Mid 19th Century Collection (page 6)

Lady in a Carriage; Signora in Vettura, (watercolour on paper)
651441 Lady in a Carriage; Signora in Vettura, (watercolour on paper) by Nittis, Giuseppe or Joseph de (1846-84); 22.2x28.2 cm; Private Collection; (add.info.: Lady in a Carriage; Signora in Vettura)

Portrait of a Lady, Half Length Wearing a Black Dress and Holding a Carnation
651377 Portrait of a Lady, Half Length Wearing a Black Dress and Holding a Carnation, (oil on canvas) by Winterhalter, Hermann (1808-91); 80.7x64.8 cm; Private Collection; (add.info)

A Bedouin Chieftain, 1846 (oil on canvas)
outdoor, nineteenth century, headscarf, pistol, time of day, suspicious, godfried guffens, oil on canvas, oil painting, brown hair, looking away, brunette, one man only, man, men, aversion

Iron and Steel (engraving)
5221744 Iron and Steel (engraving) by English School, (19th century); Private Collection; (add.info.: Iron and Steel. From Illustrations of Useful Arts and Manufactures by Charles Tomlinson (SPCK)

Leather and Parchment (engraving)
5221732 Leather and Parchment (engraving) by English School, (19th century); Private Collection; (add.info.: Leather and Parchment)

Ropes and Cordage (engraving)
5221728 Ropes and Cordage (engraving) by English School, (19th century); Private Collection; (add.info.: Ropes and Cordage)

A Little Stage Fairy (oil on canvas)
828490 A Little Stage Fairy (oil on canvas) by Patten, Alfred Fowler (1829-88); 76.2x50.8 cm; Private Collection; (add.info.: A Little Stage Fairy. Alfred Fowler Patten (1829-1888). Oil on canvas

May Day Garlands, (pencil and watercolour heightened with bodycolour)
828482 May Day Garlands, (pencil and watercolour heightened with bodycolour) by Foster, Myles Birket (1825-99); 34.6x71.4 cm; Private Collection; (add.info.: May Day Garlands)

The Harvesters, 1865 (bodycolour)
828475 The Harvesters, 1865 (bodycolour) by Warren, Edmund George (1834-1909); 25.5x36. cm; Private Collection; (add.info.: The Harvesters. Edmund George Warren (1834-1909). Bodycolour

Music Versus Work, 1864 (oil on canvas)
828422 Music Versus Work, 1864 (oil on canvas) by Worrall, Edward Joseph (1829-1913); 31.5x22.9 cm; Private Collection; (add.info.: Music Versus Work. Joseph Edward Worrall (1829-1913)

The Horse Fair, 1863 (oil on canvas)
827941 The Horse Fair, 1863 (oil on canvas) by Friedrich, Adolf (1824-1889); 68x112.1 cm; Private Collection; (add.info.: The Horse Fair. Gustav Adolf Friederich (1824-1889). Oil on canvas

Oedipus and the Sphinx; Oedipe et le Sphinx, (black chalk, pen and ink)
827625 Oedipus and the Sphinx; Oedipe et le Sphinx, (black chalk, pen and ink) by Moreau, Gustave (1826-98); 25.2x16.5 cm; Private Collection; (add.info.: Oedipus and the Sphinx; Oedipe et le Sphinx)

The Latin Class, 1869 (watercolour over pencil traces)
827406 The Latin Class, 1869 (watercolour over pencil traces) by Passini, Ludwig (1832-1903); 47.5x69.2 cm; Private Collection; (add.info.: The Latin Class. Ludwig Passini (1832-1903)

The Bullfight, (oil on canvas)
827325 The Bullfight, (oil on canvas) by Lucas y Padilla, Eugenio (1824-70); 39.4x33.7 cm; Private Collection; (add.info.: The Bullfight. Eugenio Lucas y Padilla (1824-1870). Oil on canvas

The Artists Studio, (oil on canvas)
827314 The Artists Studio, (oil on canvas) by Mottez, Victor (1809-97); 95.3x123.8 cm; Private Collection; (add.info.: The Artists Studio. Victor Mottez (1809-1897). Oil on canvas

Evening on a Parisian Boulevard, (gouache over black chalk)
827228 Evening on a Parisian Boulevard, (gouache over black chalk) by Stein, Georges (1818-90); 38.4x49.9 cm; Private Collection; (add.info.: Evening on a Parisian Boulevard)

Elegant Ladies (oil on canvas)
827197 Elegant Ladies (oil on canvas) by Pinel, Gustave Nicolas (1842-96); 52.8x26.7 cm; Private Collection; (add.info.: Elegant Ladies. Gustave Nicolas Pinel (1842-1896). Oil on canvas

Adolescence, 1874 (watrcolour and gouache)
827146 Adolescence, 1874 (watrcolour and gouache) by Muckley, William Jabez (1837-1905); 32.5x25.8 cm; Private Collection; (add.info.: Adolescence. William Jabez Muckley (1837-1905)

