Mid 19th Century Collection (page 4)

El Kasne (Treasury), Petra, March 1839, 1842-1849 (hand-coloured lithograph)
986405 El Kasne (Treasury), Petra, March 1839, 1842-1849 (hand-coloured lithograph) by Roberts, David (1796-1864) (after); 60.5x43.5 cm; Private Collection; (add.info.: El Kasne (Treasury), Petra

The Breton Family; La Famille Bretonne, (oil on canvas)
827091 The Breton Family; La Famille Bretonne, (oil on canvas) by Ribot, Auguste Theodule (1823-91); 92.7x73.7 cm; Private Collection; (add.info.: The Breton Family; La Famille Bretonne)

The Three Cooks; Les Trois Cuisiniers, (oil on canvas)
827090 The Three Cooks; Les Trois Cuisiniers, (oil on canvas) by Ribot, Auguste Theodule (1823-91); 45.7x33 cm; Private Collection; (add.info.: The Three Cooks; Les Trois Cuisiniers)

The Sleeping Reapers; Les Moissonneurs Endormis, c. 1847-48 (oil on canvas)
827089 The Sleeping Reapers; Les Moissonneurs Endormis, c.1847-48 (oil on canvas) by Millet, Jean-Francois (1814-75); 45.7x38.1 cm; Private Collection; (add.info)

Great Eared Owl, 1841 (hand-coloured engraving)
986303 Great Eared Owl, 1841 (hand-coloured engraving) by Selby, Prideaux John (1788-1867); 67x54 cm; Private Collection; (add.info.: Great Eared Owl. From Illustrations of British Ornithology)

View from the Castle Hill, Looking Towards Monte Skopo, Zante, 1863 (lithograph)
986184 View from the Castle Hill, Looking Towards Monte Skopo, Zante, 1863 (lithograph) by Lear, Edward (1812-88); Private Collection; (add.info.: View from the Castle Hill)

Title page from Drevnosti Rossiikago Gosudarstva, 1849-1853 (chromolithograph)
986177 Title page from Drevnosti Rossiikago Gosudarstva, 1849-1853 (chromolithograph) by Russian School (19th century); Private Collection; (add.info.: Title page)

A Staffordshire Portrait Group of the Death of Nelson, (ceramic)
986130 A Staffordshire Portrait Group of the Death of Nelson, (ceramic) by English School; Private Collection; (add.info.: A Staffordshire Portrait Group of the Death of Nelson. Made circa 1845)

Upupa Epops (Hoopoe), 1862-1873 (hand-coloured lithograph)
986076 Upupa Epops (Hoopoe), 1862-1873 (hand-coloured lithograph) by Gould, John (1804-81); Private Collection; (add.info.: Upupa Epops (Hoopoe). From The Birds of Great Britain

Odontoglossum coronarium, 1864-1874 (hand-coloured lithograph)
986074 Odontoglossum coronarium, 1864-1874 (hand-coloured lithograph) by Fitch, Walter Hood (1817-92); Private Collection; (add.info.: Odontoglossum coronarium)

Tawny Owl, 1841 (hand-coloured engraving)
986007 Tawny Owl, 1841 (hand-coloured engraving) by Selby, Prideaux John (1788-1867); Private Collection; (add.info.: Tawny Owl. Plate XXV from Illustrations of British Ornithology)

BKS111192192 01
Long-billed Cockatoo (Licmetis nasicus). From The Birds of Australia. John Gould (1804-1881). Hand-coloured lithograph. Published in 1840-1869. 54.5 x 36cm

The Presentation of the Knight, 1843 (hand coloured lithograph)
985986 The Presentation of the Knight, 1843 (hand coloured lithograph) by Nixon, James Henry (1802-57); Private Collection; (add.info.: The Presentation of the Knight)

Epidendrum Vitellinum, c. 1837-41 (hand-coloured lithograph)
985978 Epidendrum Vitellinum, c.1837-41 (hand-coloured lithograph) by Drake, Miss (fl.1885-92) (after); 55x37 cm; Private Collection; (add.info.: Epidendrum Vitellinum)

The Duchess, c. 1865 (pen and brown ink)
985962 The Duchess, c.1865 (pen and brown ink) by Tenniel, John (1820-1914); 9.5x7.8 cm; Private Collection; (add.info.: The Duchess)

Black-tailed Hare, c. 1849-1854 (hand-finished colour lithograph)
985864 Black-tailed Hare, c.1849-1854 (hand-finished colour lithograph) by Audubon, John Woodhouse (1812-62) (after); Private Collection; (add.info.: Black-tailed Hare)

Black American Wolf, Male, 1845 (colour lithograph)
985862 Black American Wolf, Male, 1845 (colour lithograph) by Audubon, John Woodhouse (1812-62) (after); 68.7x54.3 cm; Private Collection; (add.info.: Black American Wolf, Male; Canis Lupus)

Asseola, A Seminole Leader, 1844 (coloured lithograph)
985813 Asseola, A Seminole Leader, 1844 (coloured lithograph) by King, Charles Bird (1785-1862) (after); 53x37.5 (folio) cm; Private Collection; (add.info.: Asseola, A Seminole Leader)

