Mime Collection (page 2)

Dancer and mime Charles-Francois Mazurier as Beterse in the ballet pantomime La Laitiere Suisse, The Swiss Milkmaid, by Antoine Titus and Frederic-Auguste Blache, Theatre le la Porte St

Art. Entertainment. The mirror, mime show at the cabaret Les Folies Bergeres, Paris
3434507 Art. Entertainment. The mirror, mime show at the cabaret Les Folies Bergeres, Paris. Poster by Jules Cheret, France, c.1890 (poster) by Cheret, Jules (1836-1932); (add.info.: Art. Spectacle)

Mime: gallery of Debureau (or Deburau): all the characters that Debureau mimed, 1846
LSE4076919 Mime: gallery of Debureau (or Deburau): all the characters that Debureau mimed, 1846. by French School, (19th century); Private Collection; (add.info.: Mime)

Affiche pour la fete du Pont (pantomime) - Poster for the Great bridge revue
FIA5409866 Affiche pour la fete du Pont (pantomime) - Poster for the Great bridge revue, by Schlemmer, Oskar (1888-1943). Colour lithograph, 1926

Poster for the daily spectacle "Pantomimes Lumineuses"
LSE4112019 Poster for the daily spectacle " Pantomimes Lumineuses" Optical Theatre of Reynaud, 1892, at the Grevin Museum

Art. Entertainment. Scaramouche, ballet by Felicia Mallet
3434879 Art. Entertainment. Scaramouche, ballet by Felicia Mallet. Poster by Jules Cheret, France, c.1895 (poster) by Cheret, Jules (1836-1932); (add.info.: Art. Spectacle. Coll. Part. Art)

Programme for the Ba-ta-clan Cafe Concert, c. 1905 (colour litho)
698709 Programme for the Ba-ta-clan Cafe Concert, c.1905 (colour litho) by French School, (20th century); Bibliotheque Historique de la Ville de Paris, Paris, France; (add.info.: 50)

The song of the dog (Emma Valladon called Theresa (1837-1913) at the cafe concert
JLJ4591179 The song of the dog (Emma Valladon called Theresa (1837-1913) at the cafe concert) Painting by Edgar Degas (1834-1917), gouache and pastel, 57.5 cm x 45 cm, 1876

The mime Mevisto in the theatre of "La Scala"in Paris, 1891
LSE4112003 The mime Mevisto in the theatre of " La Scala" in Paris, 1891. Drawing by Luce. by Luce, Percival de (1847-1914); Private Collection; (add.info)

The game of the fox, is practiced accompanied by singing and beats of hands
LSE4328747 The game of the fox, is practiced accompanied by singing and beats of hands, kind of game of dying, where each player must mimic a figure with his hands

Art. Entertainment. Tertulia, show at the Cafe Spectacle, Paris
3434609 Art. Entertainment. Tertulia, show at the Cafe Spectacle, Paris. Poster by Jules Cheret, c.1870 (poster) by Cheret, Jules (1836-1932); (add.info.: Art. Spectacle. Tertulia, cafe spectacle)

Art. Entertainment. L Arc en Ciel (the Rainbow), show at the cabaret Les Folies
3434505 Art. Entertainment. L Arc en Ciel (the Rainbow), show at the cabaret Les Folies Bergeres, Paris. Poster by Jules Cheret, France, c.1890 (poster) by Cheret, Jules (1836-1932); (add.info.: Art)

The "little live pig"disclosed (engraving)
2781017 The " little live pig" disclosed (engraving) by English School, (19th century); Private Collection; (add.info.: The " little live pig" disclosed)

Weird way of expressing figures with comic postures - Italian doc. n. d
LSE4098608 Weird way of expressing figures with comic postures - Italian doc. n.d. by Italian School; Private Collection; (add.info)

Portrait of Jean-Gaspard Deburau (1796-1846), 1832. Creator: Trouvé
Portrait of Jean-Gaspard Deburau (1796-1846), 1832. Found in the collection of Musee Carnavalet, Paris

Dancing Mezzetin, ca 1720. Creator: Anonymous
Dancing Mezzetin, ca 1720. Found in the collection of Musee Carnavalet, Paris

Who want to be a superstar?
hardibudi

game play
Lus Joosten

Conversation between Mutes (Gespraech zwischen Stummen), 1907. Creator: Moritz Jung
Conversation between Mutes (Gespraech zwischen Stummen), 1907

Pierrot in pain, ca. 1854-55. Creator: Nadar
Pierrot in pain, ca. 1854-55

Pierrot Running, 1854-55. Creator: Nadar
Pierrot Running, 1854-55

MUSE / POLYHYMNIA
THE MUSE OF SONG, AND MIME

Dame mascherate, c. 1909. Creator: Ciardi, Emma (1879-1933)
Dame mascherate, c. 1909. Found in the Collection of Galleria Nuova Arcadia di Luciano Franchi, Padova

Masked Ball (Il ridotto), Mid of 17th cen Creator: Heintz, Joseph, the Younger
Masked Ball (Il ridotto), Mid of 17th cen.. Private Collection

The Elephant, 1774. Found in the Collection of Palazzo Leoni Montanari, Vicenza

Pierrot, 1922. Private Collection

The dwarves quarrelling over the body of Fafner, 1924. Artist: Arthur Rackham
The dwarves quarrelling over the body of Fafner, 1924. Illustration from Siegfried and the Twilight of the Gods. Alberich