A Woman Crocheting, (oil on panel)
827140 A Woman Crocheting, (oil on panel) by Nittis, Giuseppe or Joseph de (1846-84); 17.2x14.6 cm; Private Collection; (add.info.: A Woman Crocheting. Giuseppe de Nittis (1846-1884). Oil on panel

The Big Sister; La Grande Soeur, 1865 (oil on canvas)
827122 The Big Sister; La Grande Soeur, 1865 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 100.3x73.7 cm; Private Collection; (add.info.: The Big Sister; La Grande Soeur)

The Skipton Fair of 1830 (oil on canvas)
827106 The Skipton Fair of 1830 (oil on canvas) by Burras, Thomas (1790-1870); 57.1x76.1 cm; Private Collection; (add.info.: The Skipton Fair of 1830. Thomas Burras of Leeds (1790- 1870)

Tete a Tete, (oil on canvas)
826996 Tete a Tete, (oil on canvas) by Soulacroix, Joseph Frederick Charles (1825-79); 88.2x66.6 cm; Private Collection; (add.info.: Tete a Tete. Joseph Frederick Charles Soulacroix (1825-1879)

After the Swim; Apres le Bain, c. 1846 (oil on paper laid on panel)
825572 After the Swim; Apres le Bain, c.1846 (oil on paper laid on panel) by Daumier, Honore (1808-79); 16x21.6 cm; Private Collection; (add.info.: After the Swim; Apres le Bain)

Still-life, Lemon and Orange; Nature Morte, Citron et Orange, 1868 (oil on canvas)
825571 Still-life, Lemon and Orange; Nature Morte, Citron et Orange, 1868 (oil on canvas) by Fantin-Latour, Ignace Henri Jean (1836-1904); 12x20 cm; Private Collection; (add.info.: Still-life)

Industry (coloured engraving)
3641876 Industry (coloured engraving) by Bennett, Charles Henry (1828-67); Private Collection; (add.info.: Industry. Illustration for Shadow and Substance by Charles H Bennett and Robert B Brough)

Poacher and gamekeeper (engraving)
5228783 Poacher and gamekeeper (engraving) by English School, (19th century); Private Collection; (add.info.: Poacher and gamekeeper)

Artificial Illumination (engraving)
5221755 Artificial Illumination (engraving) by English School, (19th century); Private Collection; (add.info.: Artificial Illumination)

Copper and Brass (engraving)
5221754 Copper and Brass (engraving) by English School, (19th century); Private Collection; (add.info.: Copper and Brass. From Illustrations of Useful Arts and Manufactures by Charles Tomlinson)

Hats (engraving)
5221727 Hats (engraving) by English School, (19th century); Private Collection; (add.info.: Hats. From Illustrations of Useful Arts and Manufactures by Charles Tomlinson (SPCK)

Finishing Processes, Bleaching etc (engraving)
5221718 Finishing Processes, Bleaching etc (engraving) by English School, (19th century); Private Collection; (add.info.: Finishing Processes, Bleaching etc)

King Edward VII and Princess Alexandra on their wedding day at Windsor Castle, 10 March 1863 (b / w photo)
6014429 King Edward VII and Princess Alexandra on their wedding day at Windsor Castle, 10 March 1863 (b/w photo) by English Photographer

Queen Alexandra with Prince Albert Victor and Prince George (later King George V) (b / w photo)
6014428 Queen Alexandra with Prince Albert Victor and Prince George (later King George V) (b/w photo) by English Photographer

King Edward VII, 1861 (b / w photo)
6014418 King Edward VII, 1861 (b/w photo) by Silvy, Camille (fl. 1850-69); Private Collection; (add.info.: King Edward VII, 1861)

King Edward VII and the his brother Alfred, Duke of Saxe-Coburg and Gotha, 1870 (b / w photo)
6014446 King Edward VII and the his brother Alfred, Duke of Saxe-Coburg and Gotha, 1870 (b/w photo) by English Photographer

King Edward VII in mortar board and gown while at Oxford University (b / w photo)
6014408 King Edward VII in mortar board and gown while at Oxford University (b/w photo) by Hills & Saunders (fl.1880-1920); Private Collection; (add.info)

1849, A prospect of the Zoological Societys Gardens (engraving)
2809936 1849, A prospect of the Zoological Societys Gardens (engraving) by Doyle, Richard (1824-83); Private Collection; (add.info.: 1849, A prospect of the Zoological Societys Gardens)

1849, Highest Court of Law in the Kingdom, The Lords hearing Appeals (engraving)
2809916 1849, Highest Court of Law in the Kingdom, The Lords hearing Appeals (engraving) by Doyle, Richard (1824-83); Private Collection; (add.info.: 1849, Highest Court of Law in the Kingdom)