Virginian Opossum, 1845 (coloured lithograph)
985805 Virginian Opossum, 1845 (coloured lithograph) by Audubon, John James (1785-1851) (after); 54.7x69.8 cm; Private Collection; (add.info)

Still Life with Peach, Grapes and Rosehips, 1865 (oil on canvas)
650996 Still Life with Peach, Grapes and Rosehips, 1865 (oil on canvas) by Dietrich, Adelheid (1827-91); 22 x26 cm; Private Collection; (add.info.: Still Life with Peach, Grapes and Rosehips)

Portrait of Arthur Benson Homer, 1853 (pencil on paper)
650870 Portrait of Arthur Benson Homer, 1853 (pencil on paper) by Homer, Winslow (1836-1910); 25.7x20 cm; Private Collection; (add.info.: Portrait of Arthur Benson Homer. Winslow Homer (1836-1910)

Coastal View, Newport, 1861 (oil on board)
650787 Coastal View, Newport, 1861 (oil on board) by Bierstadt, Albert (1830-1902); 22.2x35.6 cm; Private Collection; (add.info.: Coastal View, Newport. Albert Bierstadt (1830-1902)

The Picnic, 1861 (oil on board)
650784 The Picnic, 1861 (oil on board) by Brown, John George (1831-1913); 36x30.8 cm; Private Collection; (add.info.: The Picnic. John George Brown (1831-1913). Oil on canvas, 1861

Bountiful Still Life, 1855 (oil on canvas)
650413 Bountiful Still Life, 1855 (oil on canvas) by Newell, Hugh (1830-1915); 50.8x61 cm; Private Collection; (add.info.: Bountiful Still Life. Hugh Newell (1830-1915). Oil on canvas

The Parting of Lord William and Lady Rachel Russell in 1683
989988 The Parting of Lord William and Lady Rachel Russell in 1683 (The Last Interview of Lord and Lady Russell), 1852 (oil on canvas) by Lucy

A View of London with St, (oil on canvas)
989936 A View of London with St, (oil on canvas) by Gendall, John (1790-1865); 108.6x151.1 cm; Private Collection; (add.info.: A View of London with St. Pauls Cathedral from the Thames)

Altar Boy Praying, c. 1865-1875 (oil on canvas)
989872 Altar Boy Praying, c.1865-1875 (oil on canvas) by Mancini, Antonio (1852-1930); 73.6x61 cm; Private Collection; (add.info.: Altar Boy Praying; Prevetariello in preghiera)

Teatime Tales, (oil on canvas)
989854 Teatime Tales, (oil on canvas) by Soulacroix, Joseph Frederick Charles (1825-79); 99x75.9 cm; Private Collection; (add.info.: Teatime Tales. Joseph Frederic Charles Soulacroix (1825-1879)

The Harem, (oil on canvas)
989846 The Harem, (oil on canvas) by Makart, Hans (1840-84); 45.1x142.3 cm; Private Collection; (add.info.: The Harem. Circle of Hans Makart (1840-1884). Oil on canvas

Herd of Cows at a Drinking Pool, (oil on canvas)
989828 Herd of Cows at a Drinking Pool, (oil on canvas) by Jacque, Charles Emile (1813-94); 143.5x201.6 cm; Private Collection; (add.info)

The Ferry Crossing, 1849 (oil on canvas)
989827 The Ferry Crossing, 1849 (oil on canvas) by Troyon, Constant-Emile (1810-65); 116.2x157.5 cm; Private Collection; (add.info.: The Ferry Crossing. Constant-Emile Troyon (1810-1865)

A Sketch for Nameless and Friendless, c. 1857 (oil on panel)
989815 A Sketch for Nameless and Friendless, c.1857 (oil on panel) by Osborn, Emily Mary (1834-93); 22.7x29.3 cm; Private Collection; (add.info.: A Sketch for Nameless and Friendless)

Portrait photograph of William Tecumseh Sherman (1820-1891), signed, W
985759 Portrait photograph of William Tecumseh Sherman (1820-1891), signed, W. Sherman (General), c.1869 (photographic plate) by Brady

Asseola, a Seminole Leader, c. 1837-1844 (hand-finished colour lithograph)
985731 Asseola, a Seminole Leader, c.1837-1844 (hand-finished colour lithograph) by King, Charles Bird (1785-1862) (after); Private Collection; (add.info.: Asseola, a Seminole Leader)

Sobralia Macrantha, c. 1837-43 (hand-coloured litho)
985683 Sobralia Macrantha, c.1837-43 (hand-coloured litho) by Drake, Sarah Ann (1803-57) (after); 72.9x53.1 (folio) cm; Private Collection; (add.info)

A signed carte-de-visite photograph of Abraham Lincoln, 1861 (carte-de-visite)
985677 A signed carte-de-visite photograph of Abraham Lincoln, 1861 (carte-de-visite) by Gardner, Alexander (1821-82); 9.4x6.2 cm; Private Collection; (add.info)

