Napoleon Collection (page 23)

Vase, Vivant Denon, Egyptian Porcelain Service, Sevres
954789 Vase, Vivant Denon, Egyptian Porcelain Service, Sevres, 1806 (porcelain with paint & gilt) by Denon, Dominique Vivant (1747-1825); Kuskovo Estate Museum, Moscow

Napoleon is ferried halfway across the Niemen river, near Tilsit, to meet Alexander I and negotiate terms with him Date: 25-6 June 1807

NAPOLEON I / SCENES He rides into Berlin at the head of his invading army Date
NAPOLEON I/SCENES He rides into Berlin at the head of his invading army Date: 27 October 1806

INVASION OF BRITAIN The English expected that Napoleons army would cross the Channel in huge, flat- bottomed boats, oared like a galley but with sails as well Date: 1803

Memorial to the Late Prince Imperial at Chiselhurst (engraving)
1054465 Memorial to the Late Prince Imperial at Chiselhurst (engraving) by Brewer, Henry William (fl.1858-d.1903); Private Collection; (add.info.: Memorial to the Late Prince Imperial at Chiselhurst)

Marshal Lannes at Ratisbon
1192509 Marshal Lannes at Ratisbon by Wollen, William Barnes (1857-1936); Private Collection; (add.info.: Cassells History of England published by Cassell and Company circa 1920 s); English

Flight of the royal family of Portugal
1192501 Flight of the royal family of Portugal by Overend, William Heysham (1851-98); Private Collection; (add.info.: Cassells History of England published by Cassell and Company circa 1920 s)

The Treaty of Tilsit AD 1807
1192500 The Treaty of Tilsit AD 1807 by Hindley, Godfrey C. (fl.1876-1903); Private Collection; (add.info.: Cassells History of England published by Cassell and Company circa 1920 s); British

Capture of Wolfe Tone AD 1798
1192486 Capture of Wolfe Tone AD 1798 by Hardy, Paul (1862-1942); Private Collection; (add.info.: Cassells History of England published by Cassell and Company circa 1920 s); British, out of copyright

Death of General Louis Charles Antoine Desaix at the Battle of Marengo on June 14
5944662 Death of General Louis Charles Antoine Desaix at the Battle of Marengo on June 14, 1800 (Detail, oil on canvas around 1810 2, 59 x 3, 22) by Regnault

Portrait of Mourad Bey, Mamluk Chief and Egyptian Bey
5944356 Portrait of Mourad Bey, Mamluk Chief and Egyptian Bey by Anonymous; Private Collection; (add.info.: Engraving Portrait of Mourad Bey)

Her Imperial Majesty the Empress of the French, and the Imperial Infant (engraving)
1608891 Her Imperial Majesty the Empress of the French, and the Imperial Infant (engraving) by English School, (19th century); Private Collection; (add.info)

Napoleon chez Marie-Louise (colour litho)
2802068 Napoleon chez Marie-Louise (colour litho) by French School, (19th century); Private Collection; (add.info.: Napoleon chez Marie-Louise)

L Aiglon (colour litho)
2800580 L Aiglon (colour litho) by French School, (20th century); Private Collection; (add.info.: L Aiglon. Postcard, early 20th century. Signed J Fourquier.); © Look and Learn

To His Royal Highness Frederick Duke of York, this plate of Satan holding
1275194 To His Royal Highness Frederick Duke of York, this plate of Satan holding the prepondrence of power; or, Bounapartes Threat, published 1803 (hand-coloured engraving) by Sanders, E

Egyptian Sketches, published Hannah Humphrey in 1799 (hand-coloured etching)
1275082 Egyptian Sketches, published Hannah Humphrey in 1799 (hand-coloured etching) by Gillray, James (1757-1815); Private Collection; (add.info)

Les Miserables, by Victor Hugo, 1879 (engraving)
1273825 Les Miserables, by Victor Hugo, 1879 (engraving) by French School, (19th century); BibliothAque Paul-Marmottan, Ville de Boulogne-Billancourt, Academie des Beaux-Arts

Vue de Saint-Martin, residence de Napoleon a l ile d Elbe (engraving)
3644377 Vue de Saint-Martin, residence de Napoleon a l ile d Elbe (engraving) by French School, (19th century); Private Collection; (add.info.: Vue de Saint-Martin)