1849, A few friends to tea and a little music (engraving)
2809907 1849, A few friends to tea and a little music (engraving) by Doyle, Richard (1824-83); Private Collection; (add.info.: 1849, A few friends to tea and a little music)

Chatham Square, New York, c. 1853 (half-plate daguerreotype)
1766826 Chatham Square, New York, c.1853 (half-plate daguerreotype) by Lewis, William Henry (1791-1879); 10.4x13.3 cm; Private Collection; (add.info.: Chatham Square, New York)

Sounding Reveille, 1865 (oil on canvas)
1764677 Sounding Reveille, 1865 (oil on canvas) by Homer, Winslow (1836-1910); 133.7x50.2 cm; Private Collection; (add.info.: Sounding Reveille. Winslow Homer (1836-1910). Oil on canvas

A Young Golden Eagle, 1841 (hand-coloured engraved plate)
986457 A Young Golden Eagle, 1841 (hand-coloured engraved plate) by Selby, Prideaux John (1788-1867); 65x51 cm; Private Collection; (add.info.: A Young Golden Eagle)

Painted Stork (Tantalus Leucocephalus), 1862-1873 (hand-coloured lithograph)
986238 Painted Stork (Tantalus Leucocephalus), 1862-1873 (hand-coloured lithograph) by Gould, John (1804-81); 54x36.5 cm; Private Collection; (add.info.: Painted Stork (Tantalus Leucocephalus)

Camelopardalis Giraffa (The Giraffe), 1840-1844 (hand-coloured lithograph)
986200 Camelopardalis Giraffa (The Giraffe), 1840-1844 (hand-coloured lithograph) by English School, (19th century); 43x59.5 cm; Private Collection; (add.info.: Camelopardalis Giraffa (The Giraffe)

Grey-Headed Flying Fox (Pteropus Poliocephalus), 1845-1863 (hand-coloured lithograph)
986061 Grey-Headed Flying Fox (Pteropus Poliocephalus), 1845-1863 (hand-coloured lithograph) by Gould, John (1804-81); Private Collection; (add.info.: Grey-Headed Flying Fox (Pteropus Poliocephalus)

An Officer of the 17th Lancers on horseback, 1833-1836 (hand-coloured lithograph)
985991 An Officer of the 17th Lancers on horseback, 1833-1836 (hand-coloured lithograph) by Mansion, L. and Eschauzier, St

The Mock Turtle - The Mock Turtle Sobbing on a Rock, c. 1865 (pen and brown ink)
985963 The Mock Turtle - The Mock Turtle Sobbing on a Rock, c.1865 (pen and brown ink) by Tenniel, John (1820-1914); 10.1x8.4 cm; Private Collection; (add.info.: The Mock Turtle)

Iridorchis Gigantea, 1867 (hand-coloured lithograph)
985960 Iridorchis Gigantea, 1867 (hand-coloured lithograph) by Wendel, A. J. (1826-1915) (after); Private Collection; (add.info.: Iridorchis Gigantea)

Haliaetus Pelagicus (Stellers Sea Eagle), 1866-1869 (hand-coloured lithograph)
985893 Haliaetus Pelagicus (Stellers Sea Eagle), 1866-1869 (hand-coloured lithograph) by Elliot, Daniel Girard (fl.1860-77); 60x47.5 cm; Private Collection; (add.info)

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Step back in time to the mid 19th century, a period filled with artistic marvels and historical milestones. The Iris Germanica, a stunning hand-coloured engraving from 1847, showcases the beauty of nature captured on paper. Meanwhile, Orlando, a Bay Racehorse in a Loosebox immortalized in oil on panel in 1845, portrays the grace and strength of these majestic creatures. The Viaduct across the Sankey Valley stands as an architectural masterpiece from 1831. Its colour aquatints and partly hand-coloured details transport us to an era where engineering marvels were celebrated. Bloomsbury, A Chestnut Racehorse with Sam Templeman up, takes us into the world of horse racing through its captivating oil on canvas depiction set against a picturesque landscape. Art lovers are treated to The Wrestling Scene in As You Like It painted by an unknown artist in 1854. This oil on canvas piece captures the intensity and drama of Shakespearean theater. Paolo and Francesca da Rimini transports us further into history with its emotional portrayal of doomed love rendered beautifully on canvas in 1863. In this era marked by significant political events, we encounter Abraham Lincoln's signed carte-de-visite from 1864. This vignette photograph framed with gold-ruled borders serves as a reminder of his influential role during this tumultuous time. Andromeda's ethereal presence shines through an oil painting created in 1869 while Scene from The Mad Hatters Tea Party offers whimsy through pen and brown ink around c. 1865. Fowl House Farm at Witley brings rural life to our attention with pencil sketches depicting children playing alongside shepherds tending their flock nearby. Lastly, we witness The Wiltshire Great Coursing Meeting Held at Amesbury capturing moments from March16-20th, 1847; it invites us into the excitement surrounding coursing events during this period.