Morozova Collection

Boyarynya Morozova, 1887. Artist: Vasily Surikov
Boyarynya Morozova, 1887. Feodosia Morozova (1632-1675) was one of the leading figures of the Old Believer movement that split from the Russian Orthodox Church after 1666-1667 in protest at religious

The Boyar Morozova, 1887, (1965). Creator: Vasily Surikov
The Boyar Morozova, 1887, (1965). Detail showing distraught worshippers, from a painting depicting Feodosia Morozovas arrest by the Nikonians in 1671

Portrait of Varvara Alexandrovna Morozova, nee Khludova (1848-1917), 1865. Creator: Zavaruev
Portrait of Varvara Alexandrovna Morozova, nee Khludova (1848-1917), 1865. Found in the Collection of State History Museum, Moscow

The Boyar Morozova (a study), 1881, (1965). Creator: Vasily Surikov
The Boyar Morozova (a study), 1881, (1965). Sketch for Boyarynya Morozova, a painting of 1887, depicting Feodosias arrest by the Nikonians in 1671

The Kiss Ceremony. Boyar Morozov, his Wife Yelena and Prince Serebrenni, 1882. Private Collection

Portrait of Margarita Kirillovna Morozova, nee Mamontova (1873-1958), 1910. Found in the collection of State Art Museum, Dnepropetrovsk

Portrait of Maria Fyodorovna Morozova, nee Simonova (1830-1911), 1897. Artist: Serov
Portrait of Maria Fyodorovna Morozova, nee Simonova (1830-1911), 1897. Found in the collection of State Russian Museum, St. Petersburg

Boyars welcome (Prince Serebrenni visiting Boyar Morozov), 1865. Artist: Schwarz, Vyacheslav Grigoryevich (1838-1869)
Boyars welcome (Prince Serebrenni visiting Boyar Morozov), 1865. Found in the collection of State Russian Museum, St. Petersburg

Portrait of Jevdokia Sergeyevna Morozova (1885-1959), 1918. Artist: Vinogradov, Sergei Arsenyevich (1869-1938)
Portrait of Jevdokia Sergeyevna Morozova (1885-1959), 1918. Found in the collection of the State Tretyakov Gallery, Moscow

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Vasily Surikov's iconic painting, "The Boyar Morozova" (1887), immortalizes the grandeur and opulence of 17th century Russian aristocracy. Depicting Morozova, a wealthy boyar, and his wife, this masterpiece is a testament to their power and status. Surikov also painted studies for the work, including "The Boyar Morozova (a study)" (1881). In a separate portrait, Zavaruev captured Varvara Alexandrovna Morozova, nee Khludova, in 1865. The Morozov family continued to intrigue artists, with Valentin Serov painting portraits of Margarita Kirillovna Morozova, nee Mamontova (1910), and Maria Fyodorovna Morozova, nee Simonova (1897). Schwarz's "Boyars welcome (Prince Serebrenni visiting Boyar Morozov)" (1865) and Buchholz's "The Kiss Ceremony. Boyar Morozov, his Wife Yelena and Prince Serebrenni" (1882) further explore the intricate dynamics of the Russian nobility. Vinogradov's "Portrait of Jevdokia Sergeyevna Morozova" (1918) offers a glimpse into the Morozov family during a later era. Through these works, the legacy of the Morozovs lives on, a symbol of Russia's rich artistic and historical heritage.