Nur Sultan Muhammad Collection
Sultan Muhammad Nur, a masterful creator of art and calligraphy, left an indelible mark on the world with his exquisite works
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Sultan Muhammad Nur, a masterful creator of art and calligraphy, left an indelible mark on the world with his exquisite works. From the Khusrau Seated on his Throne to Bahram Gur in the White Palace on Friday, each piece tells a story that transcends time. In Folio 64 from a Khamsa (Quintet) of Nizami, Sultan Muhammad Nur captures the grandeur and power of Khusrau as he sits upon his majestic throne. The intricate details and vibrant colors transport us to a bygone era filled with opulence. Moving forward to Folio 235, we witness Bahram Gur in the White Palace on Sunday. Sultan Muhammad Nur's brush strokes bring life to this scene, showcasing Bahram Gur's regal presence amidst an ethereal setting. The artist's attention to detail is evident in every stroke. As we delve deeper into Sultan Muhammad Nur's collection, we encounter Farhad Carves a Milk Channel for Shirin in Folio 74 from a Khamsa (Quintet). This masterpiece depicts love and devotion through Farhad's tireless efforts for his beloved Shirin. The artist skillfully portrays their emotions through delicate lines and soft hues. The Turquoise Palace comes alive in Folio 216 from a Khamsa as Bahram Gur takes center stage once again. Sultan Muhammad Nur expertly captures the palace's splendor while highlighting its significance within the narrative. Not limited to palaces alone, Sultan Muhammad Nur also explores historical events such as Alexander at a Banquet depicted in another folio from Nizami's Khamsa. Through meticulous brushwork and vivid colors, he transports us back to ancient times where lavish banquets were held amidst tales of conquests. One cannot overlook Sultan Muhammad Nur’s talent for calligraphy either; showcased beautifully in an early 16th-century page of calligraphy that bears his name.