The forging of Nothung, 1924. Artist: Arthur Rackham
The forging of Nothung, 1924. Illustration from Siegfried and the Twilight of the Gods. Wotan told Mime that only someone without fear would be able to forge Nothung

Mime and the Wanderer, 1924. Artist: Arthur Rackham
Mime and the Wanderer, 1924. Illustration from Siegfried and the Twilight of the Gods. The dwarf Mime tries to reforge the sword, Nothung

Mime finds the mother of Siegfried in the forest, 1924. Artist: Arthur Rackham
Mime finds the mother of Siegfried in the forest, 1924. Illustration from Siegfried and the Twilight of the Gods. The dwarf Mime is forced to explain how he came across Sieglinde dying in childbirth

Mime and the infant, 1924. Artist: Arthur Rackham
Mime and the infant, 1924. Illustration from Siegfried and the Twilight of the Gods. Mime speaks tenderly of how he reared Siegfried from infancy. From a private collection

Mime at the anvil, 1924. Artist: Arthur Rackham
Mime at the anvil, 1924. Illustration from Siegfried and the Twilight of the Gods. Mime toils at the anvil to try and build a new sword for Siegfried

Nothung! Nothung! Conquering sword!, 1924. Artist: Arthur Rackham
Nothung! Nothung! Conquering sword!, 1924. Frontispiece from Siegfried and the Twilight of the Gods. Siegfried, because he has no fear, can fix the broken sword, Nothung, left to him by his mother

Mime writhes under the lashes he receives, 1910. Artist: Arthur Rackham
Mime writhes under the lashes he receives, 1910. Illustration from The Rhinegold and the Valkyrie. Alberich puts on the Tarnhelm and becomes invisible, beating Mime to taunt him. From Das Rheingold

Mime howling Ohe! Ohe! Oh! Oh!, 1910. Artist: Arthur Rackham
Mime howling Ohe! Ohe! Oh! Oh!, 1910. Illustration from The Rhinegold and the Valkyrie. Alberich beats his brother Mime for taking too long working on the Tarnhelm. From Das Rheingold

Street artist, Bath, Avon

Self-Portrait as Pierrot, 1915. Found in the collection of Statens Museum for Kunst, Copenhagen

Casino (Il ridotto) in Venice, ca 1757. Found in the collection of Museo della Fondazione Querini Stampalia, Venezia

The Charlatan, ca 1757. Found in the collection of Fondation Bemberg, Toulouse

Piazza San Marco, 1753. Found in the Collection of Alnwick Castle

Carnival Parade in Piazza San Marco in Honour of the Conti Del Nord. Found in the Collection of Fondazione Cini, Venezia

Masked Ball. Private Collection

Leaving the Masqued Ball. Artist: Madrazo y Garreta, Raimundo de (1841-1920)
Leaving the Masqued Ball. Found in the collection of Museo Carmen Thyssen, Malaga

Arriving at the Theatre on a Night of a Masked Ball. Artist: Lucas Villaamil, Eugenio (1858-1919)
Arriving at the Theatre on a Night of a Masked Ball. Found in the collection of Museo Carmen Thyssen, Malaga

Casino (Il ridotto) in Venice. Artist: Guardi, Francesco (1712-1793)
Casino (Il ridotto) in Venice. Private Collection

Casino (Il ridotto), Second Half of the 18th cen Artist: Longhi, Pietro, (Circle of)
Casino (Il ridotto), Second Half of the 18th cen.. Found in the collection of the Rijksmuseum, Amsterdam

The hour of the masked ball. Private Collection

Masquerade, 1913-1914. Artist: Grigoriev, Boris Dmitryevich (1886-1939)
Masquerade, 1913-1914. Found in the collection of the Regional Art Museum, Kherson

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"Mime: A Silent Art That Speaks Volumes" Step into the enchanting world of mime, where silence becomes a language and gestures convey emotions. Originating in Japan, this captivating art form has transcended borders and captivated audiences worldwide. Intriguingly intertwined with Japanese culture, mime draws inspiration from the grace and elegance of geishas. Just like these iconic figures, mimes possess an exquisite ability to express themselves through subtle movements and facial expressions. One cannot mention mime without recalling the famous trio embodying "See no evil, Hear no evil, Speak no evil. " This timeless concept reminds us of our own limitations in perceiving the world around us. Mime artists skillfully bring this moral tale to life on stage, urging us to reflect upon our actions. The influential film "Children of Paradise" by Marcel Carn showcases the power as it weaves its magic throughout the narrative. French mime artist Marcel Marceau's rehearsals at Picca demonstrate his dedication to perfecting every nuanced movement that would leave audiences spellbound. Venturing beyond traditional performances, masks and costumes take center stage during Venice Carnival. People transform into fantastical characters reminiscent of ancient myths or whimsical creatures straight out of fairy tales – a true celebration of theatricality and self-expression. Mime is not limited to modern times; it has roots dating back centuries. Siegfried forges Notung with silent determination while Jean-Gaspard Deburau immortalizes Pierrot's melancholic charm through his mimetic genius. Throughout history, pantomimes have left their mark on society's cultural fabric. From Bathyllus' mesmerizing Roman dances to Pantomimes Lumineuses' lithographic illustrations in 1892 – each artistic endeavor contributes to shaping this unique art form. Leaping forward in time brings us closer to contemporary perspectives on mime. Reverend Robin Morrison (now Canon) explores how faith and mime intersect, creating a spiritual connection that transcends words.