Portrait of the Sisters Zenaide and Charlotte Bonaparte, 1821 (oil on canvas)
3545832 Portrait of the Sisters ZenaAOde and Charlotte Bonaparte, 1821 (oil on canvas) by David, Jacques Louis (1748-1825); 129.5x100.6 cm; J

Bust of Napolean I
3497745 Bust of Napolean I by Unknown Artist, (19th century); Galleria d Arte Moderna, Villa Reale, Milan, Italy; (add.info)

Boney Beating Mack - And Nelson Giving Him a Whack!, 1805 (coloured etching)
3244699 Boney Beating Mack - And Nelson Giving Him a Whack!, 1805 (coloured etching) by Cruikshank, George (1792-1878); National Museum of the Royal Navy, Portsmouth, Hampshire

Confronting the Sphinx, Napoleon thought he heard it murmur the word: immortality! (colour litho)
3100996 Confronting the Sphinx, Napoleon thought he heard it murmur the word: immortality! (colour litho) by Job, pseudonym for Onfray de Breville

Napoleon promised his soldiers victories, and he kept his promise (colour litho)
3100993 Napoleon promised his soldiers victories, and he kept his promise (colour litho) by Job, pseudonym for Onfray de Breville

Napoleon organised a magnificent festival to celebrate the year of peace, 9 November 1801 (colour litho)
3100992 Napoleon organised a magnificent festival to celebrate the year of peace, 9 November 1801 (colour litho) by Job, pseudonym for Onfray de Breville

On the morning of his coronation, perceiving the notary of Josephine, Napoleon said to him, laughing: "Well
3100988 On the morning of his coronation, perceiving the notary of Josephine, Napoleon said to him, laughing: " Well, Maitre Ragideau, here is the cloak! And here is the sword

The French Army entering Berlin, 27 October 1806 (colour litho)
3100884 The French Army entering Berlin, 27 October 1806 (colour litho) by Job, pseudonym for Onfray de Breville, Jacques (1858-1931); Private Collection; (add.info.: The French Army entering Berlin)

The French Imperial Guard (colour litho)
3100882 The French Imperial Guard (colour litho) by Job, pseudonym for Onfray de Breville, Jacques (1858-1931); Private Collection; (add.info.: The French Imperial Guard)

Master of the World, he is the happiest of fathers. Napoleon watching the King of Italy taking his first steps in a
3100877 Master of the World, he is the happiest of fathers. Napoleon watching the King of Italy taking his first steps in a cariage pulled by goats, 1811 (colour litho) by Job

Napoleon meeting Archduchess Marie-Louise of Austria, who he must marry, 27 March 1810 (colour litho)
3100874 Napoleon meeting Archduchess Marie-Louise of Austria, who he must marry, 27 March 1810 (colour litho) by Job, pseudonym for Onfray de Breville

Napoleon looking on as the last contingent of the army in the French campaign marches past near Reims
3100872 Napoleon looking on as the last contingent of the army in the French campaign marches past near Reims, 16 March 1814 (colour litho) by Job, pseudonym for Onfray de Breville

Napoleon is appointed commander of the French army in Italy, 23 February 1796 (colour litho)
3100863 Napoleon is appointed commander of the French army in Italy, 23 February 1796 (colour litho) by Job, pseudonym for Onfray de Breville

Taken to Versailles by his father in 1779, he saw a king for the first time, Louis XVI
3100855 Taken to Versailles by his father in 1779, he saw a king for the first time, Louis XVI, who he would go on to succeed (colour litho) by Job, pseudonym for Onfray de Breville

Map of the Battle of Arcole, published by William Blackwood and Sons, Edinburgh & London
746933 Map of the Battle of Arcole, published by William Blackwood and Sons, Edinburgh & London, 1848 (hand-coloured engraving) by Johnston

Map of the Battle of Rivoli, published by William Blackwood and Sons, Edinburgh & London
746932 Map of the Battle of Rivoli, published by William Blackwood and Sons, Edinburgh & London, 1848 (hand-coloured engraving) by Johnston

Map of the Battle of Jena, published by William Blackwood and Sons, Edinburgh & London
746909 Map of the Battle of Jena, published by William Blackwood and Sons, Edinburgh & London, 1848 (hand-coloured engraving) by Johnston

On the Raft, Tilsit (engraving)
666797 On the Raft, Tilsit (engraving) by English School, (19th century); Private Collection; (add.info.: On the Raft, Tilsit)

The Retreat from Moscow (chromolitho)
668325 The Retreat from Moscow (chromolitho) by Nicholson, J. H. (19th century); Private Collection; (add.info.: The Retreat from Moscow.); © Look and Learn; British, out of copyright