An Edelzinn eight piece pewter liquor set, 1865 (pewter)
985588 An Edelzinn eight piece pewter liquor set, 1865 (pewter) by Olbrich, Joseph Maria (1867-1908); Private Collection; (add.info.: An Edelzinn eight piece pewter liquor set)

Indians Experiencing a Lunar Eclipse, c. 1848-50 (oil on canvas)
985469 Indians Experiencing a Lunar Eclipse, c.1848-50 (oil on canvas) by Rimmer, William (1816-79); 66.7x91.4 cm; Private Collection; (add.info.: Indians Experiencing a Lunar Eclipse)

Flushed: Ruffed Grouse Shooting, 1857 (oil on canvas)
985367 Flushed: Ruffed Grouse Shooting, 1857 (oil on canvas) by Tait, Arthur Fitzwilliam (1819-1905); 61x92 cm; Private Collection; (add.info.: Flushed: Ruffed Grouse Shooting)

Storm Among the Alps, c. 1856 (oil on canvas)
985358 Storm Among the Alps, c.1856 (oil on canvas) by Bierstadt, Albert (1830-1902); 73x50.8 cm; Private Collection; (add.info.: Storm Among the Alps. Albert Bierstadt (1830-1902). Oil on canvas

Girl in Red, Sewing, (oil on canvas)
985222 Girl in Red, Sewing, (oil on canvas) by Robinson, Theodore (1852-96); 40.9x32.4 cm; Private Collection; (add.info.: Girl in Red, Sewing. Theodore Robinson (1852-1896). Oil on canvas

Icebound Ship, (oil on canvas)
984990 Icebound Ship, (oil on canvas) by Bradford, William (1823-92); 76.2x122 cm; Private Collection; (add.info.: Icebound Ship. William Bradford (1823-1892). Oil on canvas

Abraham Lincoln posing before his Springfield, Massachusetts Home, c
991516 Abraham Lincoln posing before his Springfield, Massachusetts Home, c.1860s-1870s (albumen print) by Whipple, John Adams (1823-91); Private Collection; (add.info)

1. Crinum arenarium and 2. Cobergia incarnata, 1840-1844 (hand-coloured lithograph)
991245 1. Crinum arenarium and 2. Cobergia incarnata, 1840-1844 (hand-coloured lithograph) by English School, (19th century); 26.8x21 (approx.) cm; Private Collection; (add.info.: 1)

Petrogale Xanthopus (yellow-footed rock-wallaby), 1845-1863 (hand-coloured lithograph)
991244 Petrogale Xanthopus (yellow-footed rock-wallaby), 1845-1863 (hand-coloured lithograph) by English School, (19th century); 56.3x38.7 cm; Private Collection; (add.info)

Elliots Pheasant, 1865 (hand-coloured lithograph)
991232 Elliots Pheasant, 1865 (hand-coloured lithograph) by Wolf, Joseph (1820-99) & Smit, J. (fl.1870); 59x47 cm; Private Collection; (add.info.: Elliots Pheasant; Calophasis Ellioti)

Pehriska-Ruhpa, Moennitarri Warrior in the Costume of the Dog Danse, 1840 (etching
990517 Pehriska-Ruhpa, Moennitarri Warrior in the Costume of the Dog Danse, 1840 (etching, aquatint, hand-coloured, white wove paper) by Bodmer

A Japanese Samurai, c. 1864-1866 (albumen print, hand tinted)
990439 A Japanese Samurai, c.1864-1866 (albumen print, hand tinted) by Beato, Felice (Felix) (1825-c.1908); Private Collection; (add.info.: A Japanese Samurai)

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Step back in time to the mid 19th century, a period filled with artistic marvels and historical milestones. The Iris Germanica, a stunning hand-coloured engraving from 1847, showcases the beauty of nature captured on paper. Meanwhile, Orlando, a Bay Racehorse in a Loosebox immortalized in oil on panel in 1845, portrays the grace and strength of these majestic creatures. The Viaduct across the Sankey Valley stands as an architectural masterpiece from 1831. Its colour aquatints and partly hand-coloured details transport us to an era where engineering marvels were celebrated. Bloomsbury, A Chestnut Racehorse with Sam Templeman up, takes us into the world of horse racing through its captivating oil on canvas depiction set against a picturesque landscape. Art lovers are treated to The Wrestling Scene in As You Like It painted by an unknown artist in 1854. This oil on canvas piece captures the intensity and drama of Shakespearean theater. Paolo and Francesca da Rimini transports us further into history with its emotional portrayal of doomed love rendered beautifully on canvas in 1863. In this era marked by significant political events, we encounter Abraham Lincoln's signed carte-de-visite from 1864. This vignette photograph framed with gold-ruled borders serves as a reminder of his influential role during this tumultuous time. Andromeda's ethereal presence shines through an oil painting created in 1869 while Scene from The Mad Hatters Tea Party offers whimsy through pen and brown ink around c. 1865. Fowl House Farm at Witley brings rural life to our attention with pencil sketches depicting children playing alongside shepherds tending their flock nearby. Lastly, we witness The Wiltshire Great Coursing Meeting Held at Amesbury capturing moments from March16-20th, 1847; it invites us into the excitement surrounding coursing events during this period.