Mime Collection (page 3)

Jean-Gaspard Deburau as Pierrot, 1845. Artist: Bouquet, Auguste (1810-1846)
Jean-Gaspard Deburau as Pierrot, 1845. From a private collection

Childrens Masquerade, 1912. Artist: Grigoriev, Boris Dmitryevich (1886-1939)
Childrens Masquerade, 1912. From a private collection

Carnival in Rome (Detail), c. 1650. Artist: Lingelbach, Johannes (1622-1674)
Carnival in Rome (Detail), c. 1650. Found in the collection of the Art History Museum, Vienne

Pierrot Content, ca 1712. Artist: Watteau, Jean Antoine (1684-1721)
Pierrot Content, ca 1712. Found in the collection of the Thyssen-Bornemisza Collections

Lions House or the Venice Carnival, 1762. Found in the collection of Fondazione Querini Stampalia

Jean-Gaspard Deburau, mime artist, as Pierrot
Jean-Gaspard Deburau (1796-1846), Bohemian-French mime artist, in his famous character of Pierrot. Or possibly his son Jean-Charles Deburau (1829-1873)

Sign schoolmaster adult side 1516 mixed technique
Sign of a schoolmaster (adult side), 1516, mixed technique on spruce, 55.3 x 65.5 cm, Not marked, but dated in the text box: who someone likes to learn the world scholarly [...] and read the all

India, South India, Kerala. Kathakali actor-dancer (paccha) performing a traditional show in Cochin

ai, android, artificial intelligence, augmented reality, bionic, boyfriend, cloud
Couple dancing wearing face paint and virtual reality helmets

Jean-Louis Barrault (1910 - 1994), French actor, director and mime artist

Siegfried and Notung
Act one : Siegfried wields Notung, the magic sword which he has just re-fashioned with the help of Mime, and with which he will slay the dragon Fafner

Arts League of Service Travelling Theatre - En Bateau
Arts League of Service - The Travelling Theatre - En Bateau - an absurdity. The Travelling Theatre performed a repertory of short plays by first-class authors such as Yeata, Synge, Galsworthy

Indian actor in colourful costume performing story-play or Kathakali, front view

Illustration of mime artist with sad, white face, wearing yellow leotard, blue shoes and top hat

JOSEPH GRIMALDI (1779-1837) in clown costume. Etching by Isaac Robert Cruikshank

Portrait of a mime clown with makeup for a childrens show

Italy, Florence. A mime in silver paint stands for a portrait

Forging of Notung
Act one : taught by Mime, Siegfried forges Notung the magic sword

Mime and Alberich
Act two : Mime and Alberich quarrel over Fafners hoard

Mime and Siglind

Alberich and Mime
Scene Three : Alberich and Mime

Wanderer and Mime
Act One : the Wanderer tells Mime about the magic sword Notung

Mime Punished
Scene Three : Mime is punished by Alberich

Siegfried Infant
Act one : Mime and the infant Siegfried

Education, classroom
A class of smiling 5 year olds enjoy a lesson of poetry with mime

The Mulberry Tree, words and music
Here we go round the mulberry tree... So early in the morning. This is the way we wash our clothes... wash our hands... brush our hair... tie our shoes... etc

Polyhymnia, Euterpe
Polyhymnia muse of mime and Euterpe muse of flute-playing

Travelling Actors
Actors, part of a travelling theatre company, performing their comedy (or mime) routine on a platform in the middle of a field

Game; how Doth Peasant
All form a circle and mime country activities - sowing and threshing barley and wheat, that sort of thing

Game : Isabella
All form a circle : the one chosen to be Isabella is in the middle, and chooses a sweetheart from the ring, together they mime the actions of the song

All Professionally Made to Order for Quick Shipping

"Mime: A Silent Art That Speaks Volumes" Step into the enchanting world of mime, where silence becomes a language and gestures convey emotions. Originating in Japan, this captivating art form has transcended borders and captivated audiences worldwide. Intriguingly intertwined with Japanese culture, mime draws inspiration from the grace and elegance of geishas. Just like these iconic figures, mimes possess an exquisite ability to express themselves through subtle movements and facial expressions. One cannot mention mime without recalling the famous trio embodying "See no evil, Hear no evil, Speak no evil. " This timeless concept reminds us of our own limitations in perceiving the world around us. Mime artists skillfully bring this moral tale to life on stage, urging us to reflect upon our actions. The influential film "Children of Paradise" by Marcel Carn showcases the power as it weaves its magic throughout the narrative. French mime artist Marcel Marceau's rehearsals at Picca demonstrate his dedication to perfecting every nuanced movement that would leave audiences spellbound. Venturing beyond traditional performances, masks and costumes take center stage during Venice Carnival. People transform into fantastical characters reminiscent of ancient myths or whimsical creatures straight out of fairy tales – a true celebration of theatricality and self-expression. Mime is not limited to modern times; it has roots dating back centuries. Siegfried forges Notung with silent determination while Jean-Gaspard Deburau immortalizes Pierrot's melancholic charm through his mimetic genius. Throughout history, pantomimes have left their mark on society's cultural fabric. From Bathyllus' mesmerizing Roman dances to Pantomimes Lumineuses' lithographic illustrations in 1892 – each artistic endeavor contributes to shaping this unique art form. Leaping forward in time brings us closer to contemporary perspectives on mime. Reverend Robin Morrison (now Canon) explores how faith and mime intersect, creating a spiritual connection that transcends words.