their industries. Emperor Charlemagne continued his legacy as a supporter of education through encounters with children at school meetings. His unwavering commitment paved the way for him being revered as one of history's most influential advocates for learning.