Napoleon at Rossbach (engraving)
664604 Napoleon at Rossbach (engraving) by English School, (19th century); Private Collection; (add.info.: Napoleon at Rossbach)

Napoleon at Cairo (engraving)
726092 Napoleon at Cairo (engraving) by Gerome, Jean Leon (1824-1904) (after); Private Collection; (add.info.: Napoleon at Cairo. From the painting by Jean Leon Gerome, engraved by Peter Aitken)

Napoleon Achille Murat leaning on a bust of his mother (oil on canvas)
704128 Napoleon Achille Murat leaning on a bust of his mother (oil on canvas) by Rolland, Benjamin de (1777-1855); Galleria Nazionale d Arte Moderna e Contemporanea, Rome, Lazio

Emperor Napoleon III with the Prince Imperial, c. 1860 (b / w photo)
696668 Emperor Napoleon III with the Prince Imperial, c.1860 (b/w photo) by Meyer & Pierson (fl.1855-78); Private Collection; (add.info)

Napoleon, Prince Imperial, c. 1864 (b / w photo)
696662 Napoleon, Prince Imperial, c.1864 (b/w photo) by French Photographer, (19th century); Private Collection; (add.info.: Napoleon, (1856-79), Prince Imperial, Fils de France

Napoleon, Goethe and Wieland (engraving)
725972 Napoleon, Goethe and Wieland (engraving) by French School, (19th century); Private Collection; (add.info.: Napoleon, Goethe and Wieland)

Napoleon and Pius VII at Fontainebleau (engraving)
725960 Napoleon and Pius VII at Fontainebleau (engraving) by Laurens, Jean Paul (1838-1921) (after); Private Collection; (add.info.: Napoleon and Pius VII at Fontainebleau)

Passage of the Berezina in 1812 (chromolitho)
724798 Passage of the Berezina in 1812 (chromolitho) by French School, (19th century); Private Collection; (add.info.: Passage of the Berezina in 1812)

Waterloo, 7pm, June 18th, 1815, illustration from A History of England by C. R. L
STC373481 Waterloo, 7pm, June 18th, 1815, illustration from A History of England by C.R.L. Fletcher and Rudyard Kipling, 1911 (colour litho) by Ford

Bonaparte (1769-1821) 1er Consul, from a painting of Andrea Appiani (1754-1817
PLT238262 Bonaparte (1769-1821) 1er Consul, from a painting of Andrea Appiani (1754-1817) engraved by J.J.F. Tafsaert (coloured engraving) by Hennequin

The new picture at the Surrey Zoological Gardens, by Danson, representing Napoleon crossing the Alps (engraving)
611123 The new picture at the Surrey Zoological Gardens, by Danson, representing Napoleon crossing the Alps (engraving) by English School

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Napoleon, known as the King of Kings, left an indelible mark on history that still captivates us today. As we examine the map of the Battle of Waterloo from the 19th century, we are transported back to that fateful day on June 18th, 1815. Hegel's admiration for Napoleon becomes apparent as we delve into their complex relationship and its impact on philosophy. The oil painting depicting the Battle of Waterloo allows us to witness firsthand the chaos and bravery displayed by both sides. It serves as a reminder of Napoleon's strategic genius and his ultimate defeat in this decisive battle. The map showcasing Napoleon's exile on St Helena offers a glimpse into his final years spent far away from power and glory. In another portrayal, we see Napoleon leading his troops fearlessly in the midst of battle at Waterloo in 1815. His unwavering determination shines through even amidst adversity. Gillray's satirical depiction reveals how deeply intertwined politics were with Napoleon's reign during this tumultuous era. The Napoleonic Wars brought forth many heroes, such as the cuirassiers - French heavy cavalry who fought valiantly for their emperor. Their strength and loyalty symbolize the spirit that permeated throughout France during these turbulent times. Stepping away from military matters, let us explore a different side – one depicted in "The Garden of Earthly Delights" from the 1500s. This artwork hints at his grand ambitions beyond warfare; he sought to shape society and culture under his rule. Bismarck's encounter with Napoleon III highlights how influential this enigmatic figure remained long after his reign ended. Even posthumously, he continued to inspire political intrigue and fascination among leaders across Europe. Lastly, gazing upon Moriarty's poster reminds us that even fictional characters can be influenced by historical figures like Napoleon – their cunning minds echoing echoes those attributed to him.